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    <title>Sidedoor</title>
    <link>https://www.si.edu/sidedoor</link>
    <pubDate>Wed, 02 Oct 2024 04:00:00 -0000</pubDate>
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    <copyright>© Smithsonian 2016</copyright>
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      <![CDATA[<p>More than 154 million treasures fill the Smithsonian’s vaults. But where the public’s view ends, Sidedoor begins. With the help of biologists, artists, historians, archaeologists, zookeepers and astrophysicists, host Lizzie Peabody sneaks listeners through the Smithsonian’s side door, telling stories that can’t be heard anywhere else. Check out <a href="https://www.si.edu/sidedoor" title="http://si.edu/sidedoor" rel="nofollow" target="_blank">si.edu/sidedoor </a>and follow @SidedoorPod for more info. </p>]]>
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    <managingEditor>sidedoor@si.edu (Smithsonian Institution )</managingEditor>
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    <itunes:author>Smithsonian Institution </itunes:author>
    <itunes:type>episodic</itunes:type>
    <itunes:category text="Society &amp; Culture"/>
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      <itunes:email>sidedoor@si.edu</itunes:email>
      <itunes:name>Smithsonian Institution </itunes:name>
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    <itunes:subtitle>Sidedoor is a podcast only the Smithsonian can bring you.</itunes:subtitle>
    <itunes:summary>
      <![CDATA[More than 154 million treasures fill the Smithsonian’s vaults, but where public view ends, Sidedoor begins. With the help of biologists, artists, historians, archaeologists, zookeepers and astrophysicists, host Lizzie Peabody sneaks listeners through Smithsonian’s side door to search for stories that can’t be found anywhere else. Check out si.edu/sidedoor and follow @SidedoorPod for more info.]]>
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    <media:copyright>© Smithsonian 2016</media:copyright>
    <media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Society &amp; Culture</media:category>
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      <title>Bankers in the Boudoir </title>
      <pubDate>Wed, 02 Oct 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_04bf11db-93e5-44ff-b4f9-1db1e861a1e3&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the Lord of the Rings trilogy, Frodo becomes invisible when he puts the Ring on his finger. Well, at banks in the 1970s, this is basically what happened when a woman put a wedding ring on her finger. Her credit cards would no longer work, and the banks wouldn't count her income as part of the household income. </p><p>This led to a fight for women's financial independence that gave rise to the landmark Equal Credit Opportunity Act (or ECOA) and the creation of the first women's banks. </p><p>In honor of the 50th anniversary of ECOA becoming law, we’re looking back at a time when women had to have their husband or father cosign on a credit application. What did it take to pass this landmark legislation? And how did it improve women's lives in America? </p><p> </p><p><strong>Guests: </strong></p><p><strong>Rachel Seidman, </strong>curator at the Smithsonian Anacostia Community Museum; curatorial consultant to the Smithsonian American Women's History Museum </p><p><strong>Emily Card, PhD, </strong>author of Staying Solvent: A Comprehensive Guide to Equal Credit for Women</p><p><strong>Elizabeth Babcock,</strong> director of the Smithsonian American Women's History Museum</p><p><strong>Jeanne Hubbard,</strong> former CEO of The Adams National Bank</p>]]>
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      <itunes:subtitle>In honor of the 50th anniversary of ECOA becoming law, we’re looking back at a time when women had to have their husband or father cosign on a credit application.</itunes:subtitle>
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      <itunes:duration>32:08</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the Lord of the Rings trilogy, Frodo becomes invisible when he puts the Ring on his finger. Well, at banks in the 1970s, this is basically what happened when a woman put a wedding ring on her finger. Her credit cards would no longer work, and the banks wouldn't count her income as part of the household income. This led to a fight for women's financial independence that gave rise to the landmark Equal Credit Opportunity Act (or ECOA) and the creation of the first women's banks. In honor of the 50th anniversary of ECOA becoming law, we’re looking back at a time when women had to have their husband or father cosign on a credit application. What did it take to pass this landmark legislation? And how did it improve women's lives in America?  Guests: Rachel Seidman, curator at the Smithsonian Anacostia Community Museum; curatorial consultant to the Smithsonian American Women's History Museum Emily Card, PhD, author of Staying Solvent: A Comprehensive Guide to Equal Credit for WomenElizabeth Babcock, director of the Smithsonian American Women's History MuseumJeanne Hubbard, former CEO of The Adams National Bank]]>
      </itunes:summary>
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      <title>Jim the Penman </title>
      <pubDate>Wed, 18 Sep 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_2b4ec003-c6fd-457c-b996-0c9e8122c5f7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>During the mid-1800s, <em>one third</em> of all paper money in America was thought to be fake. It was the golden age of counterfeiting, and one exceptionally talented con artist stood out from all the rest. His fakes were nearly perfect…but for a trademark tell. Known to law enforcement only as “Jim the Penman,” this celebrity criminal led many Americans to wonder: can great art truly be criminal? </p><p>Guests<br><strong>Ellen Feingold</strong>, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History</p>]]>
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      <itunes:subtitle>During the mid-1800s, the golden age of counterfeiting, one exceptionally talented con artist stood out from all the rest. </itunes:subtitle>
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      <itunes:season>11</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:duration>37:36</itunes:duration>
      <author>sidedoor@si.edu (Smithsonian Institution)</author>
      <category>
        <![CDATA[Counterfeit]]>
      </category>
      <category>
        <![CDATA[Fraud]]>
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      <category>
        <![CDATA[Jim the Penman]]>
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      <category>
        <![CDATA[Crime]]>
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      <category>
        <![CDATA[Criminal]]>
      </category>
      <category>
        <![CDATA[The Secret Service]]>
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      <category>
        <![CDATA[1800s]]>
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        <![CDATA[Smithsonian]]>
      </category>
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        <![CDATA[National Numismatic Collection]]>
      </category>
      <category>
        <![CDATA[Numismatic]]>
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        <![CDATA[American History]]>
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        <![CDATA[Smithsonian's National Museum of American History]]>
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      <itunes:author>Smithsonian Institution</itunes:author>
      <itunes:summary>
        <![CDATA[During the mid-1800s, one third of all paper money in America was thought to be fake. It was the golden age of counterfeiting, and one exceptionally talented con artist stood out from all the rest. His fakes were nearly perfect…but for a trademark tell. Known to law enforcement only as “Jim the Penman,” this celebrity criminal led many Americans to wonder: can great art truly be criminal? GuestsEllen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History]]>
      </itunes:summary>
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      <title>It's Season 11</title>
      <pubDate>Wed, 11 Sep 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_bd5d0a17-0dfb-4fa1-95e7-3b04798a71dd&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor returns for its eleventh season on Wednesday, September 18th! </p>]]>
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      <itunes:subtitle>Sidedoor returns for its eleventh season on Wednesday, September 18th! </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:duration>01:23</itunes:duration>
      <category>
        <![CDATA[Trailer]]>
      </category>
      <category>
        <![CDATA[New Season]]>
      </category>
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        <![CDATA[Premiere]]>
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      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor returns for its eleventh season on Wednesday, September 18th! ]]>
      </itunes:summary>
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      <title>Are Robots About to Level Up? </title>
      <pubDate>Wed, 28 Aug 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ab9e7373-7a0c-4fcf-8164-e03f2f94e064&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Within just a few years, artificial intelligence systems that sometimes seem to display almost human characteristics have gone from science fiction to apps on your phone. But there’s another AI-influenced frontier that is developing rapidly and remains untamed: robotics. Can the technologies that have helped computers get smarter now bring similar improvements to the robots that will work alongside us? In this episode of The Joy of Why podcast, <a href="https://www.csail.mit.edu/person/daniela-rus"><strong>Daniela Rus</strong></a>, a pioneering roboticist at the Massachusetts Institute of Technology, talks to host <a href="https://math.cornell.edu/steven-strogatz"><strong>Steven Strogatz</strong></a> about the surprising inspirations from biology that may help robots rise to new levels.</p><p> </p><p>Subscribe to <a href="https://www.quantamagazine.org/tag/the-joy-of-why/"><strong>The Joy of Why</strong></a> from Quanta Magazine wherever you listen to podcasts! </p>]]>
      </description>
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      <itunes:subtitle>In this episode of The Joy of Why podcast, Daniela Rus, a pioneering roboticist at the Massachusetts Institute of Technology, talks to host Steven Strogatz about the surprising inspirations from biology that may help robots rise to new levels.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>39:31</itunes:duration>
      <category>
        <![CDATA[AI]]>
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      <category>
        <![CDATA[Artificial Intelligence]]>
      </category>
      <category>
        <![CDATA[Robotics]]>
      </category>
      <category>
        <![CDATA[Computers]]>
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      <category>
        <![CDATA[Robots]]>
      </category>
      <category>
        <![CDATA[MIT]]>
      </category>
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        <![CDATA[Massachusetts Institute of Technology]]>
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      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Within just a few years, artificial intelligence systems that sometimes seem to display almost human characteristics have gone from science fiction to apps on your phone. But there’s another AI-influenced frontier that is developing rapidly and remains untamed: robotics. Can the technologies that have helped computers get smarter now bring similar improvements to the robots that will work alongside us? In this episode of The Joy of Why podcast, <a href="https://www.csail.mit.edu/person/daniela-rus">Daniela Rus</a>, a pioneering roboticist at the Massachusetts Institute of Technology, talks to host <a href="https://math.cornell.edu/steven-strogatz">Steven Strogatz</a> about the surprising inspirations from biology that may help robots rise to new levels. Subscribe to <a href="https://www.quantamagazine.org/tag/the-joy-of-why/">The Joy of Why</a> from Quanta Magazine wherever you listen to podcasts! ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
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      <title>Social Media and the Subway</title>
      <pubDate>Wed, 14 Aug 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_7a07b500-b36f-475e-abb2-1c72368fef1f&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>There aren’t many portrait artists who get recognized on the street, but it happens to Devon Rodriguez all the time. After quietly honing his skill for a decade, Devon started posting videos of his live drawings of New York City subway commuters to social media. The videos took off, earning him some 50 million followers and placing portraiture in front of a huge new audience.</p><p>In this episode of the Smithsonian's National Portrait Gallery’s podcast, <a href="https://npg.si.edu/podcasts"><strong>Portraits</strong></a>, Director Kim Sajet speaks with Devon about the mentors who had his back, and this new model for showing art— not in museums, but on screens.</p><p>See the portraits we discussed:</p><p><a href="https://npg.si.edu/kim-sajet-devon-rodriguez"><strong>Kim Sajet, by Devon Rodriguez</strong></a></p><p><a href="https://portraitcompetition.si.edu/exhibition/2019-outwin-boochever-portrait-competition/john-ahearn/"><strong>John Ahearn, by Devon Rodriguez</strong></a></p><p><a href="https://portraitcompetition.si.edu/exhibition/2016-outwin-boochever-portrait-competition/the-rodriquez-twins/"><strong>“The Rodriguez Twins,” by John Ahearn</strong></a></p><p><a href="https://npg.si.edu/maria_elena_estrada"><strong>María Elena Estrada, by Devon Rodriguez</strong></a></p><p><a href="https://www.instagram.com/reel/Cx8j8yExbLC/?igsh=MTJkcjFqdHNiNnhvbQ%3D%3D"><strong>Devon Rodriguez draws Kim Sajet, Instagram</strong></a></p>]]>
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      <itunes:subtitle>After quietly honing his skill for a decade, artist Devon Rodriguez started posting videos of his live drawings of New York City subway commuters to social media. In this episode from the Smithsonian's National Portrait Gallery's podcast, Portraits, director Kim Sajet speaks with Devon about what happened next.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:28</itunes:duration>
      <category>
        <![CDATA[Smithsonian]]>
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      <category>
        <![CDATA[National Portrait Gallery]]>
      </category>
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        <![CDATA[Portraiture]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Social Media]]>
      </category>
      <category>
        <![CDATA[New York City]]>
      </category>
      <category>
        <![CDATA[Subway]]>
      </category>
      <category>
        <![CDATA[Street art]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[There aren’t many portrait artists who get recognized on the street, but it happens to Devon Rodriguez all the time. After quietly honing his skill for a decade, Devon started posting videos of his live drawings of New York City subway commuters to social media. The videos took off, earning him some 50 million followers and placing portraiture in front of a huge new audience.In this episode of the Smithsonian's National Portrait Gallery’s podcast, <a href="https://npg.si.edu/podcasts">Portraits</a>, Director Kim Sajet speaks with Devon about the mentors who had his back, and this new model for showing art— not in museums, but on screens.See the portraits we discussed:<a href="https://npg.si.edu/kim-sajet-devon-rodriguez">Kim Sajet, by Devon Rodriguez</a><a href="https://portraitcompetition.si.edu/exhibition/2019-outwin-boochever-portrait-competition/john-ahearn/">John Ahearn, by Devon Rodriguez</a><a href="https://portraitcompetition.si.edu/exhibition/2016-outwin-boochever-portrait-competition/the-rodriquez-twins/">“The Rodriguez Twins,” by John Ahearn</a><a href="https://npg.si.edu/maria_elena_estrada">María Elena Estrada, by Devon Rodriguez</a><a href="https://www.instagram.com/reel/Cx8j8yExbLC/?igsh=MTJkcjFqdHNiNnhvbQ%3D%3D">Devon Rodriguez draws Kim Sajet, Instagram</a>]]>
      </itunes:summary>
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      <title>Archiving the Underground </title>
      <pubDate>Wed, 31 Jul 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_80a1f8a6-f86a-426c-be67-8546ac404b45&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Next up in our summer playlist, we bring you an episode of The Kitchen Sisters Present, a podcast featuring sound-rich stories ‘from the b-side of history.’ This one is a musical treat! The Kitchen Sisters delve into the story of the founding of the Hiphop Archive and Research Institute at Harvard by Dr. Marcyliena Morgan, Professor of African and African American Studies and Professor Henry Louis Gates to “facilitate and encourage the pursuit of knowledge, art, culture, scholarship and responsible leadership through Hiphop.” You’ll hear from Professor Morgan, Professor Gates, Nas, Nas Fellow Patrick Douthit aka 9th Wonder, The Hiphop Fellows working at the Archive, an array of Harvard archivists, and students studying at the Archive as well as the records, music and voices being preserved there.</p><p>Then they take a look at the Cornell University Hip Hop Collection, founded in 2007, through a sampling of stories from Assistant Curator Jeff Ortiz, Johan Kugelberg author of “Born in the Bronx,” and hip hop pioneers Grandmaster Caz, Pebblee Poo, Roxanne Shante and more.</p><p>This episode is part of The Kitchen Sisters’ series THE KEEPERS—stories of activist archivists, rogue librarians, curators, collectors and historians—keepers of the culture and the cultures and collections they keep.</p><p>We end this guest-feature with a short interview with the Smithsonian’s <a href="https://music.si.edu/dr-dwandalyn-reece"><strong>Dwandalyn R. Reece</strong></a>, Curator of Music and Performing Arts at the Smithsonian’s National Museum of African American History and Culture. She and Lizzie talk about the process behind the creation of <a href="https://folkways.si.edu/smithsonian-anthology-of-hip-hop-and-rap"><strong>The Smithsonian Anthology of Hip-Hop and Rap</strong></a>. </p><p><strong>Special Thanks</strong>: At The Hiphop Archive at Harvard: Dr. Marcyliena Morgan, Executive Director and Professor of African and African American Studies + Dr. Henry Louis Gates, Jr., Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research + 9th Wonder (Patrick Douthit) + Harold Shawn + Harry Allen + Professor Tommie Shelby + Michael Davis + Brionna Atkins + Justin Porter + Robert Rush. At the Loeb Music Library: Josh Cantor + Sarah Adams. At the Hip Hop Collection, Cornell University Library: Ben Ortiz. At NPR: Rodney Carmichael. At large: Jeff Chang + Pedro Coen + Nas</p><p>The Keepers is produced by The Kitchen Sisters, Davia Nelson &amp; Nikki Silva, with Nathan Dalton and Brandi Howell.</p><p>The Keepers Sonic Signature music is by Moondog.</p><p>For more of The Kitchen Sisters Present, visit kitchensisters.org.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/80a1f8a6-f86a-426c-be67-8546ac404b45/Hip_Hop_Archive_Seg1.mp3" type="audio/mpeg" length="54798546"/>
      <itunes:subtitle>Next up in our summer playlist, we bring you an episode of The Kitchen Sisters Present, a podcast featuring sound-rich stories ‘from the b-side of history.’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>38:06</itunes:duration>
      <category>
        <![CDATA[Hip-Hop]]>
      </category>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Anthology]]>
      </category>
      <category>
        <![CDATA[Harvard University]]>
      </category>
      <category>
        <![CDATA[Cornell University]]>
      </category>
      <category>
        <![CDATA[The Kitchen Sisters]]>
      </category>
      <category>
        <![CDATA[African American Studies]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Next up in our summer playlist, we bring you an episode of The Kitchen Sisters Present, a podcast featuring sound-rich stories ‘from the b-side of history.’ This one is a musical treat! The Kitchen Sisters delve into the story of the founding of the Hiphop Archive and Research Institute at Harvard by Dr. Marcyliena Morgan, Professor of African and African American Studies and Professor Henry Louis Gates to “facilitate and encourage the pursuit of knowledge, art, culture, scholarship and responsible leadership through Hiphop.” You’ll hear from Professor Morgan, Professor Gates, Nas, Nas Fellow Patrick Douthit aka 9th Wonder, The Hiphop Fellows working at the Archive, an array of Harvard archivists, and students studying at the Archive as well as the records, music and voices being preserved there.Then they take a look at the Cornell University Hip Hop Collection, founded in 2007, through a sampling of stories from Assistant Curator Jeff Ortiz, Johan Kugelberg author of “Born in the Bronx,” and hip hop pioneers Grandmaster Caz, Pebblee Poo, Roxanne Shante and more.This episode is part of The Kitchen Sisters’ series THE KEEPERS—stories of activist archivists, rogue librarians, curators, collectors and historians—keepers of the culture and the cultures and collections they keep.We end this guest-feature with a short interview with the Smithsonian’s <a href="https://music.si.edu/dr-dwandalyn-reece">Dwandalyn R. Reece</a>, Curator of Music and Performing Arts at the Smithsonian’s National Museum of African American History and Culture. She and Lizzie talk about the process behind the creation of <a href="https://folkways.si.edu/smithsonian-anthology-of-hip-hop-and-rap">The Smithsonian Anthology of Hip-Hop and Rap</a>. Special Thanks: At The Hiphop Archive at Harvard: Dr. Marcyliena Morgan, Executive Director and Professor of African and African American Studies + Dr. Henry Louis Gates, Jr., Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research + 9th Wonder (Patrick Douthit) + Harold Shawn + Harry Allen + Professor Tommie Shelby + Michael Davis + Brionna Atkins + Justin Porter + Robert Rush. At the Loeb Music Library: Josh Cantor + Sarah Adams. At the Hip Hop Collection, Cornell University Library: Ben Ortiz. At NPR: Rodney Carmichael. At large: Jeff Chang + Pedro Coen + NasThe Keepers is produced by The Kitchen Sisters, Davia Nelson &amp; Nikki Silva, with Nathan Dalton and Brandi Howell.The Keepers Sonic Signature music is by Moondog.For more of The Kitchen Sisters Present, visit kitchensisters.org.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
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    <item>
      <guid isPermaLink="false">prx_69_16eb59a8-447c-4a78-bfa1-b312b757272f</guid>
      <title>Rocket Man</title>
      <pubDate>Wed, 17 Jul 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_16eb59a8-447c-4a78-bfa1-b312b757272f&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the twentieth century, the jetpack became synonymous with the idea of a ‘futuristic society.’ Appearing in cartoons and magazines, it felt like a matter of time before people could ride a jetpack to work. But jetpacks never became a mainstream technology, leaving many to wonder…why? In this episode of 99 Percent Invisible, producer Chris Berube travels to the Udvar-Hazy Center of the Smithsonian’s National Air and Space Museum to find out for himself.</p><p>This episode was produced by Chris Berube. He spoke with Bill Suitor, Don Erwin, and the Smithsonian’s <a href="https://airandspace.si.edu/people/staff/colleen-e-anderson"><strong>Colleen Anderson</strong></a>. <a href="https://www.washingtonpost.com/magazine/2022/01/24/jetpack-history-bill-suitor/"><strong>David Taylor reported on the rocket belt for The Washington Post in 2022</strong></a>, and Steve Lehto wrote about the belt, and other jetpack technology, in his book <a href="https://www.abebooks.com/Great-American-Jet-Pack-Quest-Ultimate/31025474780/bd"><strong><em>The Great American Jetpack</em></strong></a><em>.</em></p><p>Transcript available here: <a href="https://99percentinvisible.org/episode/rocket-man/transcript/"><strong>https://99percentinvisible.org/episode/rocket-man/transcript/</strong></a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/16eb59a8-447c-4a78-bfa1-b312b757272f/99PI_Rocket_Man_Seg1.mp3" type="audio/mpeg" length="58794930"/>
      <itunes:subtitle>In this episode of 99 Percent Invisible, producer Chris Berube travels to the Udvar-Hazy Center of the Smithsonian’s National Air and Space Museum to find out for himself.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>40:53</itunes:duration>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Rockets]]>
      </category>
      <category>
        <![CDATA[Rocket]]>
      </category>
      <category>
        <![CDATA[Jetpack]]>
      </category>
      <category>
        <![CDATA[99 Percent Invisible]]>
      </category>
      <category>
        <![CDATA[Roman Mars]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[National Air and Space Museum]]>
      </category>
      <category>
        <![CDATA[Udvar-Hazy Center]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the twentieth century, the jetpack became synonymous with the idea of a ‘futuristic society.’ Appearing in cartoons and magazines, it felt like a matter of time before people could ride a jetpack to work. But jetpacks never became a mainstream technology, leaving many to wonder…why? In this episode of 99 Percent Invisible, producer Chris Berube travels to the Udvar-Hazy Center of the Smithsonian’s National Air and Space Museum to find out for himself.This episode was produced by Chris Berube. He spoke with Bill Suitor, Don Erwin, and the Smithsonian’s <a href="https://airandspace.si.edu/people/staff/colleen-e-anderson">Colleen Anderson</a>. <a href="https://www.washingtonpost.com/magazine/2022/01/24/jetpack-history-bill-suitor/">David Taylor reported on the rocket belt for The Washington Post in 2022</a>, and Steve Lehto wrote about the belt, and other jetpack technology, in his book <a href="https://www.abebooks.com/Great-American-Jet-Pack-Quest-Ultimate/31025474780/bd">The Great American Jetpack</a>.Transcript available here: <a href="https://99percentinvisible.org/episode/rocket-man/transcript/">https://99percentinvisible.org/episode/rocket-man/transcript/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="58794930" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/16eb59a8-447c-4a78-bfa1-b312b757272f/99PI_Rocket_Man_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_174be6f1-730f-45d2-bfb9-85a20712f518</guid>
      <title>A Giant Listening Project </title>
      <pubDate>Wed, 03 Jul 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_174be6f1-730f-45d2-bfb9-85a20712f518&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>It’s been called ‘the most noble and absurd undertaking ever attempted by any state.’ During the height of the Great Depression, the U.S government hired out-of-work writers and laid-off reporters and sent them out to record the stories of all kinds of Americans. Called the Federal Writers’ Project, historians have called the program a giant “listening project.”</p><p>While on our summer break, we’re sharing the first episode of a new podcast series called The People’s Recorder. Host Chris Haley sets the stage, laying out 1930s America, the New Deal, and the cultural forces that both supported and opposed the Writers’ Project. The project of holding up to America raises questions: What history gets told? And who gets to tell it? </p><p>You can listen to rest of the series by searching for The People’s Recorder wherever you get your podcasts. Find out more at peoplesrecorder.info </p><p> </p><p><strong>Guests:</strong></p><p><strong>Scott Borchert</strong>, author</p><p><strong>David Bradley</strong>, novelist</p><p><strong>Dr. Douglas Brinkley,</strong> historian</p><p><strong>Dr. Tameka Hobbs,</strong> historian</p><p><strong>David Kipen,</strong> author</p><p><strong>Dena Epstein,</strong> daughter of Hilda Polacheck</p><p><strong>Studs Terkel,</strong> oral historian<br><br></p><p><strong>Links and Resources:</strong></p><p><a href="https://www.loc.gov/collections/federal-writers-project/about-this-collection/"><strong>American Life Histories: Manuscripts from the Federal Writers' Project</strong></a></p><p><a href="https://www.loc.gov/collections/slave-narratives-from-the-federal-writers-project-1936-to-1938/about-this-collection/"><strong>Born to Slavery: Slave Narratives from the Federal Writers' Project</strong></a></p><p><a href="https://www.neh.gov/article/how-wpa-state-guides-fused-essential-and-eccentric"><strong>Author Scott Borchert on the Federal Writers' Project and the WPA guidebooks</strong></a></p><p><a href="https://themillions.com/2023/10/how-federal-writers-project-shaped-a-generation-of-authors.html"><strong>Article on Library on Congress symposium on The Millions</strong></a></p><p> </p><p><strong>Further Reading</strong></p><p><em>Soul of a People</em> by David A. Taylor</p><p><em>Republic of Detours</em> by Scott Borchert</p><p><em>California in the 1930s</em> by David Kipen</p><p><em>First Person America</em> by Ann Banks</p><p><em>Henry Alsberg</em> by Susan DeMasi</p><p><em>Long Past Slavery</em> by Catherine A. Stewart</p><p><em>Barracoon</em> by Zora Neale Hurston</p><p><em>Hard Times</em> by Studs Terkel</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/174be6f1-730f-45d2-bfb9-85a20712f518/The_Peoples_Recorder_Seg_1.mp3" type="audio/mpeg" length="36585076"/>
      <itunes:subtitle>During the height of the Great Depression, the U.S government hired out-of-work writers and laid-off reporters and sent them out to record the stories of all kinds of Americans.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:26</itunes:duration>
      <category>
        <![CDATA[The Great Depression]]>
      </category>
      <category>
        <![CDATA[The Federal Writers' Project]]>
      </category>
      <category>
        <![CDATA[Soul of a People]]>
      </category>
      <category>
        <![CDATA[Republic of Detours]]>
      </category>
      <category>
        <![CDATA[California in the 1930s]]>
      </category>
      <category>
        <![CDATA[First Person America]]>
      </category>
      <category>
        <![CDATA[Henry Alsberg]]>
      </category>
      <category>
        <![CDATA[Long Past Slavery]]>
      </category>
      <category>
        <![CDATA[Barracoon]]>
      </category>
      <category>
        <![CDATA[Hard Times]]>
      </category>
      <category>
        <![CDATA[David A. Taylor]]>
      </category>
      <category>
        <![CDATA[Scott Borchert]]>
      </category>
      <category>
        <![CDATA[David Kipen]]>
      </category>
      <category>
        <![CDATA[Ann Banks]]>
      </category>
      <category>
        <![CDATA[Susan DeMasi]]>
      </category>
      <category>
        <![CDATA[Catherine A. Stewart]]>
      </category>
      <category>
        <![CDATA[Zora Neale Hurston]]>
      </category>
      <category>
        <![CDATA[Studs Terkel]]>
      </category>
      <category>
        <![CDATA[The People's Recorder]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[1930]]>
      </category>
      <category>
        <![CDATA[America in the 1930s]]>
      </category>
      <category>
        <![CDATA[The New Deal]]>
      </category>
      <category>
        <![CDATA[Anthropology]]>
      </category>
      <category>
        <![CDATA[Slave Narratives]]>
      </category>
      <category>
        <![CDATA[Manuscripts]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[It’s been called ‘the most noble and absurd undertaking ever attempted by any state.’ During the height of the Great Depression, the U.S government hired out-of-work writers and laid-off reporters and sent them out to record the stories of all kinds of Americans. Called the Federal Writers’ Project, historians have called the program a giant “listening project.”While on our summer break, we’re sharing the first episode of a new podcast series called The People’s Recorder. Host Chris Haley sets the stage, laying out 1930s America, the New Deal, and the cultural forces that both supported and opposed the Writers’ Project. The project of holding up to America raises questions: What history gets told? And who gets to tell it? You can listen to rest of the series by searching for The People’s Recorder wherever you get your podcasts. Find out more at peoplesrecorder.info  Guests:Scott Borchert, authorDavid Bradley, novelistDr. Douglas Brinkley, historianDr. Tameka Hobbs, historianDavid Kipen, authorDena Epstein, daughter of Hilda PolacheckStuds Terkel, oral historianLinks and Resources:<a href="https://www.loc.gov/collections/federal-writers-project/about-this-collection/">American Life Histories: Manuscripts from the Federal Writers' Project</a><a href="https://www.loc.gov/collections/slave-narratives-from-the-federal-writers-project-1936-to-1938/about-this-collection/">Born to Slavery: Slave Narratives from the Federal Writers' Project</a><a href="https://www.neh.gov/article/how-wpa-state-guides-fused-essential-and-eccentric">Author Scott Borchert on the Federal Writers' Project and the WPA guidebooks</a><a href="https://themillions.com/2023/10/how-federal-writers-project-shaped-a-generation-of-authors.html">Article on Library on Congress symposium on The Millions</a> Further ReadingSoul of a People by David A. TaylorRepublic of Detours by Scott BorchertCalifornia in the 1930s by David KipenFirst Person America by Ann BanksHenry Alsberg by Susan DeMasiLong Past Slavery by Catherine A. StewartBarracoon by Zora Neale HurstonHard Times by Studs Terkel]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
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    <item>
      <guid isPermaLink="false">prx_69_605f3718-504e-4a66-9754-bfa54c20ed15</guid>
      <title>The Lost Woolly Dog </title>
      <pubDate>Wed, 19 Jun 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_605f3718-504e-4a66-9754-bfa54c20ed15&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>For thousands of years, fluffy white dogs could be found across the Pacific Northwest. Their exceptionally soft, crimpy hair was shorn like sheep’s wool, spun into yarn, and woven into blankets and robes by indigenous women who carefully tended them in communities across Coast Salish territory. But a hundred years ago, the woolly dog quietly vanished. Why? </p><p>Today, the only known pelt of this extinct breed is in the collections of the Smithsonian’s National Museum of Natural History, and it might hold some answers. Through collaborate research combining Western science with Indigenous knowledge, we delve into this animal’s genome to learn the real story of the woolly dog’s disappearance.</p><p> </p><p>Guests:</p><p><a href="https://www.linkedin.com/in/audrey-lin-32b6363a/"><strong>Audrey Lin</strong></a><strong>,</strong> evolutionary molecular biologist, research associate at the Smithsonian’s National Museum of Natural History and postdoctoral scholar at the American Museum of Natural History</p><p><a href="https://naturalhistory.si.edu/staff/logan-kistler"><strong>Logan Kistler</strong></a><strong>, </strong>curator of archaeobotany and archaeogenomics in the anthropology department of the Smithsonian’s National Museum of Natural History </p><p><a href="https://lizhk.ca/"><strong>Liz Hammond-Kaarremaa</strong></a><strong>,</strong> master spinner who studies traditional Salish textiles as a research associate at Vancouver Island University and the Smithsonian’s National Museum of Natural History</p><p><a href="https://www.thecanadianencyclopedia.ca/en/article/steven-l-point#:~:text=He%20served%20in%20the%20role,St%C3%B3%3Al%C5%8D%20Nation%20Government%20House."><strong>Steven Point</strong></a><strong> / </strong><strong><em>Xwĕ lī qwĕl tĕl, </em></strong>grand chief of the Stó:lō Tribal Council, chancellor of the University of British Columbia, former lieutenant-governor of British Columbia, retired judge, and member of the Skowkale First Nation</p><p><a href="https://en.wikipedia.org/wiki/Debra_Sparrow"><strong>Debra Sparrow</strong></a><strong> / θəliχʷəlʷət,</strong> weaver, artist and knowledge-keeper from Musqueam. Foundational Salish weaving revivalist who, with her sisters, she has worked for decades to rejuvenate and teach traditional Salish weaving. </p><p><a href="https://nanaimoartgallery.ca/staff/elliott-snumeethia-violet/"><strong>Violet Elliot</strong></a><strong> / </strong><strong><em>Snu’Meethia</em></strong><strong>,</strong> weaver and teacher from Snuneymuxw First Nations living in Cowichan First Nations. She has been weaving for over 28 years.</p><p><a href="https://naturalhistory.si.edu/staff/melissa-hawkins"><strong>Melissa (Missy) Hawkins</strong></a><strong>, </strong>curator of mammals at the Smithsonian’s National Museum of Natural History </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/605f3718-504e-4a66-9754-bfa54c20ed15/Woolly_Dog_Seg1.mp3" type="audio/mpeg" length="59142360"/>
      <itunes:subtitle>For thousands of years, fluffy white dogs could be found across the Pacific Northwest. But a hundred years ago, the woolly dog vanished. Why? </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>41:07</itunes:duration>
      <category>
        <![CDATA[Coast Salish]]>
      </category>
      <category>
        <![CDATA[Native American]]>
      </category>
      <category>
        <![CDATA[Indigenous American]]>
      </category>
      <category>
        <![CDATA[The Woolly Dog]]>
      </category>
      <category>
        <![CDATA[Woolly DOg]]>
      </category>
      <category>
        <![CDATA[Pelt]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Molecular Biology]]>
      </category>
      <category>
        <![CDATA[Two-Eyed Approach]]>
      </category>
      <category>
        <![CDATA[Archaeobotany]]>
      </category>
      <category>
        <![CDATA[Archaeogenomics]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Weaving]]>
      </category>
      <category>
        <![CDATA[Anthropology]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[For thousands of years, fluffy white dogs could be found across the Pacific Northwest. Their exceptionally soft, crimpy hair was shorn like sheep’s wool, spun into yarn, and woven into blankets and robes by indigenous women who carefully tended them in communities across Coast Salish territory. But a hundred years ago, the woolly dog quietly vanished. Why? Today, the only known pelt of this extinct breed is in the collections of the Smithsonian’s National Museum of Natural History, and it might hold some answers. Through collaborate research combining Western science with Indigenous knowledge, we delve into this animal’s genome to learn the real story of the woolly dog’s disappearance. Guests:<a href="https://www.linkedin.com/in/audrey-lin-32b6363a/">Audrey Lin</a>, evolutionary molecular biologist, research associate at the Smithsonian’s National Museum of Natural History and postdoctoral scholar at the American Museum of Natural History<a href="https://naturalhistory.si.edu/staff/logan-kistler">Logan Kistler</a>, curator of archaeobotany and archaeogenomics in the anthropology department of the Smithsonian’s National Museum of Natural History <a href="https://lizhk.ca/">Liz Hammond-Kaarremaa</a>, master spinner who studies traditional Salish textiles as a research associate at Vancouver Island University and the Smithsonian’s National Museum of Natural History<a href="https://www.thecanadianencyclopedia.ca/en/article/steven-l-point#:~:text=He%20served%20in%20the%20role,St%C3%B3%3Al%C5%8D%20Nation%20Government%20House.">Steven Point</a> / Xwĕ lī qwĕl tĕl, grand chief of the Stó:lō Tribal Council, chancellor of the University of British Columbia, former lieutenant-governor of British Columbia, retired judge, and member of the Skowkale First Nation<a href="https://en.wikipedia.org/wiki/Debra_Sparrow">Debra Sparrow</a> / θəliχʷəlʷət, weaver, artist and knowledge-keeper from Musqueam. Foundational Salish weaving revivalist who, with her sisters, she has worked for decades to rejuvenate and teach traditional Salish weaving. <a href="https://nanaimoartgallery.ca/staff/elliott-snumeethia-violet/">Violet Elliot</a> / Snu’Meethia, weaver and teacher from Snuneymuxw First Nations living in Cowichan First Nations. She has been weaving for over 28 years.<a href="https://naturalhistory.si.edu/staff/melissa-hawkins">Melissa (Missy) Hawkins</a>, curator of mammals at the Smithsonian’s National Museum of Natural History ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/605f3718-504e-4a66-9754-bfa54c20ed15/images/cc6c8df9-61e6-4e5e-9be2-e02519d86020/s10e21-square.jpg"/>
      <media:content fileSize="59142360" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/605f3718-504e-4a66-9754-bfa54c20ed15/Woolly_Dog_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_cc29c979-7f48-4d5d-94d7-3cf2bc431c93</guid>
      <title>Cosmic Journey II: Voyage into the Abyss </title>
      <pubDate>Wed, 05 Jun 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_cc29c979-7f48-4d5d-94d7-3cf2bc431c93&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Hitch a ride on the Chandra X-ray Observatory as it scours deep space for some of the most enigmatic and misunderstood objects in the universe: black holes. What are they good for? Absolutely something.</p><p>This is the second episode of a two-part journey celebrating the 25th anniversary of the <a href="https://chandra.harvard.edu/"><strong>Chandra X-ray Observatory</strong></a> and the <a href="https://pweb.cfa.harvard.edu/about/about-smithsonian-astrophysical-observatory"><strong>Smithsonian Astrophysical Observatory</strong></a>'s operation of the space telescope. </p><p>Join us this summer for a <a href="https://www.si.edu/cosmicjourney"><strong>cosmic journey</strong></a> full of events and virtual resources from around the Smithsonian that will transport you from our closest star, the sun, to the far reaches of the universe.</p><p>Find the <a href="https://www.si.edu/cosmicjourney"><strong>full schedule on our website</strong></a> or follow along on social media @Smithsonian.</p><p><strong>Guests: </strong></p><p><strong>Kim Arcand, </strong>Visualization Scientist and Emerging Tech Lead for NASA's Chandra X-ray Observatory at the Smithsonian Astrophysical Observatory </p><p><strong>Daryl Haggard, </strong>professor of physics at McGill University in the Trottier Space Institute</p><p><strong>Priyamvada Natarajan,</strong> astrophysicist and professor at Yale University  </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cc29c979-7f48-4d5d-94d7-3cf2bc431c93/Segment_1.mp3" type="audio/mpeg" length="46278747"/>
      <itunes:subtitle>Hitch a ride on the Chandra X-ray Observatory as it scours deep space for some of the most enigmatic and misunderstood objects in the universe: black holes. </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>32:10</itunes:duration>
      <category>
        <![CDATA[Chandra]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[Black Hole]]>
      </category>
      <category>
        <![CDATA[Black Holes]]>
      </category>
      <category>
        <![CDATA[Subrahmanyan Chandrasekhar]]>
      </category>
      <category>
        <![CDATA[Chandra X-ray Observatory]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Astrophysical Observatory]]>
      </category>
      <category>
        <![CDATA[Harvard Science]]>
      </category>
      <category>
        <![CDATA[Harvard]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Priyamvada Natarajan]]>
      </category>
      <category>
        <![CDATA[Kim Arcand]]>
      </category>
      <category>
        <![CDATA[Nobel Prize]]>
      </category>
      <category>
        <![CDATA[The Universe]]>
      </category>
      <category>
        <![CDATA[Outer Space]]>
      </category>
      <category>
        <![CDATA[Physics]]>
      </category>
      <category>
        <![CDATA[Astrophysics]]>
      </category>
      <category>
        <![CDATA[Astrophysicist]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Hitch a ride on the Chandra X-ray Observatory as it scours deep space for some of the most enigmatic and misunderstood objects in the universe: black holes. What are they good for? Absolutely something.This is the second episode of a two-part journey celebrating the 25th anniversary of the <a href="https://chandra.harvard.edu/">Chandra X-ray Observatory</a> and the <a href="https://pweb.cfa.harvard.edu/about/about-smithsonian-astrophysical-observatory">Smithsonian Astrophysical Observatory</a>'s operation of the space telescope. Join us this summer for a <a href="https://www.si.edu/cosmicjourney">cosmic journey</a> full of events and virtual resources from around the Smithsonian that will transport you from our closest star, the sun, to the far reaches of the universe.Find the <a href="https://www.si.edu/cosmicjourney">full schedule on our website</a> or follow along on social media @Smithsonian.Guests: Kim Arcand, Visualization Scientist and Emerging Tech Lead for NASA's Chandra X-ray Observatory at the Smithsonian Astrophysical Observatory Daryl Haggard, professor of physics at McGill University in the Trottier Space InstitutePriyamvada Natarajan, astrophysicist and professor at Yale University  ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/cc29c979-7f48-4d5d-94d7-3cf2bc431c93/images/06e6914f-e2a4-4371-a781-99af5ccd4e37/s10e20-square.jpg"/>
      <media:content fileSize="46278747" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cc29c979-7f48-4d5d-94d7-3cf2bc431c93/Segment_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_4c87c90f-9171-4497-be13-75320ef4191e</guid>
      <title>Cosmic Journey I: "Stellar Buffoonery"</title>
      <pubDate>Wed, 22 May 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_4c87c90f-9171-4497-be13-75320ef4191e&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Black holes could unlock the mysteries of creation and live at the heart of nearly every galaxy. But these invisible balls of extremely dense matter have never been fully understood, especially when they were only a theory. We travel through a cosmic wormhole back to the 1930s to learn how the first astrophysicist to successfully theorize a black hole, Subrahmanyan Chandrasekhar, was ridiculed and rejected by his scientific community.</p><p>This is the first episode of a two-part journey celebrating the 25th anniversary of the Chandra X-ray Observatory and the Smithsonian Astrophysical Observatory's operation of the space telescope. </p><p>Join us this summer for a cosmic journey full of events and virtual resources from around the Smithsonian that will transport you from our closest star, the sun, to the far reaches of the universe. Find the full schedule on our website, <a href="http://si.edu/cosmicjourney"><strong>si.edu/cosmicjourney</strong></a>. Or follow along on social media @Smithsonian.</p><p><strong>Guests: </strong></p><p><strong>Kim Arcand, </strong>Visualization Scientist and Emerging Tech Lead for NASA's Chandra X-ray Observatory at the Smithsonian Astrophysical Observatory </p><p><strong>Priyamvada Natarajan,</strong> astrophysicist and professor at Yale University  </p><p><strong>Arthur I. Miller,</strong> author of "Empire Of The Stars: Obsession, Friendship, and Betrayal in the Quest for Black Holes"</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4c87c90f-9171-4497-be13-75320ef4191e/Chandra_Part_I_Seg_1.mp3" type="audio/mpeg" length="49777400"/>
      <itunes:subtitle>We travel through a cosmic wormhole back to the 1930s to learn how the first astrophysicist to successfully theorize a black hole, Subrahmanyan Chandrasekhar, was ridiculed and rejected by his scientific community.</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>34:37</itunes:duration>
      <category>
        <![CDATA[Subrahmanyan Chandrasekhar]]>
      </category>
      <category>
        <![CDATA[Chandra]]>
      </category>
      <category>
        <![CDATA[Chandra X-ray Observatory]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Astrophysical Observatory]]>
      </category>
      <category>
        <![CDATA[Harvard]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Physics]]>
      </category>
      <category>
        <![CDATA[Astrophysics]]>
      </category>
      <category>
        <![CDATA[Astrophysicist]]>
      </category>
      <category>
        <![CDATA[Black Holes]]>
      </category>
      <category>
        <![CDATA[Outer Space]]>
      </category>
      <category>
        <![CDATA[The Universe]]>
      </category>
      <category>
        <![CDATA[Nobel Prize]]>
      </category>
      <category>
        <![CDATA[Kim Arcand]]>
      </category>
      <category>
        <![CDATA[Priyamvada Natarajan]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Black holes could unlock the mysteries of creation and live at the heart of nearly every galaxy. But these invisible balls of extremely dense matter have never been fully understood, especially when they were only a theory. We travel through a cosmic wormhole back to the 1930s to learn how the first astrophysicist to successfully theorize a black hole, Subrahmanyan Chandrasekhar, was ridiculed and rejected by his scientific community.This is the first episode of a two-part journey celebrating the 25th anniversary of the Chandra X-ray Observatory and the Smithsonian Astrophysical Observatory's operation of the space telescope. Join us this summer for a cosmic journey full of events and virtual resources from around the Smithsonian that will transport you from our closest star, the sun, to the far reaches of the universe. Find the full schedule on our website, <a href="http://si.edu/cosmicjourney">si.edu/cosmicjourney</a>. Or follow along on social media @Smithsonian.Guests: Kim Arcand, Visualization Scientist and Emerging Tech Lead for NASA's Chandra X-ray Observatory at the Smithsonian Astrophysical Observatory Priyamvada Natarajan, astrophysicist and professor at Yale University  Arthur I. Miller, author of "Empire Of The Stars: Obsession, Friendship, and Betrayal in the Quest for Black Holes"]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/4c87c90f-9171-4497-be13-75320ef4191e/images/f2d4cdb8-ba90-4fed-9742-708891f986b8/s10e19-square.jpg"/>
      <media:content fileSize="49777400" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4c87c90f-9171-4497-be13-75320ef4191e/Chandra_Part_I_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_941cb589-d512-4b4a-97d0-67c4fde30442</guid>
      <title>Cicadapalooza </title>
      <pubDate>Wed, 08 May 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_941cb589-d512-4b4a-97d0-67c4fde30442&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The cicadas are back for some fun in the sun, and this time, they’re louder than ever! For the first time since 1803, Broods XIII and XIX will be emerging at the same time, covering the American South and Midwest with trillions of cicadas. As Smithsonian entomologist Floyd Shockley readies his nets for the biggest bug invasion in centuries, we look back at the emergence of Brood X in 2021, and explore how cicadas have captivated our human ancestors for millennia.</p>

<p>Guests:</p>

<p><strong>Floyd Shockley,</strong> entomologist at the Smithsonian’s National Museum of Natural History</p>

<p><strong><a href="https://www.chinesepipa.com/" rel="nofollow" target="_blank">Gao Hong</a></strong>, professional pipa player, composer, and educator</p>

<p><strong>Jim Deutsch</strong>, curator at the Smithsonian Center for Folklife and Cultural Heritage</p>

<p><strong>Jan Stuart,</strong> Melvin R. Seiden Curator of Chinese Art at the Smithsonian’s National Museum of Asian Art</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/941cb589-d512-4b4a-97d0-67c4fde30442/CicadasRerun_Seg_1.mp3" type="audio/mpeg" length="47557604"/>
      <itunes:subtitle>The cicadas are back for some fun in the sun, and this time, they’re louder than ever!</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:04</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Brood XIII]]>
      </category>
      <category>
        <![CDATA[Brood XIX]]>
      </category>
      <category>
        <![CDATA[Broox X]]>
      </category>
      <category>
        <![CDATA[Cicadas]]>
      </category>
      <category>
        <![CDATA[Folk Music]]>
      </category>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The cicadas are back for some fun in the sun, and this time, they’re louder than ever! For the first time since 1803, Broods XIII and XIX will be emerging at the same time, covering the American South and Midwest with trillions of cicadas. As Smithsonian entomologist Floyd Shockley readies his nets for the biggest bug invasion in centuries, we look back at the emergence of Brood X in 2021, and explore how cicadas have captivated our human ancestors for millennia.

Guests:

Floyd Shockley, entomologist at the Smithsonian’s National Museum of Natural History

<a href="https://www.chinesepipa.com/" target="_blank">Gao Hong</a>, professional pipa player, composer, and educator

Jim Deutsch, curator at the Smithsonian Center for Folklife and Cultural Heritage

Jan Stuart, Melvin R. Seiden Curator of Chinese Art at the Smithsonian’s National Museum of Asian Art]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/941cb589-d512-4b4a-97d0-67c4fde30442/images/4c8b39f1-44fd-44ca-8e4d-d6bbd28342db/cicadapalooza_square.jpg"/>
      <media:content fileSize="47557604" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/941cb589-d512-4b4a-97d0-67c4fde30442/CicadasRerun_Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>The cicadas are back for some fun in the sun, and this time, they’re louder than ever! For the first time since 1803, Broods XIII and XIX will be emerging at the same time, covering the American South and Midwest with trillions of cicadas. As Smithsonian entomologist Floyd Shockley readies his nets for the biggest bug invasion in centuries, we look back at the emergence of Brood X in 2021, and explore how cicadas have captivated our human ancestors for millennia.</p>

<p>Guests:</p>

<p><strong>Floyd Shockley,</strong> entomologist at the Smithsonian’s National Museum of Natural History</p>

<p><strong><a href="https://www.chinesepipa.com/" rel="nofollow" target="_blank">Gao Hong</a></strong>, professional pipa player, composer, and educator</p>

<p><strong>Jim Deutsch</strong>, curator at the Smithsonian Center for Folklife and Cultural Heritage</p>

<p><strong>Jan Stuart,</strong> Melvin R. Seiden Curator of Chinese Art at the Smithsonian’s National Museum of Asian Art</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_23b90d83-d0c3-4b12-98a5-18964f3ff02f</guid>
      <title>The Birds and the Beans</title>
      <pubDate>Wed, 24 Apr 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_23b90d83-d0c3-4b12-98a5-18964f3ff02f&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>"God in a cup." "Perfection." "The world's best coffee." Panamanian geisha coffee has been called many things, but never Smithsonian Bird Friendly certified. That might soon change, however, as researchers from Smithsonian National Zoo and Conservation Biology Institute’s Migratory Bird Center find new ways to grow coffee in harmony with migratory songbirds. Join us for this fully caffeinated romp through Panama’s coffee farms as we learn all about the birds and the beans. </p>

<p><strong>Guests:</strong> </p>

<p><strong>Ruth Bennett,</strong> research ecologist at the Smithsonian National Zoo and Conservation Biology Institute’s Migratory Bird Center</p>

<p><strong>Katherine Araúz Ponce,</strong> fellow at the Smithsonian Tropical Research Institute and PhD student at The University of Georgia</p>

<p><strong>Maria Ruiz,</strong> owner of Ruiz Coffee Distributors</p>

<p><strong>Ratibor &amp; Aliss Hartmann,</strong> owners of Finca Hartmann, specialty coffee and ecotourism </p>

<p><strong>Price Peterson,</strong> owner of Hacienda La Esmeralda </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/23b90d83-d0c3-4b12-98a5-18964f3ff02f/Seg_1.mp3" type="audio/mpeg" length="53726208"/>
      <itunes:subtitle>"God in a cup." Panamanian geisha coffee has been called many things, but never Smithsonian Bird Friendly certified.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:21</itunes:duration>
      <category>
        <![CDATA[Bird-Friendly]]>
      </category>
      <category>
        <![CDATA[Bird-Friendly Certification]]>
      </category>
      <category>
        <![CDATA[Coffee]]>
      </category>
      <category>
        <![CDATA[Coffee Cupping]]>
      </category>
      <category>
        <![CDATA[Geisha Coffee]]>
      </category>
      <category>
        <![CDATA[Panama]]>
      </category>
      <category>
        <![CDATA[Panamanian ]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA["God in a cup." "Perfection." "The world's best coffee." Panamanian geisha coffee has been called many things, but never Smithsonian Bird Friendly certified. That might soon change, however, as researchers from Smithsonian National Zoo and Conservation Biology Institute’s Migratory Bird Center find new ways to grow coffee in harmony with migratory songbirds. Join us for this fully caffeinated romp through Panama’s coffee farms as we learn all about the birds and the beans. 

Guests: 

Ruth Bennett, research ecologist at the Smithsonian National Zoo and Conservation Biology Institute’s Migratory Bird Center

Katherine Araúz Ponce, fellow at the Smithsonian Tropical Research Institute and PhD student at The University of Georgia

Maria Ruiz, owner of Ruiz Coffee Distributors

Ratibor &amp; Aliss Hartmann, owners of Finca Hartmann, specialty coffee and ecotourism 

Price Peterson, owner of Hacienda La Esmeralda ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/23b90d83-d0c3-4b12-98a5-18964f3ff02f/images/7974d0ce-461a-4cab-b05d-185ce8a30abc/s10e17_square.jpg"/>
      <media:content fileSize="53726208" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/23b90d83-d0c3-4b12-98a5-18964f3ff02f/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>"God in a cup." "Perfection." "The world's best coffee." Panamanian geisha coffee has been called many things, but never Smithsonian Bird Friendly certified. That might soon change, however, as researchers from Smithsonian National Zoo and Conservation Biology Institute’s Migratory Bird Center find new ways to grow coffee in harmony with migratory songbirds. Join us for this fully caffeinated romp through Panama’s coffee farms as we learn all about the birds and the beans. </p>

<p><strong>Guests:</strong> </p>

<p><strong>Ruth Bennett,</strong> research ecologist at the Smithsonian National Zoo and Conservation Biology Institute’s Migratory Bird Center</p>

<p><strong>Katherine Araúz Ponce,</strong> fellow at the Smithsonian Tropical Research Institute and PhD student at The University of Georgia</p>

<p><strong>Maria Ruiz,</strong> owner of Ruiz Coffee Distributors</p>

<p><strong>Ratibor &amp; Aliss Hartmann,</strong> owners of Finca Hartmann, specialty coffee and ecotourism </p>

<p><strong>Price Peterson,</strong> owner of Hacienda La Esmeralda </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c3a3140d-e149-41ae-93f4-9f296f376b4a</guid>
      <title>Dude, Where’s my Carbon? </title>
      <pubDate>Wed, 10 Apr 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c3a3140d-e149-41ae-93f4-9f296f376b4a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>If you’ve bought a plane ticket recently, you’ve probably had the option to pay a few extra dollars to offset your carbon emissions. That money might go toward planting some trees… but how many trees? Researchers at the Smithsonian Tropical Research Institute are trying to answer this very question by hand-measuring trees, weighing wood, and climbing to the top of the canopy. We tag along to see how carbon is measured, and why so much ends up in tropical forests.  </p>

<p><strong>Guests:</strong></p>

<p><strong>Joshua Tewksbury,</strong> director of the Smithsonian Tropical Research Institute in Panama</p>

<p><strong><a href="https://stri.si.edu/scientist/helene-muller-landau" rel="nofollow" target="_blank">Helene Muller-Landau</a>,</strong> senior scientist at the Smithsonian Tropical Research Institute researching tropical forests and ecosystems, leader of ForestGEO Global Carbon Program</p>

<p><strong>David Mitre</strong>, research manager for ForestGEO at the Smithsonian Tropical Research Institute</p>

<p><strong>Sergio dos Santos</strong>, project manager for the Smithsonian Tropical Research Institute’s Hydro-Meteorological and Oceanographic Monitoring Program in Panama</p>

<p><strong>Luisa Fernanda Gómez Correa</strong>, intern at the Forest Carbon Lab at the Smithsonian Tropical Research Institute</p>

<p><strong>Eline De Loore</strong>, graduate student at Ghent University conducting research at the Smithsonian Tropical Research Institute</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c3a3140d-e149-41ae-93f4-9f296f376b4a/Carbon_Seg1.mp3" type="audio/mpeg" length="46877142"/>
      <itunes:subtitle>We journey to see how carbon is measured, and why so much ends up in tropical forests.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>32:36</itunes:duration>
      <category>
        <![CDATA[Air Travel]]>
      </category>
      <category>
        <![CDATA[Airplanes]]>
      </category>
      <category>
        <![CDATA[Carbon]]>
      </category>
      <category>
        <![CDATA[Carbon Dating]]>
      </category>
      <category>
        <![CDATA[Carbon Emissions]]>
      </category>
      <category>
        <![CDATA[ForestGEO]]>
      </category>
      <category>
        <![CDATA[Panama]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Trees]]>
      </category>
      <category>
        <![CDATA[Tropical]]>
      </category>
      <category>
        <![CDATA[Tropical Rainforest]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[If you’ve bought a plane ticket recently, you’ve probably had the option to pay a few extra dollars to offset your carbon emissions. That money might go toward planting some trees… but how many trees? Researchers at the Smithsonian Tropical Research Institute are trying to answer this very question by hand-measuring trees, weighing wood, and climbing to the top of the canopy. We tag along to see how carbon is measured, and why so much ends up in tropical forests.  

Guests:

Joshua Tewksbury, director of the Smithsonian Tropical Research Institute in Panama

<a href="https://stri.si.edu/scientist/helene-muller-landau" target="_blank">Helene Muller-Landau</a>, senior scientist at the Smithsonian Tropical Research Institute researching tropical forests and ecosystems, leader of ForestGEO Global Carbon Program

David Mitre, research manager for ForestGEO at the Smithsonian Tropical Research Institute

Sergio dos Santos, project manager for the Smithsonian Tropical Research Institute’s Hydro-Meteorological and Oceanographic Monitoring Program in Panama

Luisa Fernanda Gómez Correa, intern at the Forest Carbon Lab at the Smithsonian Tropical Research Institute

Eline De Loore, graduate student at Ghent University conducting research at the Smithsonian Tropical Research Institute]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/c3a3140d-e149-41ae-93f4-9f296f376b4a/images/bea76758-a67d-47db-9a17-259b27a95937/s10e16_square.jpg"/>
      <media:content fileSize="46877142" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c3a3140d-e149-41ae-93f4-9f296f376b4a/Carbon_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>If you’ve bought a plane ticket recently, you’ve probably had the option to pay a few extra dollars to offset your carbon emissions. That money might go toward planting some trees… but how many trees? Researchers at the Smithsonian Tropical Research Institute are trying to answer this very question by hand-measuring trees, weighing wood, and climbing to the top of the canopy. We tag along to see how carbon is measured, and why so much ends up in tropical forests.  </p>

<p><strong>Guests:</strong></p>

<p><strong>Joshua Tewksbury,</strong> director of the Smithsonian Tropical Research Institute in Panama</p>

<p><strong><a href="https://stri.si.edu/scientist/helene-muller-landau" rel="nofollow" target="_blank">Helene Muller-Landau</a>,</strong> senior scientist at the Smithsonian Tropical Research Institute researching tropical forests and ecosystems, leader of ForestGEO Global Carbon Program</p>

<p><strong>David Mitre</strong>, research manager for ForestGEO at the Smithsonian Tropical Research Institute</p>

<p><strong>Sergio dos Santos</strong>, project manager for the Smithsonian Tropical Research Institute’s Hydro-Meteorological and Oceanographic Monitoring Program in Panama</p>

<p><strong>Luisa Fernanda Gómez Correa</strong>, intern at the Forest Carbon Lab at the Smithsonian Tropical Research Institute</p>

<p><strong>Eline De Loore</strong>, graduate student at Ghent University conducting research at the Smithsonian Tropical Research Institute</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5759234e-6936-4e7c-a324-d0acbe7dbd0a</guid>
      <title>Monkeyin' Around on the Devil's Island </title>
      <pubDate>Wed, 27 Mar 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5759234e-6936-4e7c-a324-d0acbe7dbd0a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>It started as a rumor in the cafeteria of the Smithsonian Tropical Research Institute in Panama: monkeys on an island in the Pacific were doing something no one had ever seen them do before. But when researchers went searching for these elusive capuchin monkeys, they discovered more questions than answers.</p>

<p><strong>Guests:</strong></p>

<p><strong>Claudio Monteza</strong>, Smithsonian Tropical Research Institute fellow and researcher at the Max Planck Institute of Animal Behavior</p>

<p><strong>Brendan Barrett,</strong> researcher at the University of Konstanz and the Max Planck Institute of Animal Behavior</p>

<p><strong>Meg Crofoot</strong>, director of the Department for the Ecology of Animal Societies at the Max Planck Institute of Animal Behavior. Former Smithsonian Tropical Research Institute fellow</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5759234e-6936-4e7c-a324-d0acbe7dbd0a/Seg_1.mp3" type="audio/mpeg" length="40853770"/>
      <itunes:subtitle>It started as a rumor in the cafeteria of the Smithsonian Tropical Research Institute in Panama: monkeys on an island in the Pacific were doing something no one had ever seen them do before.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>28:24</itunes:duration>
      <category>
        <![CDATA[Anthropology]]>
      </category>
      <category>
        <![CDATA[Barro Colorado Island]]>
      </category>
      <category>
        <![CDATA[Capuchin Monkeys]]>
      </category>
      <category>
        <![CDATA[Friends ]]>
      </category>
      <category>
        <![CDATA[Monkeys]]>
      </category>
      <category>
        <![CDATA[Panama]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Ross and Marcel]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Tropical Research Institute]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[It started as a rumor in the cafeteria of the Smithsonian Tropical Research Institute in Panama: monkeys on an island in the Pacific were doing something no one had ever seen them do before. But when researchers went searching for these elusive capuchin monkeys, they discovered more questions than answers.

Guests:

Claudio Monteza, Smithsonian Tropical Research Institute fellow and researcher at the Max Planck Institute of Animal Behavior

Brendan Barrett, researcher at the University of Konstanz and the Max Planck Institute of Animal Behavior

Meg Crofoot, director of the Department for the Ecology of Animal Societies at the Max Planck Institute of Animal Behavior. Former Smithsonian Tropical Research Institute fellow]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/5759234e-6936-4e7c-a324-d0acbe7dbd0a/images/0b6fec17-1786-4f62-9cbb-b85b374e361c/s10e15_square.jpg"/>
      <media:content fileSize="40853770" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5759234e-6936-4e7c-a324-d0acbe7dbd0a/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>It started as a rumor in the cafeteria of the Smithsonian Tropical Research Institute in Panama: monkeys on an island in the Pacific were doing something no one had ever seen them do before. But when researchers went searching for these elusive capuchin monkeys, they discovered more questions than answers.</p>

<p><strong>Guests:</strong></p>

<p><strong>Claudio Monteza</strong>, Smithsonian Tropical Research Institute fellow and researcher at the Max Planck Institute of Animal Behavior</p>

<p><strong>Brendan Barrett,</strong> researcher at the University of Konstanz and the Max Planck Institute of Animal Behavior</p>

<p><strong>Meg Crofoot</strong>, director of the Department for the Ecology of Animal Societies at the Max Planck Institute of Animal Behavior. Former Smithsonian Tropical Research Institute fellow</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_3eb2daf4-a7a3-47ed-8e5e-e0e458ad4911</guid>
      <title>Face Value </title>
      <pubDate>Wed, 13 Mar 2024 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_3eb2daf4-a7a3-47ed-8e5e-e0e458ad4911&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Money is power. But who's on our money - or isn’t - can be just as powerful. While Lady Liberty has graced American coins and dollars for most of our history, it wasn’t until the 1970s that a real woman appeared on a circulating American coin. But that's about to change. Congress recently authorized the creation of twenty new quarters featuring American women from history. But how do we decide whose likeness gets engraved in our national story? And who makes these decisions? We’ll follow the money to find out.</p>

<p><strong>Guests:</strong></p>

<p><strong>Jennifer Schneider,</strong> former program manager at Smithsonian American Women’s History Museum, current assistant registrar of outgoing and government loans at the Smithsonian American Art Museum</p>

<p><strong>Tey Marianna Nunn,</strong> former director of the American Women’s History Initiative at the Smithsonian American Women’s History Museum, current associate director for content and interpretation at the Smithsonian’s National Museum of the American Latino</p>

<p><strong>Ellen Feingold</strong>, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History</p>

<p><strong><a href="https://www.usmint.gov/learn/artists/sculptors-joseph-menna" rel="nofollow" target="_blank">Joseph Menna</a>,</strong> chief engraver at the United States Mint</p>

<p><strong>Tim Grant</strong>, public affairs manager at the United States Mint</p>

<p><strong>Dave Clark</strong>, supervisor of blanking annealing and upsetting at the United States Mint</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3eb2daf4-a7a3-47ed-8e5e-e0e458ad4911/Quarters_Seg1.mp3" type="audio/mpeg" length="45871160"/>
      <itunes:subtitle>Money is power. But who's on our money - or isn’t - can be just as powerful.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>31:54</itunes:duration>
      <category>
        <![CDATA[Althea Gibson]]>
      </category>
      <category>
        <![CDATA[Anna May Wong]]>
      </category>
      <category>
        <![CDATA[Bipartisan Women's Caucus]]>
      </category>
      <category>
        <![CDATA[Circulating Coin Redesign Act]]>
      </category>
      <category>
        <![CDATA[Coins]]>
      </category>
      <category>
        <![CDATA[Congress]]>
      </category>
      <category>
        <![CDATA[Currency]]>
      </category>
      <category>
        <![CDATA[Eleanor Roosevelt]]>
      </category>
      <category>
        <![CDATA[Federal Reserve]]>
      </category>
      <category>
        <![CDATA[Jovita Idar]]>
      </category>
      <category>
        <![CDATA[Lady Liberty]]>
      </category>
      <category>
        <![CDATA[Legacy]]>
      </category>
      <category>
        <![CDATA[Maria Tallchief]]>
      </category>
      <category>
        <![CDATA[Maya Angelou]]>
      </category>
      <category>
        <![CDATA[Medallic]]>
      </category>
      <category>
        <![CDATA[Medals]]>
      </category>
      <category>
        <![CDATA[Mint]]>
      </category>
      <category>
        <![CDATA[Money]]>
      </category>
      <category>
        <![CDATA[Monuments]]>
      </category>
      <category>
        <![CDATA[Nina Otero-Warren]]>
      </category>
      <category>
        <![CDATA[Numismatics]]>
      </category>
      <category>
        <![CDATA[Portrait]]>
      </category>
      <category>
        <![CDATA[Portraiture]]>
      </category>
      <category>
        <![CDATA[Quarters]]>
      </category>
      <category>
        <![CDATA[Sally Ride]]>
      </category>
      <category>
        <![CDATA[Sculpture]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian American Women's History Museum ]]>
      </category>
      <category>
        <![CDATA[Treasury]]>
      </category>
      <category>
        <![CDATA[US Mint]]>
      </category>
      <category>
        <![CDATA[Unites States Mint]]>
      </category>
      <category>
        <![CDATA[Victoria Manalo Draves]]>
      </category>
      <category>
        <![CDATA[Wilma Mankiller]]>
      </category>
      <category>
        <![CDATA[Women's History]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Money is power. But who's on our money - or isn’t - can be just as powerful. While Lady Liberty has graced American coins and dollars for most of our history, it wasn’t until the 1970s that a real woman appeared on a circulating American coin. But that's about to change. Congress recently authorized the creation of twenty new quarters featuring American women from history. But how do we decide whose likeness gets engraved in our national story? And who makes these decisions? We’ll follow the money to find out.

Guests:

Jennifer Schneider, former program manager at Smithsonian American Women’s History Museum, current assistant registrar of outgoing and government loans at the Smithsonian American Art Museum

Tey Marianna Nunn, former director of the American Women’s History Initiative at the Smithsonian American Women’s History Museum, current associate director for content and interpretation at the Smithsonian’s National Museum of the American Latino

Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History

<a href="https://www.usmint.gov/learn/artists/sculptors-joseph-menna" target="_blank">Joseph Menna</a>, chief engraver at the United States Mint

Tim Grant, public affairs manager at the United States Mint

Dave Clark, supervisor of blanking annealing and upsetting at the United States Mint]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/3eb2daf4-a7a3-47ed-8e5e-e0e458ad4911/images/bef5da39-b14b-4a54-905d-9b5bf654aa7b/s10e14_square.jpg"/>
      <media:content fileSize="45871160" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3eb2daf4-a7a3-47ed-8e5e-e0e458ad4911/Quarters_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Money is power. But who's on our money - or isn’t - can be just as powerful. While Lady Liberty has graced American coins and dollars for most of our history, it wasn’t until the 1970s that a real woman appeared on a circulating American coin. But that's about to change. Congress recently authorized the creation of twenty new quarters featuring American women from history. But how do we decide whose likeness gets engraved in our national story? And who makes these decisions? We’ll follow the money to find out.</p>

<p><strong>Guests:</strong></p>

<p><strong>Jennifer Schneider,</strong> former program manager at Smithsonian American Women’s History Museum, current assistant registrar of outgoing and government loans at the Smithsonian American Art Museum</p>

<p><strong>Tey Marianna Nunn,</strong> former director of the American Women’s History Initiative at the Smithsonian American Women’s History Museum, current associate director for content and interpretation at the Smithsonian’s National Museum of the American Latino</p>

<p><strong>Ellen Feingold</strong>, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History</p>

<p><strong><a href="https://www.usmint.gov/learn/artists/sculptors-joseph-menna" rel="nofollow" target="_blank">Joseph Menna</a>,</strong> chief engraver at the United States Mint</p>

<p><strong>Tim Grant</strong>, public affairs manager at the United States Mint</p>

<p><strong>Dave Clark</strong>, supervisor of blanking annealing and upsetting at the United States Mint</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_34b35056-ea62-48f6-a9a5-dbff77154351</guid>
      <title>Jeepers Leapers!</title>
      <pubDate>Wed, 28 Feb 2024 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_34b35056-ea62-48f6-a9a5-dbff77154351&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Did you know a person born on February 29 is called a "leapling"? This special episode is hopping with Leap Day trivia! Like, why do we need an extra day every four years anyway? And will I get paid for working an extra day in February? It's the lowdown on Leap Day in an episode that's as off-kilter as the earth's axis.</p>

<p><strong>Guest:</strong></p>

<p>Bob Craddock, Geologist at the Smithsonian's National Air and Space Museum's Center for Earth and Planetary Studies</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/34b35056-ea62-48f6-a9a5-dbff77154351/Seg_1.mp3" type="audio/mpeg" length="19436164"/>
      <itunes:subtitle>This special episode is hopping with Leap Day trivia!</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>13:30</itunes:duration>
      <category>
        <![CDATA[13]]>
      </category>
      <category>
        <![CDATA[Amy Adams]]>
      </category>
      <category>
        <![CDATA[Bad Luck]]>
      </category>
      <category>
        <![CDATA[Bad Omen]]>
      </category>
      <category>
        <![CDATA[Black Cats]]>
      </category>
      <category>
        <![CDATA[Earth's Axis]]>
      </category>
      <category>
        <![CDATA[Earth's Orbit]]>
      </category>
      <category>
        <![CDATA[Earth's Rotation]]>
      </category>
      <category>
        <![CDATA[February 29]]>
      </category>
      <category>
        <![CDATA[Geology]]>
      </category>
      <category>
        <![CDATA[Gravitational Pull]]>
      </category>
      <category>
        <![CDATA[Leap Day]]>
      </category>
      <category>
        <![CDATA[Leapling]]>
      </category>
      <category>
        <![CDATA[Leaplings]]>
      </category>
      <category>
        <![CDATA[Lunar Eclipse]]>
      </category>
      <category>
        <![CDATA[Orbit]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Solar Eclipse]]>
      </category>
      <category>
        <![CDATA[Solar System]]>
      </category>
      <category>
        <![CDATA[The Moon]]>
      </category>
      <category>
        <![CDATA[The Number 13]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Did you know a person born on February 29 is called a "leapling"? This special episode is hopping with Leap Day trivia! Like, why do we need an extra day every four years anyway? And will I get paid for working an extra day in February? It's the lowdown on Leap Day in an episode that's as off-kilter as the earth's axis.

Guest:

Bob Craddock, Geologist at the Smithsonian's National Air and Space Museum's Center for Earth and Planetary Studies]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/34b35056-ea62-48f6-a9a5-dbff77154351/images/c3ebdbcf-11a2-4a39-8fef-c851951cb30d/s10e13_square.jpg"/>
      <media:content fileSize="19436164" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/34b35056-ea62-48f6-a9a5-dbff77154351/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Did you know a person born on February 29 is called a "leapling"? This special episode is hopping with Leap Day trivia! Like, why do we need an extra day every four years anyway? And will I get paid for working an extra day in February? It's the lowdown on Leap Day in an episode that's as off-kilter as the earth's axis.</p>

<p><strong>Guest:</strong></p>

<p>Bob Craddock, Geologist at the Smithsonian's National Air and Space Museum's Center for Earth and Planetary Studies</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_94ca2953-3579-49b0-9c2d-afac14595d23</guid>
      <title>Til Death Do Us Part?</title>
      <pubDate>Wed, 14 Feb 2024 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_94ca2953-3579-49b0-9c2d-afac14595d23&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>They say love is eternal. What about heartbreak? This Valentine’s Day, we bring you some of Japanese theater’s most popular tales of scorned lovers seeking vengeance from beyond the grave — with a burning passion.</p>

<p><strong>Guests: <br>
Frank Feltens</strong>, Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art<br>
<strong>Kit Brooks</strong>, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/94ca2953-3579-49b0-9c2d-afac14595d23/Seg_1.mp3" type="audio/mpeg" length="42197166"/>
      <itunes:subtitle>This Valentine’s Day, we bring you some of Japanese theater’s most popular tales of scorned lovers seeking vengeance from beyond the grave. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:20</itunes:duration>
      <category>
        <![CDATA[A Woman Scorned]]>
      </category>
      <category>
        <![CDATA[Asian Art]]>
      </category>
      <category>
        <![CDATA[Ghosts]]>
      </category>
      <category>
        <![CDATA[Horror]]>
      </category>
      <category>
        <![CDATA[Japanese Theatre]]>
      </category>
      <category>
        <![CDATA[Kabuki Theater]]>
      </category>
      <category>
        <![CDATA[Love]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Noh Theater]]>
      </category>
      <category>
        <![CDATA[Oiwa]]>
      </category>
      <category>
        <![CDATA[Scorned Lover]]>
      </category>
      <category>
        <![CDATA[Singles Awareness Day]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Supernatural]]>
      </category>
      <category>
        <![CDATA[Theater]]>
      </category>
      <category>
        <![CDATA[Theatre]]>
      </category>
      <category>
        <![CDATA[Valentine's Day ]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[They say love is eternal. What about heartbreak? This Valentine’s Day, we bring you some of Japanese theater’s most popular tales of scorned lovers seeking vengeance from beyond the grave — with a burning passion.

Guests: 
Frank Feltens, Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art
Kit Brooks, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/94ca2953-3579-49b0-9c2d-afac14595d23/images/78f28392-fe65-4b33-adc0-e4ebfd86e809/s10e12_square.jpg"/>
      <media:content fileSize="42197166" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/94ca2953-3579-49b0-9c2d-afac14595d23/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>They say love is eternal. What about heartbreak? This Valentine’s Day, we bring you some of Japanese theater’s most popular tales of scorned lovers seeking vengeance from beyond the grave — with a burning passion.</p>

<p><strong>Guests: <br>
Frank Feltens</strong>, Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art<br>
<strong>Kit Brooks</strong>, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_283910e1-60de-4d29-830f-ec2be6dda5ce</guid>
      <title>To Sidedoor, With Love </title>
      <pubDate>Wed, 31 Jan 2024 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_283910e1-60de-4d29-830f-ec2be6dda5ce&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>From brontosauruses with bronchitis to birds on a wire to flying space rocks and a botched heist at 20 thousand feet. In this episode, Lizzie and Sidedoor producer James run all around the Smithsonian to answer listeners' questions from the Sidedoor mailbag.</p>

<p>Guests:</p>

<p><strong>Lynn Heidelbaugh</strong>, curator at the Smithsonian’s National Postal Museum</p>

<p><strong>Sara Hallager</strong>, curator of birds at the Smithsonian’s National Zoo and Conservation Biology Institute</p>

<p><strong>Jim Nollman</strong>, composer and pioneer of the “interspecies music” genre, conceptual artist, and environmental activist</p>

<p><strong>Cari Corrigan,</strong> research geologist at the Smithsonian’s National Museum of Natural History and curator of the Antarctic Meteorite Collection</p>

<p><strong>Sharon Bryant,</strong> marketing specialist at the Smithsonian’s Office of Communications and External Affairs</p>

<p><strong>Matthew Carrano</strong>, research geologist and curator of Dinosauria at the Smithsonian’s National Museum of Natural History</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/283910e1-60de-4d29-830f-ec2be6dda5ce/Mailbag_Seg1.mp3" type="audio/mpeg" length="52308318"/>
      <itunes:subtitle>Lizzie and Sidedoor producer James run around the Smithsonian to answer listeners' questions from the Sidedoor mailbag.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>36:22</itunes:duration>
      <category>
        <![CDATA[Birds]]>
      </category>
      <category>
        <![CDATA[Bronchitis]]>
      </category>
      <category>
        <![CDATA[Chesapeake Bay]]>
      </category>
      <category>
        <![CDATA[Dinosauria]]>
      </category>
      <category>
        <![CDATA[Dinosaurs]]>
      </category>
      <category>
        <![CDATA[Folk Music]]>
      </category>
      <category>
        <![CDATA[Geology]]>
      </category>
      <category>
        <![CDATA[Heist]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Listener Questions]]>
      </category>
      <category>
        <![CDATA[Mailbag]]>
      </category>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[National Postal Museum]]>
      </category>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[Reseach]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[From brontosauruses with bronchitis to birds on a wire to flying space rocks and a botched heist at 20 thousand feet. In this episode, Lizzie and Sidedoor producer James run all around the Smithsonian to answer listeners' questions from the Sidedoor mailbag.

Guests:

Lynn Heidelbaugh, curator at the Smithsonian’s National Postal Museum

Sara Hallager, curator of birds at the Smithsonian’s National Zoo and Conservation Biology Institute

Jim Nollman, composer and pioneer of the “interspecies music” genre, conceptual artist, and environmental activist

Cari Corrigan, research geologist at the Smithsonian’s National Museum of Natural History and curator of the Antarctic Meteorite Collection

Sharon Bryant, marketing specialist at the Smithsonian’s Office of Communications and External Affairs

Matthew Carrano, research geologist and curator of Dinosauria at the Smithsonian’s National Museum of Natural History]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/283910e1-60de-4d29-830f-ec2be6dda5ce/images/babb99c1-bded-4182-86eb-4f20f9f94aad/s10e11_square.jpg"/>
      <media:content fileSize="52308318" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/283910e1-60de-4d29-830f-ec2be6dda5ce/Mailbag_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>From brontosauruses with bronchitis to birds on a wire to flying space rocks and a botched heist at 20 thousand feet. In this episode, Lizzie and Sidedoor producer James run all around the Smithsonian to answer listeners' questions from the Sidedoor mailbag.</p>

<p>Guests:</p>

<p><strong>Lynn Heidelbaugh</strong>, curator at the Smithsonian’s National Postal Museum</p>

<p><strong>Sara Hallager</strong>, curator of birds at the Smithsonian’s National Zoo and Conservation Biology Institute</p>

<p><strong>Jim Nollman</strong>, composer and pioneer of the “interspecies music” genre, conceptual artist, and environmental activist</p>

<p><strong>Cari Corrigan,</strong> research geologist at the Smithsonian’s National Museum of Natural History and curator of the Antarctic Meteorite Collection</p>

<p><strong>Sharon Bryant,</strong> marketing specialist at the Smithsonian’s Office of Communications and External Affairs</p>

<p><strong>Matthew Carrano</strong>, research geologist and curator of Dinosauria at the Smithsonian’s National Museum of Natural History</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_439d8c81-102f-4efe-9143-b330df90deba</guid>
      <title>Tails of Bravery</title>
      <pubDate>Wed, 17 Jan 2024 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_439d8c81-102f-4efe-9143-b330df90deba&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>As long as there have been wars, animals have joined their human companions on the battlefield. But a few have served so bravely they’ve been memorialized at the Smithsonian. In honor of these furry and feathered war heroes, we bring you the tales of dogs, cats and birds who went above and beyond the call of duty. </p>

<p><strong>Guests:</strong> </p>

<p><strong>Jennifer Jones</strong>, curator of military history at the Smithsonian's National Museum of American History </p>

<p><strong>Frank Blazich</strong>, curator of military history at the Smithsonian's National Museum of American History </p>

<p><strong>Ann Bausum</strong>, author of Stubby the War Dog and Sergeant Stubby: How a Stray Dog and His Best Friend Helped Win WWI and Stole the Heart of a Nation </p>

<p><strong>Scot Christenson</strong>, author of Cats in the Navy </p>

<p><strong>Chris Willingham</strong>, president of the United States War Dogs Association</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/439d8c81-102f-4efe-9143-b330df90deba/Seg_1.mp3" type="audio/mpeg" length="66892866"/>
      <itunes:subtitle> In honor of these furry and feathered war heroes, we bring you the tales of dogs, cats and birds who went above and beyond the call of duty. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:31</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[As long as there have been wars, animals have joined their human companions on the battlefield. But a few have served so bravely they’ve been memorialized at the Smithsonian. In honor of these furry and feathered war heroes, we bring you the tales of dogs, cats and birds who went above and beyond the call of duty. 

Guests: 

Jennifer Jones, curator of military history at the Smithsonian's National Museum of American History 

Frank Blazich, curator of military history at the Smithsonian's National Museum of American History 

Ann Bausum, author of Stubby the War Dog and Sergeant Stubby: How a Stray Dog and His Best Friend Helped Win WWI and Stole the Heart of a Nation 

Scot Christenson, author of Cats in the Navy 

Chris Willingham, president of the United States War Dogs Association]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/439d8c81-102f-4efe-9143-b330df90deba/images/e2c93a70-a9f6-4dd5-a038-9dca6641bd40/s10e09_square.png"/>
      <media:content fileSize="66892866" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/439d8c81-102f-4efe-9143-b330df90deba/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>As long as there have been wars, animals have joined their human companions on the battlefield. But a few have served so bravely they’ve been memorialized at the Smithsonian. In honor of these furry and feathered war heroes, we bring you the tales of dogs, cats and birds who went above and beyond the call of duty. </p>

<p><strong>Guests:</strong> </p>

<p><strong>Jennifer Jones</strong>, curator of military history at the Smithsonian's National Museum of American History </p>

<p><strong>Frank Blazich</strong>, curator of military history at the Smithsonian's National Museum of American History </p>

<p><strong>Ann Bausum</strong>, author of Stubby the War Dog and Sergeant Stubby: How a Stray Dog and His Best Friend Helped Win WWI and Stole the Heart of a Nation </p>

<p><strong>Scot Christenson</strong>, author of Cats in the Navy </p>

<p><strong>Chris Willingham</strong>, president of the United States War Dogs Association</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c964b653-693a-4ccf-9ee9-19af6144cce3</guid>
      <title>The Milkmaid Spy</title>
      <pubDate>Wed, 03 Jan 2024 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c964b653-693a-4ccf-9ee9-19af6144cce3&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy. Joining the ranks of the U.S.’s first civilian spy network, she operated alone in occupied France, where she built French Resistance networks, delivered critical intelligence, and sold cheese to the enemy. All on one leg.</p>

<p><strong>Guests:</strong></p>

<p><strong>Sonia Purnell</strong>, author of “A Woman of No Importance: the Untold Story of the American Spy who Helped Win World War II.” </p>

<p><strong>Randy Burkett</strong>, CIA Staff Historian</p>

<p><strong>Christina Gebhard</strong>, museum specialist at the Smithsonian’s National Museum of Natural History</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c964b653-693a-4ccf-9ee9-19af6144cce3/V_Hall_RerunSeg1.mp3" type="audio/mpeg" length="41598084"/>
      <itunes:subtitle>Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>28:55</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[CIA]]>
      </category>
      <category>
        <![CDATA[French Resistance]]>
      </category>
      <category>
        <![CDATA[Gestapo]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Intelligence Gathering]]>
      </category>
      <category>
        <![CDATA[Julia Childs]]>
      </category>
      <category>
        <![CDATA[NAZI]]>
      </category>
      <category>
        <![CDATA[OSS]]>
      </category>
      <category>
        <![CDATA[S. Dillon Ripley]]>
      </category>
      <category>
        <![CDATA[Secret Service]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Sonia Purnell]]>
      </category>
      <category>
        <![CDATA[Spy]]>
      </category>
      <category>
        <![CDATA[Spycraft]]>
      </category>
      <category>
        <![CDATA[Spying]]>
      </category>
      <category>
        <![CDATA[Virginia Hall]]>
      </category>
      <category>
        <![CDATA[Warfare]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy. Joining the ranks of the U.S.’s first civilian spy network, she operated alone in occupied France, where she built French Resistance networks, delivered critical intelligence, and sold cheese to the enemy. All on one leg.

Guests:

Sonia Purnell, author of “A Woman of No Importance: the Untold Story of the American Spy who Helped Win World War II.” 

Randy Burkett, CIA Staff Historian

Christina Gebhard, museum specialist at the Smithsonian’s National Museum of Natural History]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/c964b653-693a-4ccf-9ee9-19af6144cce3/images/40732822-1842-4029-ac74-2a29ada3baad/imageedit_1_2835865282.png"/>
      <media:content fileSize="41598084" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c964b653-693a-4ccf-9ee9-19af6144cce3/V_Hall_RerunSeg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy. Joining the ranks of the U.S.’s first civilian spy network, she operated alone in occupied France, where she built French Resistance networks, delivered critical intelligence, and sold cheese to the enemy. All on one leg.</p>

<p><strong>Guests:</strong></p>

<p><strong>Sonia Purnell</strong>, author of “A Woman of No Importance: the Untold Story of the American Spy who Helped Win World War II.” </p>

<p><strong>Randy Burkett</strong>, CIA Staff Historian</p>

<p><strong>Christina Gebhard</strong>, museum specialist at the Smithsonian’s National Museum of Natural History</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_9c572cd4-6ff9-4754-a3ed-b2f0e5f03d42</guid>
      <title>Auld Lang What?</title>
      <pubDate>Wed, 20 Dec 2023 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_9c572cd4-6ff9-4754-a3ed-b2f0e5f03d42&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>It’s a song we often hear at the start of the new year. But what does “auld lang syne” even mean? And how did it come to be associated with New Year's Eve? With a little musical sleuthing, we find Charlie Chaplin might have something to do with it…</p>

<p><strong>Guests:</strong></p>

<p><strong><a href="https://profiles.si.edu/display/nDeutschJ6142005" rel="nofollow" target="_blank">James Deutsch</a></strong>, curator of folklife and popular culture at the Smithsonian Center for Folklife and Cultural Heritage</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9c572cd4-6ff9-4754-a3ed-b2f0e5f03d42/Auld_Lang_Syne_Seg1.mp3" type="audio/mpeg" length="30633068"/>
      <itunes:subtitle>What does “auld lang syne” even mean?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:18</itunes:duration>
      <category>
        <![CDATA[Auld Lang Syne]]>
      </category>
      <category>
        <![CDATA[Charlie Chaplin]]>
      </category>
      <category>
        <![CDATA[Happy New Year]]>
      </category>
      <category>
        <![CDATA[Holidays]]>
      </category>
      <category>
        <![CDATA[New Year]]>
      </category>
      <category>
        <![CDATA[New Year's Eve]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[It’s a song we often hear at the start of the new year. But what does “auld lang syne” even mean? And how did it come to be associated with New Year's Eve? With a little musical sleuthing, we find Charlie Chaplin might have something to do with it…

Guests:

<a href="https://profiles.si.edu/display/nDeutschJ6142005" target="_blank">James Deutsch</a>, curator of folklife and popular culture at the Smithsonian Center for Folklife and Cultural Heritage]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/9c572cd4-6ff9-4754-a3ed-b2f0e5f03d42/images/1b036630-3310-43a9-aba7-466cd76e79b1/s10e08_square.png"/>
      <media:content fileSize="30633068" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9c572cd4-6ff9-4754-a3ed-b2f0e5f03d42/Auld_Lang_Syne_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>It’s a song we often hear at the start of the new year. But what does “auld lang syne” even mean? And how did it come to be associated with New Year's Eve? With a little musical sleuthing, we find Charlie Chaplin might have something to do with it…</p>

<p><strong>Guests:</strong></p>

<p><strong><a href="https://profiles.si.edu/display/nDeutschJ6142005" rel="nofollow" target="_blank">James Deutsch</a></strong>, curator of folklife and popular culture at the Smithsonian Center for Folklife and Cultural Heritage</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_64fc2770-b08a-4a92-a0a1-26225e0b9857</guid>
      <title>Welcome Back, Otter</title>
      <pubDate>Wed, 06 Dec 2023 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_64fc2770-b08a-4a92-a0a1-26225e0b9857&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>North American River Otters are popping up in places they haven't been seen in decades and nobody really knows why. As we search for answers we discover a trail of fish heads, poop splats and cuddle parties.</p>

<p><strong>Guests:</strong></p>

<p><strong>Katrina Lohan,</strong> head of the Coastal Disease Ecology Laboratory at the Smithsonian Environmental Research Center</p>

<p><strong>Alejandra Morales Picard</strong>, psychologist at Montgomery College</p>

<p><strong>Rebecca Sturniolo</strong>, assistant curator of the America Trail at the Smithsonian National Zoo</p>

<p><strong>Patty Storms &amp; Morty Bachar,</strong> otter neighbors</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/64fc2770-b08a-4a92-a0a1-26225e0b9857/Seg_1.mp3" type="audio/mpeg" length="37617976"/>
      <itunes:subtitle>North American River Otters are popping up in places they haven't been seen in decades and nobody really knows why.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:07</itunes:duration>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[North American River Otters]]>
      </category>
      <category>
        <![CDATA[Otters]]>
      </category>
      <category>
        <![CDATA[Poop]]>
      </category>
      <category>
        <![CDATA[River Otter]]>
      </category>
      <category>
        <![CDATA[River Otters]]>
      </category>
      <category>
        <![CDATA[SERC]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian's National Zoo]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[North American River Otters are popping up in places they haven't been seen in decades and nobody really knows why. As we search for answers we discover a trail of fish heads, poop splats and cuddle parties.

Guests:

Katrina Lohan, head of the Coastal Disease Ecology Laboratory at the Smithsonian Environmental Research Center

Alejandra Morales Picard, psychologist at Montgomery College

Rebecca Sturniolo, assistant curator of the America Trail at the Smithsonian National Zoo

Patty Storms &amp; Morty Bachar, otter neighbors]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/64fc2770-b08a-4a92-a0a1-26225e0b9857/images/62f127aa-b684-4593-ab9c-4093ad394c53/s10e06_square.png"/>
      <media:content fileSize="37617976" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/64fc2770-b08a-4a92-a0a1-26225e0b9857/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>North American River Otters are popping up in places they haven't been seen in decades and nobody really knows why. As we search for answers we discover a trail of fish heads, poop splats and cuddle parties.</p>

<p><strong>Guests:</strong></p>

<p><strong>Katrina Lohan,</strong> head of the Coastal Disease Ecology Laboratory at the Smithsonian Environmental Research Center</p>

<p><strong>Alejandra Morales Picard</strong>, psychologist at Montgomery College</p>

<p><strong>Rebecca Sturniolo</strong>, assistant curator of the America Trail at the Smithsonian National Zoo</p>

<p><strong>Patty Storms &amp; Morty Bachar,</strong> otter neighbors</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_ec2c939a-41a1-4d98-937b-e201c1bd01a8</guid>
      <title>Wrinkled Radicals </title>
      <pubDate>Wed, 22 Nov 2023 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ec2c939a-41a1-4d98-937b-e201c1bd01a8&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When Maggie Kuhn was forced to retire from the job she loved at age 65, her colleagues gave her a sewing machine as a parting gift. Outraged, she shut the sewing machine in a closet and, instead, stitched together the first-ever movement against ageism in the U.S. The Gray Panthers would galvanize gray haired citizenry and youth alike to challenge the way Americans think about aging. </p>

<p><strong>Guests</strong>: <br>
<strong>Katherine Ott</strong>, curator and historian in the Division of Medicine and Science at the Smithsonian's National Museum of American History</p>

<p><strong><a href="https://www.emilykrichbaum.com/" rel="nofollow" target="_blank">Emily Krichbaum</a></strong>, founding director for the Center for Girls' and Young Women's Leadership at Columbus School for Girls and scholar of women’s history</p>

<p><strong><a href="https://nsclcarchives.org/index.php/about/staff/paul-nathanson-executive-director/" rel="nofollow" target="_blank">Paul Nathanson</a></strong>, founder and former executive director of Justice in Aging (formerly the National Senior Citizens Law Center), a national advocacy group for the elderly poor</p>

<p><strong><a href="https://www.graypanthersnyc.org/jack-kupferman" rel="nofollow" target="_blank">Jack Kupferman</a>,</strong> president of Gray Panthers NYC</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ec2c939a-41a1-4d98-937b-e201c1bd01a8/Gray_Panthers_Seg1.mp3" type="audio/mpeg" length="45143122"/>
      <itunes:subtitle>The Gray Panthers would galvanize gray haired citizenry and youth alike to challenge the way Americans think about aging.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>31:20</itunes:duration>
      <category>
        <![CDATA[Activism]]>
      </category>
      <category>
        <![CDATA[Ageism]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Geriatrics]]>
      </category>
      <category>
        <![CDATA[Gerontology]]>
      </category>
      <category>
        <![CDATA[Grassroots]]>
      </category>
      <category>
        <![CDATA[Healthcare]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Johnny Carson]]>
      </category>
      <category>
        <![CDATA[Maggie Kuhn]]>
      </category>
      <category>
        <![CDATA[Mandatory Retirement]]>
      </category>
      <category>
        <![CDATA[Media]]>
      </category>
      <category>
        <![CDATA[Representation]]>
      </category>
      <category>
        <![CDATA[Retirement]]>
      </category>
      <category>
        <![CDATA[Senior Citizens]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Stereotypes]]>
      </category>
      <category>
        <![CDATA[Women's History]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When Maggie Kuhn was forced to retire from the job she loved at age 65, her colleagues gave her a sewing machine as a parting gift. Outraged, she shut the sewing machine in a closet and, instead, stitched together the first-ever movement against ageism in the U.S. The Gray Panthers would galvanize gray haired citizenry and youth alike to challenge the way Americans think about aging. 

Guests: 
Katherine Ott, curator and historian in the Division of Medicine and Science at the Smithsonian's National Museum of American History

<a href="https://www.emilykrichbaum.com/" target="_blank">Emily Krichbaum</a>, founding director for the Center for Girls' and Young Women's Leadership at Columbus School for Girls and scholar of women’s history

<a href="https://nsclcarchives.org/index.php/about/staff/paul-nathanson-executive-director/" target="_blank">Paul Nathanson</a>, founder and former executive director of Justice in Aging (formerly the National Senior Citizens Law Center), a national advocacy group for the elderly poor

<a href="https://www.graypanthersnyc.org/jack-kupferman" target="_blank">Jack Kupferman</a>, president of Gray Panthers NYC]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/ec2c939a-41a1-4d98-937b-e201c1bd01a8/images/f3fccb43-b685-45f9-9d46-9cdc88b61385/s10e06_square.png"/>
      <media:content fileSize="45143122" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ec2c939a-41a1-4d98-937b-e201c1bd01a8/Gray_Panthers_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>When Maggie Kuhn was forced to retire from the job she loved at age 65, her colleagues gave her a sewing machine as a parting gift. Outraged, she shut the sewing machine in a closet and, instead, stitched together the first-ever movement against ageism in the U.S. The Gray Panthers would galvanize gray haired citizenry and youth alike to challenge the way Americans think about aging. </p>

<p><strong>Guests</strong>: <br>
<strong>Katherine Ott</strong>, curator and historian in the Division of Medicine and Science at the Smithsonian's National Museum of American History</p>

<p><strong><a href="https://www.emilykrichbaum.com/" rel="nofollow" target="_blank">Emily Krichbaum</a></strong>, founding director for the Center for Girls' and Young Women's Leadership at Columbus School for Girls and scholar of women’s history</p>

<p><strong><a href="https://nsclcarchives.org/index.php/about/staff/paul-nathanson-executive-director/" rel="nofollow" target="_blank">Paul Nathanson</a></strong>, founder and former executive director of Justice in Aging (formerly the National Senior Citizens Law Center), a national advocacy group for the elderly poor</p>

<p><strong><a href="https://www.graypanthersnyc.org/jack-kupferman" rel="nofollow" target="_blank">Jack Kupferman</a>,</strong> president of Gray Panthers NYC</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1511048a-1491-4ac5-ad2e-627ad9ce8723</guid>
      <title>Farewell Giant Pandas</title>
      <pubDate>Wed, 08 Nov 2023 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1511048a-1491-4ac5-ad2e-627ad9ce8723&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>All three Giant Pandas are leaving the Smithsonian's National Zoo for China by the end of the year. What's up with that?! We sat down with the director of the Zoo, Brandie Smith, to find out why the pandas are leaving, and whether China plans to send more. This might truly be the end of a beara ... we mean era!</p>

<p><strong>Guests:</strong></p>

<p><strong>Brandie Smith,</strong> John and Adrienne Mars Director of the Smithsonian’s National Zoo and Conservation Biology Institute</p>

<p><strong>Stephen Powers</strong>, panda fan</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1511048a-1491-4ac5-ad2e-627ad9ce8723/Seg_1.mp3" type="audio/mpeg" length="42312350"/>
      <itunes:subtitle>All three Giant Pandas are leaving the Smithsonian's National Zoo for China by the end of the year. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:23</itunes:duration>
      <category>
        <![CDATA[China]]>
      </category>
      <category>
        <![CDATA[Conservation]]>
      </category>
      <category>
        <![CDATA[Giant Pandas]]>
      </category>
      <category>
        <![CDATA[Panda]]>
      </category>
      <category>
        <![CDATA[Pandas]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[The Smithsonian National Zoo]]>
      </category>
      <category>
        <![CDATA[Zoo]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[All three Giant Pandas are leaving the Smithsonian's National Zoo for China by the end of the year. What's up with that?! We sat down with the director of the Zoo, Brandie Smith, to find out why the pandas are leaving, and whether China plans to send more. This might truly be the end of a beara ... we mean era!

Guests:

Brandie Smith, John and Adrienne Mars Director of the Smithsonian’s National Zoo and Conservation Biology Institute

Stephen Powers, panda fan]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/1511048a-1491-4ac5-ad2e-627ad9ce8723/images/fbf3b6ab-7112-434c-85eb-a81649538db0/s10e05_square.png"/>
      <media:content fileSize="42312350" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1511048a-1491-4ac5-ad2e-627ad9ce8723/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>All three Giant Pandas are leaving the Smithsonian's National Zoo for China by the end of the year. What's up with that?! We sat down with the director of the Zoo, Brandie Smith, to find out why the pandas are leaving, and whether China plans to send more. This might truly be the end of a beara ... we mean era!</p>

<p><strong>Guests:</strong></p>

<p><strong>Brandie Smith,</strong> John and Adrienne Mars Director of the Smithsonian’s National Zoo and Conservation Biology Institute</p>

<p><strong>Stephen Powers</strong>, panda fan</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1ce2cb34-ac71-4421-b19b-294e07b75d40</guid>
      <title>Resurrected: Spooked at the Smithsonian</title>
      <pubDate>Wed, 25 Oct 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1ce2cb34-ac71-4421-b19b-294e07b75d40&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the Smithsonian home to countless tales of unexplained phenomena and—dare we say—ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across museum attic floorboards, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian.</p>

<p><strong>Guests:</strong></p>

<p><strong>Molly Horrocks</strong>, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History</p>

<p><strong>Pamela Henson</strong>, Institutional Historian at the Smithsonian Libraries and Archives</p>

<p><strong>Cpl. Ronald Howlin</strong>, Security Officer at the Smithsonian Environmental Research Center</p>

<p><strong>Deborah Hull-Walski</strong>, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History</p>

<p><strong>Melissa Johnson</strong>, daughter of Deb Hull-Walski and former skeptical teenager</p>

<p><strong>Kim Dixon</strong>, former volunteer at the Smithsonian’s National Zoo</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1ce2cb34-ac71-4421-b19b-294e07b75d40/Spooked_Seg1.mp3" type="audio/mpeg" length="54586494"/>
      <itunes:subtitle>Why is the Smithsonian home to countless tales of unexplained phenomena and—dare we say—ghost sightings?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:54</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[American Horror Story]]>
      </category>
      <category>
        <![CDATA[Ghost Stories]]>
      </category>
      <category>
        <![CDATA[Ghosts]]>
      </category>
      <category>
        <![CDATA[Halloween]]>
      </category>
      <category>
        <![CDATA[Haunted]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Scary]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Spooked]]>
      </category>
      <category>
        <![CDATA[Spooky]]>
      </category>
      <category>
        <![CDATA[Supernatural]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the Smithsonian home to countless tales of unexplained phenomena and—dare we say—ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across museum attic floorboards, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian.

Guests:

Molly Horrocks, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History

Pamela Henson, Institutional Historian at the Smithsonian Libraries and Archives

Cpl. Ronald Howlin, Security Officer at the Smithsonian Environmental Research Center

Deborah Hull-Walski, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History

Melissa Johnson, daughter of Deb Hull-Walski and former skeptical teenager

Kim Dixon, former volunteer at the Smithsonian’s National Zoo]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/1ce2cb34-ac71-4421-b19b-294e07b75d40/images/6990844c-2369-464f-9b10-75827a51a677/s10e04_square.png"/>
      <media:content fileSize="54586494" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1ce2cb34-ac71-4421-b19b-294e07b75d40/Spooked_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the Smithsonian home to countless tales of unexplained phenomena and—dare we say—ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across museum attic floorboards, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian.</p>

<p><strong>Guests:</strong></p>

<p><strong>Molly Horrocks</strong>, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History</p>

<p><strong>Pamela Henson</strong>, Institutional Historian at the Smithsonian Libraries and Archives</p>

<p><strong>Cpl. Ronald Howlin</strong>, Security Officer at the Smithsonian Environmental Research Center</p>

<p><strong>Deborah Hull-Walski</strong>, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History</p>

<p><strong>Melissa Johnson</strong>, daughter of Deb Hull-Walski and former skeptical teenager</p>

<p><strong>Kim Dixon</strong>, former volunteer at the Smithsonian’s National Zoo</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_8c0e91d5-1186-4095-8198-cadc0ad78caf</guid>
      <title>CSI: Southern Pacific</title>
      <pubDate>Wed, 11 Oct 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_8c0e91d5-1186-4095-8198-cadc0ad78caf&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Looks like these criminals used correct postage, 'cause justice is about to be delivered. Okay, there are no snappy one-liners in this crime scene investigation, but there are explosions, collisions, manhunts and even a cow who was in the wrong place at the wrong time. On the centennial of "The Last Great Train Robbery," we re-examine the evidence to find out how U.S. Postal Inspectors tracked down a band of old school outlaws using cutting edge criminal forensics...and postmarked them for prison.</p>

<p><strong>Guests:</strong></p>

<p><strong>Lynn Heidelbaugh</strong>, curator at the Smithsonian National Postal Museum</p>

<p><strong>Chelsea Rose</strong>, Director of the Southern Oregon University Laboratory of Anthropology</p>

<p><strong>Kate Winkler Dawson</strong>, author of American Sherlock: Murder, Forensics and the Birth of American CSI</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8c0e91d5-1186-4095-8198-cadc0ad78caf/Seg_1.mp3" type="audio/mpeg" length="56070578"/>
      <itunes:subtitle>U.S. Postal Inspectors tracked down a band of old school outlaws using cutting edge criminal forensics.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>38:56</itunes:duration>
      <category>
        <![CDATA[Crime Scene Investigation]]>
      </category>
      <category>
        <![CDATA[Crime Scene Investigators]]>
      </category>
      <category>
        <![CDATA[Forensic Science]]>
      </category>
      <category>
        <![CDATA[Heists]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Outlaws]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Science History]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Train Heists]]>
      </category>
      <category>
        <![CDATA[Train Robbery]]>
      </category>
      <category>
        <![CDATA[True Crime]]>
      </category>
      <category>
        <![CDATA[U.S. Postal Inspectors]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Looks like these criminals used correct postage, 'cause justice is about to be delivered. Okay, there are no snappy one-liners in this crime scene investigation, but there are explosions, collisions, manhunts and even a cow who was in the wrong place at the wrong time. On the centennial of "The Last Great Train Robbery," we re-examine the evidence to find out how U.S. Postal Inspectors tracked down a band of old school outlaws using cutting edge criminal forensics...and postmarked them for prison.

Guests:

Lynn Heidelbaugh, curator at the Smithsonian National Postal Museum

Chelsea Rose, Director of the Southern Oregon University Laboratory of Anthropology

Kate Winkler Dawson, author of American Sherlock: Murder, Forensics and the Birth of American CSI]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/8c0e91d5-1186-4095-8198-cadc0ad78caf/images/920470a5-727e-44b3-a6cf-03cd6d8c21a6/s10e03_square.png"/>
      <media:content fileSize="56070578" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8c0e91d5-1186-4095-8198-cadc0ad78caf/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Looks like these criminals used correct postage, 'cause justice is about to be delivered. Okay, there are no snappy one-liners in this crime scene investigation, but there are explosions, collisions, manhunts and even a cow who was in the wrong place at the wrong time. On the centennial of "The Last Great Train Robbery," we re-examine the evidence to find out how U.S. Postal Inspectors tracked down a band of old school outlaws using cutting edge criminal forensics...and postmarked them for prison.</p>

<p><strong>Guests:</strong></p>

<p><strong>Lynn Heidelbaugh</strong>, curator at the Smithsonian National Postal Museum</p>

<p><strong>Chelsea Rose</strong>, Director of the Southern Oregon University Laboratory of Anthropology</p>

<p><strong>Kate Winkler Dawson</strong>, author of American Sherlock: Murder, Forensics and the Birth of American CSI</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_63bdc2ee-80b0-4a14-8b25-f637645ce61b</guid>
      <title>Cellphones Rock </title>
      <pubDate>Wed, 27 Sep 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_63bdc2ee-80b0-4a14-8b25-f637645ce61b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Cellphones put the power of the world at our fingertips. With the touch of a finger, you can instantly connect with your doctor, have food delivered to your office or simply obliterate your niece at Words with Friends. And it's all made possible by rocks formed millions of years ago, deep underground. Join us as we bust open our devices to figure out how these stones power our phones.</p>

<p>Guests:<br>
<strong>Joshua A. Bell</strong>, curator of globalization at the Smithsonian’s National Museum of Natural History<br>
<strong>Michael Wise</strong>, geologist in the department of mineral sciences at the Smithsonian's National Museum of Natural History<br>
<strong>Josh Lepawsky</strong>, professor of geography at Memorial University of Newfoundland</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/63bdc2ee-80b0-4a14-8b25-f637645ce61b/Cell_Phone_Seg1.mp3" type="audio/mpeg" length="40870046"/>
      <itunes:subtitle>Join us as we bust open our devices to figure out how these rare minerals power our phones.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>28:22</itunes:duration>
      <category>
        <![CDATA[Cellphones]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Rocks]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Tantalite]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Cellphones put the power of the world at our fingertips. With the touch of a finger, you can instantly connect with your doctor, have food delivered to your office or simply obliterate your niece at Words with Friends. And it's all made possible by rocks formed millions of years ago, deep underground. Join us as we bust open our devices to figure out how these stones power our phones.

Guests:
Joshua A. Bell, curator of globalization at the Smithsonian’s National Museum of Natural History
Michael Wise, geologist in the department of mineral sciences at the Smithsonian's National Museum of Natural History
Josh Lepawsky, professor of geography at Memorial University of Newfoundland]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/63bdc2ee-80b0-4a14-8b25-f637645ce61b/images/38775e28-a429-468e-b758-c13c30d859bf/s10e02_square.png"/>
      <media:content fileSize="40870046" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/63bdc2ee-80b0-4a14-8b25-f637645ce61b/Cell_Phone_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Cellphones put the power of the world at our fingertips. With the touch of a finger, you can instantly connect with your doctor, have food delivered to your office or simply obliterate your niece at Words with Friends. And it's all made possible by rocks formed millions of years ago, deep underground. Join us as we bust open our devices to figure out how these stones power our phones.</p>

<p>Guests:<br>
<strong>Joshua A. Bell</strong>, curator of globalization at the Smithsonian’s National Museum of Natural History<br>
<strong>Michael Wise</strong>, geologist in the department of mineral sciences at the Smithsonian's National Museum of Natural History<br>
<strong>Josh Lepawsky</strong>, professor of geography at Memorial University of Newfoundland</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a1ee0b5b-90a1-44d4-9d41-dbb04be3bccf</guid>
      <title>The 'Gentle Anarchy' of the Muppets</title>
      <pubDate>Wed, 13 Sep 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a1ee0b5b-90a1-44d4-9d41-dbb04be3bccf&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Icky Gunk. Moldy Hay. Kermit. You might recognize one of these names. Before Kermit joined Miss Piggy and Big Bird, he was kicking it with Sam and Friends — a local tv show in Washington, D.C. that launched Jim Henson's career. We journey back to 1955 to figure out how this eccentric cast of puppets built the foundation for everything Jim Henson would do afterwards, from Sesame Street, to The Muppet Show and even Labyrinth (we see you, David Bowie fans). And we venture into the conservation labs to learn what it took to revive these crumbling hunks of foam and fabric when they landed at the Smithsonian.</p>

<p><strong>Guests:</strong></p>

<p><strong>Ryan Lintelman</strong>, curator at the Smithsonian National Museum of American History <br>
<strong>Sunae Park Evans</strong>, senior costume conservator at the Smithsonian National Museum of American History <br>
<strong>Bonnie Erickson</strong>, a director of The Jim Henson Legacy; creator of Miss Piggy <br>
<strong>Craig Shemin,</strong> author of Sam and Friends: The Story of Jim Henson's First Television Show</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a1ee0b5b-90a1-44d4-9d41-dbb04be3bccf/Seg_1.mp3" type="audio/mpeg" length="48296284"/>
      <itunes:subtitle>Before Kermit joined Miss Piggy and Big Bird, he was kicking it with Sam &amp; Friends — a local tv show in Washington, D.C. that launched Jim Henson's career. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:32</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Cookie Monster]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Icky Gunk]]>
      </category>
      <category>
        <![CDATA[Jim Henson]]>
      </category>
      <category>
        <![CDATA[Miss Piggy]]>
      </category>
      <category>
        <![CDATA[Moldy Hay]]>
      </category>
      <category>
        <![CDATA[Muppets]]>
      </category>
      <category>
        <![CDATA[Puppeteering]]>
      </category>
      <category>
        <![CDATA[Puppets]]>
      </category>
      <category>
        <![CDATA[Radio]]>
      </category>
      <category>
        <![CDATA[Sam and Friends]]>
      </category>
      <category>
        <![CDATA[Sesame Street]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Television]]>
      </category>
      <category>
        <![CDATA[The Muppet Show ]]>
      </category>
      <category>
        <![CDATA[The Muppets]]>
      </category>
      <category>
        <![CDATA[big Bird]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Icky Gunk. Moldy Hay. Kermit. You might recognize one of these names. Before Kermit joined Miss Piggy and Big Bird, he was kicking it with Sam and Friends — a local tv show in Washington, D.C. that launched Jim Henson's career. We journey back to 1955 to figure out how this eccentric cast of puppets built the foundation for everything Jim Henson would do afterwards, from Sesame Street, to The Muppet Show and even Labyrinth (we see you, David Bowie fans). And we venture into the conservation labs to learn what it took to revive these crumbling hunks of foam and fabric when they landed at the Smithsonian.

Guests:

Ryan Lintelman, curator at the Smithsonian National Museum of American History 
Sunae Park Evans, senior costume conservator at the Smithsonian National Museum of American History 
Bonnie Erickson, a director of The Jim Henson Legacy; creator of Miss Piggy 
Craig Shemin, author of Sam and Friends: The Story of Jim Henson's First Television Show]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/a1ee0b5b-90a1-44d4-9d41-dbb04be3bccf/images/e35ecfcc-1f2a-42dc-b19c-5b470e2987d5/s10e01_square.png"/>
      <media:content fileSize="48296284" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a1ee0b5b-90a1-44d4-9d41-dbb04be3bccf/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Icky Gunk. Moldy Hay. Kermit. You might recognize one of these names. Before Kermit joined Miss Piggy and Big Bird, he was kicking it with Sam and Friends — a local tv show in Washington, D.C. that launched Jim Henson's career. We journey back to 1955 to figure out how this eccentric cast of puppets built the foundation for everything Jim Henson would do afterwards, from Sesame Street, to The Muppet Show and even Labyrinth (we see you, David Bowie fans). And we venture into the conservation labs to learn what it took to revive these crumbling hunks of foam and fabric when they landed at the Smithsonian.</p>

<p><strong>Guests:</strong></p>

<p><strong>Ryan Lintelman</strong>, curator at the Smithsonian National Museum of American History <br>
<strong>Sunae Park Evans</strong>, senior costume conservator at the Smithsonian National Museum of American History <br>
<strong>Bonnie Erickson</strong>, a director of The Jim Henson Legacy; creator of Miss Piggy <br>
<strong>Craig Shemin,</strong> author of Sam and Friends: The Story of Jim Henson's First Television Show</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_742ae48c-1689-4be8-94b3-04ea958aef2c</guid>
      <title>It's Season 10!</title>
      <pubDate>Wed, 06 Sep 2023 04:00:46 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_742ae48c-1689-4be8-94b3-04ea958aef2c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor returns for its tenth season on Wednesday, September 13th!</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/742ae48c-1689-4be8-94b3-04ea958aef2c/Season_10_Trailer_Final.mp3" type="audio/mpeg" length="2522908"/>
      <itunes:subtitle>Sidedoor returns for its tenth season on Wednesday, September 13th! </itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:duration>01:45</itunes:duration>
      <category>
        <![CDATA[Cellphones]]>
      </category>
      <category>
        <![CDATA[Muppets]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Trailer]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor returns for its tenth season on Wednesday, September 13th!]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="2522908" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/742ae48c-1689-4be8-94b3-04ea958aef2c/Season_10_Trailer_Final.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5abea81b-9f19-4bbd-85bd-4e424a6cae1b</guid>
      <title>A Wild Ride on the Pony Express</title>
      <pubDate>Wed, 30 Aug 2023 04:00:01 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5abea81b-9f19-4bbd-85bd-4e424a6cae1b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1860 the fastest way to get a message to a family member, partner, or colleague wasn’t by text but by hoof…specifically, a pony’s. In just ten short days the Pony Express delivered mail between St. Louis and Sacramento. To find out what it was like to travel this legendary trail, there’s only one way: get on a horse and follow all 2,000 miles of it. That’s what writer Will Grant did, retracing the route from Missouri to California over four and half months. This guest episode of the Outside podcast brings you an epic camping tale in the name of history.</p>

<p> </p>

<p>We’ll be back with new episodes of Sidedoor in September! If you enjoyed this episode, find more stories from Outside at <a href="https://www.outsideonline.com/podcast" rel="nofollow" target="_blank">https://www.outsideonline.com/podcast</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5abea81b-9f19-4bbd-85bd-4e424a6cae1b/Outside_Seg1.mp3" type="audio/mpeg" length="43616308"/>
      <itunes:subtitle>This guest episode of the Outside podcast brings you an epic camping tale in the name of history.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:17</itunes:duration>
      <category>
        <![CDATA[Mail ]]>
      </category>
      <category>
        <![CDATA[Mail Carriers]]>
      </category>
      <category>
        <![CDATA[The Pony Express]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1860 the fastest way to get a message to a family member, partner, or colleague wasn’t by text but by hoof…specifically, a pony’s. In just ten short days the Pony Express delivered mail between St. Louis and Sacramento. To find out what it was like to travel this legendary trail, there’s only one way: get on a horse and follow all 2,000 miles of it. That’s what writer Will Grant did, retracing the route from Missouri to California over four and half months. This guest episode of the Outside podcast brings you an epic camping tale in the name of history.

 

We’ll be back with new episodes of Sidedoor in September! If you enjoyed this episode, find more stories from Outside at <a href="https://www.outsideonline.com/podcast" target="_blank">https://www.outsideonline.com/podcast</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="43616308" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5abea81b-9f19-4bbd-85bd-4e424a6cae1b/Outside_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1860 the fastest way to get a message to a family member, partner, or colleague wasn’t by text but by hoof…specifically, a pony’s. In just ten short days the Pony Express delivered mail between St. Louis and Sacramento. To find out what it was like to travel this legendary trail, there’s only one way: get on a horse and follow all 2,000 miles of it. That’s what writer Will Grant did, retracing the route from Missouri to California over four and half months. This guest episode of the Outside podcast brings you an epic camping tale in the name of history.</p>

<p> </p>

<p>We’ll be back with new episodes of Sidedoor in September! If you enjoyed this episode, find more stories from Outside at <a href="https://www.outsideonline.com/podcast" rel="nofollow" target="_blank">https://www.outsideonline.com/podcast</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c3ded667-76fe-42a4-aaf3-511680f751b0</guid>
      <title>The Hungerford Deed</title>
      <pubDate>Thu, 17 Aug 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c3ded667-76fe-42a4-aaf3-511680f751b0&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When a <a href="https://siarchives.si.edu/blog/tale-three-contracts?utm_source=si.edu&amp;utm_medium=referral&amp;utm_campaign=oneSmithsonian" rel="nofollow" target="_blank">200-year-old legal document</a> anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian. In honor of the Smithsonian’s 177th birthday, we’re sharing one of our favorite stories from the Sidedoor collection.</p>

<p><strong>Guests:</strong></p>

<p><strong>William Bennett,</strong> conservator at the Smithsonian Institution Libraries and Archives</p>

<p>Social: @rwilliab (Instagram), @SirWilliamB (Twitter)</p>

<p><strong>Heather Ewing</strong>, author of <em>The Lost World of James Smithson,</em> and Associate Dean at New York Studio School</p>

<p>Social: @HPealeEwing</p>

<p><strong>Richard Kurin,</strong> Smithsonian Distinguished Scholar and Ambassador-at-Large</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c3ded667-76fe-42a4-aaf3-511680f751b0/Hungerford_Rerun_Seg1.mp3" type="audio/mpeg" length="41962416"/>
      <itunes:subtitle>In honor of the Smithsonian’s 177th birthday, we’re sharing one of our favorite stories from the Sidedoor collection. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:08</itunes:duration>
      <category>
        <![CDATA[Archives]]>
      </category>
      <category>
        <![CDATA[Conservation]]>
      </category>
      <category>
        <![CDATA[Conservator]]>
      </category>
      <category>
        <![CDATA[Deed]]>
      </category>
      <category>
        <![CDATA[Deeds]]>
      </category>
      <category>
        <![CDATA[Family Feud]]>
      </category>
      <category>
        <![CDATA[Historical Documents]]>
      </category>
      <category>
        <![CDATA[Legal Documents]]>
      </category>
      <category>
        <![CDATA[Library]]>
      </category>
      <category>
        <![CDATA[Smithsonian ]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When a <a href="https://siarchives.si.edu/blog/tale-three-contracts?utm_source=si.edu&amp;utm_medium=referral&amp;utm_campaign=oneSmithsonian" target="_blank">200-year-old legal document</a> anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian. In honor of the Smithsonian’s 177th birthday, we’re sharing one of our favorite stories from the Sidedoor collection.

Guests:

William Bennett, conservator at the Smithsonian Institution Libraries and Archives

Social: @rwilliab (Instagram), @SirWilliamB (Twitter)

Heather Ewing, author of The Lost World of James Smithson, and Associate Dean at New York Studio School

Social: @HPealeEwing

Richard Kurin, Smithsonian Distinguished Scholar and Ambassador-at-Large]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41962416" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c3ded667-76fe-42a4-aaf3-511680f751b0/Hungerford_Rerun_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>When a <a href="https://siarchives.si.edu/blog/tale-three-contracts?utm_source=si.edu&amp;utm_medium=referral&amp;utm_campaign=oneSmithsonian" rel="nofollow" target="_blank">200-year-old legal document</a> anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian. In honor of the Smithsonian’s 177th birthday, we’re sharing one of our favorite stories from the Sidedoor collection.</p>

<p><strong>Guests:</strong></p>

<p><strong>William Bennett,</strong> conservator at the Smithsonian Institution Libraries and Archives</p>

<p>Social: @rwilliab (Instagram), @SirWilliamB (Twitter)</p>

<p><strong>Heather Ewing</strong>, author of <em>The Lost World of James Smithson,</em> and Associate Dean at New York Studio School</p>

<p>Social: @HPealeEwing</p>

<p><strong>Richard Kurin,</strong> Smithsonian Distinguished Scholar and Ambassador-at-Large</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_04f4eb10-52de-4180-8260-18e8d821758c</guid>
      <title>Tyrannosaurus FX</title>
      <pubDate>Wed, 02 Aug 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_04f4eb10-52de-4180-8260-18e8d821758c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When you imagine the sound of a dinosaur, you probably think of a scene from the Jurassic Park movies. How do sound designers make these extinct creatures sound so believably alive? And what does modern paleontology tell us about what dinosaurs REALLY sounded like? This guest episode of Twenty Thousand Hertz features Jurassic World sound designer Al Nelson and paleontologist Julia Clarke.</p>

<p> </p>

<p>We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Twenty Thousand Hertz at <a href="https://www.20k.org/" rel="nofollow" target="_blank">20k.org</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/04f4eb10-52de-4180-8260-18e8d821758c/20_K_Hz_Seg1.mp3" type="audio/mpeg" length="35655466"/>
      <itunes:subtitle>This guest episode of Twenty Thousand Hertz features Jurassic World sound designer Al Nelson and paleontologist Julia Clarke.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:45</itunes:duration>
      <category>
        <![CDATA[Dinosaurs]]>
      </category>
      <category>
        <![CDATA[Jurassic Park]]>
      </category>
      <category>
        <![CDATA[SFX]]>
      </category>
      <category>
        <![CDATA[Sound Effects]]>
      </category>
      <category>
        <![CDATA[T-Rex]]>
      </category>
      <category>
        <![CDATA[Tyrannosaurus ]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When you imagine the sound of a dinosaur, you probably think of a scene from the Jurassic Park movies. How do sound designers make these extinct creatures sound so believably alive? And what does modern paleontology tell us about what dinosaurs REALLY sounded like? This guest episode of Twenty Thousand Hertz features Jurassic World sound designer Al Nelson and paleontologist Julia Clarke.

 

We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Twenty Thousand Hertz at <a href="https://www.20k.org/" target="_blank">20k.org</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35655466" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/04f4eb10-52de-4180-8260-18e8d821758c/20_K_Hz_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>When you imagine the sound of a dinosaur, you probably think of a scene from the Jurassic Park movies. How do sound designers make these extinct creatures sound so believably alive? And what does modern paleontology tell us about what dinosaurs REALLY sounded like? This guest episode of Twenty Thousand Hertz features Jurassic World sound designer Al Nelson and paleontologist Julia Clarke.</p>

<p> </p>

<p>We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Twenty Thousand Hertz at <a href="https://www.20k.org/" rel="nofollow" target="_blank">20k.org</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5b216eb4-4365-4008-89f2-d19a6177e1e6</guid>
      <title>Special: People Eating People</title>
      <pubDate>Wed, 19 Jul 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5b216eb4-4365-4008-89f2-d19a6177e1e6&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>A Smithsonian researcher has made a discovery we couldn't wait to sink our teeth into — what might be the earliest evidence of our human ancestors eating each other. This conversation is a special update from our past episode 'Did Meat Make Us Human?' Bon appétit! </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5b216eb4-4365-4008-89f2-d19a6177e1e6/People_Eating_People_Final.mp3" type="audio/mpeg" length="19596062"/>
      <itunes:subtitle>This conversation is a special update from our past episode 'Did Meat Make Us Human?' Bon appétit! </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>13:36</itunes:duration>
      <category>
        <![CDATA[Cannibalism]]>
      </category>
      <category>
        <![CDATA[Diet]]>
      </category>
      <category>
        <![CDATA[Homo Erectus]]>
      </category>
      <category>
        <![CDATA[Homo Sapien]]>
      </category>
      <category>
        <![CDATA[Human Origins]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Paleo]]>
      </category>
      <category>
        <![CDATA[Paleolithic]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Vegan]]>
      </category>
      <category>
        <![CDATA[Vegetarian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[A Smithsonian researcher has made a discovery we couldn't wait to sink our teeth into — what might be the earliest evidence of our human ancestors eating each other. This conversation is a special update from our past episode 'Did Meat Make Us Human?' Bon appétit! ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/5b216eb4-4365-4008-89f2-d19a6177e1e6/images/2720f1b7-a775-42c8-a005-e95e8c2360c7/s09e11_square.png"/>
      <media:content fileSize="19596062" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5b216eb4-4365-4008-89f2-d19a6177e1e6/People_Eating_People_Final.mp3"/>
      <content:encoded>
        <![CDATA[<p>A Smithsonian researcher has made a discovery we couldn't wait to sink our teeth into — what might be the earliest evidence of our human ancestors eating each other. This conversation is a special update from our past episode 'Did Meat Make Us Human?' Bon appétit! </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_7a77c449-d2db-42ad-8344-e8db544dc544</guid>
      <title>The Toxic Book of Faces</title>
      <pubDate>Wed, 05 Jul 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_7a77c449-d2db-42ad-8344-e8db544dc544&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Before the invention of photography, only the rich could afford to have portraits of themselves. But in the early 1800s, a device called the physiognotrace democratized portraiture, making it possible or everyday people to have their images captured in silhouettes. A man named William Bache traveled the United States creating hundreds of silhouette portraits with the aid of the physiognotrace, leaving behind a ledger book that gives us a rare glimpse of early America. A ledger book…laced with poison.</p>

<p><strong>Guests</strong></p>

<p><strong>Robyn Asleson,</strong> curator of prints and drawings at the Smithsonian’s National Portrait Gallery</p>

<p><strong>Nora Lockshin,</strong> senior conservator for archives at the Smithsonian Libraries and Archives</p>

<p><strong>Wendy Bellion,</strong> Sewell C. Biggs Chair in American Art History, and associate dean for the humanities at the University of Delaware</p>

<p><strong>Carolyn Hauk,</strong> doctoral student in the art history department of the University of Delaware, former intern at the Smithsonian’s National Portrait Gallery</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7a77c449-d2db-42ad-8344-e8db544dc544/Silhouettes_Seg1.mp3" type="audio/mpeg" length="47868100"/>
      <itunes:subtitle>In the early 1800s, a man named William Bache traveled the United States creating hundreds of silhouette portraits of everyday people. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:14</itunes:duration>
      <category>
        <![CDATA[1800s]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[New Orleans]]>
      </category>
      <category>
        <![CDATA[Physiognotrace ]]>
      </category>
      <category>
        <![CDATA[Portraits]]>
      </category>
      <category>
        <![CDATA[Portraiture]]>
      </category>
      <category>
        <![CDATA[Silhouettes]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Libraries and Archives]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Portrait Gallery]]>
      </category>
      <category>
        <![CDATA[William Bache]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Before the invention of photography, only the rich could afford to have portraits of themselves. But in the early 1800s, a device called the physiognotrace democratized portraiture, making it possible or everyday people to have their images captured in silhouettes. A man named William Bache traveled the United States creating hundreds of silhouette portraits with the aid of the physiognotrace, leaving behind a ledger book that gives us a rare glimpse of early America. A ledger book…laced with poison.

Guests

Robyn Asleson, curator of prints and drawings at the Smithsonian’s National Portrait Gallery

Nora Lockshin, senior conservator for archives at the Smithsonian Libraries and Archives

Wendy Bellion, Sewell C. Biggs Chair in American Art History, and associate dean for the humanities at the University of Delaware

Carolyn Hauk, doctoral student in the art history department of the University of Delaware, former intern at the Smithsonian’s National Portrait Gallery]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/7a77c449-d2db-42ad-8344-e8db544dc544/images/d8fb9851-a6fd-4366-8adf-30b58ad9c9a7/s09e10_square.png"/>
      <media:content fileSize="47868100" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7a77c449-d2db-42ad-8344-e8db544dc544/Silhouettes_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Before the invention of photography, only the rich could afford to have portraits of themselves. But in the early 1800s, a device called the physiognotrace democratized portraiture, making it possible or everyday people to have their images captured in silhouettes. A man named William Bache traveled the United States creating hundreds of silhouette portraits with the aid of the physiognotrace, leaving behind a ledger book that gives us a rare glimpse of early America. A ledger book…laced with poison.</p>

<p><strong>Guests</strong></p>

<p><strong>Robyn Asleson,</strong> curator of prints and drawings at the Smithsonian’s National Portrait Gallery</p>

<p><strong>Nora Lockshin,</strong> senior conservator for archives at the Smithsonian Libraries and Archives</p>

<p><strong>Wendy Bellion,</strong> Sewell C. Biggs Chair in American Art History, and associate dean for the humanities at the University of Delaware</p>

<p><strong>Carolyn Hauk,</strong> doctoral student in the art history department of the University of Delaware, former intern at the Smithsonian’s National Portrait Gallery</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_aa923c5a-ae37-43ef-8654-40da17f6ae6f</guid>
      <title>Building a Movement</title>
      <pubDate>Wed, 21 Jun 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_aa923c5a-ae37-43ef-8654-40da17f6ae6f&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>America has a long history of clustering heavy industry and toxic facilities in communities where people of color live. But in the 1980s, a series of events sparked a movement to fight back against these environmental injustices. We trace the history of the environmental justice movement from the farmlands of North Carolina to a watershed moment in the nation's capital. </p>

<p> </p>

<p>Guests: </p>

<p> </p>

<p>Vernice Miller Travis, environmental justice pioneer; Executive Vice President, Metro Group </p>

<p>Rachel Seidman, curator at the Smithsonian's Anacostia Community Museum </p>

<p>Charles Lee, a founder of the environmental justice movement; senior policy advisor, U.S. Environmental Protection Agency Office of Environmental Justice and External Civil Rights </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/aa923c5a-ae37-43ef-8654-40da17f6ae6f/Seg_1.mp3" type="audio/mpeg" length="43653242"/>
      <itunes:subtitle>We trace the history of the environmental justice movement from the farmlands of North Carolina to a watershed moment in the nation's capital. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:18</itunes:duration>
      <category>
        <![CDATA[Anacostia Community Museum ]]>
      </category>
      <category>
        <![CDATA[Black Communities]]>
      </category>
      <category>
        <![CDATA[Environmental Justice]]>
      </category>
      <category>
        <![CDATA[North Carolina]]>
      </category>
      <category>
        <![CDATA[Pollution]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[America has a long history of clustering heavy industry and toxic facilities in communities where people of color live. But in the 1980s, a series of events sparked a movement to fight back against these environmental injustices. We trace the history of the environmental justice movement from the farmlands of North Carolina to a watershed moment in the nation's capital. 

 

Guests: 

 

Vernice Miller Travis, environmental justice pioneer; Executive Vice President, Metro Group 

Rachel Seidman, curator at the Smithsonian's Anacostia Community Museum 

Charles Lee, a founder of the environmental justice movement; senior policy advisor, U.S. Environmental Protection Agency Office of Environmental Justice and External Civil Rights ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/aa923c5a-ae37-43ef-8654-40da17f6ae6f/images/c6db4d43-b4e3-4988-b83a-be7d087d7110/s09e09_square.png"/>
      <media:content fileSize="43653242" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/aa923c5a-ae37-43ef-8654-40da17f6ae6f/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>America has a long history of clustering heavy industry and toxic facilities in communities where people of color live. But in the 1980s, a series of events sparked a movement to fight back against these environmental injustices. We trace the history of the environmental justice movement from the farmlands of North Carolina to a watershed moment in the nation's capital. </p>

<p> </p>

<p>Guests: </p>

<p> </p>

<p>Vernice Miller Travis, environmental justice pioneer; Executive Vice President, Metro Group </p>

<p>Rachel Seidman, curator at the Smithsonian's Anacostia Community Museum </p>

<p>Charles Lee, a founder of the environmental justice movement; senior policy advisor, U.S. Environmental Protection Agency Office of Environmental Justice and External Civil Rights </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_24946607-a1e4-4ba4-952f-13c5fa7cb762</guid>
      <title>Recording the World</title>
      <pubDate>Wed, 07 Jun 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_24946607-a1e4-4ba4-952f-13c5fa7cb762&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1948, Moses Asch set out with an ambitious project: to document the world’s sounds! 75 years later, that project has grown into one of the world’s most eclectic, iconic and LARGEST repositories of recorded sound… from American folk music, to sounds of everyday life, and even a serenade for turkeys. Folkways Recordings —as it's now known— lives on within the Smithsonian, connecting the past, present and future… through sounds.</p>

<p>Guests:</p>

<p><strong>Michael Asch,</strong> anthropologist and son of Moses Asch </p>

<p><strong>Jake Blount,</strong> musician and scholar of Black American music </p>

<p><strong>Maureen Loughran,</strong> director and curator of Smithsonian Folkways Recordings</p>

<p><strong>Jeff Place,</strong> curator and senior archivist at Smithsonian Folkways Recordings </p>

<p><strong>Anthony Seeger,</strong> curator and director emeritus of Smithsonian Folkways Recordings</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/24946607-a1e4-4ba4-952f-13c5fa7cb762/Folkways_Seg1.mp3" type="audio/mpeg" length="52349008"/>
      <itunes:subtitle>Folkways Recordings —as it's now known— lives on within the Smithsonian, connecting the past, present and future… through sounds.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>36:21</itunes:duration>
      <category>
        <![CDATA[Anthropology]]>
      </category>
      <category>
        <![CDATA[Black American music]]>
      </category>
      <category>
        <![CDATA[Folkways]]>
      </category>
      <category>
        <![CDATA[Recordings]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[sound]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1948, Moses Asch set out with an ambitious project: to document the world’s sounds! 75 years later, that project has grown into one of the world’s most eclectic, iconic and LARGEST repositories of recorded sound… from American folk music, to sounds of everyday life, and even a serenade for turkeys. Folkways Recordings —as it's now known— lives on within the Smithsonian, connecting the past, present and future… through sounds.

Guests:

Michael Asch, anthropologist and son of Moses Asch 

Jake Blount, musician and scholar of Black American music 

Maureen Loughran, director and curator of Smithsonian Folkways Recordings

Jeff Place, curator and senior archivist at Smithsonian Folkways Recordings 

Anthony Seeger, curator and director emeritus of Smithsonian Folkways Recordings]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/24946607-a1e4-4ba4-952f-13c5fa7cb762/images/a68edd0c-7ae1-4ae5-9cff-65afc41525a7/s09e08_square.png"/>
      <media:content fileSize="52349008" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/24946607-a1e4-4ba4-952f-13c5fa7cb762/Folkways_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1948, Moses Asch set out with an ambitious project: to document the world’s sounds! 75 years later, that project has grown into one of the world’s most eclectic, iconic and LARGEST repositories of recorded sound… from American folk music, to sounds of everyday life, and even a serenade for turkeys. Folkways Recordings —as it's now known— lives on within the Smithsonian, connecting the past, present and future… through sounds.</p>

<p>Guests:</p>

<p><strong>Michael Asch,</strong> anthropologist and son of Moses Asch </p>

<p><strong>Jake Blount,</strong> musician and scholar of Black American music </p>

<p><strong>Maureen Loughran,</strong> director and curator of Smithsonian Folkways Recordings</p>

<p><strong>Jeff Place,</strong> curator and senior archivist at Smithsonian Folkways Recordings </p>

<p><strong>Anthony Seeger,</strong> curator and director emeritus of Smithsonian Folkways Recordings</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5b912db7-58c6-4e8c-a264-158c840ee727</guid>
      <title>The Funk List</title>
      <pubDate>Wed, 24 May 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5b912db7-58c6-4e8c-a264-158c840ee727&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Women have long fueled America's greatest scientific achievements. But when you go searching for information about these women scientists, you'll likely come up short. Only 19% of articles on Wikipedia are about women. In the field of science, this difference is even more pronounced. But now, a team at the Smithsonian is using artificial intelligence and good old fashioned research skills to scour the archives for lost women of science and publish their stories … before it’s too late.</p>

<p>Guests:</p>

<p><strong>Liz Harmon,</strong> digital curator, Smithsonian Libraries and Archives</p>

<p><strong>Kelly Doyle,</strong> open knowledge coordinator, Smithsonian American Women's History Museum</p>

<p><strong>Rebecca Dikow,</strong> research data scientist, Smithsonian Data Science Lab</p>

<p><strong>Tiana Curry,</strong> former intern, Smithsonian Data Science Lab</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5b912db7-58c6-4e8c-a264-158c840ee727/Seg_1.mp3" type="audio/mpeg" length="39912892"/>
      <itunes:subtitle>Women have long fueled America's greatest scientific achievements. But when you go searching for information about these women scientists, you'll likely come up short</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:43</itunes:duration>
      <category>
        <![CDATA[AI]]>
      </category>
      <category>
        <![CDATA[ChatGPT]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Wiki]]>
      </category>
      <category>
        <![CDATA[Wikipedia]]>
      </category>
      <category>
        <![CDATA[Women in STEM]]>
      </category>
      <category>
        <![CDATA[Women in Science]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Women have long fueled America's greatest scientific achievements. But when you go searching for information about these women scientists, you'll likely come up short. Only 19% of articles on Wikipedia are about women. In the field of science, this difference is even more pronounced. But now, a team at the Smithsonian is using artificial intelligence and good old fashioned research skills to scour the archives for lost women of science and publish their stories … before it’s too late.

Guests:

Liz Harmon, digital curator, Smithsonian Libraries and Archives

Kelly Doyle, open knowledge coordinator, Smithsonian American Women's History Museum

Rebecca Dikow, research data scientist, Smithsonian Data Science Lab

Tiana Curry, former intern, Smithsonian Data Science Lab]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/5b912db7-58c6-4e8c-a264-158c840ee727/images/f9cb9c8d-bde4-47a2-9840-07e7e05205a9/s09e07_square.png"/>
      <media:content fileSize="39912892" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5b912db7-58c6-4e8c-a264-158c840ee727/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Women have long fueled America's greatest scientific achievements. But when you go searching for information about these women scientists, you'll likely come up short. Only 19% of articles on Wikipedia are about women. In the field of science, this difference is even more pronounced. But now, a team at the Smithsonian is using artificial intelligence and good old fashioned research skills to scour the archives for lost women of science and publish their stories … before it’s too late.</p>

<p>Guests:</p>

<p><strong>Liz Harmon,</strong> digital curator, Smithsonian Libraries and Archives</p>

<p><strong>Kelly Doyle,</strong> open knowledge coordinator, Smithsonian American Women's History Museum</p>

<p><strong>Rebecca Dikow,</strong> research data scientist, Smithsonian Data Science Lab</p>

<p><strong>Tiana Curry,</strong> former intern, Smithsonian Data Science Lab</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f86ef684-29f8-4e01-b50f-8ac9ef8c6841</guid>
      <title>Get Off My Lawn </title>
      <pubDate>Wed, 10 May 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f86ef684-29f8-4e01-b50f-8ac9ef8c6841&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.</p>

<p><strong>Guests:</strong></p>

<p><strong>Cindy Brown</strong>, manager of collections, education, and access at Smithsonian Gardens<br>
<br>
<strong>Joyce Connolly</strong>, museum specialist at the Smithsonian’s Archives of American Gardens<br>
<br>
<strong>Abeer Saha</strong>, curator of agriculture and engineering at the Smithsonian’s National Museum of American History<br>
<br>
<strong>Sylvia Schmeichel</strong>, lead horticulturist at the Smithsonian’s National Museum of Natural History<br>
<br>
<strong>Jeff Schneider</strong>, deputy director of Smithsonian Gardens</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f86ef684-29f8-4e01-b50f-8ac9ef8c6841/Lawn_Rerun_Seg1.mp3" type="audio/mpeg" length="43020356"/>
      <itunes:subtitle>In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:52</itunes:duration>
      <category>
        <![CDATA[Agriculture]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[American Revolution]]>
      </category>
      <category>
        <![CDATA[Andrew Jackson Downing]]>
      </category>
      <category>
        <![CDATA[Backyard]]>
      </category>
      <category>
        <![CDATA[British]]>
      </category>
      <category>
        <![CDATA[Class]]>
      </category>
      <category>
        <![CDATA[Conformity]]>
      </category>
      <category>
        <![CDATA[Earth Optimism]]>
      </category>
      <category>
        <![CDATA[Fertilizer]]>
      </category>
      <category>
        <![CDATA[Front Yard]]>
      </category>
      <category>
        <![CDATA[Gardening]]>
      </category>
      <category>
        <![CDATA[Golf]]>
      </category>
      <category>
        <![CDATA[Grass]]>
      </category>
      <category>
        <![CDATA[Haupt Garden]]>
      </category>
      <category>
        <![CDATA[Herbicide]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Home & Garden Magazine]]>
      </category>
      <category>
        <![CDATA[Horticulture]]>
      </category>
      <category>
        <![CDATA[Housing]]>
      </category>
      <category>
        <![CDATA[Landscape ]]>
      </category>
      <category>
        <![CDATA[Landscape Architecture]]>
      </category>
      <category>
        <![CDATA[Landscaping ]]>
      </category>
      <category>
        <![CDATA[Lawn]]>
      </category>
      <category>
        <![CDATA[Lawn Care]]>
      </category>
      <category>
        <![CDATA[Lawn Mower]]>
      </category>
      <category>
        <![CDATA[Levittown]]>
      </category>
      <category>
        <![CDATA[Nitrogen]]>
      </category>
      <category>
        <![CDATA[Pollinator]]>
      </category>
      <category>
        <![CDATA[Pollinator Lawn]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Suburbia]]>
      </category>
      <category>
        <![CDATA[Suburbs]]>
      </category>
      <category>
        <![CDATA[Turf Grass]]>
      </category>
      <category>
        <![CDATA[USDA]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.

Guests:

Cindy Brown, manager of collections, education, and access at Smithsonian Gardens

Joyce Connolly, museum specialist at the Smithsonian’s Archives of American Gardens

Abeer Saha, curator of agriculture and engineering at the Smithsonian’s National Museum of American History

Sylvia Schmeichel, lead horticulturist at the Smithsonian’s National Museum of Natural History

Jeff Schneider, deputy director of Smithsonian Gardens]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/f86ef684-29f8-4e01-b50f-8ac9ef8c6841/images/51bec706-cca6-42ef-8bd3-beeded609341/s08e02_square.png"/>
      <media:content fileSize="43020356" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f86ef684-29f8-4e01-b50f-8ac9ef8c6841/Lawn_Rerun_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.</p>

<p><strong>Guests:</strong></p>

<p><strong>Cindy Brown</strong>, manager of collections, education, and access at Smithsonian Gardens<br>
<br>
<strong>Joyce Connolly</strong>, museum specialist at the Smithsonian’s Archives of American Gardens<br>
<br>
<strong>Abeer Saha</strong>, curator of agriculture and engineering at the Smithsonian’s National Museum of American History<br>
<br>
<strong>Sylvia Schmeichel</strong>, lead horticulturist at the Smithsonian’s National Museum of Natural History<br>
<br>
<strong>Jeff Schneider</strong>, deputy director of Smithsonian Gardens</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_fb40675d-6650-4d4e-a16c-ec0bed2e2fb8</guid>
      <title>Bill Nye the Sidedoor Guy </title>
      <pubDate>Wed, 26 Apr 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_fb40675d-6650-4d4e-a16c-ec0bed2e2fb8&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>As a kid, Bill Nye spent whole days wandering the halls of Smithsonian museums. Now the Science Guy is back… to find his own blue lab coat and periodic table bowtie on display at the National Museum of American History. We sit down with Bill Nye to get schooled on science education, comedy, and the 1990s hit TV show that turned him into an entire generation’s favorite science teacher.</p>

<p>Guests:<br>
<strong>Bill Nye,</strong> Science Guy</p>

<p>This episode was produced in collaboration with the Smithsonian’s National Museum of American History. Their exhibition, <em><a href="https://americanhistory.si.edu/exhibitions/entertainment-nation" title="https://americanhistory.si.edu/exhibitions/entertainment-nation" rel="nofollow" target="_blank">Entertainment Nation</a>,</em> shows the power of American entertainment to captivate, inspire, and transform. Through the objects and their stories, the ongoing exhibition will explore how, for over 150 years, entertainment has provided a forum for important national conversations about who we are, and who we want to be.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fb40675d-6650-4d4e-a16c-ec0bed2e2fb8/Bill_Nye_Seg1.mp3" type="audio/mpeg" length="37743176"/>
      <itunes:subtitle>We sit down with Bill Nye to get schooled on science education, comedy, and the 1990s hit TV show that turned him into an entire generation’s favorite science teacher. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:12</itunes:duration>
      <category>
        <![CDATA[Comedy]]>
      </category>
      <category>
        <![CDATA[Education]]>
      </category>
      <category>
        <![CDATA[Environmental Science]]>
      </category>
      <category>
        <![CDATA[PBS]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Science Education]]>
      </category>
      <category>
        <![CDATA[Stand-up ]]>
      </category>
      <category>
        <![CDATA[Stand-up Comedy]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[As a kid, Bill Nye spent whole days wandering the halls of Smithsonian museums. Now the Science Guy is back… to find his own blue lab coat and periodic table bowtie on display at the National Museum of American History. We sit down with Bill Nye to get schooled on science education, comedy, and the 1990s hit TV show that turned him into an entire generation’s favorite science teacher.

Guests:
Bill Nye, Science Guy

This episode was produced in collaboration with the Smithsonian’s National Museum of American History. Their exhibition, <a href="https://americanhistory.si.edu/exhibitions/entertainment-nation" target="_blank">Entertainment Nation</a>, shows the power of American entertainment to captivate, inspire, and transform. Through the objects and their stories, the ongoing exhibition will explore how, for over 150 years, entertainment has provided a forum for important national conversations about who we are, and who we want to be.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/fb40675d-6650-4d4e-a16c-ec0bed2e2fb8/images/64e708f7-07f3-42ef-9942-1e2c60ff915d/s09e05_square.png"/>
      <media:content fileSize="37743176" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fb40675d-6650-4d4e-a16c-ec0bed2e2fb8/Bill_Nye_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>As a kid, Bill Nye spent whole days wandering the halls of Smithsonian museums. Now the Science Guy is back… to find his own blue lab coat and periodic table bowtie on display at the National Museum of American History. We sit down with Bill Nye to get schooled on science education, comedy, and the 1990s hit TV show that turned him into an entire generation’s favorite science teacher.</p>

<p>Guests:<br>
<strong>Bill Nye,</strong> Science Guy</p>

<p>This episode was produced in collaboration with the Smithsonian’s National Museum of American History. Their exhibition, <em><a href="https://americanhistory.si.edu/exhibitions/entertainment-nation" title="https://americanhistory.si.edu/exhibitions/entertainment-nation" rel="nofollow" target="_blank">Entertainment Nation</a>,</em> shows the power of American entertainment to captivate, inspire, and transform. Through the objects and their stories, the ongoing exhibition will explore how, for over 150 years, entertainment has provided a forum for important national conversations about who we are, and who we want to be.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_db0ec74b-9571-40e0-a2d7-f9041fbaec46</guid>
      <title>Space Marathon</title>
      <pubDate>Wed, 12 Apr 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_db0ec74b-9571-40e0-a2d7-f9041fbaec46&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Until the 1970s, women were barred from competing in U.S. marathons because of the belief that the "violent movements" would wreak havoc on their reproductive system, "thus defeating a woman’s true purpose in life, i.e., the bringing forth of strong children." Through a series of steps, stumbles —and one epic tackle— running pioneers like Roberta "Bobbi" Gibb and Kathrine Switzer blazed the trail for women marathoners who followed, including Sunita Williams — the first person to run the Boston Marathon IN SPACE!</p>

<p>Guests:</p>

<p><strong>Sunita Williams</strong>, astronaut</p>

<p><strong>Jennifer Levasseur,</strong> curator, Smithsonian's National Air and Space Museum</p>

<p><strong>Peter Sagal,</strong> marathoner; host of NPR's Wait Wait ... Don't Tell Me!</p>

<p><strong>Bobbi Gibb,</strong> first woman to run the Boston Marathon</p>

<p><strong>Kathrine Switzer,</strong> first women to officially run the Boston Marathon</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/db0ec74b-9571-40e0-a2d7-f9041fbaec46/Seg_1.mp3" type="audio/mpeg" length="47548840"/>
      <itunes:subtitle>Through a series of steps, stumbles —and one epic tackle— running pioneers blazed the trail for women marathoners who followed, including Sunita Williams — the first person to run the Boston Marathon IN SPACE!</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:01</itunes:duration>
      <category>
        <![CDATA[Astronaut]]>
      </category>
      <category>
        <![CDATA[Astronauts]]>
      </category>
      <category>
        <![CDATA[Bobbi Gibb]]>
      </category>
      <category>
        <![CDATA[Boston]]>
      </category>
      <category>
        <![CDATA[Boston Marathon]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[ISS]]>
      </category>
      <category>
        <![CDATA[International Space Station]]>
      </category>
      <category>
        <![CDATA[Kathrine Switzer]]>
      </category>
      <category>
        <![CDATA[Marathon]]>
      </category>
      <category>
        <![CDATA[Marathon History]]>
      </category>
      <category>
        <![CDATA[Peter Saga]]>
      </category>
      <category>
        <![CDATA[Race]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Space]]>
      </category>
      <category>
        <![CDATA[Sunita Williams]]>
      </category>
      <category>
        <![CDATA[The Boston Marathon]]>
      </category>
      <category>
        <![CDATA[Woman Marathoners]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Until the 1970s, women were barred from competing in U.S. marathons because of the belief that the "violent movements" would wreak havoc on their reproductive system, "thus defeating a woman’s true purpose in life, i.e., the bringing forth of strong children." Through a series of steps, stumbles —and one epic tackle— running pioneers like Roberta "Bobbi" Gibb and Kathrine Switzer blazed the trail for women marathoners who followed, including Sunita Williams — the first person to run the Boston Marathon IN SPACE!

Guests:

Sunita Williams, astronaut

Jennifer Levasseur, curator, Smithsonian's National Air and Space Museum

Peter Sagal, marathoner; host of NPR's Wait Wait ... Don't Tell Me!

Bobbi Gibb, first woman to run the Boston Marathon

Kathrine Switzer, first women to officially run the Boston Marathon]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/db0ec74b-9571-40e0-a2d7-f9041fbaec46/images/11794a4e-821d-4330-8609-8311c1ec9ffa/s09e04_square.png"/>
      <media:content fileSize="47548840" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/db0ec74b-9571-40e0-a2d7-f9041fbaec46/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Until the 1970s, women were barred from competing in U.S. marathons because of the belief that the "violent movements" would wreak havoc on their reproductive system, "thus defeating a woman’s true purpose in life, i.e., the bringing forth of strong children." Through a series of steps, stumbles —and one epic tackle— running pioneers like Roberta "Bobbi" Gibb and Kathrine Switzer blazed the trail for women marathoners who followed, including Sunita Williams — the first person to run the Boston Marathon IN SPACE!</p>

<p>Guests:</p>

<p><strong>Sunita Williams</strong>, astronaut</p>

<p><strong>Jennifer Levasseur,</strong> curator, Smithsonian's National Air and Space Museum</p>

<p><strong>Peter Sagal,</strong> marathoner; host of NPR's Wait Wait ... Don't Tell Me!</p>

<p><strong>Bobbi Gibb,</strong> first woman to run the Boston Marathon</p>

<p><strong>Kathrine Switzer,</strong> first women to officially run the Boston Marathon</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e17da098-8ab1-4a31-9229-b02d49617d82</guid>
      <title>Monsoon Mood</title>
      <pubDate>Wed, 29 Mar 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e17da098-8ab1-4a31-9229-b02d49617d82&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>We think of paintings as art, but can they also be a source of data? 300 years ago, a young prince inherited the throne in Udaipur, India, and brought with him some newfangled ideas about art. His court artists created massive paintings that flew in the face of convention, documenting real life events, times, places and even emotions —especially during the annual monsoon season. These paintings are so detailed that - centuries later - they can serve as archival records to help understand our own changing climate.</p>

<p><strong>Guests:</strong></p>

<p><strong>Debra Diamond</strong>, Elizabeth Moynihan Curator for South Asian and Southeast Asian Art at the Smithsonian’s National Museum of Asian Art</p>

<p><strong>Dipti Khera,</strong> associate professor, Department of Art History and Institute of Fine Arts, New York University</p>

<p><strong>Mark Giordano,</strong> professor of geography and vice dean for undergraduate affairs at Georgetown University’s Walsh School of Foreign Service</p>

<p>This episode was produced in collaboration with the <a href="https://asia.si.edu/exhibition/a-splendid-land-paintings-from-royal-udaipur/" title="https://asia.si.edu/exhibition/a-splendid-land-paintings-from-royal-udaipur/" rel="nofollow" target="_blank">Smithsonian’s National Museum of Asian Art’s exhibition</a>: <em>A Splendid Land: Paintings from Royal Udaipur</em>, in celebration of the 100th anniversary of the museum’s founding and the 75th anniversary of Indian independence.</p>

<p>The exhibition is on view through May 14, 2023.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e17da098-8ab1-4a31-9229-b02d49617d82/Splendid_Land_Seg1.mp3" type="audio/mpeg" length="42195435"/>
      <itunes:subtitle>We think of paintings as art, but can they also be a source of data?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:18</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Asian Art]]>
      </category>
      <category>
        <![CDATA[Climate Change]]>
      </category>
      <category>
        <![CDATA[Data]]>
      </category>
      <category>
        <![CDATA[Environmental Science]]>
      </category>
      <category>
        <![CDATA[Georgetown University]]>
      </category>
      <category>
        <![CDATA[India]]>
      </category>
      <category>
        <![CDATA[New York University]]>
      </category>
      <category>
        <![CDATA[Painting]]>
      </category>
      <category>
        <![CDATA[Paintings]]>
      </category>
      <category>
        <![CDATA[Royal Udaipur]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian’s National Museum of Asian Art]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[We think of paintings as art, but can they also be a source of data? 300 years ago, a young prince inherited the throne in Udaipur, India, and brought with him some newfangled ideas about art. His court artists created massive paintings that flew in the face of convention, documenting real life events, times, places and even emotions —especially during the annual monsoon season. These paintings are so detailed that - centuries later - they can serve as archival records to help understand our own changing climate.

Guests:

Debra Diamond, Elizabeth Moynihan Curator for South Asian and Southeast Asian Art at the Smithsonian’s National Museum of Asian Art

Dipti Khera, associate professor, Department of Art History and Institute of Fine Arts, New York University

Mark Giordano, professor of geography and vice dean for undergraduate affairs at Georgetown University’s Walsh School of Foreign Service

This episode was produced in collaboration with the <a href="https://asia.si.edu/exhibition/a-splendid-land-paintings-from-royal-udaipur/" target="_blank">Smithsonian’s National Museum of Asian Art’s exhibition</a>: A Splendid Land: Paintings from Royal Udaipur, in celebration of the 100th anniversary of the museum’s founding and the 75th anniversary of Indian independence.

The exhibition is on view through May 14, 2023.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/e17da098-8ab1-4a31-9229-b02d49617d82/images/9e4881c5-49ab-497d-b7dd-d21fb6e3e129/s09e03_square.png"/>
      <media:content fileSize="42195435" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e17da098-8ab1-4a31-9229-b02d49617d82/Splendid_Land_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>We think of paintings as art, but can they also be a source of data? 300 years ago, a young prince inherited the throne in Udaipur, India, and brought with him some newfangled ideas about art. His court artists created massive paintings that flew in the face of convention, documenting real life events, times, places and even emotions —especially during the annual monsoon season. These paintings are so detailed that - centuries later - they can serve as archival records to help understand our own changing climate.</p>

<p><strong>Guests:</strong></p>

<p><strong>Debra Diamond</strong>, Elizabeth Moynihan Curator for South Asian and Southeast Asian Art at the Smithsonian’s National Museum of Asian Art</p>

<p><strong>Dipti Khera,</strong> associate professor, Department of Art History and Institute of Fine Arts, New York University</p>

<p><strong>Mark Giordano,</strong> professor of geography and vice dean for undergraduate affairs at Georgetown University’s Walsh School of Foreign Service</p>

<p>This episode was produced in collaboration with the <a href="https://asia.si.edu/exhibition/a-splendid-land-paintings-from-royal-udaipur/" title="https://asia.si.edu/exhibition/a-splendid-land-paintings-from-royal-udaipur/" rel="nofollow" target="_blank">Smithsonian’s National Museum of Asian Art’s exhibition</a>: <em>A Splendid Land: Paintings from Royal Udaipur</em>, in celebration of the 100th anniversary of the museum’s founding and the 75th anniversary of Indian independence.</p>

<p>The exhibition is on view through May 14, 2023.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f2b60530-7711-43f0-bb91-64908b4d3d19</guid>
      <title>Lights Out</title>
      <pubDate>Wed, 15 Mar 2023 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f2b60530-7711-43f0-bb91-64908b4d3d19&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Most people in North America can't see the Milky Way. The reason? We're ensconced in a luminous fog of artificial lighting 24/7. The evolution of lighting technology over the last century has made it possible to live, work, and play at any hour - day or night. But light pollution affects all life on earth, from humans to plants and insects. So, how did we find ourselves surrounded by a glowing shroud of electricity... and can we have the dark, without giving up the light?</p>

<p>Guests: </p>

<p><strong>Hal Wallace</strong>, curator of electricity collections at the Smithsonian’s National Museum of American History <br>
<strong>Lisbeth Fuisz,</strong> coordinating director, Lights Out D.C. <br>
<strong>Brian Schmidt, museum specialist</strong>, Smithsonian National Museum of Natural History <br>
<strong>Diane Turnshek,</strong> Astronomer; Dark Skies Advocate</p>

<p>This episode was produced in collaboration with the Smithsonian National Museum of Natural History's exhibition: Lights Out: Recovering Our Night Sky. Through over 100 photographs, nearly 250 objects, interactive experiences, tactile models, and a theater program, discover why dark nights matter, rekindle your connection with the night sky, and consider how much light at night is enough—for whom, for what purpose, and who gets to decide?</p>

<p>Lights Out: Recovering Our Night Sky is open March 23, 2023 - TBA. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f2b60530-7711-43f0-bb91-64908b4d3d19/Seg_1.mp3" type="audio/mpeg" length="44329948"/>
      <itunes:subtitle>Most people in North America can't see the Milky Way. The reason? We're ensconced in a luminous fog of artificial lighting 24/7.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:47</itunes:duration>
      <category>
        <![CDATA[Artificial Light]]>
      </category>
      <category>
        <![CDATA[Birds]]>
      </category>
      <category>
        <![CDATA[Circadian Rhythm ]]>
      </category>
      <category>
        <![CDATA[Light Pollution]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[North America]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[Stars]]>
      </category>
      <category>
        <![CDATA[The Mily Way]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Most people in North America can't see the Milky Way. The reason? We're ensconced in a luminous fog of artificial lighting 24/7. The evolution of lighting technology over the last century has made it possible to live, work, and play at any hour - day or night. But light pollution affects all life on earth, from humans to plants and insects. So, how did we find ourselves surrounded by a glowing shroud of electricity... and can we have the dark, without giving up the light?

Guests: 

Hal Wallace, curator of electricity collections at the Smithsonian’s National Museum of American History 
Lisbeth Fuisz, coordinating director, Lights Out D.C. 
Brian Schmidt, museum specialist, Smithsonian National Museum of Natural History 
Diane Turnshek, Astronomer; Dark Skies Advocate

This episode was produced in collaboration with the Smithsonian National Museum of Natural History's exhibition: Lights Out: Recovering Our Night Sky. Through over 100 photographs, nearly 250 objects, interactive experiences, tactile models, and a theater program, discover why dark nights matter, rekindle your connection with the night sky, and consider how much light at night is enough—for whom, for what purpose, and who gets to decide?

Lights Out: Recovering Our Night Sky is open March 23, 2023 - TBA. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/f2b60530-7711-43f0-bb91-64908b4d3d19/images/a3bb6af9-6b63-4c3b-a77f-9921139381f1/s09e02_square.png"/>
      <media:content fileSize="44329948" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f2b60530-7711-43f0-bb91-64908b4d3d19/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Most people in North America can't see the Milky Way. The reason? We're ensconced in a luminous fog of artificial lighting 24/7. The evolution of lighting technology over the last century has made it possible to live, work, and play at any hour - day or night. But light pollution affects all life on earth, from humans to plants and insects. So, how did we find ourselves surrounded by a glowing shroud of electricity... and can we have the dark, without giving up the light?</p>

<p>Guests: </p>

<p><strong>Hal Wallace</strong>, curator of electricity collections at the Smithsonian’s National Museum of American History <br>
<strong>Lisbeth Fuisz,</strong> coordinating director, Lights Out D.C. <br>
<strong>Brian Schmidt, museum specialist</strong>, Smithsonian National Museum of Natural History <br>
<strong>Diane Turnshek,</strong> Astronomer; Dark Skies Advocate</p>

<p>This episode was produced in collaboration with the Smithsonian National Museum of Natural History's exhibition: Lights Out: Recovering Our Night Sky. Through over 100 photographs, nearly 250 objects, interactive experiences, tactile models, and a theater program, discover why dark nights matter, rekindle your connection with the night sky, and consider how much light at night is enough—for whom, for what purpose, and who gets to decide?</p>

<p>Lights Out: Recovering Our Night Sky is open March 23, 2023 - TBA. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5a19144a-e043-4692-addd-5b8b446afb95</guid>
      <title>The Phantom Violins </title>
      <pubDate>Wed, 01 Mar 2023 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5a19144a-e043-4692-addd-5b8b446afb95&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When Sidedoor listener Cliff Hall bought a used violin, he found a tattered note tucked alongside the century-old instrument. Obsessed with this cryptic piece of paper, Cliff’s quest to find the owner of the violin unlocked a tale of subterfuge, scandal, and the Smithsonian’s first donation of rare instruments.</p>

<p> </p>

<p><strong>Guests:<br>
Deborah Shapiro</strong>, reference archivist at the Smithsonian Institution Archives, Smithsonian Libraries and Archives</p>

<p><strong>Cliff Hall</strong>, violin teacher and freelance journalist</p>

<p><strong>Kenneth Slowik</strong>, curator of the musical instrument collection at the Smithsonian’s National Museum of American History; artistic director of the Smithsonian Chamber Music Society</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5a19144a-e043-4692-addd-5b8b446afb95/Phantom_Violins_Seg_1.mp3" type="audio/mpeg" length="51199866"/>
      <itunes:subtitle>When Sidedoor listener Cliff Hall bought a used violin, he found a note tucked alongside instrument.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>35:32</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Antonio Stradivari]]>
      </category>
      <category>
        <![CDATA[Chamber Music]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Scandal]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Stradivari]]>
      </category>
      <category>
        <![CDATA[Stradivarius]]>
      </category>
      <category>
        <![CDATA[Violin]]>
      </category>
      <category>
        <![CDATA[Violins]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When Sidedoor listener Cliff Hall bought a used violin, he found a tattered note tucked alongside the century-old instrument. Obsessed with this cryptic piece of paper, Cliff’s quest to find the owner of the violin unlocked a tale of subterfuge, scandal, and the Smithsonian’s first donation of rare instruments.

 

Guests:
Deborah Shapiro, reference archivist at the Smithsonian Institution Archives, Smithsonian Libraries and Archives

Cliff Hall, violin teacher and freelance journalist

Kenneth Slowik, curator of the musical instrument collection at the Smithsonian’s National Museum of American History; artistic director of the Smithsonian Chamber Music Society]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/5a19144a-e043-4692-addd-5b8b446afb95/images/6faa0082-e921-49fd-b1f9-a9e65625b66d/s09e01_square.png"/>
      <media:content fileSize="51199866" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5a19144a-e043-4692-addd-5b8b446afb95/Phantom_Violins_Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>When Sidedoor listener Cliff Hall bought a used violin, he found a tattered note tucked alongside the century-old instrument. Obsessed with this cryptic piece of paper, Cliff’s quest to find the owner of the violin unlocked a tale of subterfuge, scandal, and the Smithsonian’s first donation of rare instruments.</p>

<p> </p>

<p><strong>Guests:<br>
Deborah Shapiro</strong>, reference archivist at the Smithsonian Institution Archives, Smithsonian Libraries and Archives</p>

<p><strong>Cliff Hall</strong>, violin teacher and freelance journalist</p>

<p><strong>Kenneth Slowik</strong>, curator of the musical instrument collection at the Smithsonian’s National Museum of American History; artistic director of the Smithsonian Chamber Music Society</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c06f5511-f8ef-4007-8d27-699f1dbfe86b</guid>
      <title>It’s Season Nine!</title>
      <pubDate>Wed, 22 Feb 2023 14:30:33 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c06f5511-f8ef-4007-8d27-699f1dbfe86b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[Sidedoor returns for its ninth season on Wednesday, March 1st!]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c06f5511-f8ef-4007-8d27-699f1dbfe86b/S9_Trailer_mixed_1_.mp3" type="audio/mpeg" length="3204074"/>
      <itunes:subtitle>Sidedoor returns for its ninth season on Wednesday, March 1st!</itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:duration>01:40</itunes:duration>
      <category>
        <![CDATA[adfree]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="3204074" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c06f5511-f8ef-4007-8d27-699f1dbfe86b/S9_Trailer_mixed_1_.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_927795ab-e270-4bcc-be63-e7288ce252af</guid>
      <title>Love Letters</title>
      <pubDate>Thu, 09 Feb 2023 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_927795ab-e270-4bcc-be63-e7288ce252af&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>They bring out the voyeur in us. And the Smithsonian’s Archives of American Art is full of them. In three short letters, we offer a glimpse of tender moments in the complex lives of others.</p>

<p><strong>Guests:</strong></p>

<p><strong>Josh T. Franco</strong>, Head of Collecting at the Archives of American Art.</p>

<p><strong>Liza Kirwin</strong>, Interim Director of the Archives of American Art.</p>

<p><strong>Jenny Williams</strong>, Associate Director for Advancement at the Archives of American Art.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/927795ab-e270-4bcc-be63-e7288ce252af/Love_Letters_Final.mp3" type="audio/mpeg" length="19705612"/>
      <itunes:subtitle>In three short letters, we offer a glimpse of tender moments in the complex lives of others.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>13:41</itunes:duration>
      <category>
        <![CDATA[American Art]]>
      </category>
      <category>
        <![CDATA[Archives of American Art]]>
      </category>
      <category>
        <![CDATA[Letter Writing]]>
      </category>
      <category>
        <![CDATA[Letters]]>
      </category>
      <category>
        <![CDATA[Love]]>
      </category>
      <category>
        <![CDATA[Love Letters]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[St. Valentine]]>
      </category>
      <category>
        <![CDATA[Valentine's Day ]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[They bring out the voyeur in us. And the Smithsonian’s Archives of American Art is full of them. In three short letters, we offer a glimpse of tender moments in the complex lives of others.

Guests:

Josh T. Franco, Head of Collecting at the Archives of American Art.

Liza Kirwin, Interim Director of the Archives of American Art.

Jenny Williams, Associate Director for Advancement at the Archives of American Art.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="19705612" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/927795ab-e270-4bcc-be63-e7288ce252af/Love_Letters_Final.mp3"/>
      <content:encoded>
        <![CDATA[<p>They bring out the voyeur in us. And the Smithsonian’s Archives of American Art is full of them. In three short letters, we offer a glimpse of tender moments in the complex lives of others.</p>

<p><strong>Guests:</strong></p>

<p><strong>Josh T. Franco</strong>, Head of Collecting at the Archives of American Art.</p>

<p><strong>Liza Kirwin</strong>, Interim Director of the Archives of American Art.</p>

<p><strong>Jenny Williams</strong>, Associate Director for Advancement at the Archives of American Art.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_cd4c9df6-9797-43a6-ae7d-c8a37ea42538</guid>
      <title>The Cabbage Patch Kids Riots</title>
      <pubDate>Wed, 25 Jan 2023 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_cd4c9df6-9797-43a6-ae7d-c8a37ea42538&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1983, the Cabbage Patch Kids were released, causing widespread pandemonium in toy stores and in the media. How did a children's toy inspire such bad adult behavior? Slate’s Decoder Ring podcast explores the strange world of the Cabbage Patch Kids to figure out why they hit it so big. The answer involves butt tattoos, slightly grotesque faces, industrial innovations, an origin story in a cabbage patch, and serious accusations of copyright theft.</p>

<p>We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Decoder Ring at Slate.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cd4c9df6-9797-43a6-ae7d-c8a37ea42538/Decoder_Ring_Seg1.mp3" type="audio/mpeg" length="82806288"/>
      <itunes:subtitle>In 1983, the Cabbage Patch Kids were released, causing widespread pandemonium in toy stores and in the media. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>34:30</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1983, the Cabbage Patch Kids were released, causing widespread pandemonium in toy stores and in the media. How did a children's toy inspire such bad adult behavior? Slate’s Decoder Ring podcast explores the strange world of the Cabbage Patch Kids to figure out why they hit it so big. The answer involves butt tattoos, slightly grotesque faces, industrial innovations, an origin story in a cabbage patch, and serious accusations of copyright theft.

We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Decoder Ring at Slate.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="82806288" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cd4c9df6-9797-43a6-ae7d-c8a37ea42538/Decoder_Ring_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1983, the Cabbage Patch Kids were released, causing widespread pandemonium in toy stores and in the media. How did a children's toy inspire such bad adult behavior? Slate’s Decoder Ring podcast explores the strange world of the Cabbage Patch Kids to figure out why they hit it so big. The answer involves butt tattoos, slightly grotesque faces, industrial innovations, an origin story in a cabbage patch, and serious accusations of copyright theft.</p>

<p>We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Decoder Ring at Slate.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_91aceed6-e47b-4a48-824f-f5bc13826a22</guid>
      <title>King's Speech</title>
      <pubDate>Wed, 11 Jan 2023 05:00:04 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_91aceed6-e47b-4a48-824f-f5bc13826a22&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>This MLK Day we're digging into the story behind Dr. King's famous "I Have a Dream" speech —from its first draft to a rhyming poem and, finally, to the speech we all know today.</p>

<p>This episode was previously released in February of 2022. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/91aceed6-e47b-4a48-824f-f5bc13826a22/Seg1_Rerun.mp3" type="audio/mpeg" length="52120020"/>
      <itunes:subtitle>This MLK Day we're digging into the story behind Dr. King's famous "I Have a Dream" speech —from its first draft to a rhyming poem and, finally, to the speech we all know today.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>36:11</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Black History]]>
      </category>
      <category>
        <![CDATA[Dr. Martin Luther King, Jr]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[I Have A Dream Speech]]>
      </category>
      <category>
        <![CDATA[I Have a dream]]>
      </category>
      <category>
        <![CDATA[MLK Dat]]>
      </category>
      <category>
        <![CDATA[MLK Jr.]]>
      </category>
      <category>
        <![CDATA[March on Washington]]>
      </category>
      <category>
        <![CDATA[Montgomery Bus Boycott]]>
      </category>
      <category>
        <![CDATA[Poetry]]>
      </category>
      <category>
        <![CDATA[Rev. Martin Luther King, Jr. ]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Speech]]>
      </category>
      <category>
        <![CDATA[Speech Writing]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[This MLK Day we're digging into the story behind Dr. King's famous "I Have a Dream" speech —from its first draft to a rhyming poem and, finally, to the speech we all know today.

This episode was previously released in February of 2022. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="52120020" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/91aceed6-e47b-4a48-824f-f5bc13826a22/Seg1_Rerun.mp3"/>
      <content:encoded>
        <![CDATA[<p>This MLK Day we're digging into the story behind Dr. King's famous "I Have a Dream" speech —from its first draft to a rhyming poem and, finally, to the speech we all know today.</p>

<p>This episode was previously released in February of 2022. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_96414400-812f-4ae4-95d7-cc674b573c36</guid>
      <title>The Monumental Imagination of Augusta Savage</title>
      <pubDate>Wed, 28 Dec 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_96414400-812f-4ae4-95d7-cc674b573c36&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Public monuments to honor Black Americans in the 1930s: that was the vision of Augusta Savage, a Harlem Renaissance sculptor who has been called one of the most influential artists of the 21st century. But the monuments she left behind might not be what you'd expect.</p>

<p><strong>Guests:</strong></p>

<p><strong>Karen Lemmey</strong>, Lucy S. Rhame Curator of Sculpture at the Smithsonian American Art Museum <br>
<strong>Grace Yasumura</strong>, assistant curator at the Smithsonian American Art Museum <br>
<strong>Tess Korobkin</strong>, Professor of American Art at University of Maryland, College Park</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/96414400-812f-4ae4-95d7-cc674b573c36/Seg_1.mp3" type="audio/mpeg" length="39839650"/>
      <itunes:subtitle>Augusta Savage was a Harlem Renaissance sculptor who has been called one of the most influential artists of the 21st century.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:39</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Augusta Savage]]>
      </category>
      <category>
        <![CDATA[Biography]]>
      </category>
      <category>
        <![CDATA[Gamin]]>
      </category>
      <category>
        <![CDATA[Harlem Renaissance]]>
      </category>
      <category>
        <![CDATA[Sculpture]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[The World Fair]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Public monuments to honor Black Americans in the 1930s: that was the vision of Augusta Savage, a Harlem Renaissance sculptor who has been called one of the most influential artists of the 21st century. But the monuments she left behind might not be what you'd expect.

Guests:

Karen Lemmey, Lucy S. Rhame Curator of Sculpture at the Smithsonian American Art Museum 
Grace Yasumura, assistant curator at the Smithsonian American Art Museum 
Tess Korobkin, Professor of American Art at University of Maryland, College Park]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/96414400-812f-4ae4-95d7-cc674b573c36/images/5eebaf3f-6b64-43a9-a027-167c3b669b02/s08e14_square.png"/>
      <media:content fileSize="39839650" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/96414400-812f-4ae4-95d7-cc674b573c36/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Public monuments to honor Black Americans in the 1930s: that was the vision of Augusta Savage, a Harlem Renaissance sculptor who has been called one of the most influential artists of the 21st century. But the monuments she left behind might not be what you'd expect.</p>

<p><strong>Guests:</strong></p>

<p><strong>Karen Lemmey</strong>, Lucy S. Rhame Curator of Sculpture at the Smithsonian American Art Museum <br>
<strong>Grace Yasumura</strong>, assistant curator at the Smithsonian American Art Museum <br>
<strong>Tess Korobkin</strong>, Professor of American Art at University of Maryland, College Park</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a87749a0-fe55-4131-b3ad-77f5f04b51c1</guid>
      <title>A Very Merry Sidedoor</title>
      <pubDate>Wed, 14 Dec 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a87749a0-fe55-4131-b3ad-77f5f04b51c1&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>What is it about a mistletoe that says “smooch?” And what the heck is figgy pudding anyway? The holidays are here again, and with them come songs, foods, and rituals so familiar we may not think to ask where they come from...until now! In this holiday special, we track down the origins of some puzzling Christmastime traditions, jingling all the way from Norse mythology to Victorian home cooking, the Emancipation Proclamation, and even out of this world.</p>

<p>Guests:</p>

<p><strong>Margaret Weitekamp</strong>, chair of the Space History Department of the Smithsonian’s National Air and Space Museum; curator of cultural and social history of spaceflight</p>

<p><strong>Ashley Rose Young,</strong> food historian at the Smithsonian’s National Museum of American History</p>

<p><strong>Teddy Reeves</strong>, curator of religion at the Smithsonian’s National Museum of African American History and Culture</p>

<p><strong>Jim Deutsch,</strong> curator at the Smithsonian Center for Folklife and Cultural Heritage</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a87749a0-fe55-4131-b3ad-77f5f04b51c1/Holiday_Seg1.mp3" type="audio/mpeg" length="55127822"/>
      <itunes:subtitle>What is it about mistletoe that says “smooch?” And what the heck is figgy pudding anyway?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>38:16</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Black History]]>
      </category>
      <category>
        <![CDATA[Caroling]]>
      </category>
      <category>
        <![CDATA[Carols]]>
      </category>
      <category>
        <![CDATA[Christmas]]>
      </category>
      <category>
        <![CDATA[Gemini 6]]>
      </category>
      <category>
        <![CDATA[Holiday]]>
      </category>
      <category>
        <![CDATA[Holidays]]>
      </category>
      <category>
        <![CDATA[Jingle Bells]]>
      </category>
      <category>
        <![CDATA[Mistletoe]]>
      </category>
      <category>
        <![CDATA[Museum ]]>
      </category>
      <category>
        <![CDATA[Mythology]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[NMAAHC]]>
      </category>
      <category>
        <![CDATA[New Years Eve]]>
      </category>
      <category>
        <![CDATA[Santa]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Watch Night]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[What is it about a mistletoe that says “smooch?” And what the heck is figgy pudding anyway? The holidays are here again, and with them come songs, foods, and rituals so familiar we may not think to ask where they come from...until now! In this holiday special, we track down the origins of some puzzling Christmastime traditions, jingling all the way from Norse mythology to Victorian home cooking, the Emancipation Proclamation, and even out of this world.

Guests:

Margaret Weitekamp, chair of the Space History Department of the Smithsonian’s National Air and Space Museum; curator of cultural and social history of spaceflight

Ashley Rose Young, food historian at the Smithsonian’s National Museum of American History

Teddy Reeves, curator of religion at the Smithsonian’s National Museum of African American History and Culture

Jim Deutsch, curator at the Smithsonian Center for Folklife and Cultural Heritage]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/a87749a0-fe55-4131-b3ad-77f5f04b51c1/images/95011467-18b0-44de-8a66-fd99f852c75d/s08e13_square.png"/>
      <media:content fileSize="55127822" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a87749a0-fe55-4131-b3ad-77f5f04b51c1/Holiday_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>What is it about a mistletoe that says “smooch?” And what the heck is figgy pudding anyway? The holidays are here again, and with them come songs, foods, and rituals so familiar we may not think to ask where they come from...until now! In this holiday special, we track down the origins of some puzzling Christmastime traditions, jingling all the way from Norse mythology to Victorian home cooking, the Emancipation Proclamation, and even out of this world.</p>

<p>Guests:</p>

<p><strong>Margaret Weitekamp</strong>, chair of the Space History Department of the Smithsonian’s National Air and Space Museum; curator of cultural and social history of spaceflight</p>

<p><strong>Ashley Rose Young,</strong> food historian at the Smithsonian’s National Museum of American History</p>

<p><strong>Teddy Reeves</strong>, curator of religion at the Smithsonian’s National Museum of African American History and Culture</p>

<p><strong>Jim Deutsch,</strong> curator at the Smithsonian Center for Folklife and Cultural Heritage</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_9d1fa2a0-e408-4ef8-b11e-02845fa1a1d7</guid>
      <title>Lucy Hicks Anderson</title>
      <pubDate>Wed, 30 Nov 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_9d1fa2a0-e408-4ef8-b11e-02845fa1a1d7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Known for her smashing parties, lighter-than-air souffles and comedic wit, Lucy Hicks Anderson never let anyone tell her how to live her life – not even the courts. When her gender was put on trial in the 1940s, the publicity around her case made her one the first documented Black transgender figures in American history. </p>

<p><strong>Guests:</strong> </p>

<p>Ashleigh Coren, Acting Head of Education for the Smithsonian American Women's History Initiative</p>

<p>C. Riley Snorton, author of Black on Both Sides: A Racial History of Trans Identity</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9d1fa2a0-e408-4ef8-b11e-02845fa1a1d7/Seg_1.mp3" type="audio/mpeg" length="38166978"/>
      <itunes:subtitle>Known for her smashing parties, lighter-than-air souffles and comedic wit, Lucy Hicks Anderson never let anyone tell her how to live her life – not even the courts.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:30</itunes:duration>
      <category>
        <![CDATA[AWHI]]>
      </category>
      <category>
        <![CDATA[African American History]]>
      </category>
      <category>
        <![CDATA[American Women's History]]>
      </category>
      <category>
        <![CDATA[Black History]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[LGBT]]>
      </category>
      <category>
        <![CDATA[LGBTQ+]]>
      </category>
      <category>
        <![CDATA[LGBTQIA]]>
      </category>
      <category>
        <![CDATA[Same Sex Marriage]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian's American Women's History Initiative]]>
      </category>
      <category>
        <![CDATA[Transgender]]>
      </category>
      <category>
        <![CDATA[Transwoman ]]>
      </category>
      <category>
        <![CDATA[Women's History]]>
      </category>
      <category>
        <![CDATA[Women's Rights]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Known for her smashing parties, lighter-than-air souffles and comedic wit, Lucy Hicks Anderson never let anyone tell her how to live her life – not even the courts. When her gender was put on trial in the 1940s, the publicity around her case made her one the first documented Black transgender figures in American history. 

Guests: 

Ashleigh Coren, Acting Head of Education for the Smithsonian American Women's History Initiative

C. Riley Snorton, author of Black on Both Sides: A Racial History of Trans Identity]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/9d1fa2a0-e408-4ef8-b11e-02845fa1a1d7/images/7589f27b-f21a-4f31-8471-442a07715f13/s08e12_square.png"/>
      <media:content fileSize="38166978" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9d1fa2a0-e408-4ef8-b11e-02845fa1a1d7/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Known for her smashing parties, lighter-than-air souffles and comedic wit, Lucy Hicks Anderson never let anyone tell her how to live her life – not even the courts. When her gender was put on trial in the 1940s, the publicity around her case made her one the first documented Black transgender figures in American history. </p>

<p><strong>Guests:</strong> </p>

<p>Ashleigh Coren, Acting Head of Education for the Smithsonian American Women's History Initiative</p>

<p>C. Riley Snorton, author of Black on Both Sides: A Racial History of Trans Identity</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_11d5b656-ce1c-436c-917f-a203e7aa1c0e</guid>
      <title>Reservation Math: Navigating Love in Native America</title>
      <pubDate>Wed, 16 Nov 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_11d5b656-ce1c-436c-917f-a203e7aa1c0e&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the <a href="http://americanindian.si.edu/developingstories/irvine.html" rel="nofollow" target="_blank">photography of Tailyr Irvine, displayed at the National Museum of the American Indian</a>, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today.</p>

<p>Guests:</p>

<p><strong><a href="https://www.tailyrirvine.com/about" rel="nofollow" target="_blank">Tailyr Irvine</a></strong>, photojournalist; member of the Confederated Salish and Kootenai Tribes; additional interviewer for this episode<br>
<strong>Michael Irvine</strong>, member of the Confederated Salish and Kootenai Tribes and Nizhóní Ajéí's father<br>
<strong>Cecile Ganteaume</strong>, curator at the National Museum of the American Indian and author of Officially Indian: Symbols That Define the United States<br>
<strong>Ruth Swaney</strong>, Tribal Budget Director for and member of the Confederated Salish and Kootenai Tribes<br>
<strong>Leah Nelson</strong>, member of the Navajo Nation and Nizhóní Ajéí's mother<br>
<strong>Desi Rodriguez-Lonebear</strong>, social demographer and assistant professor of Sociology and American Indian Studies at the University of California, Los Angeles; citizen of the Northern Cheyenne Nation and Chicana<br>
<strong>David Wilkins</strong>, political scientist and professor of Leadership Studies at the University of Richmond; member of the Lumbee Nation</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/11d5b656-ce1c-436c-917f-a203e7aa1c0e/BQ_Rerun_Seg1.mp3" type="audio/mpeg" length="48504116"/>
      <itunes:subtitle>If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:41</itunes:duration>
      <category>
        <![CDATA[American Indian]]>
      </category>
      <category>
        <![CDATA[Blood Quantum]]>
      </category>
      <category>
        <![CDATA[Children]]>
      </category>
      <category>
        <![CDATA[Love]]>
      </category>
      <category>
        <![CDATA[National Museum of the American Indian]]>
      </category>
      <category>
        <![CDATA[Native America]]>
      </category>
      <category>
        <![CDATA[Native American]]>
      </category>
      <category>
        <![CDATA[Relationship]]>
      </category>
      <category>
        <![CDATA[Reservation]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the <a href="http://americanindian.si.edu/developingstories/irvine.html" target="_blank">photography of Tailyr Irvine, displayed at the National Museum of the American Indian</a>, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today.

Guests:

<a href="https://www.tailyrirvine.com/about" target="_blank">Tailyr Irvine</a>, photojournalist; member of the Confederated Salish and Kootenai Tribes; additional interviewer for this episode
Michael Irvine, member of the Confederated Salish and Kootenai Tribes and Nizhóní Ajéí's father
Cecile Ganteaume, curator at the National Museum of the American Indian and author of Officially Indian: Symbols That Define the United States
Ruth Swaney, Tribal Budget Director for and member of the Confederated Salish and Kootenai Tribes
Leah Nelson, member of the Navajo Nation and Nizhóní Ajéí's mother
Desi Rodriguez-Lonebear, social demographer and assistant professor of Sociology and American Indian Studies at the University of California, Los Angeles; citizen of the Northern Cheyenne Nation and Chicana
David Wilkins, political scientist and professor of Leadership Studies at the University of Richmond; member of the Lumbee Nation]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/11d5b656-ce1c-436c-917f-a203e7aa1c0e/images/182474d6-cc83-469c-95d8-c2a870c3f9f7/s06ep03_square.png"/>
      <media:content fileSize="48504116" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/11d5b656-ce1c-436c-917f-a203e7aa1c0e/BQ_Rerun_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the <a href="http://americanindian.si.edu/developingstories/irvine.html" rel="nofollow" target="_blank">photography of Tailyr Irvine, displayed at the National Museum of the American Indian</a>, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today.</p>

<p>Guests:</p>

<p><strong><a href="https://www.tailyrirvine.com/about" rel="nofollow" target="_blank">Tailyr Irvine</a></strong>, photojournalist; member of the Confederated Salish and Kootenai Tribes; additional interviewer for this episode<br>
<strong>Michael Irvine</strong>, member of the Confederated Salish and Kootenai Tribes and Nizhóní Ajéí's father<br>
<strong>Cecile Ganteaume</strong>, curator at the National Museum of the American Indian and author of Officially Indian: Symbols That Define the United States<br>
<strong>Ruth Swaney</strong>, Tribal Budget Director for and member of the Confederated Salish and Kootenai Tribes<br>
<strong>Leah Nelson</strong>, member of the Navajo Nation and Nizhóní Ajéí's mother<br>
<strong>Desi Rodriguez-Lonebear</strong>, social demographer and assistant professor of Sociology and American Indian Studies at the University of California, Los Angeles; citizen of the Northern Cheyenne Nation and Chicana<br>
<strong>David Wilkins</strong>, political scientist and professor of Leadership Studies at the University of Richmond; member of the Lumbee Nation</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_48b45d34-7a58-48ed-82c7-fb8d7947cbe0</guid>
      <title>Wronging the Wrights</title>
      <pubDate>Wed, 02 Nov 2022 04:00:58 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_48b45d34-7a58-48ed-82c7-fb8d7947cbe0&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>It took pride, deceit, and a giant catapult to set off the feud between the Wright brothers and the Smithsonian. On December 17, 1903, the Wrights made history when they flew across a blustery beach in Kitty Hawk, North Carolina. The airplane they flew that day is now a centerpiece of the National Air and Space Museum’s collection. This is the story of how it nearly wasn’t.</p>

<p>Guests:</p>

<p><strong>Peter Jakab</strong>, senior curator at the Smithsonian's National Air and Space Museum</p>

<p><strong>Tom Crouch</strong>, senior curator emeritus at the Smithsonian's National Air and Space Museum</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/48b45d34-7a58-48ed-82c7-fb8d7947cbe0/WrightBro_Seg1_corrected.mp3" type="audio/mpeg" length="50383368"/>
      <itunes:subtitle>It took pride, deceit, and a giant catapult to set off the feud between the Wright brothers and the Smithsonian.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>34:59</itunes:duration>
      <category>
        <![CDATA[Aerodrome]]>
      </category>
      <category>
        <![CDATA[Aerodrome Number 5]]>
      </category>
      <category>
        <![CDATA[Al Zahm]]>
      </category>
      <category>
        <![CDATA[Astrophysicist ]]>
      </category>
      <category>
        <![CDATA[Aviation]]>
      </category>
      <category>
        <![CDATA[Charles Doolittle Walcott]]>
      </category>
      <category>
        <![CDATA[Glenn Curtiss]]>
      </category>
      <category>
        <![CDATA[Kitty Hawk, NC]]>
      </category>
      <category>
        <![CDATA[Mud Duck]]>
      </category>
      <category>
        <![CDATA[Orville Wright]]>
      </category>
      <category>
        <![CDATA[Samuel Pierpont Langley]]>
      </category>
      <category>
        <![CDATA[Secretary Langley]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[The Wright Brothers]]>
      </category>
      <category>
        <![CDATA[The Wright Flyer]]>
      </category>
      <category>
        <![CDATA[United States War Department]]>
      </category>
      <category>
        <![CDATA[Wilbur Wright]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[It took pride, deceit, and a giant catapult to set off the feud between the Wright brothers and the Smithsonian. On December 17, 1903, the Wrights made history when they flew across a blustery beach in Kitty Hawk, North Carolina. The airplane they flew that day is now a centerpiece of the National Air and Space Museum’s collection. This is the story of how it nearly wasn’t.

Guests:

Peter Jakab, senior curator at the Smithsonian's National Air and Space Museum

Tom Crouch, senior curator emeritus at the Smithsonian's National Air and Space Museum]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/48b45d34-7a58-48ed-82c7-fb8d7947cbe0/images/46b3b05f-ae9c-401e-aa90-e6674daee7ed/s08e10_square.png"/>
      <media:content fileSize="50383368" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/48b45d34-7a58-48ed-82c7-fb8d7947cbe0/WrightBro_Seg1_corrected.mp3"/>
      <content:encoded>
        <![CDATA[<p>It took pride, deceit, and a giant catapult to set off the feud between the Wright brothers and the Smithsonian. On December 17, 1903, the Wrights made history when they flew across a blustery beach in Kitty Hawk, North Carolina. The airplane they flew that day is now a centerpiece of the National Air and Space Museum’s collection. This is the story of how it nearly wasn’t.</p>

<p>Guests:</p>

<p><strong>Peter Jakab</strong>, senior curator at the Smithsonian's National Air and Space Museum</p>

<p><strong>Tom Crouch</strong>, senior curator emeritus at the Smithsonian's National Air and Space Museum</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6720f34c-0410-449a-a506-0852606e7e19</guid>
      <title>Who Built the White House?</title>
      <pubDate>Wed, 19 Oct 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6720f34c-0410-449a-a506-0852606e7e19&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>"I wake up every morning in a house built by slaves." After Michelle Obama said those words at the 2016 Democratic National Convention, thousands of Americans flooded the White House Historical Association with calls. Who were the enslaved African Americans who built the White House? This led historians from the Smithsonian's National Museum of African American History and Culture and the White House Historical Association on a years-long journey that turned up some interesting answers and even bigger questions. </p>

<p><strong>Guests:</strong> </p>

<p><strong>Lina Mann</strong>, historian, the White House Historical Association</p>

<p><strong>Mary Elliott</strong>, curator of American slavery, Smithsonian's National Museum of African American History and Culture</p>

<p> </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6720f34c-0410-449a-a506-0852606e7e19/Segment_1.mp3" type="audio/mpeg" length="35573460"/>
      <itunes:subtitle>Who were the enslaved African Americans who built the White House? </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:42</itunes:duration>
      <category>
        <![CDATA[African American]]>
      </category>
      <category>
        <![CDATA[American Slavery]]>
      </category>
      <category>
        <![CDATA[Colonialism ]]>
      </category>
      <category>
        <![CDATA[DNC]]>
      </category>
      <category>
        <![CDATA[Democratic National Convention]]>
      </category>
      <category>
        <![CDATA[Enslaved People]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Lineage]]>
      </category>
      <category>
        <![CDATA[Michelle Obama]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[NMAAHC]]>
      </category>
      <category>
        <![CDATA[National Museum of African American History and Culture]]>
      </category>
      <category>
        <![CDATA[Obama]]>
      </category>
      <category>
        <![CDATA[Slavery]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[The White House]]>
      </category>
      <category>
        <![CDATA[White House Historical Association]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA["I wake up every morning in a house built by slaves." After Michelle Obama said those words at the 2016 Democratic National Convention, thousands of Americans flooded the White House Historical Association with calls. Who were the enslaved African Americans who built the White House? This led historians from the Smithsonian's National Museum of African American History and Culture and the White House Historical Association on a years-long journey that turned up some interesting answers and even bigger questions. 

Guests: 

Lina Mann, historian, the White House Historical Association

Mary Elliott, curator of American slavery, Smithsonian's National Museum of African American History and Culture

 ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/6720f34c-0410-449a-a506-0852606e7e19/images/990a633b-55ae-4d8f-a849-b0a34aaad90a/s08e09_square.png"/>
      <media:content fileSize="35573460" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6720f34c-0410-449a-a506-0852606e7e19/Segment_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>"I wake up every morning in a house built by slaves." After Michelle Obama said those words at the 2016 Democratic National Convention, thousands of Americans flooded the White House Historical Association with calls. Who were the enslaved African Americans who built the White House? This led historians from the Smithsonian's National Museum of African American History and Culture and the White House Historical Association on a years-long journey that turned up some interesting answers and even bigger questions. </p>

<p><strong>Guests:</strong> </p>

<p><strong>Lina Mann</strong>, historian, the White House Historical Association</p>

<p><strong>Mary Elliott</strong>, curator of American slavery, Smithsonian's National Museum of African American History and Culture</p>

<p> </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_7e5a5bf3-a586-416a-acb7-ec9aa8f17b51</guid>
      <title>Spooked at the Smithsonian </title>
      <pubDate>Wed, 05 Oct 2022 04:00:20 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_7e5a5bf3-a586-416a-acb7-ec9aa8f17b51&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the museum home to countless tales of unexplained phenomena and —dare we say — ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across the floorboards of the museum's attics, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian.</p>

<p>Guests:</p>

<p><strong>Molly Horrocks</strong>, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History</p>

<p><strong>Pamela Henson</strong>, Institutional Historian at the Smithsonian Libraries and Archives</p>

<p><strong>Cpl. Ronald Howlin</strong>, Security Officer at the Smithsonian Environmental Research Center</p>

<p><strong>Deborah Hull-Walski</strong>, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History</p>

<p><strong>Melissa Johnson</strong>, daughter of Deb Hull-Walski and former skeptical teenager</p>

<p><strong>Kim Dixon</strong>, former volunteer at the Smithsonian’s National Zoo</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7e5a5bf3-a586-416a-acb7-ec9aa8f17b51/Spooked_Seg1.mp3" type="audio/mpeg" length="53766898"/>
      <itunes:subtitle>The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the museum home to countless tales of unexplained phenomena and —dare we say — ghost sightings? </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:20</itunes:duration>
      <category>
        <![CDATA[Afraid]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Ghost Stories]]>
      </category>
      <category>
        <![CDATA[Ghosts]]>
      </category>
      <category>
        <![CDATA[Halloween]]>
      </category>
      <category>
        <![CDATA[Haunted]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Scary]]>
      </category>
      <category>
        <![CDATA[Spooked]]>
      </category>
      <category>
        <![CDATA[Spooky]]>
      </category>
      <category>
        <![CDATA[Supernational]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the museum home to countless tales of unexplained phenomena and —dare we say — ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across the floorboards of the museum's attics, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian.

Guests:

Molly Horrocks, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History

Pamela Henson, Institutional Historian at the Smithsonian Libraries and Archives

Cpl. Ronald Howlin, Security Officer at the Smithsonian Environmental Research Center

Deborah Hull-Walski, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History

Melissa Johnson, daughter of Deb Hull-Walski and former skeptical teenager

Kim Dixon, former volunteer at the Smithsonian’s National Zoo]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/7e5a5bf3-a586-416a-acb7-ec9aa8f17b51/images/e4789d03-837e-4daf-ac4c-ac00856e12fc/s08e08_square.png"/>
      <media:content fileSize="53766898" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7e5a5bf3-a586-416a-acb7-ec9aa8f17b51/Spooked_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the museum home to countless tales of unexplained phenomena and —dare we say — ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across the floorboards of the museum's attics, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian.</p>

<p>Guests:</p>

<p><strong>Molly Horrocks</strong>, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History</p>

<p><strong>Pamela Henson</strong>, Institutional Historian at the Smithsonian Libraries and Archives</p>

<p><strong>Cpl. Ronald Howlin</strong>, Security Officer at the Smithsonian Environmental Research Center</p>

<p><strong>Deborah Hull-Walski</strong>, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History</p>

<p><strong>Melissa Johnson</strong>, daughter of Deb Hull-Walski and former skeptical teenager</p>

<p><strong>Kim Dixon</strong>, former volunteer at the Smithsonian’s National Zoo</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_febaace3-e68c-4c94-855e-ae460cd2b701</guid>
      <title>Did Meat Make Us Human? </title>
      <pubDate>Wed, 21 Sep 2022 04:00:14 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_febaace3-e68c-4c94-855e-ae460cd2b701&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Eating meat is what made us human. At least, that's one of the leading theories to explain how our brains got so big. The theory says that our human ancestors evolved bigger brains as a result of switching from a plant-based to a nutrient-rich meat diet. But earlier this year a Smithsonian researcher discovered that this theory may not have as much meat on its bones as previously believed.</p>

<p>Guests:</p>

<p><strong>Briana Pobiner</strong>, paleoanthropologist; research scientist and museum educator with the Human Origins Program at the Smithsonian's National Museum of Natural History</p>

<p><strong>Becky Malinsky</strong>, curator of primates, Smithsonian's National Zoo and Conservation Biology Institute</p>

<p><strong>Andrew Barr</strong>, paleoanthropologist; assistant professor of anthropology, The George Washington University</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/febaace3-e68c-4c94-855e-ae460cd2b701/Paleo_Segment_1.mp3" type="audio/mpeg" length="36622636"/>
      <itunes:subtitle>Eating meat is what made us human. At least, that's one of the leading theories to explain how our brains got so big. The theory says that our human ancestors evolved bigger brains as a result of switching from a plant-based to a nutrient-rich meat diet. But earlier this year a Smithsonian researcher discovered that this theory may not have as much meat on its bones as previously believed.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:25</itunes:duration>
      <category>
        <![CDATA[Diet]]>
      </category>
      <category>
        <![CDATA[Homo Erectus]]>
      </category>
      <category>
        <![CDATA[Homo Sapien]]>
      </category>
      <category>
        <![CDATA[Homo Sapiens]]>
      </category>
      <category>
        <![CDATA[Human Origins]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Paleo]]>
      </category>
      <category>
        <![CDATA[Paleolithic ]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Vegan]]>
      </category>
      <category>
        <![CDATA[Vegetarian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Eating meat is what made us human. At least, that's one of the leading theories to explain how our brains got so big. The theory says that our human ancestors evolved bigger brains as a result of switching from a plant-based to a nutrient-rich meat diet. But earlier this year a Smithsonian researcher discovered that this theory may not have as much meat on its bones as previously believed.

Guests:

Briana Pobiner, paleoanthropologist; research scientist and museum educator with the Human Origins Program at the Smithsonian's National Museum of Natural History

Becky Malinsky, curator of primates, Smithsonian's National Zoo and Conservation Biology Institute

Andrew Barr, paleoanthropologist; assistant professor of anthropology, The George Washington University]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/febaace3-e68c-4c94-855e-ae460cd2b701/images/46de59f9-758c-4754-aa43-0eb72a4f5a71/s08e07_square.png"/>
      <media:content fileSize="36622636" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/febaace3-e68c-4c94-855e-ae460cd2b701/Paleo_Segment_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Eating meat is what made us human. At least, that's one of the leading theories to explain how our brains got so big. The theory says that our human ancestors evolved bigger brains as a result of switching from a plant-based to a nutrient-rich meat diet. But earlier this year a Smithsonian researcher discovered that this theory may not have as much meat on its bones as previously believed.</p>

<p>Guests:</p>

<p><strong>Briana Pobiner</strong>, paleoanthropologist; research scientist and museum educator with the Human Origins Program at the Smithsonian's National Museum of Natural History</p>

<p><strong>Becky Malinsky</strong>, curator of primates, Smithsonian's National Zoo and Conservation Biology Institute</p>

<p><strong>Andrew Barr</strong>, paleoanthropologist; assistant professor of anthropology, The George Washington University</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6db60296-aff5-4831-9520-8a4c8a0c5aeb</guid>
      <title>Love in the Time of Emoji</title>
      <pubDate>Wed, 07 Sep 2022 04:00:01 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6db60296-aff5-4831-9520-8a4c8a0c5aeb&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the <a href="https://www.cooperhewitt.org/2021/07/07/behind-the-design-emoji-stories/?utm_source=si.edu&amp;utm_medium=referral&amp;utm_campaign=oneSmithsonian" rel="nofollow" target="_blank">Cooper Hewitt, Smithsonian Design Museum</a>. In this episode of <em>Sidedoor</em>, we explore how <a href="https://www.si.edu/object/inter-skintone-couple-emoji:chndm_2020-1-2" rel="nofollow" target="_blank">one groundbreaking emoji</a> is changing digital representation and the future of museum collections.</p>

<p><strong>Guests:</strong></p>

<ul>
<li><p><strong>Jennifer 8 Lee</strong>, Founder of EmojiNation</p></li>
<li><p><strong>Andrea Lipps,</strong> Contemporary Design Curator at Cooper Hewitt Smithsonian Design Museum</p></li>
<li><p><strong>Evan Bonnstetter,</strong> Director of Product Policy for Tinder</p></li>
<li><p><strong>Keith Broni,</strong> Deputy Emoji Officer for Emojipedia</p></li>
</ul>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6db60296-aff5-4831-9520-8a4c8a0c5aeb/Seg1_EmojiRerun.mp3" type="audio/mpeg" length="41519834"/>
      <itunes:subtitle>When LOL just isn't enough, emoji are there for you. But for many people, there isn't an emoji to represent them. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>28:49</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the <a href="https://www.cooperhewitt.org/2021/07/07/behind-the-design-emoji-stories/?utm_source=si.edu&amp;utm_medium=referral&amp;utm_campaign=oneSmithsonian" target="_blank">Cooper Hewitt, Smithsonian Design Museum</a>. In this episode of Sidedoor, we explore how <a href="https://www.si.edu/object/inter-skintone-couple-emoji:chndm_2020-1-2" target="_blank">one groundbreaking emoji</a> is changing digital representation and the future of museum collections.

Guests:


Jennifer 8 Lee, Founder of EmojiNation
Andrea Lipps, Contemporary Design Curator at Cooper Hewitt Smithsonian Design Museum
Evan Bonnstetter, Director of Product Policy for Tinder
Keith Broni, Deputy Emoji Officer for Emojipedia
]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/6db60296-aff5-4831-9520-8a4c8a0c5aeb/images/f8f00992-0485-4a74-b591-b07e4642e528/s07e5_square.png"/>
      <media:content fileSize="41519834" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6db60296-aff5-4831-9520-8a4c8a0c5aeb/Seg1_EmojiRerun.mp3"/>
      <content:encoded>
        <![CDATA[<p>When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the <a href="https://www.cooperhewitt.org/2021/07/07/behind-the-design-emoji-stories/?utm_source=si.edu&amp;utm_medium=referral&amp;utm_campaign=oneSmithsonian" rel="nofollow" target="_blank">Cooper Hewitt, Smithsonian Design Museum</a>. In this episode of <em>Sidedoor</em>, we explore how <a href="https://www.si.edu/object/inter-skintone-couple-emoji:chndm_2020-1-2" rel="nofollow" target="_blank">one groundbreaking emoji</a> is changing digital representation and the future of museum collections.</p>

<p><strong>Guests:</strong></p>

<ul>
<li><p><strong>Jennifer 8 Lee</strong>, Founder of EmojiNation</p></li>
<li><p><strong>Andrea Lipps,</strong> Contemporary Design Curator at Cooper Hewitt Smithsonian Design Museum</p></li>
<li><p><strong>Evan Bonnstetter,</strong> Director of Product Policy for Tinder</p></li>
<li><p><strong>Keith Broni,</strong> Deputy Emoji Officer for Emojipedia</p></li>
</ul>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_792b35f7-89af-401a-bc9f-74fece8e5854</guid>
      <title>Dynamo Dot </title>
      <pubDate>Wed, 24 Aug 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_792b35f7-89af-401a-bc9f-74fece8e5854&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Dorothy Liebes was a whirlwind in the weaving world. Throughout the 1930s, she spun luxury fabrics so bold and colorful that their style could only be described as the "Liebes Look." But when the United States entered World War II, she wondered how an artist like herself could be helpful at a time when “there would be no need for luxuries.” What she didn’t know was that wartime would bring an opportunity to put her weaving skills to work in an entirely new way. Joining forces with the American Red Cross, she brought professional artists to the bedsides of wounded soldiers - with results that surpassed Dynamo Dot's wildest expectations.</p>

<p> </p>

<p>Guests:</p>

<p><strong>Alexa Griffith</strong>, manager of content and curriculum at the Cooper Hewitt Smithsonian Design Museum</p>

<p><strong>Susan Brown</strong>, acting head of textiles at the Cooper Hewitt Smithsonian Design Museum</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/792b35f7-89af-401a-bc9f-74fece8e5854/Liebes_Seg1.mp3" type="audio/mpeg" length="43095476"/>
      <itunes:subtitle>Dorothy Liebes was a whirlwind in the weaving world. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:55</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Art History]]>
      </category>
      <category>
        <![CDATA[Artist]]>
      </category>
      <category>
        <![CDATA[Cooper Hewitt]]>
      </category>
      <category>
        <![CDATA[Cooper Hewitt Design Museum]]>
      </category>
      <category>
        <![CDATA[Design]]>
      </category>
      <category>
        <![CDATA[Dorothy Liebes]]>
      </category>
      <category>
        <![CDATA[Dynamo Dot]]>
      </category>
      <category>
        <![CDATA[Liebes]]>
      </category>
      <category>
        <![CDATA[Smithsonian ]]>
      </category>
      <category>
        <![CDATA[Soldier]]>
      </category>
      <category>
        <![CDATA[Soldiers]]>
      </category>
      <category>
        <![CDATA[Textiles]]>
      </category>
      <category>
        <![CDATA[The American Red Cross]]>
      </category>
      <category>
        <![CDATA[The Liebes Look]]>
      </category>
      <category>
        <![CDATA[WWII]]>
      </category>
      <category>
        <![CDATA[War]]>
      </category>
      <category>
        <![CDATA[Wartime]]>
      </category>
      <category>
        <![CDATA[Weaving]]>
      </category>
      <category>
        <![CDATA[World War II]]>
      </category>
      <category>
        <![CDATA[Wounded Soldiers]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Dorothy Liebes was a whirlwind in the weaving world. Throughout the 1930s, she spun luxury fabrics so bold and colorful that their style could only be described as the "Liebes Look." But when the United States entered World War II, she wondered how an artist like herself could be helpful at a time when “there would be no need for luxuries.” What she didn’t know was that wartime would bring an opportunity to put her weaving skills to work in an entirely new way. Joining forces with the American Red Cross, she brought professional artists to the bedsides of wounded soldiers - with results that surpassed Dynamo Dot's wildest expectations.

 

Guests:

Alexa Griffith, manager of content and curriculum at the Cooper Hewitt Smithsonian Design Museum

Susan Brown, acting head of textiles at the Cooper Hewitt Smithsonian Design Museum]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/792b35f7-89af-401a-bc9f-74fece8e5854/images/f46377bc-14c1-47d9-9382-73e7d431d639/s08e06_square.png"/>
      <media:content fileSize="43095476" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/792b35f7-89af-401a-bc9f-74fece8e5854/Liebes_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Dorothy Liebes was a whirlwind in the weaving world. Throughout the 1930s, she spun luxury fabrics so bold and colorful that their style could only be described as the "Liebes Look." But when the United States entered World War II, she wondered how an artist like herself could be helpful at a time when “there would be no need for luxuries.” What she didn’t know was that wartime would bring an opportunity to put her weaving skills to work in an entirely new way. Joining forces with the American Red Cross, she brought professional artists to the bedsides of wounded soldiers - with results that surpassed Dynamo Dot's wildest expectations.</p>

<p> </p>

<p>Guests:</p>

<p><strong>Alexa Griffith</strong>, manager of content and curriculum at the Cooper Hewitt Smithsonian Design Museum</p>

<p><strong>Susan Brown</strong>, acting head of textiles at the Cooper Hewitt Smithsonian Design Museum</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_926d52b9-f42c-4aeb-8ea1-9a72c54c4ad2</guid>
      <title>Sumo Wrestlers vs. Firefighters</title>
      <pubDate>Wed, 10 Aug 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_926d52b9-f42c-4aeb-8ea1-9a72c54c4ad2&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 19th century Japan, two sumo wrestlers faced down dozens of firefighters in a brawl so epic it inspired a Kabuki play. But the story of what really happened —and who the heroes are— is all a matter of perspective. Underdogs, antiheroes and villains. How do we decide who plays what role?</p>

<p><strong>Guests:</strong></p>

<p><strong>Kit Brooks</strong>, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian's National Museum of Asian Art</p>

<p><strong>Frank Feltens</strong>, Japan Foundation Associate Curator of Japanese Art at the Smithsonian's National Museum of Asian Art</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/926d52b9-f42c-4aeb-8ea1-9a72c54c4ad2/Sumo_Segment1.mp3" type="audio/mpeg" length="35493958"/>
      <itunes:subtitle>In 19th century Japan, two sumo wrestlers faced down dozens of firefighters in a brawl so epic it inspired a Kabuki play.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:38</itunes:duration>
      <category>
        <![CDATA[Antihero]]>
      </category>
      <category>
        <![CDATA[Antiheroes]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Asian Art]]>
      </category>
      <category>
        <![CDATA[Brawl]]>
      </category>
      <category>
        <![CDATA[Edo Period]]>
      </category>
      <category>
        <![CDATA[Firefighters]]>
      </category>
      <category>
        <![CDATA[Firefighting]]>
      </category>
      <category>
        <![CDATA[Japan]]>
      </category>
      <category>
        <![CDATA[Kabuki]]>
      </category>
      <category>
        <![CDATA[Kabuki Theatre]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian's National Museum of Asian Art]]>
      </category>
      <category>
        <![CDATA[Storytelling]]>
      </category>
      <category>
        <![CDATA[Sumo]]>
      </category>
      <category>
        <![CDATA[Sumo Wrestler]]>
      </category>
      <category>
        <![CDATA[Sumo Wrestlers]]>
      </category>
      <category>
        <![CDATA[Underdogs]]>
      </category>
      <category>
        <![CDATA[Villian]]>
      </category>
      <category>
        <![CDATA[Villians]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 19th century Japan, two sumo wrestlers faced down dozens of firefighters in a brawl so epic it inspired a Kabuki play. But the story of what really happened —and who the heroes are— is all a matter of perspective. Underdogs, antiheroes and villains. How do we decide who plays what role?

Guests:

Kit Brooks, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian's National Museum of Asian Art

Frank Feltens, Japan Foundation Associate Curator of Japanese Art at the Smithsonian's National Museum of Asian Art]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/926d52b9-f42c-4aeb-8ea1-9a72c54c4ad2/images/92d817bd-dcfc-462c-8215-4e26f9857d7c/s08e05_square.png"/>
      <media:content fileSize="35493958" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/926d52b9-f42c-4aeb-8ea1-9a72c54c4ad2/Sumo_Segment1.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 19th century Japan, two sumo wrestlers faced down dozens of firefighters in a brawl so epic it inspired a Kabuki play. But the story of what really happened —and who the heroes are— is all a matter of perspective. Underdogs, antiheroes and villains. How do we decide who plays what role?</p>

<p><strong>Guests:</strong></p>

<p><strong>Kit Brooks</strong>, Japan Foundation Assistant Curator of Japanese Art at the Smithsonian's National Museum of Asian Art</p>

<p><strong>Frank Feltens</strong>, Japan Foundation Associate Curator of Japanese Art at the Smithsonian's National Museum of Asian Art</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_cf86fbac-ad04-48ed-8a39-84ccd4d5ad1d</guid>
      <title>Culture in Crisis</title>
      <pubDate>Wed, 27 Jul 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_cf86fbac-ad04-48ed-8a39-84ccd4d5ad1d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>"This is a war not only for the territory. This is war against our culture," says Ihor Poshyvailo, director of the Maidan Museum in Kiev, Ukraine. Ukraine has scores of museums, cemeteries, archeological sites, and places of worship where Ukrainian history and national identity are memorialized. But when bombs are exploding, who’s pulling a sculpture from the rubble? Enter the Smithsonian Cultural Rescue Initiative: a team flung together by a deadly earthquake in Haiti that grew through trial and discovery into an international network of professionals devoted to protecting the world’s treasures from threats by humankind and mother nature alike.</p>

<p>Guests:</p>

<p><strong>Hayden Bassett</strong>, director of the Cultural Heritage Monitoring Lab at Smithsonian affiliate Virginia Museum of Natural History</p>

<p><strong>Olsen Jean Julien</strong>, project director of the Cultural Conservation Center at Quisqueya University in Haiti</p>

<p><strong>Cori Wegener</strong>, director of the Smithsonian Cultural Rescue Initiative</p>

<p><strong>Richard Kurin</strong>, Smithsonian Distinguished Scholar and Ambassador-at-Large, co-founder of the Smithsonian Cultural Rescue Initiative</p>

<p><strong>Ihor Poshyvailo,</strong> director of the National Museum of the Revolution of Dignity (Maidan Museum) in Kyiv, Ukraine</p>

<p>Acknowledgments:</p>

<p>The work of the Smithsonian Cultural Rescue Initiative would not be possible without the collaboration of countless partner organizations and collaborators, among them: the US government, including the Cultural Heritage Coordinating Committee, the Departments of State, Defense, Homeland Security and Justice, the FBI, Institute of Peace, FEMA, and the Heritage Emergency National Task Force; agencies of other governments like the Ministry of Culture in Haiti, the State Board of Antiquities and Heritage in Iraq, and the Ministry of Culture in Ukraine; other organizations like UNESCO, the International Centre for the Study of the Preservation and Restoration of Cultural Property, International Council of Museums, the American Association for the Advancement of Science, American Institute of Conservation, the US Committee of the Blue Shield, the Penn Cultural Heritage Center and the University of Pennsylvania Museum, the Virginia Museum of Natural History, the University of Maryland, Prince Claus Fund for Cultural Emergency Response, FOKAL in Haiti, the Mosul Museum, the Heritage Emergency Rescue Initiative, the National Center for Research Restoration, and the Kosciuszko Foundation for Ukraine.</p>

<p>SCRI’s work is made possible with the support of funders like the United State Congress, Department of State, Bank of America, ​Mellon Foundation, ALIPH Foundation, Rockefeller Foundation, Brad Freeman, the Broadway League, the Stiller Foundation, and the Roberts family.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cf86fbac-ad04-48ed-8a39-84ccd4d5ad1d/SCRI_Seg1.mp3" type="audio/mpeg" length="52040390"/>
      <itunes:subtitle>When bombs explode, or natural disaster strikes, who’s pulling a sculpture from the rubble? Enter the Smithsonian Cultural Heritage Initiative. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>36:08</itunes:duration>
      <category>
        <![CDATA[ American Institute of Conservation]]>
      </category>
      <category>
        <![CDATA[ Cultural Heritage Coordinating Committee]]>
      </category>
      <category>
        <![CDATA[ Department of State]]>
      </category>
      <category>
        <![CDATA[ Penn Cultural Heritage Center and the University of Pennsylvania Museum]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Art History]]>
      </category>
      <category>
        <![CDATA[Art Rescue]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[FBI]]>
      </category>
      <category>
        <![CDATA[FEMA]]>
      </category>
      <category>
        <![CDATA[Haiti]]>
      </category>
      <category>
        <![CDATA[Heritage Emergency Rescue Initiative]]>
      </category>
      <category>
        <![CDATA[Homeland Security]]>
      </category>
      <category>
        <![CDATA[Institute of Peace]]>
      </category>
      <category>
        <![CDATA[International Council of Museums]]>
      </category>
      <category>
        <![CDATA[Kosciuszko Foundation for Ukraine]]>
      </category>
      <category>
        <![CDATA[Ministry of Culture in Haiti]]>
      </category>
      <category>
        <![CDATA[Ministry of Culture in Ukraine]]>
      </category>
      <category>
        <![CDATA[National Center for Research Restoration]]>
      </category>
      <category>
        <![CDATA[Natural Disaster]]>
      </category>
      <category>
        <![CDATA[Rescue]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Cultural Rescue Initiative]]>
      </category>
      <category>
        <![CDATA[The International Centre for the Study of the Preservation and Restoration of Cultural Property]]>
      </category>
      <category>
        <![CDATA[UNESCO]]>
      </category>
      <category>
        <![CDATA[Ukraine]]>
      </category>
      <category>
        <![CDATA[University of Maryland, Prince Claus Fund for Cultural Emergency Response]]>
      </category>
      <category>
        <![CDATA[Virginia Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[War]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA["This is a war not only for the territory. This is war against our culture," says Ihor Poshyvailo, director of the Maidan Museum in Kiev, Ukraine. Ukraine has scores of museums, cemeteries, archeological sites, and places of worship where Ukrainian history and national identity are memorialized. But when bombs are exploding, who’s pulling a sculpture from the rubble? Enter the Smithsonian Cultural Rescue Initiative: a team flung together by a deadly earthquake in Haiti that grew through trial and discovery into an international network of professionals devoted to protecting the world’s treasures from threats by humankind and mother nature alike.

Guests:

Hayden Bassett, director of the Cultural Heritage Monitoring Lab at Smithsonian affiliate Virginia Museum of Natural History

Olsen Jean Julien, project director of the Cultural Conservation Center at Quisqueya University in Haiti

Cori Wegener, director of the Smithsonian Cultural Rescue Initiative

Richard Kurin, Smithsonian Distinguished Scholar and Ambassador-at-Large, co-founder of the Smithsonian Cultural Rescue Initiative

Ihor Poshyvailo, director of the National Museum of the Revolution of Dignity (Maidan Museum) in Kyiv, Ukraine

Acknowledgments:

The work of the Smithsonian Cultural Rescue Initiative would not be possible without the collaboration of countless partner organizations and collaborators, among them: the US government, including the Cultural Heritage Coordinating Committee, the Departments of State, Defense, Homeland Security and Justice, the FBI, Institute of Peace, FEMA, and the Heritage Emergency National Task Force; agencies of other governments like the Ministry of Culture in Haiti, the State Board of Antiquities and Heritage in Iraq, and the Ministry of Culture in Ukraine; other organizations like UNESCO, the International Centre for the Study of the Preservation and Restoration of Cultural Property, International Council of Museums, the American Association for the Advancement of Science, American Institute of Conservation, the US Committee of the Blue Shield, the Penn Cultural Heritage Center and the University of Pennsylvania Museum, the Virginia Museum of Natural History, the University of Maryland, Prince Claus Fund for Cultural Emergency Response, FOKAL in Haiti, the Mosul Museum, the Heritage Emergency Rescue Initiative, the National Center for Research Restoration, and the Kosciuszko Foundation for Ukraine.

SCRI’s work is made possible with the support of funders like the United State Congress, Department of State, Bank of America, ​Mellon Foundation, ALIPH Foundation, Rockefeller Foundation, Brad Freeman, the Broadway League, the Stiller Foundation, and the Roberts family.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/cf86fbac-ad04-48ed-8a39-84ccd4d5ad1d/images/ddc9ca1c-28db-472a-a7d7-d1932e608b16/s08e04_square.png"/>
      <media:content fileSize="52040390" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cf86fbac-ad04-48ed-8a39-84ccd4d5ad1d/SCRI_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>"This is a war not only for the territory. This is war against our culture," says Ihor Poshyvailo, director of the Maidan Museum in Kiev, Ukraine. Ukraine has scores of museums, cemeteries, archeological sites, and places of worship where Ukrainian history and national identity are memorialized. But when bombs are exploding, who’s pulling a sculpture from the rubble? Enter the Smithsonian Cultural Rescue Initiative: a team flung together by a deadly earthquake in Haiti that grew through trial and discovery into an international network of professionals devoted to protecting the world’s treasures from threats by humankind and mother nature alike.</p>

<p>Guests:</p>

<p><strong>Hayden Bassett</strong>, director of the Cultural Heritage Monitoring Lab at Smithsonian affiliate Virginia Museum of Natural History</p>

<p><strong>Olsen Jean Julien</strong>, project director of the Cultural Conservation Center at Quisqueya University in Haiti</p>

<p><strong>Cori Wegener</strong>, director of the Smithsonian Cultural Rescue Initiative</p>

<p><strong>Richard Kurin</strong>, Smithsonian Distinguished Scholar and Ambassador-at-Large, co-founder of the Smithsonian Cultural Rescue Initiative</p>

<p><strong>Ihor Poshyvailo,</strong> director of the National Museum of the Revolution of Dignity (Maidan Museum) in Kyiv, Ukraine</p>

<p>Acknowledgments:</p>

<p>The work of the Smithsonian Cultural Rescue Initiative would not be possible without the collaboration of countless partner organizations and collaborators, among them: the US government, including the Cultural Heritage Coordinating Committee, the Departments of State, Defense, Homeland Security and Justice, the FBI, Institute of Peace, FEMA, and the Heritage Emergency National Task Force; agencies of other governments like the Ministry of Culture in Haiti, the State Board of Antiquities and Heritage in Iraq, and the Ministry of Culture in Ukraine; other organizations like UNESCO, the International Centre for the Study of the Preservation and Restoration of Cultural Property, International Council of Museums, the American Association for the Advancement of Science, American Institute of Conservation, the US Committee of the Blue Shield, the Penn Cultural Heritage Center and the University of Pennsylvania Museum, the Virginia Museum of Natural History, the University of Maryland, Prince Claus Fund for Cultural Emergency Response, FOKAL in Haiti, the Mosul Museum, the Heritage Emergency Rescue Initiative, the National Center for Research Restoration, and the Kosciuszko Foundation for Ukraine.</p>

<p>SCRI’s work is made possible with the support of funders like the United State Congress, Department of State, Bank of America, ​Mellon Foundation, ALIPH Foundation, Rockefeller Foundation, Brad Freeman, the Broadway League, the Stiller Foundation, and the Roberts family.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a48e935b-6f73-4378-a951-dd32041fb31a</guid>
      <title>Hubble Trouble</title>
      <pubDate>Wed, 13 Jul 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a48e935b-6f73-4378-a951-dd32041fb31a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>As NASA releases the James Webb Space Telescope's first images, we focus our lens on its predecessor: the Hubble Space Telescope. Prepare for liftoff, as we explore how America's first large space telescope went from a "billion-dollar blunder" to one of history's most important scientific instruments. </p>

<p>Guests:<br>
<strong>Samantha Thompson</strong>, curator of science and technology at the Smithsonian's National Air and Space Museum </p>

<p><strong>Robert Smith,</strong> former space historian at the Smithsonian's National Air and Space Museum; author, Hubble: Imaging Space and Time </p>

<p><strong>Jeffrey Hoffman</strong>, NASA astronaut who repaired Hubble in 1993 </p>

<p><strong>Sandra Faber</strong>, professor of astronomy &amp; astrophysics at University of California Observatories/Lick Observatory</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a48e935b-6f73-4378-a951-dd32041fb31a/Hubble_Seg_1.mp3" type="audio/mpeg" length="44821358"/>
      <itunes:subtitle>As NASA releases the James Webb Space Telescope's first images, we focus our lens on its predecessor: the Hubble Space Telescope.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>31:07</itunes:duration>
      <category>
        <![CDATA[13.7 Billion Years Old]]>
      </category>
      <category>
        <![CDATA[Astronaut]]>
      </category>
      <category>
        <![CDATA[Astronauts]]>
      </category>
      <category>
        <![CDATA[Astronomer]]>
      </category>
      <category>
        <![CDATA[Astronomers]]>
      </category>
      <category>
        <![CDATA[Astronomy]]>
      </category>
      <category>
        <![CDATA[Cold War]]>
      </category>
      <category>
        <![CDATA[Dark Matter]]>
      </category>
      <category>
        <![CDATA[Discovery Space Shuttle]]>
      </category>
      <category>
        <![CDATA[Distant Galaxies]]>
      </category>
      <category>
        <![CDATA[Distant Galaxy]]>
      </category>
      <category>
        <![CDATA[Distant Stars]]>
      </category>
      <category>
        <![CDATA[Earth's Atmosphere]]>
      </category>
      <category>
        <![CDATA[Edwin Hubble]]>
      </category>
      <category>
        <![CDATA[European Space Agency]]>
      </category>
      <category>
        <![CDATA[Galaxies]]>
      </category>
      <category>
        <![CDATA[Galaxy]]>
      </category>
      <category>
        <![CDATA[Galileo]]>
      </category>
      <category>
        <![CDATA[Galileo Galilei]]>
      </category>
      <category>
        <![CDATA[Hubble Space Telescope]]>
      </category>
      <category>
        <![CDATA[Hubble Test Vehicle]]>
      </category>
      <category>
        <![CDATA[International Space Station]]>
      </category>
      <category>
        <![CDATA[James Webb Space Telescope]]>
      </category>
      <category>
        <![CDATA[Jeff Hoffman]]>
      </category>
      <category>
        <![CDATA[Jeffrey Hoffman]]>
      </category>
      <category>
        <![CDATA[Lyman Spitzer]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[Outer Space]]>
      </category>
      <category>
        <![CDATA[Pillars of Creation]]>
      </category>
      <category>
        <![CDATA[Planets]]>
      </category>
      <category>
        <![CDATA[Repair Mission]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian's National Air and Space Museum]]>
      </category>
      <category>
        <![CDATA[Soviet Sputnik]]>
      </category>
      <category>
        <![CDATA[Soviet Union]]>
      </category>
      <category>
        <![CDATA[Space]]>
      </category>
      <category>
        <![CDATA[Space Race]]>
      </category>
      <category>
        <![CDATA[Spacewalking]]>
      </category>
      <category>
        <![CDATA[Spherical Aberration]]>
      </category>
      <category>
        <![CDATA[Sputnik]]>
      </category>
      <category>
        <![CDATA[Stars]]>
      </category>
      <category>
        <![CDATA[The Cold War]]>
      </category>
      <category>
        <![CDATA[Universe]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[As NASA releases the James Webb Space Telescope's first images, we focus our lens on its predecessor: the Hubble Space Telescope. Prepare for liftoff, as we explore how America's first large space telescope went from a "billion-dollar blunder" to one of history's most important scientific instruments. 

Guests:
Samantha Thompson, curator of science and technology at the Smithsonian's National Air and Space Museum 

Robert Smith, former space historian at the Smithsonian's National Air and Space Museum; author, Hubble: Imaging Space and Time 

Jeffrey Hoffman, NASA astronaut who repaired Hubble in 1993 

Sandra Faber, professor of astronomy &amp; astrophysics at University of California Observatories/Lick Observatory]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/a48e935b-6f73-4378-a951-dd32041fb31a/images/d9acea00-3cc5-48fd-8648-247a579cf662/s08e03_square.png"/>
      <media:content fileSize="44821358" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a48e935b-6f73-4378-a951-dd32041fb31a/Hubble_Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>As NASA releases the James Webb Space Telescope's first images, we focus our lens on its predecessor: the Hubble Space Telescope. Prepare for liftoff, as we explore how America's first large space telescope went from a "billion-dollar blunder" to one of history's most important scientific instruments. </p>

<p>Guests:<br>
<strong>Samantha Thompson</strong>, curator of science and technology at the Smithsonian's National Air and Space Museum </p>

<p><strong>Robert Smith,</strong> former space historian at the Smithsonian's National Air and Space Museum; author, Hubble: Imaging Space and Time </p>

<p><strong>Jeffrey Hoffman</strong>, NASA astronaut who repaired Hubble in 1993 </p>

<p><strong>Sandra Faber</strong>, professor of astronomy &amp; astrophysics at University of California Observatories/Lick Observatory</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_9cc31fd2-3352-4df3-a4ba-210e7b5fd6c7</guid>
      <title>A Star-Spangled Bonus Episode</title>
      <pubDate>Mon, 04 Jul 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_9cc31fd2-3352-4df3-a4ba-210e7b5fd6c7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Which came first, the flag or the song? Sidedoor is celebrating this Independence Day with a special bonus episode: the story behind our Star-Spangled Banner. Smithsonian’s National Museum of American History military curator Jennifer Jones explains the origin and meaning behind the national anthem through the tattered piece of wool that lies at the heart of the museum. What are ramparts anyways? You'll find out!</p>

<p>Guest:</p>

<p><strong>Jennifer Jones</strong>, military curator at National Museum of American History</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9cc31fd2-3352-4df3-a4ba-210e7b5fd6c7/SSB_Bonus_Ep.mp3" type="audio/mpeg" length="20523505"/>
      <itunes:subtitle>Which came first, the flag or the song? Sidedoor is celebrating this Independence Day with the story behind our flag.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>14:14</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Flag Day]]>
      </category>
      <category>
        <![CDATA[Fourth of July]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Independence Day]]>
      </category>
      <category>
        <![CDATA[July 4]]>
      </category>
      <category>
        <![CDATA[Star-Spangled Banner]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Which came first, the flag or the song? Sidedoor is celebrating this Independence Day with a special bonus episode: the story behind our Star-Spangled Banner. Smithsonian’s National Museum of American History military curator Jennifer Jones explains the origin and meaning behind the national anthem through the tattered piece of wool that lies at the heart of the museum. What are ramparts anyways? You'll find out!

Guest:

Jennifer Jones, military curator at National Museum of American History]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="20523505" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9cc31fd2-3352-4df3-a4ba-210e7b5fd6c7/SSB_Bonus_Ep.mp3"/>
      <content:encoded>
        <![CDATA[<p>Which came first, the flag or the song? Sidedoor is celebrating this Independence Day with a special bonus episode: the story behind our Star-Spangled Banner. Smithsonian’s National Museum of American History military curator Jennifer Jones explains the origin and meaning behind the national anthem through the tattered piece of wool that lies at the heart of the museum. What are ramparts anyways? You'll find out!</p>

<p>Guest:</p>

<p><strong>Jennifer Jones</strong>, military curator at National Museum of American History</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_fe860c64-3aa0-40ca-89c0-c24a603d5564</guid>
      <title>Get Off My Lawn </title>
      <pubDate>Wed, 29 Jun 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_fe860c64-3aa0-40ca-89c0-c24a603d5564&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.</p>

<p> </p>

<p>Guests:</p>

<p><strong>Cindy Brown</strong>, manager of collections, education, and access at Smithsonian Gardens</p>

<p><strong>Joyce Connolly</strong>, museum specialist at the Smithsonian’s Archives of American Gardens</p>

<p><strong>Abeer Saha</strong>, curator of agriculture and engineering at the Smithsonian’s National Museum of American History</p>

<p><strong>Sylvia Schmeichel</strong>, lead horticulturist at the Smithsonian’s National Museum of Natural History</p>

<p><strong>Jeff Schneider</strong>, deputy director of Smithsonian Gardens</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fe860c64-3aa0-40ca-89c0-c24a603d5564/Lawn_Seg1.mp3" type="audio/mpeg" length="42823792"/>
      <itunes:subtitle> In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:44</itunes:duration>
      <category>
        <![CDATA[Agriculture]]>
      </category>
      <category>
        <![CDATA[America]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[American Revolution]]>
      </category>
      <category>
        <![CDATA[Andrew Jackson Downing]]>
      </category>
      <category>
        <![CDATA[Backyard]]>
      </category>
      <category>
        <![CDATA[British]]>
      </category>
      <category>
        <![CDATA[Class]]>
      </category>
      <category>
        <![CDATA[Conformity]]>
      </category>
      <category>
        <![CDATA[Earth Optimism]]>
      </category>
      <category>
        <![CDATA[Fertilizer]]>
      </category>
      <category>
        <![CDATA[Folklife Festival]]>
      </category>
      <category>
        <![CDATA[Front Yard]]>
      </category>
      <category>
        <![CDATA[Gardening]]>
      </category>
      <category>
        <![CDATA[Golf]]>
      </category>
      <category>
        <![CDATA[Grass]]>
      </category>
      <category>
        <![CDATA[Haupt Garden]]>
      </category>
      <category>
        <![CDATA[Herbicide]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Home & Garden]]>
      </category>
      <category>
        <![CDATA[Horticulture]]>
      </category>
      <category>
        <![CDATA[Horticulturist]]>
      </category>
      <category>
        <![CDATA[Housing]]>
      </category>
      <category>
        <![CDATA[Landscape Architecture]]>
      </category>
      <category>
        <![CDATA[Landscaping]]>
      </category>
      <category>
        <![CDATA[Lawn]]>
      </category>
      <category>
        <![CDATA[Lawn Care]]>
      </category>
      <category>
        <![CDATA[Lawn Mower]]>
      </category>
      <category>
        <![CDATA[Lawn Mowers]]>
      </category>
      <category>
        <![CDATA[Lawns]]>
      </category>
      <category>
        <![CDATA[Levittown]]>
      </category>
      <category>
        <![CDATA[Monoculture]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Nature]]>
      </category>
      <category>
        <![CDATA[Nitrogen]]>
      </category>
      <category>
        <![CDATA[Pollinator]]>
      </category>
      <category>
        <![CDATA[Pollinator Lawn]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Social Standing]]>
      </category>
      <category>
        <![CDATA[Society]]>
      </category>
      <category>
        <![CDATA[Suburbia]]>
      </category>
      <category>
        <![CDATA[Suburbs]]>
      </category>
      <category>
        <![CDATA[The Cold War]]>
      </category>
      <category>
        <![CDATA[The Revolutionary War]]>
      </category>
      <category>
        <![CDATA[Turf]]>
      </category>
      <category>
        <![CDATA[Turf Grass]]>
      </category>
      <category>
        <![CDATA[USDA]]>
      </category>
      <category>
        <![CDATA[United States]]>
      </category>
      <category>
        <![CDATA[United States Department of Agriculture]]>
      </category>
      <category>
        <![CDATA[Weed Killer]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.

 

Guests:

Cindy Brown, manager of collections, education, and access at Smithsonian Gardens

Joyce Connolly, museum specialist at the Smithsonian’s Archives of American Gardens

Abeer Saha, curator of agriculture and engineering at the Smithsonian’s National Museum of American History

Sylvia Schmeichel, lead horticulturist at the Smithsonian’s National Museum of Natural History

Jeff Schneider, deputy director of Smithsonian Gardens]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/fe860c64-3aa0-40ca-89c0-c24a603d5564/images/cd9aa082-f4d0-4453-97aa-10f39080cc77/s08e02_square.png"/>
      <media:content fileSize="42823792" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fe860c64-3aa0-40ca-89c0-c24a603d5564/Lawn_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Nowhere in the world are lawns as revered as they are in the United States. The picture-perfect patch of grass is so deeply rooted in the American psyche it feels more like a default setting than a choice. Americans spend countless hours every year seeding, watering, mowing, and fertilizing patches of grass that don't make much sense, economically or ecologically. But why? In this episode, we dig into the history of our lawnly love to learn where the concept came from...and how we grew so obsessed.</p>

<p> </p>

<p>Guests:</p>

<p><strong>Cindy Brown</strong>, manager of collections, education, and access at Smithsonian Gardens</p>

<p><strong>Joyce Connolly</strong>, museum specialist at the Smithsonian’s Archives of American Gardens</p>

<p><strong>Abeer Saha</strong>, curator of agriculture and engineering at the Smithsonian’s National Museum of American History</p>

<p><strong>Sylvia Schmeichel</strong>, lead horticulturist at the Smithsonian’s National Museum of Natural History</p>

<p><strong>Jeff Schneider</strong>, deputy director of Smithsonian Gardens</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a463f5d8-1288-49f4-a233-4f09eb90cf67</guid>
      <title>The Sex Lives of Giant Pandas</title>
      <pubDate>Wed, 15 Jun 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a463f5d8-1288-49f4-a233-4f09eb90cf67&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Whether it's live on the Smithsonian’s National Zoo's panda cam or in front of a crowd, possibly no other animal's sex life is as closely watched as the giant pandas' is. And there's a reason. These cuddly-looking black and white bears just can't figure out how to mate. But, with a little help from science, the once-endangered giant panda is making a comeback. In honor of the 50th anniversary of giant pandas at Smithsonian's National Zoo, we peep into the (not so secret) sex lives of pandas.</p>

<p>Guests:</p>

<ul>
<li><p>Pierre Comizzoli, panda sex expert and staff scientist at the Smithsonian Conservation Biology Institute</p></li>
<li><p>Lisa Stevens, AKA “Panda Lady”; former senior curator of mammals at the Smithsonian’s National Zoo</p></li>
<li><p>Stephen Powers, panda fan</p></li>
</ul>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a463f5d8-1288-49f4-a233-4f09eb90cf67/Panda_Seg_1.mp3" type="audio/mpeg" length="61690475"/>
      <itunes:subtitle>In honor of the 50th anniversary of giant pandas at Smithsonian's National Zoo, we peep into the (not so secret) sex lives of pandas. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>32:07</itunes:duration>
      <category>
        <![CDATA[Education]]>
      </category>
      <category>
        <![CDATA[Giant Pandas]]>
      </category>
      <category>
        <![CDATA[Mating]]>
      </category>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[Nature]]>
      </category>
      <category>
        <![CDATA[Panda Cam]]>
      </category>
      <category>
        <![CDATA[Panda Cubs]]>
      </category>
      <category>
        <![CDATA[Pandas]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Sex]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Whether it's live on the Smithsonian’s National Zoo's panda cam or in front of a crowd, possibly no other animal's sex life is as closely watched as the giant pandas' is. And there's a reason. These cuddly-looking black and white bears just can't figure out how to mate. But, with a little help from science, the once-endangered giant panda is making a comeback. In honor of the 50th anniversary of giant pandas at Smithsonian's National Zoo, we peep into the (not so secret) sex lives of pandas.

Guests:


Pierre Comizzoli, panda sex expert and staff scientist at the Smithsonian Conservation Biology Institute
Lisa Stevens, AKA “Panda Lady”; former senior curator of mammals at the Smithsonian’s National Zoo
Stephen Powers, panda fan
]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="61690475" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a463f5d8-1288-49f4-a233-4f09eb90cf67/Panda_Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Whether it's live on the Smithsonian’s National Zoo's panda cam or in front of a crowd, possibly no other animal's sex life is as closely watched as the giant pandas' is. And there's a reason. These cuddly-looking black and white bears just can't figure out how to mate. But, with a little help from science, the once-endangered giant panda is making a comeback. In honor of the 50th anniversary of giant pandas at Smithsonian's National Zoo, we peep into the (not so secret) sex lives of pandas.</p>

<p>Guests:</p>

<ul>
<li><p>Pierre Comizzoli, panda sex expert and staff scientist at the Smithsonian Conservation Biology Institute</p></li>
<li><p>Lisa Stevens, AKA “Panda Lady”; former senior curator of mammals at the Smithsonian’s National Zoo</p></li>
<li><p>Stephen Powers, panda fan</p></li>
</ul>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e8424e7c-bdcd-4fe2-a0d7-2ba3bd49f22d</guid>
      <title>It’s Season Eight! </title>
      <pubDate>Wed, 08 Jun 2022 19:50:10 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e8424e7c-bdcd-4fe2-a0d7-2ba3bd49f22d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor returns for its eighth season on Wednesday, June 15th!</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e8424e7c-bdcd-4fe2-a0d7-2ba3bd49f22d/S8_Trailer_mixed.mp3" type="audio/mpeg" length="1583282"/>
      <itunes:subtitle>Sidedoor returns for its eighth season on Wednesday, June 15th!</itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:duration>01:05</itunes:duration>
      <category>
        <![CDATA[Arrt]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Panda]]>
      </category>
      <category>
        <![CDATA[Pandas]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Teaser]]>
      </category>
      <category>
        <![CDATA[Trailer]]>
      </category>
      <category>
        <![CDATA[adfree]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor returns for its eighth season on Wednesday, June 15th!]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="1583282" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e8424e7c-bdcd-4fe2-a0d7-2ba3bd49f22d/S8_Trailer_mixed.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a43efdf6-6f71-4033-8e61-a8d513b22aca</guid>
      <title>Bonus: Yes She Did! </title>
      <pubDate>Wed, 01 Jun 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a43efdf6-6f71-4033-8e61-a8d513b22aca&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts we’re sharing a special guest episode of Portraits, from the Smithsonian’s National Portrait Gallery. In this episode, grassroots organizer Dolores Huerta talks about how she took on the status quo (in a wrinkled sweater) during the landmark Delano Grape Strike. All the time, she fought on two fronts: resisting exploitation and also resisting sexism, sometimes from within the very labor movement she helped to launch. You can subscribe to Portraits wherever you get your podcasts.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a43efdf6-6f71-4033-8e61-a8d513b22aca/Portraits_Huerta_Seg1.mp3" type="audio/mpeg" length="37835824"/>
      <itunes:subtitle>We’re sharing a special guest episode of Portraits, from the Smithsonian’s National Portrait Gallery. In this episode, grassroots organizer Dolores Huerta talks about how she took on the status quo during the landmark Delano Grape Strike. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:16</itunes:duration>
      <category>
        <![CDATA[Activism]]>
      </category>
      <category>
        <![CDATA[Cesar Chavez]]>
      </category>
      <category>
        <![CDATA[Civil Rights]]>
      </category>
      <category>
        <![CDATA[Dolores Huerta]]>
      </category>
      <category>
        <![CDATA[Feminism]]>
      </category>
      <category>
        <![CDATA[Grassroots]]>
      </category>
      <category>
        <![CDATA[Labor ]]>
      </category>
      <category>
        <![CDATA[Labor Movement]]>
      </category>
      <category>
        <![CDATA[Labor Rights]]>
      </category>
      <category>
        <![CDATA[Organizing]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts we’re sharing a special guest episode of Portraits, from the Smithsonian’s National Portrait Gallery. In this episode, grassroots organizer Dolores Huerta talks about how she took on the status quo (in a wrinkled sweater) during the landmark Delano Grape Strike. All the time, she fought on two fronts: resisting exploitation and also resisting sexism, sometimes from within the very labor movement she helped to launch. You can subscribe to Portraits wherever you get your podcasts.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37835824" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a43efdf6-6f71-4033-8e61-a8d513b22aca/Portraits_Huerta_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts we’re sharing a special guest episode of Portraits, from the Smithsonian’s National Portrait Gallery. In this episode, grassroots organizer Dolores Huerta talks about how she took on the status quo (in a wrinkled sweater) during the landmark Delano Grape Strike. All the time, she fought on two fronts: resisting exploitation and also resisting sexism, sometimes from within the very labor movement she helped to launch. You can subscribe to Portraits wherever you get your podcasts.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1b836af6-9a67-4c53-a790-c8ab3684ea59</guid>
      <title>Bonus: Black Feminism Re-rooted</title>
      <pubDate>Wed, 18 May 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1b836af6-9a67-4c53-a790-c8ab3684ea59&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of Collected, from the Smithsonian’s National Museum of American History. In this first episode of the series, co-hosts Dr. Crystal Moten and Dr. Krystal Klingenberg discuss the multiple definitions of Black Feminism, joined by guests Dr. Brittney Cooper, Paris Hatcher, Dr. Alexis Pauline Gumbs, and Feminista Jones. You can subscribe to Collected wherever you get your podcasts.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1b836af6-9a67-4c53-a790-c8ab3684ea59/Collected_Bonus_Seg1.mp3" type="audio/mpeg" length="26512736"/>
      <itunes:subtitle>We’re sharing a special guest episode of Collected, a podcast from the Smithsonian’s National Museum of American History.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>18:24</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Audre Lorde]]>
      </category>
      <category>
        <![CDATA[Barbara Smith]]>
      </category>
      <category>
        <![CDATA[Bell Hooks]]>
      </category>
      <category>
        <![CDATA[Black Feminism]]>
      </category>
      <category>
        <![CDATA[Collective]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <category>
        <![CDATA[Dr. Alexis Pauline Gumbs]]>
      </category>
      <category>
        <![CDATA[Dr. Brittney Cooper]]>
      </category>
      <category>
        <![CDATA[Feminism ]]>
      </category>
      <category>
        <![CDATA[Feminista Jones]]>
      </category>
      <category>
        <![CDATA[Identity Politics]]>
      </category>
      <category>
        <![CDATA[Intersectionality]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Paris Hatcher]]>
      </category>
      <category>
        <![CDATA[Self Care]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of Collected, from the Smithsonian’s National Museum of American History. In this first episode of the series, co-hosts Dr. Crystal Moten and Dr. Krystal Klingenberg discuss the multiple definitions of Black Feminism, joined by guests Dr. Brittney Cooper, Paris Hatcher, Dr. Alexis Pauline Gumbs, and Feminista Jones. You can subscribe to Collected wherever you get your podcasts.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="26512736" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1b836af6-9a67-4c53-a790-c8ab3684ea59/Collected_Bonus_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of Collected, from the Smithsonian’s National Museum of American History. In this first episode of the series, co-hosts Dr. Crystal Moten and Dr. Krystal Klingenberg discuss the multiple definitions of Black Feminism, joined by guests Dr. Brittney Cooper, Paris Hatcher, Dr. Alexis Pauline Gumbs, and Feminista Jones. You can subscribe to Collected wherever you get your podcasts.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a733d0ae-c9a4-4710-abd3-e8eba5049512</guid>
      <title>Bonus: Moonshine</title>
      <pubDate>Wed, 04 May 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a733d0ae-c9a4-4710-abd3-e8eba5049512&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of AirSpace, from the Smithsonian’s National Air and Space Museum. This story is about a truly intoxicating period of American history – Prohibition! In this episode of AirSpace, you’ll learn how banning alcohol in the U.S. gave the fledgling air travel industry the shot it needed to get off the ground. You can subscribe to AirSpace wherever you get your podcasts.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a733d0ae-c9a4-4710-abd3-e8eba5049512/AirSpace_Bonus_Seg1.mp3" type="audio/mpeg" length="41434698"/>
      <itunes:subtitle>This story is about a truly intoxicating period of American history – Prohibition!</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>28:46</itunes:duration>
      <category>
        <![CDATA[AirSpace]]>
      </category>
      <category>
        <![CDATA[Airlines]]>
      </category>
      <category>
        <![CDATA[Airplanes]]>
      </category>
      <category>
        <![CDATA[Aviation ]]>
      </category>
      <category>
        <![CDATA[Liquor]]>
      </category>
      <category>
        <![CDATA[Moonshine]]>
      </category>
      <category>
        <![CDATA[Passenger Airlines]]>
      </category>
      <category>
        <![CDATA[Pilot]]>
      </category>
      <category>
        <![CDATA[Pilots]]>
      </category>
      <category>
        <![CDATA[Prohibition]]>
      </category>
      <category>
        <![CDATA[Smithsonian Air and Space Museum  ]]>
      </category>
      <category>
        <![CDATA[Smuggling]]>
      </category>
      <category>
        <![CDATA[Space]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of AirSpace, from the Smithsonian’s National Air and Space Museum. This story is about a truly intoxicating period of American history – Prohibition! In this episode of AirSpace, you’ll learn how banning alcohol in the U.S. gave the fledgling air travel industry the shot it needed to get off the ground. You can subscribe to AirSpace wherever you get your podcasts.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41434698" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a733d0ae-c9a4-4710-abd3-e8eba5049512/AirSpace_Bonus_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>We’re hard at work producing the next season of Sidedoor, but just in case you can’t get enough Smithsonian podcasts, we’re sharing a special guest episode of AirSpace, from the Smithsonian’s National Air and Space Museum. This story is about a truly intoxicating period of American history – Prohibition! In this episode of AirSpace, you’ll learn how banning alcohol in the U.S. gave the fledgling air travel industry the shot it needed to get off the ground. You can subscribe to AirSpace wherever you get your podcasts.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e2f10261-4c7a-4653-8f4d-e73e25e5b3bd</guid>
      <title>The Hungerford Deed</title>
      <pubDate>Wed, 20 Apr 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e2f10261-4c7a-4653-8f4d-e73e25e5b3bd&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When a 200-year-old legal document anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian.</p>

<p>Speakers:</p>

<p><strong>William Bennett,</strong> conservator at the Smithsonian Institution Libraries and Archives</p>

<p>Social: @rwilliab (Instagram), @SirWilliamB (Twitter)</p>

<p><strong>Heather Ewing</strong>, author of <em>The Lost World of James Smithson,</em> and Associate Dean at New York Studio School</p>

<p>Social: @HPealeEwing</p>

<p><strong>Richard Kurin,</strong> Smithsonian Distinguished Scholar and Ambassador-at-Large</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e2f10261-4c7a-4653-8f4d-e73e25e5b3bd/Hungerford_Seg1.mp3" type="audio/mpeg" length="67049196"/>
      <itunes:subtitle>When a 200-year-old legal document anonymously arrived at conservator William Bennett's office he found a juicy tale about the founding of the Smithsonian.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:56</itunes:duration>
      <category>
        <![CDATA[Archives]]>
      </category>
      <category>
        <![CDATA[Conservation]]>
      </category>
      <category>
        <![CDATA[Conservator]]>
      </category>
      <category>
        <![CDATA[Deed]]>
      </category>
      <category>
        <![CDATA[Family Feud]]>
      </category>
      <category>
        <![CDATA[Historical Documents]]>
      </category>
      <category>
        <![CDATA[Library ]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When a 200-year-old legal document anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian.

Speakers:

William Bennett, conservator at the Smithsonian Institution Libraries and Archives

Social: @rwilliab (Instagram), @SirWilliamB (Twitter)

Heather Ewing, author of The Lost World of James Smithson, and Associate Dean at New York Studio School

Social: @HPealeEwing

Richard Kurin, Smithsonian Distinguished Scholar and Ambassador-at-Large]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="67049196" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e2f10261-4c7a-4653-8f4d-e73e25e5b3bd/Hungerford_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>When a 200-year-old legal document anonymously arrived at his office, Smithsonian Libraries and Archives conservator William Bennett assumed it would be full of boring legal jargon. Instead, he found a juicy tale of family betrayal that would forever change what we thought we knew about the founding of the Smithsonian.</p>

<p>Speakers:</p>

<p><strong>William Bennett,</strong> conservator at the Smithsonian Institution Libraries and Archives</p>

<p>Social: @rwilliab (Instagram), @SirWilliamB (Twitter)</p>

<p><strong>Heather Ewing</strong>, author of <em>The Lost World of James Smithson,</em> and Associate Dean at New York Studio School</p>

<p>Social: @HPealeEwing</p>

<p><strong>Richard Kurin,</strong> Smithsonian Distinguished Scholar and Ambassador-at-Large</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_3cbdbd9b-3b95-4309-8e00-bd09beac660d</guid>
      <title>The Many Inventions of Beatrice Kenner </title>
      <pubDate>Wed, 06 Apr 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_3cbdbd9b-3b95-4309-8e00-bd09beac660d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>An accident that nearly killed Beatrice Kenner when she was five years old scarred her face for life, but it also gave her a determination to create solutions wherever she saw obstacles. This drive and ingenuity made her one of the most prolific African American inventors of the mid 20th century. This time on Sidedoor, we explore what might be Beatrice Kenner's greatest invention of all: an innovation for periods in a period of innovation.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3cbdbd9b-3b95-4309-8e00-bd09beac660d/Kenner_Seg1.mp3" type="audio/mpeg" length="42037536"/>
      <itunes:subtitle>Beatrice Kenner is of the most prolific African American inventors of the mid 20th century. This time on Sidedoor, we explore what might be Beatrice Kenner's greatest invention of all.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:11</itunes:duration>
      <category>
        <![CDATA[African American ]]>
      </category>
      <category>
        <![CDATA[Beatrice Kenner]]>
      </category>
      <category>
        <![CDATA[Black]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Invention]]>
      </category>
      <category>
        <![CDATA[Inventor]]>
      </category>
      <category>
        <![CDATA[Kenner]]>
      </category>
      <category>
        <![CDATA[Menstrual Cycle]]>
      </category>
      <category>
        <![CDATA[Menstruation ]]>
      </category>
      <category>
        <![CDATA[Period]]>
      </category>
      <category>
        <![CDATA[Periods]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Women's History ]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[An accident that nearly killed Beatrice Kenner when she was five years old scarred her face for life, but it also gave her a determination to create solutions wherever she saw obstacles. This drive and ingenuity made her one of the most prolific African American inventors of the mid 20th century. This time on Sidedoor, we explore what might be Beatrice Kenner's greatest invention of all: an innovation for periods in a period of innovation.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42037536" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3cbdbd9b-3b95-4309-8e00-bd09beac660d/Kenner_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>An accident that nearly killed Beatrice Kenner when she was five years old scarred her face for life, but it also gave her a determination to create solutions wherever she saw obstacles. This drive and ingenuity made her one of the most prolific African American inventors of the mid 20th century. This time on Sidedoor, we explore what might be Beatrice Kenner's greatest invention of all: an innovation for periods in a period of innovation.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f913fdc8-5987-4168-8cf7-c711675b9a51</guid>
      <title>Broad Stripes, Bright Stars and White Lies</title>
      <pubDate>Wed, 23 Mar 2022 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f913fdc8-5987-4168-8cf7-c711675b9a51&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Betsy Ross sewed the first American flag. At least, that's what we were taught in school. But when historians go searching… there’s no proof to be found. In this episode of Sidedoor, we unravel this vexillological tale tall to find out how this myth got started, and who Betsy Ross <em>really</em> was.</p>

<p><strong>Guests:</strong></p>

<p><strong>Jennifer Locke Jones,</strong> political and military history curator at the Smithsonian's National Museum of American History</p>

<p>Twitter: @jonesjl_si</p>

<p><strong>Marc Leepson</strong>, journalist, historian and author of the book Flag: An American Biography</p>

<p>@MarcLeepson</p>

<p><a href="https://www.marcleepson.com/" rel="nofollow" target="_blank">https://www.marcleepson.com/</a></p>

<p>Book link: <a href="https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093" rel="nofollow" target="_blank">https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093</a></p>

<p><strong>Marla R. Miller</strong>, historian and author of Betsy Ross and the Making of America</p>

<p>Twitter: @MarlaAtLarge</p>

<p>Book link: <a href="https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972" rel="nofollow" target="_blank">https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f913fdc8-5987-4168-8cf7-c711675b9a51/Seg1.mp3" type="audio/mpeg" length="71640708"/>
      <itunes:subtitle>Betsy Ross sewed the first American flag. At least, that's what we were taught in school. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:51</itunes:duration>
      <category>
        <![CDATA[1776]]>
      </category>
      <category>
        <![CDATA[American]]>
      </category>
      <category>
        <![CDATA[American Flag]]>
      </category>
      <category>
        <![CDATA[American Revolution]]>
      </category>
      <category>
        <![CDATA[American Women's History Initiative ]]>
      </category>
      <category>
        <![CDATA[Betsy Ross]]>
      </category>
      <category>
        <![CDATA[George Washington ]]>
      </category>
      <category>
        <![CDATA[Philadelphia ]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Star Spangled Banner]]>
      </category>
      <category>
        <![CDATA[The Continental Congress]]>
      </category>
      <category>
        <![CDATA[Women's History]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Betsy Ross sewed the first American flag. At least, that's what we were taught in school. But when historians go searching… there’s no proof to be found. In this episode of Sidedoor, we unravel this vexillological tale tall to find out how this myth got started, and who Betsy Ross really was.

Guests:

Jennifer Locke Jones, political and military history curator at the Smithsonian's National Museum of American History

Twitter: @jonesjl_si

Marc Leepson, journalist, historian and author of the book Flag: An American Biography

@MarcLeepson

<a href="https://www.marcleepson.com/" target="_blank">https://www.marcleepson.com/</a>

Book link: <a href="https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093" target="_blank">https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093</a>

Marla R. Miller, historian and author of Betsy Ross and the Making of America

Twitter: @MarlaAtLarge

Book link: <a href="https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972" target="_blank">https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="71640708" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f913fdc8-5987-4168-8cf7-c711675b9a51/Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Betsy Ross sewed the first American flag. At least, that's what we were taught in school. But when historians go searching… there’s no proof to be found. In this episode of Sidedoor, we unravel this vexillological tale tall to find out how this myth got started, and who Betsy Ross <em>really</em> was.</p>

<p><strong>Guests:</strong></p>

<p><strong>Jennifer Locke Jones,</strong> political and military history curator at the Smithsonian's National Museum of American History</p>

<p>Twitter: @jonesjl_si</p>

<p><strong>Marc Leepson</strong>, journalist, historian and author of the book Flag: An American Biography</p>

<p>@MarcLeepson</p>

<p><a href="https://www.marcleepson.com/" rel="nofollow" target="_blank">https://www.marcleepson.com/</a></p>

<p>Book link: <a href="https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093" rel="nofollow" target="_blank">https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093</a></p>

<p><strong>Marla R. Miller</strong>, historian and author of Betsy Ross and the Making of America</p>

<p>Twitter: @MarlaAtLarge</p>

<p>Book link: <a href="https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972" rel="nofollow" target="_blank">https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_57ca55bb-9088-4b4c-8d17-3ef55a01e136</guid>
      <title>Take Who Out to the Ball Game?</title>
      <pubDate>Wed, 09 Mar 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_57ca55bb-9088-4b4c-8d17-3ef55a01e136&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Baseball fan or not, you know this song…or at least, you think you do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to “The Star Spangled Banner” and “Happy Birthday.” But long-forgotten lyrics reveal a feminist message buried amid the peanuts and cracker jack.</p>

<p>Speakers:</p>

<ul>
<li><p><strong>Dan Piazza</strong>, curator at the Smithsonian’s National Postal Museum </p></li>
<li><p><strong>Andy Strasberg</strong>, co-author of “Take Me Out to the Ball Game: Baseball’s Greatest Hit” </p></li>
<li><p><strong>George Boziwick</strong>, retired Chief of the Music Division of The New York Public Library for the Performing Arts, and co-founder of the Red Skies Music Ensemble</p></li>
<li><p><strong>Nancy Faust</strong>, retired organist for the Chicago White Sox</p></li>
</ul>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/57ca55bb-9088-4b4c-8d17-3ef55a01e136/BallgameRerun_Seg1.mp3" type="audio/mpeg" length="43735248"/>
      <itunes:subtitle>Baseball fan or not, you know this song…or at least, you think you do.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:22</itunes:duration>
      <category>
        <![CDATA[2021–22 Major League Baseball lockout]]>
      </category>
      <category>
        <![CDATA[Baseball]]>
      </category>
      <category>
        <![CDATA[Baseball Lockout]]>
      </category>
      <category>
        <![CDATA[Chicago White Sox]]>
      </category>
      <category>
        <![CDATA[Feminism]]>
      </category>
      <category>
        <![CDATA[Katie Casey]]>
      </category>
      <category>
        <![CDATA[MLB]]>
      </category>
      <category>
        <![CDATA[Major Leagues]]>
      </category>
      <category>
        <![CDATA[Nickelodeons]]>
      </category>
      <category>
        <![CDATA[Postal Stamps]]>
      </category>
      <category>
        <![CDATA[Smithsonian ]]>
      </category>
      <category>
        <![CDATA[Smithsonian Postal Museum]]>
      </category>
      <category>
        <![CDATA[Take Me Out to the Ball Game]]>
      </category>
      <category>
        <![CDATA[The White House]]>
      </category>
      <category>
        <![CDATA[Vaudeville]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Baseball fan or not, you know this song…or at least, you think you do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to “The Star Spangled Banner” and “Happy Birthday.” But long-forgotten lyrics reveal a feminist message buried amid the peanuts and cracker jack.

Speakers:


Dan Piazza, curator at the Smithsonian’s National Postal Museum 
Andy Strasberg, co-author of “Take Me Out to the Ball Game: Baseball’s Greatest Hit” 
George Boziwick, retired Chief of the Music Division of The New York Public Library for the Performing Arts, and co-founder of the Red Skies Music Ensemble
Nancy Faust, retired organist for the Chicago White Sox
]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="43735248" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/57ca55bb-9088-4b4c-8d17-3ef55a01e136/BallgameRerun_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Baseball fan or not, you know this song…or at least, you think you do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to “The Star Spangled Banner” and “Happy Birthday.” But long-forgotten lyrics reveal a feminist message buried amid the peanuts and cracker jack.</p>

<p>Speakers:</p>

<ul>
<li><p><strong>Dan Piazza</strong>, curator at the Smithsonian’s National Postal Museum </p></li>
<li><p><strong>Andy Strasberg</strong>, co-author of “Take Me Out to the Ball Game: Baseball’s Greatest Hit” </p></li>
<li><p><strong>George Boziwick</strong>, retired Chief of the Music Division of The New York Public Library for the Performing Arts, and co-founder of the Red Skies Music Ensemble</p></li>
<li><p><strong>Nancy Faust</strong>, retired organist for the Chicago White Sox</p></li>
</ul>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_71665f74-435c-44e2-9701-12fe9e66076e</guid>
      <title>Raven and the Box of Daylight</title>
      <pubDate>Wed, 23 Feb 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_71665f74-435c-44e2-9701-12fe9e66076e&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p><em>Before here was here Raven was a white bird, and the world was in darkness.</em> So begins the story passed down among the Tlingit people of the Pacific Northwest since time immemorial. This origin story has survived by passing from the lips of one person to the ear of another – from generation to generation. In this episode of Sidedoor, Tlingit glass artist Preston Singletary shares it in a new way: leading us on a journey from darkness to light through dozens of luminous glass sculptures.</p>

<p>Speakers</p>

<p><strong>Miranda Belarde-Lewis</strong>, independent curator and assistant professor of Information Science at the University of Washington</p>

<p>IG: miranda505</p>

<p><strong>Preston Singletary</strong>, internationally acclaimed Tlingit glass artist</p>

<p>IG: @prestonsingletaryglass</p>

<p>YouTube Channel: <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.youtube.com%2Fc%2FPrestonSingletaryGlass&amp;data=04%7C01%7CPeabodyEl%40si.edu%7Cf1ff14a61f8a40b39f3308d9f232f363%7C989b5e2a14e44efe93b78cdd5fc5d11c%7C0%7C0%7C637807122932089550%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=IIHTPRNUeoys82vBu2xo4Dv5iH8vMyrrXRUvd%2BkxET4%3D&amp;reserved=0" rel="nofollow" target="_blank">https://www.youtube.com/c/PrestonSingletaryGlass</a></p>

<p><strong>Emil Her Many Horses</strong>, curator at the Smithsonian’s National Museum of the American Indian</p>

<p>IG: @SmithsonianNMAI | Twitter: @SmithsonianNMAI</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/71665f74-435c-44e2-9701-12fe9e66076e/Raven_Seg1.mp3" type="audio/mpeg" length="42956504"/>
      <itunes:subtitle>Before here was here Raven was a white bird, and the world was in darkness. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:49</itunes:duration>
      <category>
        <![CDATA[American Indian]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Creation Stories]]>
      </category>
      <category>
        <![CDATA[Glass]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Native American]]>
      </category>
      <category>
        <![CDATA[Origin]]>
      </category>
      <category>
        <![CDATA[Origin Story]]>
      </category>
      <category>
        <![CDATA[Pacific Northwest]]>
      </category>
      <category>
        <![CDATA[Sculpture]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Tlingit]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Before here was here Raven was a white bird, and the world was in darkness. So begins the story passed down among the Tlingit people of the Pacific Northwest since time immemorial. This origin story has survived by passing from the lips of one person to the ear of another – from generation to generation. In this episode of Sidedoor, Tlingit glass artist Preston Singletary shares it in a new way: leading us on a journey from darkness to light through dozens of luminous glass sculptures.

Speakers

Miranda Belarde-Lewis, independent curator and assistant professor of Information Science at the University of Washington

IG: miranda505

Preston Singletary, internationally acclaimed Tlingit glass artist

IG: @prestonsingletaryglass

YouTube Channel: <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.youtube.com%2Fc%2FPrestonSingletaryGlass&amp;data=04%7C01%7CPeabodyEl%40si.edu%7Cf1ff14a61f8a40b39f3308d9f232f363%7C989b5e2a14e44efe93b78cdd5fc5d11c%7C0%7C0%7C637807122932089550%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=IIHTPRNUeoys82vBu2xo4Dv5iH8vMyrrXRUvd%2BkxET4%3D&amp;reserved=0" target="_blank">https://www.youtube.com/c/PrestonSingletaryGlass</a>

Emil Her Many Horses, curator at the Smithsonian’s National Museum of the American Indian

IG: @SmithsonianNMAI | Twitter: @SmithsonianNMAI]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42956504" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/71665f74-435c-44e2-9701-12fe9e66076e/Raven_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p><em>Before here was here Raven was a white bird, and the world was in darkness.</em> So begins the story passed down among the Tlingit people of the Pacific Northwest since time immemorial. This origin story has survived by passing from the lips of one person to the ear of another – from generation to generation. In this episode of Sidedoor, Tlingit glass artist Preston Singletary shares it in a new way: leading us on a journey from darkness to light through dozens of luminous glass sculptures.</p>

<p>Speakers</p>

<p><strong>Miranda Belarde-Lewis</strong>, independent curator and assistant professor of Information Science at the University of Washington</p>

<p>IG: miranda505</p>

<p><strong>Preston Singletary</strong>, internationally acclaimed Tlingit glass artist</p>

<p>IG: @prestonsingletaryglass</p>

<p>YouTube Channel: <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.youtube.com%2Fc%2FPrestonSingletaryGlass&amp;data=04%7C01%7CPeabodyEl%40si.edu%7Cf1ff14a61f8a40b39f3308d9f232f363%7C989b5e2a14e44efe93b78cdd5fc5d11c%7C0%7C0%7C637807122932089550%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=IIHTPRNUeoys82vBu2xo4Dv5iH8vMyrrXRUvd%2BkxET4%3D&amp;reserved=0" rel="nofollow" target="_blank">https://www.youtube.com/c/PrestonSingletaryGlass</a></p>

<p><strong>Emil Her Many Horses</strong>, curator at the Smithsonian’s National Museum of the American Indian</p>

<p>IG: @SmithsonianNMAI | Twitter: @SmithsonianNMAI</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_657bbda1-b3f8-4796-9f89-b9c80c36b740</guid>
      <title>King's Speech</title>
      <pubDate>Wed, 09 Feb 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_657bbda1-b3f8-4796-9f89-b9c80c36b740&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Dr. Martin Luther King Jr.'s I Have a Dream Speech is one of the most famous speeches in the world. But it almost didn’t happen. If you look at King's typed manuscript of his speech —which is currently on display at the Smithsonian National Museum of African American History and Culture— you won't find the phrase "I Have a Dream." But even though Dr. King's speech was improvised, that doesn't mean it wasn't years in the making. In this episode of Sidedoor, we trace the evolution of King's dream, from a secret friendship, to an experimental poem, to the speech we all know today.</p>

<p> </p>

<p>Guests: </p>

<p>Kevin Young, Director of Smithsonian's National Museum of African American History and Culture  </p>

<p>W. Jason Miller, Author of <em>Origins of the Dream: Hughes's Poetry and King's Rhetoric</em></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/657bbda1-b3f8-4796-9f89-b9c80c36b740/Seg1.mp3" type="audio/mpeg" length="85396789"/>
      <itunes:subtitle>Dr. Martin Luther King Jr.'s I Have a Dream Speech is one of the most famous speeches in the world. But it almost didn’t happen. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>35:34</itunes:duration>
      <category>
        <![CDATA[African American]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Black History]]>
      </category>
      <category>
        <![CDATA[Black History Month]]>
      </category>
      <category>
        <![CDATA[Black Voices]]>
      </category>
      <category>
        <![CDATA[Civil Rights Movement]]>
      </category>
      <category>
        <![CDATA[Dr. King]]>
      </category>
      <category>
        <![CDATA[Dr. Martin Luther King, Jr.]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[I Have A Dream]]>
      </category>
      <category>
        <![CDATA[Langston Hughes]]>
      </category>
      <category>
        <![CDATA[MLK]]>
      </category>
      <category>
        <![CDATA[MLK Jr.]]>
      </category>
      <category>
        <![CDATA[March on Washington]]>
      </category>
      <category>
        <![CDATA[Montgomery Bus Boycott]]>
      </category>
      <category>
        <![CDATA[NMAAHC]]>
      </category>
      <category>
        <![CDATA[Poetry]]>
      </category>
      <category>
        <![CDATA[Reverend Martin Luther King, Jr.]]>
      </category>
      <category>
        <![CDATA[Riffing]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Speech]]>
      </category>
      <category>
        <![CDATA[Speech Writing]]>
      </category>
      <category>
        <![CDATA[Speeches]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Dr. Martin Luther King Jr.'s I Have a Dream Speech is one of the most famous speeches in the world. But it almost didn’t happen. If you look at King's typed manuscript of his speech —which is currently on display at the Smithsonian National Museum of African American History and Culture— you won't find the phrase "I Have a Dream." But even though Dr. King's speech was improvised, that doesn't mean it wasn't years in the making. In this episode of Sidedoor, we trace the evolution of King's dream, from a secret friendship, to an experimental poem, to the speech we all know today.

 

Guests: 

Kevin Young, Director of Smithsonian's National Museum of African American History and Culture  

W. Jason Miller, Author of Origins of the Dream: Hughes's Poetry and King's Rhetoric]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="85396789" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/657bbda1-b3f8-4796-9f89-b9c80c36b740/Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Dr. Martin Luther King Jr.'s I Have a Dream Speech is one of the most famous speeches in the world. But it almost didn’t happen. If you look at King's typed manuscript of his speech —which is currently on display at the Smithsonian National Museum of African American History and Culture— you won't find the phrase "I Have a Dream." But even though Dr. King's speech was improvised, that doesn't mean it wasn't years in the making. In this episode of Sidedoor, we trace the evolution of King's dream, from a secret friendship, to an experimental poem, to the speech we all know today.</p>

<p> </p>

<p>Guests: </p>

<p>Kevin Young, Director of Smithsonian's National Museum of African American History and Culture  </p>

<p>W. Jason Miller, Author of <em>Origins of the Dream: Hughes's Poetry and King's Rhetoric</em></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_92079b31-217a-4c9e-8101-ea83a8c21ef9</guid>
      <title>The Robot in the Mirror</title>
      <pubDate>Wed, 26 Jan 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_92079b31-217a-4c9e-8101-ea83a8c21ef9&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>It’s easy to think artificial intelligence is objective. It doesn’t have emotions. It operates based on cold hard calculations. But artificial intelligence is built on <em>human</em> intelligence, and it may be carrying our old prejudices into the future with us. In this episode of Sidedoor, we step into the Smithsonian’s FUTURES exhibition to meet a very special robot who asks us to consider: whose image will be reflected in our AI future?</p>

<p>Speakers:</p>

<p><strong>Stephanie Dinkins</strong>, transdisciplinary artist and professor at Stony Brook University</p>

<p>Twitter: @dinkinsstudio @stephdink</p>

<p>Instagram: Dinkins.studio, stephanie.dinkins</p>

<p>Email: <a href="mailto:hello@dinkins.studio" rel="nofollow" target="_blank">hello@dinkins.studio</a></p>

<p>Website: <a href="http://www.stephaniedinkins.com" rel="nofollow" target="_blank">www.stephaniedinkins.com</a></p>

<p><strong>Ashley Molese,</strong> a curator of the Smithsonian’s FUTURES exhibition</p>

<p>Social media: @smithsonianAIB, #TheFUTURES</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/92079b31-217a-4c9e-8101-ea83a8c21ef9/NTOO_Seg1.mp3" type="audio/mpeg" length="46232988"/>
      <itunes:subtitle>It’s easy to think artificial intelligence is objective. It doesn’t have emotions. It operates based on cold hard calculations. But artificial intelligence is built on human intelligence, and it may be carrying our old prejudices into the future with us</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>32:06</itunes:duration>
      <category>
        <![CDATA[#TheFUTURES]]>
      </category>
      <category>
        <![CDATA[AI]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Artificial Intelligence]]>
      </category>
      <category>
        <![CDATA[Bias]]>
      </category>
      <category>
        <![CDATA[Bots]]>
      </category>
      <category>
        <![CDATA[Chatbot]]>
      </category>
      <category>
        <![CDATA[Family]]>
      </category>
      <category>
        <![CDATA[Future]]>
      </category>
      <category>
        <![CDATA[Futuristic]]>
      </category>
      <category>
        <![CDATA[Heritage]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Prejudice]]>
      </category>
      <category>
        <![CDATA[Robot]]>
      </category>
      <category>
        <![CDATA[Robotics]]>
      </category>
      <category>
        <![CDATA[Robots]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Tech]]>
      </category>
      <category>
        <![CDATA[Technology]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[It’s easy to think artificial intelligence is objective. It doesn’t have emotions. It operates based on cold hard calculations. But artificial intelligence is built on human intelligence, and it may be carrying our old prejudices into the future with us. In this episode of Sidedoor, we step into the Smithsonian’s FUTURES exhibition to meet a very special robot who asks us to consider: whose image will be reflected in our AI future?

Speakers:

Stephanie Dinkins, transdisciplinary artist and professor at Stony Brook University

Twitter: @dinkinsstudio @stephdink

Instagram: Dinkins.studio, stephanie.dinkins

Email: <a href="mailto:hello@dinkins.studio" target="_blank">hello@dinkins.studio</a>

Website: <a href="http://www.stephaniedinkins.com" target="_blank">www.stephaniedinkins.com</a>

Ashley Molese, a curator of the Smithsonian’s FUTURES exhibition

Social media: @smithsonianAIB, #TheFUTURES]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="46232988" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/92079b31-217a-4c9e-8101-ea83a8c21ef9/NTOO_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>It’s easy to think artificial intelligence is objective. It doesn’t have emotions. It operates based on cold hard calculations. But artificial intelligence is built on <em>human</em> intelligence, and it may be carrying our old prejudices into the future with us. In this episode of Sidedoor, we step into the Smithsonian’s FUTURES exhibition to meet a very special robot who asks us to consider: whose image will be reflected in our AI future?</p>

<p>Speakers:</p>

<p><strong>Stephanie Dinkins</strong>, transdisciplinary artist and professor at Stony Brook University</p>

<p>Twitter: @dinkinsstudio @stephdink</p>

<p>Instagram: Dinkins.studio, stephanie.dinkins</p>

<p>Email: <a href="mailto:hello@dinkins.studio" rel="nofollow" target="_blank">hello@dinkins.studio</a></p>

<p>Website: <a href="http://www.stephaniedinkins.com" rel="nofollow" target="_blank">www.stephaniedinkins.com</a></p>

<p><strong>Ashley Molese,</strong> a curator of the Smithsonian’s FUTURES exhibition</p>

<p>Social media: @smithsonianAIB, #TheFUTURES</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_bd9cfab9-83df-47f7-b8cd-bb54c2cb160d</guid>
      <title>The Fugitive Brewer</title>
      <pubDate>Wed, 12 Jan 2022 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_bd9cfab9-83df-47f7-b8cd-bb54c2cb160d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>A skill for brewing beer and $100 reward for her capture. Those were the clues in an old newspaper ad that got Smithsonian brewing historian Theresa McCulla hooked on the story of Patsy Young, an enslaved African American woman who fled to freedom in 1808 and made a life for herself brewing beer. In this episode of Sidedoor, we follow McCulla as she scours historical documents to retrace Young's life and find out who she was...and what happened after her escape.</p>

<p><strong>Guests:</strong></p>

<p><strong>Theresa McCulla</strong>, Curator with the Smithsonian’s American Brewing History Initiative at the National Museum of American History</p>

<p><strong>Mary Elliott</strong>, Curator of American Slavery at the Smithsonian National Museum of African American History and Culture</p>

<p><strong>Frank Clark</strong>, Master of Historic Foodways at Colonial Williamsburg</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/bd9cfab9-83df-47f7-b8cd-bb54c2cb160d/Seg_1.mp3" type="audio/mpeg" length="70636026"/>
      <itunes:subtitle>A skill for brewing beer and $100 reward for her capture. Those were the clues in an old newspaper ad that got Smithsonian brewing historian Theresa McCulla hooked on the story of Patsy Young, an enslaved African American woman who fled to freedom in 1808 and made a life for herself brewing beer.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:25</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Beer]]>
      </category>
      <category>
        <![CDATA[Brewer]]>
      </category>
      <category>
        <![CDATA[Brewery]]>
      </category>
      <category>
        <![CDATA[Brewing]]>
      </category>
      <category>
        <![CDATA[Enslaved Person]]>
      </category>
      <category>
        <![CDATA[Enslaved Person History]]>
      </category>
      <category>
        <![CDATA[Freedom ]]>
      </category>
      <category>
        <![CDATA[Historian]]>
      </category>
      <category>
        <![CDATA[Historical Research ]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Newspapers]]>
      </category>
      <category>
        <![CDATA[North Carolina]]>
      </category>
      <category>
        <![CDATA[Raleigh]]>
      </category>
      <category>
        <![CDATA[Raleigh, North Carolina]]>
      </category>
      <category>
        <![CDATA[Slavery]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[A skill for brewing beer and $100 reward for her capture. Those were the clues in an old newspaper ad that got Smithsonian brewing historian Theresa McCulla hooked on the story of Patsy Young, an enslaved African American woman who fled to freedom in 1808 and made a life for herself brewing beer. In this episode of Sidedoor, we follow McCulla as she scours historical documents to retrace Young's life and find out who she was...and what happened after her escape.

Guests:

Theresa McCulla, Curator with the Smithsonian’s American Brewing History Initiative at the National Museum of American History

Mary Elliott, Curator of American Slavery at the Smithsonian National Museum of African American History and Culture

Frank Clark, Master of Historic Foodways at Colonial Williamsburg]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="70636026" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/bd9cfab9-83df-47f7-b8cd-bb54c2cb160d/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>A skill for brewing beer and $100 reward for her capture. Those were the clues in an old newspaper ad that got Smithsonian brewing historian Theresa McCulla hooked on the story of Patsy Young, an enslaved African American woman who fled to freedom in 1808 and made a life for herself brewing beer. In this episode of Sidedoor, we follow McCulla as she scours historical documents to retrace Young's life and find out who she was...and what happened after her escape.</p>

<p><strong>Guests:</strong></p>

<p><strong>Theresa McCulla</strong>, Curator with the Smithsonian’s American Brewing History Initiative at the National Museum of American History</p>

<p><strong>Mary Elliott</strong>, Curator of American Slavery at the Smithsonian National Museum of African American History and Culture</p>

<p><strong>Frank Clark</strong>, Master of Historic Foodways at Colonial Williamsburg</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_767bd774-1d91-4a96-9d4b-e2c7659f2eef</guid>
      <title>Edison’s Demon Dolls  </title>
      <pubDate>Wed, 29 Dec 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_767bd774-1d91-4a96-9d4b-e2c7659f2eef&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight soon turned to horror. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of <a href="https://www.si.edu/object/edison-talking-doll:nmah_1413900" title="https://www.si.edu/object/edison-talking-doll:nmah_1413900" rel="nofollow" target="_blank">Edison’s talking dolls</a> as a holiday gift. And we’ll speak with an expert from the National Museum of American history to learn what went wrong with Edison’s invention.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/767bd774-1d91-4a96-9d4b-e2c7659f2eef/Demon_Dolls_Rerun_Seg1.mp3" type="audio/mpeg" length="37913448"/>
      <itunes:subtitle>In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight soon turned to horror.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:19</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Demon]]>
      </category>
      <category>
        <![CDATA[Demons]]>
      </category>
      <category>
        <![CDATA[Doll]]>
      </category>
      <category>
        <![CDATA[Dolls]]>
      </category>
      <category>
        <![CDATA[Edison]]>
      </category>
      <category>
        <![CDATA[Electricity]]>
      </category>
      <category>
        <![CDATA[Haunted Stories]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Phonograph]]>
      </category>
      <category>
        <![CDATA[Porcelain ]]>
      </category>
      <category>
        <![CDATA[Porcelain Doll]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Thomas Edison]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight soon turned to horror. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of <a href="https://www.si.edu/object/edison-talking-doll:nmah_1413900" target="_blank">Edison’s talking dolls</a> as a holiday gift. And we’ll speak with an expert from the National Museum of American history to learn what went wrong with Edison’s invention.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37913448" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/767bd774-1d91-4a96-9d4b-e2c7659f2eef/Demon_Dolls_Rerun_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight soon turned to horror. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of <a href="https://www.si.edu/object/edison-talking-doll:nmah_1413900" title="https://www.si.edu/object/edison-talking-doll:nmah_1413900" rel="nofollow" target="_blank">Edison’s talking dolls</a> as a holiday gift. And we’ll speak with an expert from the National Museum of American history to learn what went wrong with Edison’s invention.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_bba5d47c-64a8-48c9-aed1-3d30d0666857</guid>
      <title>Chiura Obata’s Glorious Struggle</title>
      <pubDate>Wed, 15 Dec 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_bba5d47c-64a8-48c9-aed1-3d30d0666857&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When Chiura Obata painted “Moonlight Over Topaz, Utah,” he was a prisoner at the camp: one of 120,000 Japanese Americans to be incarcerated during World War II. The painting shows a dreamy moonlit desert, with just a few dark lines to hint at the barbed wire fences and guard towers that held him and his family captive. As a painter, Obata turned again and again to nature as his greatest teacher, and his greatest subject. Today, his work can be found in art collections and museums around the world, including the Smithsonian's American Art Museum. This time on Sidedoor, we learn from Chiura Obata about the power of art in tumultuous times.</p>

<p><strong>Speakers:</strong></p>

<p>Rihoko Ueno: Processing archivist at the Smithsonian’s Archives of American Art</p>

<p>Noriko Sanefuji: Museum specialist in the Division of Cultural and Community Life at the Smithsonian’s National Museum of American History @apacurator @amhistorymuseum</p>

<p>ShiPu Wang: Coats Endowed Chair in the Arts and Professor of Art History at The University of California Merced. Curator of the traveling exhibition, “Chiura Obata: An American Modern.” @curatingobata</p>

<p>Kimi Hill: Chiura Obata’s granddaughter and author of the book, “Topaz Moon.”</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/bba5d47c-64a8-48c9-aed1-3d30d0666857/Obata_Seg1.mp3" type="audio/mpeg" length="48305048"/>
      <itunes:subtitle>When Chiura Obata painted “Moonlight Over Topaz, Utah,” he was a prisoner at the camp: one of 120,000 Japanese Americans to be incarcerated during World War II.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:32</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Art History]]>
      </category>
      <category>
        <![CDATA[Artist]]>
      </category>
      <category>
        <![CDATA[Asian]]>
      </category>
      <category>
        <![CDATA[Chiura Obata]]>
      </category>
      <category>
        <![CDATA[Civil Rights]]>
      </category>
      <category>
        <![CDATA[Eleanor Roosevelt]]>
      </category>
      <category>
        <![CDATA[Great Earthquake of 1906]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Ikebana]]>
      </category>
      <category>
        <![CDATA[Internment Camps]]>
      </category>
      <category>
        <![CDATA[Japan ]]>
      </category>
      <category>
        <![CDATA[Japanese-American]]>
      </category>
      <category>
        <![CDATA[Nature]]>
      </category>
      <category>
        <![CDATA[Obata]]>
      </category>
      <category>
        <![CDATA[Painter]]>
      </category>
      <category>
        <![CDATA[San Francisco ]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Utah]]>
      </category>
      <category>
        <![CDATA[WWII]]>
      </category>
      <category>
        <![CDATA[World War II]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When Chiura Obata painted “Moonlight Over Topaz, Utah,” he was a prisoner at the camp: one of 120,000 Japanese Americans to be incarcerated during World War II. The painting shows a dreamy moonlit desert, with just a few dark lines to hint at the barbed wire fences and guard towers that held him and his family captive. As a painter, Obata turned again and again to nature as his greatest teacher, and his greatest subject. Today, his work can be found in art collections and museums around the world, including the Smithsonian's American Art Museum. This time on Sidedoor, we learn from Chiura Obata about the power of art in tumultuous times.

Speakers:

Rihoko Ueno: Processing archivist at the Smithsonian’s Archives of American Art

Noriko Sanefuji: Museum specialist in the Division of Cultural and Community Life at the Smithsonian’s National Museum of American History @apacurator @amhistorymuseum

ShiPu Wang: Coats Endowed Chair in the Arts and Professor of Art History at The University of California Merced. Curator of the traveling exhibition, “Chiura Obata: An American Modern.” @curatingobata

Kimi Hill: Chiura Obata’s granddaughter and author of the book, “Topaz Moon.”]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="48305048" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/bba5d47c-64a8-48c9-aed1-3d30d0666857/Obata_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>When Chiura Obata painted “Moonlight Over Topaz, Utah,” he was a prisoner at the camp: one of 120,000 Japanese Americans to be incarcerated during World War II. The painting shows a dreamy moonlit desert, with just a few dark lines to hint at the barbed wire fences and guard towers that held him and his family captive. As a painter, Obata turned again and again to nature as his greatest teacher, and his greatest subject. Today, his work can be found in art collections and museums around the world, including the Smithsonian's American Art Museum. This time on Sidedoor, we learn from Chiura Obata about the power of art in tumultuous times.</p>

<p><strong>Speakers:</strong></p>

<p>Rihoko Ueno: Processing archivist at the Smithsonian’s Archives of American Art</p>

<p>Noriko Sanefuji: Museum specialist in the Division of Cultural and Community Life at the Smithsonian’s National Museum of American History @apacurator @amhistorymuseum</p>

<p>ShiPu Wang: Coats Endowed Chair in the Arts and Professor of Art History at The University of California Merced. Curator of the traveling exhibition, “Chiura Obata: An American Modern.” @curatingobata</p>

<p>Kimi Hill: Chiura Obata’s granddaughter and author of the book, “Topaz Moon.”</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_790c4c5e-2fed-41e4-9730-ced9eb6eb248</guid>
      <title>Love in the Time of Emoji</title>
      <pubDate>Wed, 01 Dec 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_790c4c5e-2fed-41e4-9730-ced9eb6eb248&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the Cooper Hewitt, Smithsonian Design Museum. In this episode of Sidedoor, we explore how one groundbreaking emoji is changing digital representation and the future of museum collections. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/790c4c5e-2fed-41e4-9730-ced9eb6eb248/Seg_1.mp3" type="audio/mpeg" length="66809076"/>
      <itunes:subtitle>When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:50</itunes:duration>
      <category>
        <![CDATA[Apps]]>
      </category>
      <category>
        <![CDATA[Couples]]>
      </category>
      <category>
        <![CDATA[Dating]]>
      </category>
      <category>
        <![CDATA[Dating Apps]]>
      </category>
      <category>
        <![CDATA[Emoji]]>
      </category>
      <category>
        <![CDATA[EmojiNation]]>
      </category>
      <category>
        <![CDATA[Emojipedia]]>
      </category>
      <category>
        <![CDATA[Emojis]]>
      </category>
      <category>
        <![CDATA[Hashtag]]>
      </category>
      <category>
        <![CDATA[Hashtags]]>
      </category>
      <category>
        <![CDATA[Interracial]]>
      </category>
      <category>
        <![CDATA[Interracial Couples]]>
      </category>
      <category>
        <![CDATA[Interracial Marriage]]>
      </category>
      <category>
        <![CDATA[Jennifer 8 Lee]]>
      </category>
      <category>
        <![CDATA[Love]]>
      </category>
      <category>
        <![CDATA[Relationships]]>
      </category>
      <category>
        <![CDATA[Tinder]]>
      </category>
      <category>
        <![CDATA[Viral]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the Cooper Hewitt, Smithsonian Design Museum. In this episode of Sidedoor, we explore how one groundbreaking emoji is changing digital representation and the future of museum collections. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="66809076" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/790c4c5e-2fed-41e4-9730-ced9eb6eb248/Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the Cooper Hewitt, Smithsonian Design Museum. In this episode of Sidedoor, we explore how one groundbreaking emoji is changing digital representation and the future of museum collections. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f82ba938-bd2e-44e8-be00-d49f49ce3c34</guid>
      <title>Light of Freedom </title>
      <pubDate>Wed, 17 Nov 2021 05:00:57 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f82ba938-bd2e-44e8-be00-d49f49ce3c34&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>There’s a new sculpture at the Smithsonian’s Hirshhorn Museum and Sculpture Garden: a giant torch that’s strikingly familiar – and entirely unique. Artist Abigail DeVille has reimagined the Statue of Liberty’s torch to shine a light on historical contradictions of American freedom. Through her work, DeVille asks us to re-examine the stories we’ve inherited as a nation, including the story of Lady Liberty herself. As it turns out, the statue holding her torch alight in New York Harbor today has come to stand for something very different from its original intention. Born out of the Black Lives Matter protests of 2020, <em>Light of Freedom</em> reflects the historical origins of the Statue of Liberty and challenges us to confront the idea that liberty itself is a work in progress.  </p>

<p> </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f82ba938-bd2e-44e8-be00-d49f49ce3c34/Light_of_Freedom_Seg1.mp3" type="audio/mpeg" length="40066888"/>
      <itunes:subtitle>There’s a new sculpture at the Smithsonian’s Hirshhorn Museum and Sculpture Garden: a giant torch that’s strikingly familiar – and entirely unique.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:49</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[BLM ]]>
      </category>
      <category>
        <![CDATA[Black History]]>
      </category>
      <category>
        <![CDATA[Black Lives Matter]]>
      </category>
      <category>
        <![CDATA[COVID-19]]>
      </category>
      <category>
        <![CDATA[George Floyd]]>
      </category>
      <category>
        <![CDATA[Liberty]]>
      </category>
      <category>
        <![CDATA[Pandemic]]>
      </category>
      <category>
        <![CDATA[Protest]]>
      </category>
      <category>
        <![CDATA[Sculpture]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Statue of Liberty]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[There’s a new sculpture at the Smithsonian’s Hirshhorn Museum and Sculpture Garden: a giant torch that’s strikingly familiar – and entirely unique. Artist Abigail DeVille has reimagined the Statue of Liberty’s torch to shine a light on historical contradictions of American freedom. Through her work, DeVille asks us to re-examine the stories we’ve inherited as a nation, including the story of Lady Liberty herself. As it turns out, the statue holding her torch alight in New York Harbor today has come to stand for something very different from its original intention. Born out of the Black Lives Matter protests of 2020, Light of Freedom reflects the historical origins of the Statue of Liberty and challenges us to confront the idea that liberty itself is a work in progress.  

 ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="40066888" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f82ba938-bd2e-44e8-be00-d49f49ce3c34/Light_of_Freedom_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>There’s a new sculpture at the Smithsonian’s Hirshhorn Museum and Sculpture Garden: a giant torch that’s strikingly familiar – and entirely unique. Artist Abigail DeVille has reimagined the Statue of Liberty’s torch to shine a light on historical contradictions of American freedom. Through her work, DeVille asks us to re-examine the stories we’ve inherited as a nation, including the story of Lady Liberty herself. As it turns out, the statue holding her torch alight in New York Harbor today has come to stand for something very different from its original intention. Born out of the Black Lives Matter protests of 2020, <em>Light of Freedom</em> reflects the historical origins of the Statue of Liberty and challenges us to confront the idea that liberty itself is a work in progress.  </p>

<p> </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6bda0552-69b8-492b-824a-85f43ef38c4e</guid>
      <title>King of the Herbs</title>
      <pubDate>Wed, 03 Nov 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6bda0552-69b8-492b-824a-85f43ef38c4e&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>It’s a wild herb that countless cultures have used for centuries as a wonder drug to cure any ailment. It's so rare and valuable that it’s been dug to extinction nearly everywhere, except a small area of the United States. This time on Sidedoor, we go searching for the elusive <em>wild American ginseng</em> — and find that scientists, conservationists, and criminals are also on the hunt.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6bda0552-69b8-492b-824a-85f43ef38c4e/Ginseng_Seg1.mp3" type="audio/mpeg" length="71058624"/>
      <itunes:subtitle>It’s a wild herb that countless cultures have used for centuries as a wonder drug to cure any ailment. It's so rare and valuable that it’s been dug to extinction nearly everywhere, except a small area of the United States.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:36</itunes:duration>
      <category>
        <![CDATA[American Ginseng]]>
      </category>
      <category>
        <![CDATA[Appalachia]]>
      </category>
      <category>
        <![CDATA[Farming]]>
      </category>
      <category>
        <![CDATA[Folk]]>
      </category>
      <category>
        <![CDATA[Folk Medicine]]>
      </category>
      <category>
        <![CDATA[Folkways]]>
      </category>
      <category>
        <![CDATA[Ginseng]]>
      </category>
      <category>
        <![CDATA[Herbology]]>
      </category>
      <category>
        <![CDATA[Herbs]]>
      </category>
      <category>
        <![CDATA[Nature]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Sustainability]]>
      </category>
      <category>
        <![CDATA[Sustainable]]>
      </category>
      <category>
        <![CDATA[Wild American Ginseng]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[It’s a wild herb that countless cultures have used for centuries as a wonder drug to cure any ailment. It's so rare and valuable that it’s been dug to extinction nearly everywhere, except a small area of the United States. This time on Sidedoor, we go searching for the elusive wild American ginseng — and find that scientists, conservationists, and criminals are also on the hunt.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="71058624" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6bda0552-69b8-492b-824a-85f43ef38c4e/Ginseng_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>It’s a wild herb that countless cultures have used for centuries as a wonder drug to cure any ailment. It's so rare and valuable that it’s been dug to extinction nearly everywhere, except a small area of the United States. This time on Sidedoor, we go searching for the elusive <em>wild American ginseng</em> — and find that scientists, conservationists, and criminals are also on the hunt.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_938df0ea-a53e-4f77-9d5b-d2552bd064c6</guid>
      <title>Bloodsuckers!</title>
      <pubDate>Wed, 20 Oct 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_938df0ea-a53e-4f77-9d5b-d2552bd064c6&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck — blood that is. But there’s a lot to learn about the lowly leech. Led by a troupe of Smithsonian experts, we’ll discover how these toothy hangers-on wormed their way into medical practices, performance art, and EVERY human cavity. Yes, even that one. It's a journey of discovery from the swamp to the stage and deep into the vaults of the Smithsonian. And it just may leave you with a little more appreciation (dare we say, love?) for the bloodsuckers. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/938df0ea-a53e-4f77-9d5b-d2552bd064c6/Leeches_Seg1.mp3" type="audio/mpeg" length="44041988"/>
      <itunes:subtitle>Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck — blood that is. But there’s a lot to learn about the lowly leech.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:35</itunes:duration>
      <category>
        <![CDATA[Blood]]>
      </category>
      <category>
        <![CDATA[Bloodletting]]>
      </category>
      <category>
        <![CDATA[Leech]]>
      </category>
      <category>
        <![CDATA[Leeches]]>
      </category>
      <category>
        <![CDATA[Performance Art]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Stand By Me]]>
      </category>
      <category>
        <![CDATA[Swamp]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck — blood that is. But there’s a lot to learn about the lowly leech. Led by a troupe of Smithsonian experts, we’ll discover how these toothy hangers-on wormed their way into medical practices, performance art, and EVERY human cavity. Yes, even that one. It's a journey of discovery from the swamp to the stage and deep into the vaults of the Smithsonian. And it just may leave you with a little more appreciation (dare we say, love?) for the bloodsuckers. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="44041988" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/938df0ea-a53e-4f77-9d5b-d2552bd064c6/Leeches_Seg1.mp3"/>
      <content:encoded>
        <![CDATA[<p>Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck — blood that is. But there’s a lot to learn about the lowly leech. Led by a troupe of Smithsonian experts, we’ll discover how these toothy hangers-on wormed their way into medical practices, performance art, and EVERY human cavity. Yes, even that one. It's a journey of discovery from the swamp to the stage and deep into the vaults of the Smithsonian. And it just may leave you with a little more appreciation (dare we say, love?) for the bloodsuckers. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_69200053-b488-4c79-a992-5bd8fb099903</guid>
      <title>Make Way for Elephants</title>
      <pubDate>Wed, 06 Oct 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_69200053-b488-4c79-a992-5bd8fb099903&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The endangered Asian Elephant may be a conservation success story as its rapid decline appears to be stabilizing. But this has created a new set of problems. With little remaining habitat, these elephants have nowhere left to go but into roads, farms, and cities. This time on Sidedoor, we look at what happens when wild elephants go urban. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/69200053-b488-4c79-a992-5bd8fb099903/Elephants_Seg_1.mp3" type="audio/mpeg" length="42035239"/>
      <itunes:subtitle>The endangered Asian Elephant may be a conservation success story as its rapid decline appears to be stabilizing. But this has created a new set of problems. With little remaining habitat, these elephants have nowhere left to go but into roads, farms, and cities</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:10</itunes:duration>
      <category>
        <![CDATA[Asian Elephants]]>
      </category>
      <category>
        <![CDATA[China]]>
      </category>
      <category>
        <![CDATA[Conservation ]]>
      </category>
      <category>
        <![CDATA[Conservation Biology]]>
      </category>
      <category>
        <![CDATA[Elephants]]>
      </category>
      <category>
        <![CDATA[Endangered Species]]>
      </category>
      <category>
        <![CDATA[Extinction]]>
      </category>
      <category>
        <![CDATA[Farming]]>
      </category>
      <category>
        <![CDATA[Farms]]>
      </category>
      <category>
        <![CDATA[India]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Zoological Park]]>
      </category>
      <category>
        <![CDATA[Urban Planning]]>
      </category>
      <category>
        <![CDATA[Wildlife]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The endangered Asian Elephant may be a conservation success story as its rapid decline appears to be stabilizing. But this has created a new set of problems. With little remaining habitat, these elephants have nowhere left to go but into roads, farms, and cities. This time on Sidedoor, we look at what happens when wild elephants go urban. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42035239" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/69200053-b488-4c79-a992-5bd8fb099903/Elephants_Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p>The endangered Asian Elephant may be a conservation success story as its rapid decline appears to be stabilizing. But this has created a new set of problems. With little remaining habitat, these elephants have nowhere left to go but into roads, farms, and cities. This time on Sidedoor, we look at what happens when wild elephants go urban. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_0745809a-7cb4-46a0-8a41-6704bd41e354</guid>
      <title>It’s Season Seven!</title>
      <pubDate>Wed, 29 Sep 2021 19:51:11 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_0745809a-7cb4-46a0-8a41-6704bd41e354&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[Sidedoor returns for its seventh season on Wednesday, October 6th!]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/0745809a-7cb4-46a0-8a41-6704bd41e354/S7_Promo_for_Upload.mp3" type="audio/mpeg" length="2158576"/>
      <itunes:subtitle>Sidedoor returns for its seventh season on Wednesday, October 6th!</itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:duration>01:29</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[New Season]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Teaser]]>
      </category>
      <category>
        <![CDATA[adfree]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="2158576" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/0745809a-7cb4-46a0-8a41-6704bd41e354/S7_Promo_for_Upload.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_aa000d9f-45cf-4730-b852-e385b1d08d7d</guid>
      <title>Bonus: Patsy Mink</title>
      <pubDate>Wed, 22 Sep 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_aa000d9f-45cf-4730-b852-e385b1d08d7d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>A new season of Sidedoor is just two weeks away! In the meantime, we’re sharing a special guest episode from Wonder Media Network’s podcast, “Encyclopedia Womannica.” In this episode, you’ll hear about the life of Patsy Mink, the first Asian-American woman to serve in Congress and run for U.S. President. She was also the first woman of color elected to the U.S. House of Representatives. She made a brief appearance in the Sidedoor episode, “Votes for Hawaiians,” and here you’ll hear more about how she paved the way for Asian-Americans across the nation.</p><p> </p><p>Encyclopedia Womannica is a daily podcast that explores the trials, tragedies and triumphs of groundbreaking women from antiquity through modernity, in just five minutes a day. You can find more episodes <a href="https://wondermedianetwork.com/encyclopedia-womannica"><strong>HERE</strong></a>. (<a href="https://wondermedianetwork.com/encyclopedia-womannica"><strong>https://wondermedianetwork.com/encyclopedia-womannica</strong></a>)</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/aa000d9f-45cf-4730-b852-e385b1d08d7d/EW_Feature.mp3" type="audio/mpeg" length="10317490"/>
      <itunes:subtitle>A new season of Sidedoor is just two weeks away! In the meantime, we’re sharing a special guest episode from Wonder Media Network’s podcast, “Encyclopedia Womannica.” In this episode, you’ll hear about the life of Patsy Mink, the first Asian-American woman to serve in Congress and run for U.S. President. </itunes:subtitle>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:duration>07:09</itunes:duration>
      <category>
        <![CDATA[Asian American]]>
      </category>
      <category>
        <![CDATA[Congress]]>
      </category>
      <category>
        <![CDATA[Encyclopedia Wommanica]]>
      </category>
      <category>
        <![CDATA[Patsy Mink]]>
      </category>
      <category>
        <![CDATA[President]]>
      </category>
      <category>
        <![CDATA[Running for President]]>
      </category>
      <category>
        <![CDATA[U.S. Congress]]>
      </category>
      <category>
        <![CDATA[United States]]>
      </category>
      <category>
        <![CDATA[Women's Rights]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[A new season of Sidedoor is just two weeks away! In the meantime, we’re sharing a special guest episode from Wonder Media Network’s podcast, “Encyclopedia Womannica.” In this episode, you’ll hear about the life of Patsy Mink, the first Asian-American woman to serve in Congress and run for U.S. President. She was also the first woman of color elected to the U.S. House of Representatives. She made a brief appearance in the Sidedoor episode, “Votes for Hawaiians,” and here you’ll hear more about how she paved the way for Asian-Americans across the nation. Encyclopedia Womannica is a daily podcast that explores the trials, tragedies and triumphs of groundbreaking women from antiquity through modernity, in just five minutes a day. You can find more episodes <a href="https://wondermedianetwork.com/encyclopedia-womannica">HERE</a>. (<a href="https://wondermedianetwork.com/encyclopedia-womannica">https://wondermedianetwork.com/encyclopedia-womannica</a>)]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="10317490" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/aa000d9f-45cf-4730-b852-e385b1d08d7d/EW_Feature.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_3f6d80ea-fb48-4441-990c-fe0457b9d1fc</guid>
      <title>Bonus: Happy Birthday to Us</title>
      <pubDate>Wed, 18 Aug 2021 04:01:40 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_3f6d80ea-fb48-4441-990c-fe0457b9d1fc&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The “Men of Progress” painting, from 1862, shows the first Secretary of the Smithsonian surrounded by a group of scientists and inventors credited with “altering the course of contemporary civilization.” But what may be most remarkable about this tableau is who’s not there. To mark the 175th anniversary of the Smithsonian’s founding, the National Portrait Gallery’s <em>Portraits</em> podcast takes us back in time – to trace how the concept of progress has evolved, and who current Smithsonian Secretary Lonnie G. Bunch III would put in <em>his</em> “portrait of progress.”</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3f6d80ea-fb48-4441-990c-fe0457b9d1fc/Portraits_Feature_Seg_1_new.mp3" type="audio/mpeg" length="41510444"/>
      <itunes:subtitle>To mark the 175th anniversary of the Smithsonian’s founding, the National Portrait Gallery’s Portraits podcast takes us back in time – to trace how the concept of progress has evolved. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>19</itunes:episode>
      <itunes:duration>28:49</itunes:duration>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[art]]>
      </category>
      <category>
        <![CDATA[art history]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[museums]]>
      </category>
      <category>
        <![CDATA[portraiture]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The “Men of Progress” painting, from 1862, shows the first Secretary of the Smithsonian surrounded by a group of scientists and inventors credited with “altering the course of contemporary civilization.” But what may be most remarkable about this tableau is who’s not there. To mark the 175th anniversary of the Smithsonian’s founding, the National Portrait Gallery’s Portraits podcast takes us back in time – to trace how the concept of progress has evolved, and who current Smithsonian Secretary Lonnie G. Bunch III would put in his “portrait of progress.”]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41510444" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3f6d80ea-fb48-4441-990c-fe0457b9d1fc/Portraits_Feature_Seg_1_new.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6cff15b7-bc8a-4649-8f1d-8e9537c2916f</guid>
      <title>Olympic Bonus: Shredding Skateboarding’s Glass Ceiling</title>
      <pubDate>Fri, 23 Jul 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6cff15b7-bc8a-4649-8f1d-8e9537c2916f&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>This summer – for the first time ever - skateboarding will be an Olympic sport. In honor of its Olympic debut, we’re <em>revisiting</em> one of our favorite episodes: the story of how the best women skateboarders stood toe-to-toe with the most powerful people in the industry to demand equal pay. One of those women is none other than Mimi Knoop, who is coaching the USA women’s skateboarding team. In this bonus episode, we also talk about how skateboarding's entry onto the Olympic stage is a major achievement for the sport, but one not everybody is happy about.  </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6cff15b7-bc8a-4649-8f1d-8e9537c2916f/Olympic_Bonus_Seg1.mp3" type="audio/mpeg" length="50529852"/>
      <itunes:subtitle>This summer – for the first time ever - skateboarding will be an Olympic sport. In honor of its Olympic debut, we’re revisiting one of our favorite episodes: the story of how the best women skateboarders stood toe-to-toe with the most powerful people in the industry to demand equal pay.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>18</itunes:episode>
      <itunes:duration>35:05</itunes:duration>
      <category>
        <![CDATA[Equal Pay]]>
      </category>
      <category>
        <![CDATA[Equal Rights]]>
      </category>
      <category>
        <![CDATA[Olympic Games]]>
      </category>
      <category>
        <![CDATA[Olympics]]>
      </category>
      <category>
        <![CDATA[Olympics2020]]>
      </category>
      <category>
        <![CDATA[Olympics2021]]>
      </category>
      <category>
        <![CDATA[Skateboarding]]>
      </category>
      <category>
        <![CDATA[Team USA]]>
      </category>
      <category>
        <![CDATA[Tokyo2020]]>
      </category>
      <category>
        <![CDATA[Tokyo2021]]>
      </category>
      <category>
        <![CDATA[USA Skateboarding]]>
      </category>
      <category>
        <![CDATA[Women's Equal Pay]]>
      </category>
      <category>
        <![CDATA[Women's Skateboarding]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[This summer – for the first time ever - skateboarding will be an Olympic sport. In honor of its Olympic debut, we’re revisiting one of our favorite episodes: the story of how the best women skateboarders stood toe-to-toe with the most powerful people in the industry to demand equal pay. One of those women is none other than Mimi Knoop, who is coaching the USA women’s skateboarding team. In this bonus episode, we also talk about how skateboarding's entry onto the Olympic stage is a major achievement for the sport, but one not everybody is happy about.  ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="50529852" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6cff15b7-bc8a-4649-8f1d-8e9537c2916f/Olympic_Bonus_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6f241fe0-8907-4dfa-adb4-001a7b6c573a</guid>
      <title>The Battle of Blair Mountain</title>
      <pubDate>Wed, 14 Jul 2021 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6f241fe0-8907-4dfa-adb4-001a7b6c573a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>100 years ago, in the hills of West Virginia, Black, white and European immigrant coal miners banded together to demand better pay and safer working conditions and were met with machine guns. While the story made headlines in 1921, it didn't make it into the history books. In our final episode of the season, we unearth this buried history to help mark the centennial of the largest labor uprising in American history.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6f241fe0-8907-4dfa-adb4-001a7b6c573a/Blair_Mountain_Episode_Seg_1.mp3" type="audio/mpeg" length="69337344"/>
      <itunes:subtitle>100 years ago, in the hills of West Virginia, Black, white and European immigrant coal miners banded together to demand better pay and safer working conditions … and were met with machine guns. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>17</itunes:episode>
      <itunes:duration>28:53</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[100 years ago, in the hills of West Virginia, Black, white and European immigrant coal miners banded together to demand better pay and safer working conditions and were met with machine guns. While the story made headlines in 1921, it didn't make it into the history books. In our final episode of the season, we unearth this buried history to help mark the centennial of the largest labor uprising in American history.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="69337344" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6f241fe0-8907-4dfa-adb4-001a7b6c573a/Blair_Mountain_Episode_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1870432f-02b2-4038-9974-6fd7d09d647d</guid>
      <title>Ode to Cicadas</title>
      <pubDate>Wed, 30 Jun 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1870432f-02b2-4038-9974-6fd7d09d647d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Every 17 years, the notorious Brood X cicadas crawl out of the earth by the billions to deafen Washington D.C. After nearly two decades underground, they spend their few short weeks in the sun singing, mating, and dying so the next generation can start anew. The cicadas' distinctive sound and strange life cycle have captivated our human ancestors for millennia, inspiring songs, art, royal attire and even some unique burial rituals. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1870432f-02b2-4038-9974-6fd7d09d647d/Cicadas_Seg1.mp3" type="audio/mpeg" length="43722728"/>
      <itunes:subtitle>Every 17 years, the notorious Brood X cicadas crawl out of the earth by the billions to deafen Washington D.C. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>16</itunes:episode>
      <itunes:duration>30:21</itunes:duration>
      <category>
        <![CDATA[BroodX]]>
      </category>
      <category>
        <![CDATA[Bugs]]>
      </category>
      <category>
        <![CDATA[Cicada]]>
      </category>
      <category>
        <![CDATA[Cicadas]]>
      </category>
      <category>
        <![CDATA[Folk Music]]>
      </category>
      <category>
        <![CDATA[Folklife]]>
      </category>
      <category>
        <![CDATA[Insects]]>
      </category>
      <category>
        <![CDATA[Mating]]>
      </category>
      <category>
        <![CDATA[National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Trillion]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Every 17 years, the notorious Brood X cicadas crawl out of the earth by the billions to deafen Washington D.C. After nearly two decades underground, they spend their few short weeks in the sun singing, mating, and dying so the next generation can start anew. The cicadas' distinctive sound and strange life cycle have captivated our human ancestors for millennia, inspiring songs, art, royal attire and even some unique burial rituals. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="43722728" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1870432f-02b2-4038-9974-6fd7d09d647d/Cicadas_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_4f2f0eb3-0612-453a-b533-057fba643dbb</guid>
      <title>The Goddess of Broadway</title>
      <pubDate>Wed, 16 Jun 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_4f2f0eb3-0612-453a-b533-057fba643dbb&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When Diosa Costello took the stage in the 1939 production of “Too Many Girls,” she became the first Puerto Rican performer to tread the boards on Broadway. She was fearless, funny, and brimming with talent. She never considered herself a trailblazer, but her legacy – and the gowns she left at the Smithsonian – tell a different story</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4f2f0eb3-0612-453a-b533-057fba643dbb/Diosa_Costello_SEG1.mp3" type="audio/mpeg" length="61046196"/>
      <itunes:subtitle>When Diosa Costello took the stage in the 1939 production of “Too Many Girls,” she became the first Puerto Rican performer to tread the boards on Broadway. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:duration>25:26</itunes:duration>
      <category>
        <![CDATA[1920]]>
      </category>
      <category>
        <![CDATA[1920s]]>
      </category>
      <category>
        <![CDATA[1940]]>
      </category>
      <category>
        <![CDATA[1950]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Bloody Mary]]>
      </category>
      <category>
        <![CDATA[Broadway]]>
      </category>
      <category>
        <![CDATA[Bugsy Siegel]]>
      </category>
      <category>
        <![CDATA[Desi Arnaz]]>
      </category>
      <category>
        <![CDATA[Diosa Costello]]>
      </category>
      <category>
        <![CDATA[George Abbott]]>
      </category>
      <category>
        <![CDATA[I Love Lucy]]>
      </category>
      <category>
        <![CDATA[JLo]]>
      </category>
      <category>
        <![CDATA[Las Vegas]]>
      </category>
      <category>
        <![CDATA[Lin-Manuel Miranda]]>
      </category>
      <category>
        <![CDATA[Lucille Ball]]>
      </category>
      <category>
        <![CDATA[National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Pretty Boy Floyd]]>
      </category>
      <category>
        <![CDATA[Puerto Rican]]>
      </category>
      <category>
        <![CDATA[Puerto Rico]]>
      </category>
      <category>
        <![CDATA[Ricky Ricardo]]>
      </category>
      <category>
        <![CDATA[Roaring Twenties]]>
      </category>
      <category>
        <![CDATA[Rodgers and Hammerstein]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[South Pacific]]>
      </category>
      <category>
        <![CDATA[They Met in Argentina]]>
      </category>
      <category>
        <![CDATA[Too Many Girls]]>
      </category>
      <category>
        <![CDATA[Virginia Hill]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When Diosa Costello took the stage in the 1939 production of “Too Many Girls,” she became the first Puerto Rican performer to tread the boards on Broadway. She was fearless, funny, and brimming with talent. She never considered herself a trailblazer, but her legacy – and the gowns she left at the Smithsonian – tell a different story]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="61046196" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4f2f0eb3-0612-453a-b533-057fba643dbb/Diosa_Costello_SEG1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_0361d81e-4a2c-45bb-99b1-cfb671ebe811</guid>
      <title>The Artist Critics Love to Hate</title>
      <pubDate>Wed, 02 Jun 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_0361d81e-4a2c-45bb-99b1-cfb671ebe811&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>LeRoy Neiman was a colorful man, both figuratively and literally. His handlebar mustache, long cigar, and sketchpad were fixtures at the sidelines of American pop culture: from boxing matches to jazz clubs and political conventions. His paintings, sketches, and prints papered the second half of the 20th century, highlighting American icons in his colorful expressionist style. He was rich, famous, and adored by many Americans… but not the art critics.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/0361d81e-4a2c-45bb-99b1-cfb671ebe811/Neiman_Seg1.mp3" type="audio/mpeg" length="45364100"/>
      <itunes:subtitle>LeRoy Neiman was a colorful man, both figuratively and literally. His handlebar mustache, long cigar, and sketchpad were fixtures at the sidelines of American pop culture: from boxing matches to jazz clubs and political conventions.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:duration>31:30</itunes:duration>
      <category>
        <![CDATA[American Art]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Art Critics]]>
      </category>
      <category>
        <![CDATA[Artistry]]>
      </category>
      <category>
        <![CDATA[Artists]]>
      </category>
      <category>
        <![CDATA[Critics]]>
      </category>
      <category>
        <![CDATA[Elite Art]]>
      </category>
      <category>
        <![CDATA[Elitism]]>
      </category>
      <category>
        <![CDATA[Hugh Hefner]]>
      </category>
      <category>
        <![CDATA[LeRoy Neiman]]>
      </category>
      <category>
        <![CDATA[Muhammad Ali]]>
      </category>
      <category>
        <![CDATA[Nieman]]>
      </category>
      <category>
        <![CDATA[Playboy]]>
      </category>
      <category>
        <![CDATA[Playboy Magazine]]>
      </category>
      <category>
        <![CDATA[Pop Art]]>
      </category>
      <category>
        <![CDATA[Popular Art]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[LeRoy Neiman was a colorful man, both figuratively and literally. His handlebar mustache, long cigar, and sketchpad were fixtures at the sidelines of American pop culture: from boxing matches to jazz clubs and political conventions. His paintings, sketches, and prints papered the second half of the 20th century, highlighting American icons in his colorful expressionist style. He was rich, famous, and adored by many Americans… but not the art critics.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="45364100" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/0361d81e-4a2c-45bb-99b1-cfb671ebe811/Neiman_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e29f553b-ed9f-4b25-b779-ad8277394c47</guid>
      <title>BONUS: Confronting the Past</title>
      <pubDate>Wed, 26 May 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e29f553b-ed9f-4b25-b779-ad8277394c47&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>One hundred years ago this week, from May 31 and June 1, 1921, a mob targeted and destroyed nearly 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows how many people died, no one was ever convicted, and no one really talked about it nearly a century later. This is the story of the Tulsa Race Massacre and why it's important that you know it.</p><p>At least 1,256 homes, along with churches, schools, businesses and even a hospital were deliberately burned or destroyed. Recently found documents are helping historians and researchers better understand the events that took place. And lots of this work is happening by staff at the <a href="https://nmaahc.si.edu/"><strong>National Museum of African American History and Culture</strong></a>. In fact, part of the <a href="https://nmaahc.si.edu/power-place"><strong><em>Power of Place</em></strong></a> exhibition at the museum is dedicated to the events of the massacre.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e29f553b-ed9f-4b25-b779-ad8277394c47/SidedoorS6_Ep11_Tulsa_RR_Seg_1.mp3" type="audio/mpeg" length="34210032"/>
      <itunes:subtitle>One hundred years ago this week, from May 31 and June 1, 1921, a mob targeted and destroyed nearly 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows how many people died, no one was ever convicted, and no one really talked about it nearly a century later. This is the story of the Tulsa Race Massacre and why it's important that you know it.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:duration>23:45</itunes:duration>
      <category>
        <![CDATA[Anniversary]]>
      </category>
      <category>
        <![CDATA[NMAAHC]]>
      </category>
      <category>
        <![CDATA[Oklahoma]]>
      </category>
      <category>
        <![CDATA[Race]]>
      </category>
      <category>
        <![CDATA[Racism]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of African American History]]>
      </category>
      <category>
        <![CDATA[Tulsa]]>
      </category>
      <category>
        <![CDATA[Tulsa Race Massacre]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[One hundred years ago this week, from May 31 and June 1, 1921, a mob targeted and destroyed nearly 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows how many people died, no one was ever convicted, and no one really talked about it nearly a century later. This is the story of the Tulsa Race Massacre and why it's important that you know it.At least 1,256 homes, along with churches, schools, businesses and even a hospital were deliberately burned or destroyed. Recently found documents are helping historians and researchers better understand the events that took place. And lots of this work is happening by staff at the <a href="https://nmaahc.si.edu/">National Museum of African American History and Culture</a>. In fact, part of the <a href="https://nmaahc.si.edu/power-place">Power of Place</a> exhibition at the museum is dedicated to the events of the massacre.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="34210032" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e29f553b-ed9f-4b25-b779-ad8277394c47/SidedoorS6_Ep11_Tulsa_RR_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6f2adb6a-8a55-4221-8612-da915280aab7</guid>
      <title>Best of the Rest III</title>
      <pubDate>Wed, 19 May 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6f2adb6a-8a55-4221-8612-da915280aab7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p><strong>Groucho and Freddy. Oryx and ostriches. Cats and dinosaurs. These things go together like… well, they really don’t go together at all. These are fun-sized stories in one goodie bag of an episode. It’s Sidedoor’s third “Best of the Rest!”</strong></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6f2adb6a-8a55-4221-8612-da915280aab7/SidedoorS6_Ep10_Best_of_the_Rest_Seg_1.mp3" type="audio/mpeg" length="41126706"/>
      <itunes:subtitle>Groucho and Freddy. Oryx and ostriches. Cats and dinosaurs. These things go together like… well, they really don’t go together at all.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>28:33</itunes:duration>
      <category>
        <![CDATA[Bohemian Rhapody]]>
      </category>
      <category>
        <![CDATA[Cat Teeth]]>
      </category>
      <category>
        <![CDATA[Dinosaurs]]>
      </category>
      <category>
        <![CDATA[Freddy Mercury]]>
      </category>
      <category>
        <![CDATA[Groucho ]]>
      </category>
      <category>
        <![CDATA[Groucho Marx]]>
      </category>
      <category>
        <![CDATA[Marx Brothers]]>
      </category>
      <category>
        <![CDATA[Oryx]]>
      </category>
      <category>
        <![CDATA[Ostriches]]>
      </category>
      <category>
        <![CDATA[QUEEN]]>
      </category>
      <category>
        <![CDATA[Teeth]]>
      </category>
      <category>
        <![CDATA[scimitar-horned oryx ]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Groucho and Freddy. Oryx and ostriches. Cats and dinosaurs. These things go together like… well, they really don’t go together at all. These are fun-sized stories in one goodie bag of an episode. It’s Sidedoor’s third “Best of the Rest!”]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41126706" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6f2adb6a-8a55-4221-8612-da915280aab7/SidedoorS6_Ep10_Best_of_the_Rest_Seg_1.mp3"/>
      <content:encoded>
        <![CDATA[<p><strong>Groucho and Freddy. Oryx and ostriches. Cats and dinosaurs. These things go together like… well, they really don’t go together at all. These are fun-sized stories in one goodie bag of an episode. It’s Sidedoor’s third “Best of the Rest!”</strong></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_b998a0ab-38da-4989-9550-0336a6e72297</guid>
      <title>On The Money</title>
      <pubDate>Wed, 05 May 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_b998a0ab-38da-4989-9550-0336a6e72297&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>We carry portraits around all the time: pocket-sized history lessons in the form of dollars and cents. The recent decision to put Harriet Tubman on the $20 bill has us thinking about who’s on our money, and how they got there. This episode of the “Portraits” podcast, from the Smithsonian’s National Portrait Gallery, takes a whirlwind tour of money of yore, featuring everything from piles of bunnies to George Washington’s nipples. This episode will have you taking a closer look at the portraits you might be sitting on right now.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b998a0ab-38da-4989-9550-0336a6e72297/Portraits_Seg_1.mp3" type="audio/mpeg" length="42588416"/>
      <itunes:subtitle>We carry portraits around all the time: pocket-sized history lessons in the form of dollars and cents. The recent decision to put Harriet Tubman on the $20 bill has us thinking about who’s on our money, and how they got there.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:duration>29:34</itunes:duration>
      <category>
        <![CDATA[$1]]>
      </category>
      <category>
        <![CDATA[$20]]>
      </category>
      <category>
        <![CDATA[$3]]>
      </category>
      <category>
        <![CDATA[$5]]>
      </category>
      <category>
        <![CDATA[Benjamin Franklin]]>
      </category>
      <category>
        <![CDATA[Bunnies]]>
      </category>
      <category>
        <![CDATA[Counterfeit]]>
      </category>
      <category>
        <![CDATA[Currency]]>
      </category>
      <category>
        <![CDATA[George Washington]]>
      </category>
      <category>
        <![CDATA[Hariet Tubman]]>
      </category>
      <category>
        <![CDATA[Martha Washington]]>
      </category>
      <category>
        <![CDATA[Money]]>
      </category>
      <category>
        <![CDATA[Portraits]]>
      </category>
      <category>
        <![CDATA[Printing Press]]>
      </category>
      <category>
        <![CDATA[Private Bank Notes]]>
      </category>
      <category>
        <![CDATA[Toga]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[We carry portraits around all the time: pocket-sized history lessons in the form of dollars and cents. The recent decision to put Harriet Tubman on the $20 bill has us thinking about who’s on our money, and how they got there. This episode of the “Portraits” podcast, from the Smithsonian’s National Portrait Gallery, takes a whirlwind tour of money of yore, featuring everything from piles of bunnies to George Washington’s nipples. This episode will have you taking a closer look at the portraits you might be sitting on right now.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42588416" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b998a0ab-38da-4989-9550-0336a6e72297/Portraits_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_08295dd9-0ed1-4bb9-8c3d-d0657396bec6</guid>
      <title>BONUS: The 1957 Pandemic That Wasn’t</title>
      <pubDate>Wed, 28 Apr 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_08295dd9-0ed1-4bb9-8c3d-d0657396bec6&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. This week on Sidedoor we go back to a time when the viruses were winning, and we remember one man, Dr. Maurice Hilleman, whose vaccine virtuosity helped turn the tide in the <a href="http://americanhistory.si.edu/collections/object-groups/antibody-initiative/introduction"><strong>war against infectious diseases</strong></a>.</p><p>We’ve updated this episode with a bonus interview to reflect on what we’ve learned from our current pandemic. If you want to learn more, please see <a href="https://www.si.edu/vaccinesandus"><strong>vaccinesandus.org</strong></a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/08295dd9-0ed1-4bb9-8c3d-d0657396bec6/SidedoorS6_Ep9_Vaccines_Bonus_Seg_1.mp3" type="audio/mpeg" length="39728848"/>
      <itunes:subtitle>In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:duration>27:35</itunes:duration>
      <category>
        <![CDATA[1918]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[CDC]]>
      </category>
      <category>
        <![CDATA[Centers for Disease Control]]>
      </category>
      <category>
        <![CDATA[Coronavirus]]>
      </category>
      <category>
        <![CDATA[Covid-19]]>
      </category>
      <category>
        <![CDATA[Dr. Fauci]]>
      </category>
      <category>
        <![CDATA[Dr. Maurice Hilleman]]>
      </category>
      <category>
        <![CDATA[Flu]]>
      </category>
      <category>
        <![CDATA[Flu Shot]]>
      </category>
      <category>
        <![CDATA[Influenza]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Pandemic]]>
      </category>
      <category>
        <![CDATA[SARS-CoV-2]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Shots]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Vaccination]]>
      </category>
      <category>
        <![CDATA[Vaccine]]>
      </category>
      <category>
        <![CDATA[Vaccines and Us]]>
      </category>
      <category>
        <![CDATA[Virus]]>
      </category>
      <category>
        <![CDATA[Viruses]]>
      </category>
      <category>
        <![CDATA[mRNA]]>
      </category>
      <category>
        <![CDATA[mRNA Vaccine]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. This week on Sidedoor we go back to a time when the viruses were winning, and we remember one man, Dr. Maurice Hilleman, whose vaccine virtuosity helped turn the tide in the <a href="http://americanhistory.si.edu/collections/object-groups/antibody-initiative/introduction">war against infectious diseases</a>.We’ve updated this episode with a bonus interview to reflect on what we’ve learned from our current pandemic. If you want to learn more, please see <a href="https://www.si.edu/vaccinesandus">vaccinesandus.org</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39728848" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/08295dd9-0ed1-4bb9-8c3d-d0657396bec6/SidedoorS6_Ep9_Vaccines_Bonus_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a8c62821-010c-4990-bd4b-24ee4d877cf5</guid>
      <title>Holding out for a Herring</title>
      <pubDate>Wed, 21 Apr 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a8c62821-010c-4990-bd4b-24ee4d877cf5&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Henrietta the river herring is not a particularly glamorous fish. But she’s got grit. Every summer, she swims out to the Atlantic ocean, and every spring, she makes the 500 mile journey back to Maryland’s Patapsco River, where she was born—a habitat that’s been only partially accessible to herring like her for more than a century. But this year will be different. Join the Smithsonian Environmental Research Center’s herring tagging team as they study what happens to herring like Henrietta when someone gives a dam.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a8c62821-010c-4990-bd4b-24ee4d877cf5/Herring_Seg_1.mp3" type="audio/mpeg" length="44263592"/>
      <itunes:subtitle>Henrietta the river herring is not a particularly glamorous fish. But she’s got grit.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:duration>30:44</itunes:duration>
      <category>
        <![CDATA[Biology]]>
      </category>
      <category>
        <![CDATA[Bloede Dam]]>
      </category>
      <category>
        <![CDATA[Chesapeake Bay]]>
      </category>
      <category>
        <![CDATA[Conservation Biology]]>
      </category>
      <category>
        <![CDATA[Dam]]>
      </category>
      <category>
        <![CDATA[Dams]]>
      </category>
      <category>
        <![CDATA[Electrofishing]]>
      </category>
      <category>
        <![CDATA[Environmental Research]]>
      </category>
      <category>
        <![CDATA[Fish Cannon]]>
      </category>
      <category>
        <![CDATA[Fish Elevator]]>
      </category>
      <category>
        <![CDATA[Fish Ladder]]>
      </category>
      <category>
        <![CDATA[Herring]]>
      </category>
      <category>
        <![CDATA[Marine Ecology]]>
      </category>
      <category>
        <![CDATA[Maryland]]>
      </category>
      <category>
        <![CDATA[Migration]]>
      </category>
      <category>
        <![CDATA[Migratory fish]]>
      </category>
      <category>
        <![CDATA[Patapsco River]]>
      </category>
      <category>
        <![CDATA[River Herring]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Spawning]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Henrietta the river herring is not a particularly glamorous fish. But she’s got grit. Every summer, she swims out to the Atlantic ocean, and every spring, she makes the 500 mile journey back to Maryland’s Patapsco River, where she was born—a habitat that’s been only partially accessible to herring like her for more than a century. But this year will be different. Join the Smithsonian Environmental Research Center’s herring tagging team as they study what happens to herring like Henrietta when someone gives a dam.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="44263592" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a8c62821-010c-4990-bd4b-24ee4d877cf5/Herring_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_38831d29-db98-41aa-a578-6d4a5437cada</guid>
      <title>Hot Bird Summer</title>
      <pubDate>Wed, 07 Apr 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_38831d29-db98-41aa-a578-6d4a5437cada&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Every spring, for as long as records have been kept, a crowd of <em>hundreds</em> of black crowned night herons descend on the Smithsonian’s National Zoo, mating, eating and generally causing a ruckus. Many of the keepers at the zoo enjoy them, but they can be a tough bird to love.</p><p>Every fall, peace is restored when the herons decamp and fly off to… where? For more than a century, nobody knew. Until now. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/38831d29-db98-41aa-a578-6d4a5437cada/SidedoorS6_Ep7_Night_Heron_Mystery_Seg_1.mp3" type="audio/mpeg" length="39447148"/>
      <itunes:subtitle>Every spring, for as long as records have been kept, a crowd of hundreds of black crowned night herons descend on the Smithsonian’s National Zoo, mating, eating and generally causing a ruckus</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:duration>27:23</itunes:duration>
      <category>
        <![CDATA[Bird Banding]]>
      </category>
      <category>
        <![CDATA[Bird Migration]]>
      </category>
      <category>
        <![CDATA[Black Crowned Night Heron]]>
      </category>
      <category>
        <![CDATA[Florida]]>
      </category>
      <category>
        <![CDATA[Heron]]>
      </category>
      <category>
        <![CDATA[Heron Rookery]]>
      </category>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[Night Heron]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Zoo]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Every spring, for as long as records have been kept, a crowd of hundreds of black crowned night herons descend on the Smithsonian’s National Zoo, mating, eating and generally causing a ruckus. Many of the keepers at the zoo enjoy them, but they can be a tough bird to love.Every fall, peace is restored when the herons decamp and fly off to… where? For more than a century, nobody knew. Until now. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39447148" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/38831d29-db98-41aa-a578-6d4a5437cada/SidedoorS6_Ep7_Night_Heron_Mystery_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5bd90153-1fd6-40b6-a5e5-dce642849a9d</guid>
      <title>America's Unknown Celebrity Chef</title>
      <pubDate>Wed, 24 Mar 2021 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5bd90153-1fd6-40b6-a5e5-dce642849a9d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When <a href="https://americanhistory.si.edu/blog/lena-richard"><strong>Lena Richard</strong></a> cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans’s elite white families. She was an entrepreneur, educator, author, and an icon—and her legacy lives on in her recipes.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5bd90153-1fd6-40b6-a5e5-dce642849a9d/Lena_Richard_RR_Seg1.mp3" type="audio/mpeg" length="46905938"/>
      <itunes:subtitle>When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:duration>32:34</itunes:duration>
      <category>
        <![CDATA[#BecauseOfHerStory]]>
      </category>
      <category>
        <![CDATA[#SmithsonianFood]]>
      </category>
      <category>
        <![CDATA[American Cuisine]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Creole Cuisine]]>
      </category>
      <category>
        <![CDATA[Cultural Cuisine]]>
      </category>
      <category>
        <![CDATA[Food]]>
      </category>
      <category>
        <![CDATA[Food History]]>
      </category>
      <category>
        <![CDATA[Gumbo]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Lena Richards]]>
      </category>
      <category>
        <![CDATA[Lynching]]>
      </category>
      <category>
        <![CDATA[New Orleans]]>
      </category>
      <category>
        <![CDATA[New Orleans Cuisine]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Stereotypes]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When <a href="https://americanhistory.si.edu/blog/lena-richard">Lena Richard</a> cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans’s elite white families. She was an entrepreneur, educator, author, and an icon—and her legacy lives on in her recipes.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="46905938" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5bd90153-1fd6-40b6-a5e5-dce642849a9d/Lena_Richard_RR_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_654be318-7a7a-4edf-8b9b-8a9f703c49c3</guid>
      <title>A Very Cold Case</title>
      <pubDate>Wed, 10 Mar 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_654be318-7a7a-4edf-8b9b-8a9f703c49c3&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/654be318-7a7a-4edf-8b9b-8a9f703c49c3/Arctice_Murder_Seg1.mp3" type="audio/mpeg" length="47071202"/>
      <itunes:subtitle>American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:duration>32:41</itunes:duration>
      <category>
        <![CDATA[Arctic]]>
      </category>
      <category>
        <![CDATA[Arsenic]]>
      </category>
      <category>
        <![CDATA[Ballooning]]>
      </category>
      <category>
        <![CDATA[Charles Francis Hall]]>
      </category>
      <category>
        <![CDATA[Crime Scene]]>
      </category>
      <category>
        <![CDATA[Greenland]]>
      </category>
      <category>
        <![CDATA[Murder]]>
      </category>
      <category>
        <![CDATA[Mystery]]>
      </category>
      <category>
        <![CDATA[Poisioning]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Archives and Libraries]]>
      </category>
      <category>
        <![CDATA[The North Pole]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="47071202" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/654be318-7a7a-4edf-8b9b-8a9f703c49c3/Arctice_Murder_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_967fcb99-86fc-4423-80fd-1dd1deca02cf</guid>
      <title>Life is Hard, Let's Meditate!</title>
      <pubDate>Wed, 24 Feb 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_967fcb99-86fc-4423-80fd-1dd1deca02cf&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>As Americans approach a full year of pandemic life, there’s an overwhelming sense of anticipation: when can we get vaccinated? What will life look like in six months? When will life return to <em>normal</em>? Maybe because looking outward feels so daunting, a lot of people are looking inward, through mindfulness and meditation. In this episode of <em>Sidedoor</em>, we learn about mindfulness and meditation through the lens of religion – a Buddhist priest shares the story of her religious journey; and we hear about the secular spirituality that young Americans are increasingly following away from religion.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/967fcb99-86fc-4423-80fd-1dd1deca02cf/SidedoorS6_Ep5_Secular_Buddhism_Seg_1.mp3" type="audio/mpeg" length="39415848"/>
      <itunes:subtitle>As Americans approach a full year of pandemic life, there’s an overwhelming sense of anticipation: what will life look like in six months? Maybe because looking outward feels so daunting, a lot of people are looking inward, through mindfulness and meditation.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:duration>27:22</itunes:duration>
      <category>
        <![CDATA[African American]]>
      </category>
      <category>
        <![CDATA[Atheist]]>
      </category>
      <category>
        <![CDATA[Bishop]]>
      </category>
      <category>
        <![CDATA[Black]]>
      </category>
      <category>
        <![CDATA[Buddhism]]>
      </category>
      <category>
        <![CDATA[Chant]]>
      </category>
      <category>
        <![CDATA[Chanting]]>
      </category>
      <category>
        <![CDATA[Christianity]]>
      </category>
      <category>
        <![CDATA[Church]]>
      </category>
      <category>
        <![CDATA[God]]>
      </category>
      <category>
        <![CDATA[Interfaith]]>
      </category>
      <category>
        <![CDATA[Islam]]>
      </category>
      <category>
        <![CDATA[Japan]]>
      </category>
      <category>
        <![CDATA[Meditation]]>
      </category>
      <category>
        <![CDATA[Millennials]]>
      </category>
      <category>
        <![CDATA[Mindfulness]]>
      </category>
      <category>
        <![CDATA[NMAAHC]]>
      </category>
      <category>
        <![CDATA[Nichiren Shu]]>
      </category>
      <category>
        <![CDATA[Organized Religion]]>
      </category>
      <category>
        <![CDATA[Pandemic]]>
      </category>
      <category>
        <![CDATA[Pandemic Wall]]>
      </category>
      <category>
        <![CDATA[Pastor]]>
      </category>
      <category>
        <![CDATA[Prayer]]>
      </category>
      <category>
        <![CDATA[Preacher]]>
      </category>
      <category>
        <![CDATA[Priesthood]]>
      </category>
      <category>
        <![CDATA[Religion]]>
      </category>
      <category>
        <![CDATA[Secular]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Spiritual]]>
      </category>
      <category>
        <![CDATA[The Lotus Sutra]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[As Americans approach a full year of pandemic life, there’s an overwhelming sense of anticipation: when can we get vaccinated? What will life look like in six months? When will life return to normal? Maybe because looking outward feels so daunting, a lot of people are looking inward, through mindfulness and meditation. In this episode of Sidedoor, we learn about mindfulness and meditation through the lens of religion – a Buddhist priest shares the story of her religious journey; and we hear about the secular spirituality that young Americans are increasingly following away from religion.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39415848" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/967fcb99-86fc-4423-80fd-1dd1deca02cf/SidedoorS6_Ep5_Secular_Buddhism_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1e72f4b0-6bbf-4e76-8301-1ea8aee18f33</guid>
      <title>Reservation Math: Navigating Love in Native America</title>
      <pubDate>Wed, 10 Feb 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1e72f4b0-6bbf-4e76-8301-1ea8aee18f33&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the photography of Tailyr Irvine, displayed at the National Museum of the American Indian, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today.</p><p>Tailyr Irvine’s Reservation Mathematics: Navigating Love in Native America exhibition link: <a href="https://americanindian.si.edu/developingstories/irvine.html"><strong>https://americanindian.si.edu/developingstories/irvine.html</strong></a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1e72f4b0-6bbf-4e76-8301-1ea8aee18f33/BQ_Seg1.mp3" type="audio/mpeg" length="48005820"/>
      <itunes:subtitle>If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:duration>33:20</itunes:duration>
      <category>
        <![CDATA[American Indian]]>
      </category>
      <category>
        <![CDATA[Blood Quantum]]>
      </category>
      <category>
        <![CDATA[Children]]>
      </category>
      <category>
        <![CDATA[Love]]>
      </category>
      <category>
        <![CDATA[National Museum of the American Indian]]>
      </category>
      <category>
        <![CDATA[Native America]]>
      </category>
      <category>
        <![CDATA[Native Americans]]>
      </category>
      <category>
        <![CDATA[Relationships]]>
      </category>
      <category>
        <![CDATA[Reservation]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the photography of Tailyr Irvine, displayed at the National Museum of the American Indian, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today.Tailyr Irvine’s Reservation Mathematics: Navigating Love in Native America exhibition link: <a href="https://americanindian.si.edu/developingstories/irvine.html">https://americanindian.si.edu/developingstories/irvine.html</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="48005820" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1e72f4b0-6bbf-4e76-8301-1ea8aee18f33/BQ_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_9161314a-5ff1-45d7-b0de-9c791097f999</guid>
      <title>Sing a Song of Protest</title>
      <pubDate>Wed, 27 Jan 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_9161314a-5ff1-45d7-b0de-9c791097f999&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>As an up-and-coming young blues singer in the 1950s, Barbara Dane faced a choice: fame and fortune, or her principles. She left the mainstream music industry and became a revolutionary music producer – literally. Spurred by Fidel Castro’s international gathering of protest singers, Dane created a record label that published the sounds of social change around the world, and inspired generations of protest music to come.</p><p> For more information, check out: <a href="https://folkways.si.edu/paredon"><strong>https://folkways.si.edu/paredon</strong></a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9161314a-5ff1-45d7-b0de-9c791097f999/SidedoorS6_Ep3_Paredon_Records_Seg1_new.mp3" type="audio/mpeg" length="43437272"/>
      <itunes:subtitle>As an up-and-coming young blues singer in the 1950s, Barbara Dane faced a choice: fame and fortune, or her principles.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:duration>30:09</itunes:duration>
      <category>
        <![CDATA[Barbara Dane]]>
      </category>
      <category>
        <![CDATA[Blues]]>
      </category>
      <category>
        <![CDATA[Castro]]>
      </category>
      <category>
        <![CDATA[Fidel Castro]]>
      </category>
      <category>
        <![CDATA[Folk Music]]>
      </category>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Paredon Records]]>
      </category>
      <category>
        <![CDATA[Protest]]>
      </category>
      <category>
        <![CDATA[Revolution]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Folkways]]>
      </category>
      <category>
        <![CDATA[Spycraft]]>
      </category>
      <category>
        <![CDATA[The Vietnam War]]>
      </category>
      <category>
        <![CDATA[Vietcong]]>
      </category>
      <category>
        <![CDATA[War]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[As an up-and-coming young blues singer in the 1950s, Barbara Dane faced a choice: fame and fortune, or her principles. She left the mainstream music industry and became a revolutionary music producer – literally. Spurred by Fidel Castro’s international gathering of protest singers, Dane created a record label that published the sounds of social change around the world, and inspired generations of protest music to come. For more information, check out: <a href="https://folkways.si.edu/paredon">https://folkways.si.edu/paredon</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="43437272" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9161314a-5ff1-45d7-b0de-9c791097f999/SidedoorS6_Ep3_Paredon_Records_Seg1_new.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_d122b112-064e-45f9-932d-fa3d15627509</guid>
      <title>How Wonder Woman Got Her Groove Back </title>
      <pubDate>Wed, 13 Jan 2021 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_d122b112-064e-45f9-932d-fa3d15627509&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Wonder Woman is the best known female superhero of all time, but she’s been through a lot. The brainchild of a psychologist, Wonder Woman hit the comic pages in the 1940s as an antidote to the “bloodcurdling masculinity” of male superheroes. But by the early ‘70s, Wonder Woman was having a midlife crisis. She’d given up her bullet-blocking bracelets and lasso of truth…and opened a clothing boutique. It took a feminist magazine cover to make-over Wonder Woman from comic book character to the icon she remains today. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/d122b112-064e-45f9-932d-fa3d15627509/WW_Seg1.mp3" type="audio/mpeg" length="45858640"/>
      <itunes:subtitle>Wonder Woman is the best known female superhero of all time, but she’s been through a lot. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:duration>31:50</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Comic]]>
      </category>
      <category>
        <![CDATA[Comic Book]]>
      </category>
      <category>
        <![CDATA[Feminism]]>
      </category>
      <category>
        <![CDATA[Feminist]]>
      </category>
      <category>
        <![CDATA[Graphic Novel]]>
      </category>
      <category>
        <![CDATA[Ms. Magazine]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Revenge of the Super Chicks]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[William Moulton Marston]]>
      </category>
      <category>
        <![CDATA[Wonder Woman]]>
      </category>
      <category>
        <![CDATA[Wonder Woman: 1984]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Wonder Woman is the best known female superhero of all time, but she’s been through a lot. The brainchild of a psychologist, Wonder Woman hit the comic pages in the 1940s as an antidote to the “bloodcurdling masculinity” of male superheroes. But by the early ‘70s, Wonder Woman was having a midlife crisis. She’d given up her bullet-blocking bracelets and lasso of truth…and opened a clothing boutique. It took a feminist magazine cover to make-over Wonder Woman from comic book character to the icon she remains today. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="45858640" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/d122b112-064e-45f9-932d-fa3d15627509/WW_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_79f10335-626d-4d60-bb08-1259d963fee5</guid>
      <title>Edison’s Demon Dolls</title>
      <pubDate>Wed, 16 Dec 2020 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_79f10335-626d-4d60-bb08-1259d963fee5&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p><strong>In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight turned to horror when they got their hands on his dolls. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of Edison’s talking dolls as a holiday gift, as well as meet one of these dolls with an expert from the National Museum of American history.</strong></p><p><strong>To see one of these dolls, check it out </strong><a href="https://www.si.edu/sidedoor"><strong>on our website</strong></a><strong>.</strong></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/79f10335-626d-4d60-bb08-1259d963fee5/SidedoorS6_Ep1_Demon_Dolls_Seg_1.mp3" type="audio/mpeg" length="37411396"/>
      <itunes:subtitle>In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight turned to horror when they got their hands on his dolls.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:duration>25:58</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Demon]]>
      </category>
      <category>
        <![CDATA[Doll]]>
      </category>
      <category>
        <![CDATA[Edison]]>
      </category>
      <category>
        <![CDATA[Holiday]]>
      </category>
      <category>
        <![CDATA[Horror]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Phonograph]]>
      </category>
      <category>
        <![CDATA[Porcelain Dolls]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Institution]]>
      </category>
      <category>
        <![CDATA[Thomas Edison]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight turned to horror when they got their hands on his dolls. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of Edison’s talking dolls as a holiday gift, as well as meet one of these dolls with an expert from the National Museum of American history.To see one of these dolls, check it out <a href="https://www.si.edu/sidedoor">on our website</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37411396" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/79f10335-626d-4d60-bb08-1259d963fee5/SidedoorS6_Ep1_Demon_Dolls_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_ad489460-1da9-47c1-9a5c-ac3d80da154a</guid>
      <title>Bonus Episode: Tempest in a Teacup</title>
      <pubDate>Wed, 02 Dec 2020 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ad489460-1da9-47c1-9a5c-ac3d80da154a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>This week, we have an episode from the NHPR podcast “Outside/In” about passenger pigeons. The passenger pigeon is one of the world’s most symbolic extinction stories. It’s a cautionary tale of how in just a few short generations, one of the wonders of the world could be completely eradicated. But when that narrative was questioned in a popular book, <em>1491</em> by Charles Mann, what does the response tell us about the conservation movement as a whole?</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ad489460-1da9-47c1-9a5c-ac3d80da154a/Outside_In_Feature_Seg_1.mp3" type="audio/mpeg" length="49460644"/>
      <itunes:subtitle>This week, we have an episode from the NHPR podcast “Outside/In” about passenger pigeons.</itunes:subtitle>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>19</itunes:episode>
      <itunes:duration>34:20</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[This week, we have an episode from the NHPR podcast “Outside/In” about passenger pigeons. The passenger pigeon is one of the world’s most symbolic extinction stories. It’s a cautionary tale of how in just a few short generations, one of the wonders of the world could be completely eradicated. But when that narrative was questioned in a popular book, 1491 by Charles Mann, what does the response tell us about the conservation movement as a whole?]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="49460644" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ad489460-1da9-47c1-9a5c-ac3d80da154a/Outside_In_Feature_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c36844b1-0d2d-458f-8746-c582a5ce1547</guid>
      <title>Bonus Episode: That Time the FBI Called</title>
      <pubDate>Wed, 18 Nov 2020 05:00:09 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c36844b1-0d2d-458f-8746-c582a5ce1547&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>This week, we’re sharing an episode of ‘Detours,’ a new podcast from our friends at GBH and PRX. The podcast shares surprising stories that unfold behind the scenes at the PBS classic TV show “Antiques Roadshow.” In this episode: a rare daguerreotype, Edgar Alan Poe, and…the FBI.  </p><p> </p><p>You can find ‘Detours’ wherever you listen to podcasts.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c36844b1-0d2d-458f-8746-c582a5ce1547/Detours_Promo_Seg_1.mp3" type="audio/mpeg" length="35169064"/>
      <itunes:subtitle>This week, we’re sharing an episode of ‘Detours,’ a new podcast from our friends at GBH and PRX.</itunes:subtitle>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>18</itunes:episode>
      <itunes:duration>24:25</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[This week, we’re sharing an episode of ‘Detours,’ a new podcast from our friends at GBH and PRX. The podcast shares surprising stories that unfold behind the scenes at the PBS classic TV show “Antiques Roadshow.” In this episode: a rare daguerreotype, Edgar Alan Poe, and…the FBI.   You can find ‘Detours’ wherever you listen to podcasts.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35169064" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c36844b1-0d2d-458f-8746-c582a5ce1547/Detours_Promo_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_37520e92-17b6-4e9d-8c3c-be6d4e2031de</guid>
      <title>The Gorilla Epidemic</title>
      <pubDate>Wed, 14 Oct 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_37520e92-17b6-4e9d-8c3c-be6d4e2031de&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When a highly-contagious mystery illness spread through the world’s mountain gorilla population, biologists feared the entire species could be lost. Gorillas don’t wear masks or social distance, so there wasn’t much time for the scientists to identify the illness and find a cure for humanity’s hirsute cousins. What they found in 1988 reminds us in 2020 that humans and wildlife share more than a planet: we share disease.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/37520e92-17b6-4e9d-8c3c-be6d4e2031de/SidedoorS5_Ep17_Seg1_Gorilla_Measles.mp3" type="audio/mpeg" length="44901486"/>
      <itunes:subtitle>When a highly-contagious mystery illness spread through the world’s mountain gorilla population, biologists feared the entire species could be lost.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>17</itunes:episode>
      <itunes:duration>31:10</itunes:duration>
      <category>
        <![CDATA[Epidemic]]>
      </category>
      <category>
        <![CDATA[Gorilla]]>
      </category>
      <category>
        <![CDATA[Gorillas]]>
      </category>
      <category>
        <![CDATA[Mountain Gorillas]]>
      </category>
      <category>
        <![CDATA[Silverback]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[The National Zoo]]>
      </category>
      <category>
        <![CDATA[Zoo]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When a highly-contagious mystery illness spread through the world’s mountain gorilla population, biologists feared the entire species could be lost. Gorillas don’t wear masks or social distance, so there wasn’t much time for the scientists to identify the illness and find a cure for humanity’s hirsute cousins. What they found in 1988 reminds us in 2020 that humans and wildlife share more than a planet: we share disease.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="44901486" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/37520e92-17b6-4e9d-8c3c-be6d4e2031de/SidedoorS5_Ep17_Seg1_Gorilla_Measles.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_200b19fd-63fe-4ccd-95dc-435117c7e6a1</guid>
      <title>Dress Coded</title>
      <pubDate>Wed, 30 Sep 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_200b19fd-63fe-4ccd-95dc-435117c7e6a1&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Dress codes have been around a long time—from the old days of long skirts and bloomers to today’s regulation-length shorts. But while the specifics of what girls can wear to school have changed, the purpose of the codes has not.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/200b19fd-63fe-4ccd-95dc-435117c7e6a1/Girlhood_Seg1.mp3" type="audio/mpeg" length="41568036"/>
      <itunes:subtitle>Dress codes have been around a long time: from the old days of long skirts and bloomers, to today’s regulation-length shorts. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>16</itunes:episode>
      <itunes:duration>28:52</itunes:duration>
      <category>
        <![CDATA[AWHI]]>
      </category>
      <category>
        <![CDATA[Accessories]]>
      </category>
      <category>
        <![CDATA[American Women's History Initiative]]>
      </category>
      <category>
        <![CDATA[Bloomers]]>
      </category>
      <category>
        <![CDATA[Childhood]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[DC Public Schools]]>
      </category>
      <category>
        <![CDATA[Dress Codes]]>
      </category>
      <category>
        <![CDATA[Dresscoding]]>
      </category>
      <category>
        <![CDATA[Earrings]]>
      </category>
      <category>
        <![CDATA[Girlhood]]>
      </category>
      <category>
        <![CDATA[Girls of Color]]>
      </category>
      <category>
        <![CDATA[Long Skirts]]>
      </category>
      <category>
        <![CDATA[National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Pants]]>
      </category>
      <category>
        <![CDATA[Public School]]>
      </category>
      <category>
        <![CDATA[Shorts]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Institution]]>
      </category>
      <category>
        <![CDATA[Women of Color]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Dress codes have been around a long time—from the old days of long skirts and bloomers to today’s regulation-length shorts. But while the specifics of what girls can wear to school have changed, the purpose of the codes has not.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41568036" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/200b19fd-63fe-4ccd-95dc-435117c7e6a1/Girlhood_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_ea0e4016-e3ca-49ca-85c4-4d514bce33c8</guid>
      <title>Appalachia Goes Beijing</title>
      <pubDate>Wed, 16 Sep 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ea0e4016-e3ca-49ca-85c4-4d514bce33c8&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When Abigail Washburn and Wu Fei first jammed together, “it was magic.” Fei was shocked to meet an American banjo player so curious about China’s culture; and Abigail Washburn met a classically trained composer whose talents on the guzheng, a 2500 year old 21-string Chinese harp, perfectly complimented her banjo pickin’. Today, they collaborate to make a new brand of folk music: one that combines the tones of Appalachia with the melodies of China.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ea0e4016-e3ca-49ca-85c4-4d514bce33c8/SidedoorS5_Ep15_Seg1_China_Appalachia.mp3" type="audio/mpeg" length="34959354"/>
      <itunes:subtitle>When Abigail Washburn and Wu Fei first jammed together, “it was magic."</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:duration>24:16</itunes:duration>
      <category>
        <![CDATA[Abigail Washburn]]>
      </category>
      <category>
        <![CDATA[Appalachia]]>
      </category>
      <category>
        <![CDATA[Avarguli]]>
      </category>
      <category>
        <![CDATA[Banjo]]>
      </category>
      <category>
        <![CDATA[China]]>
      </category>
      <category>
        <![CDATA[Cowboys]]>
      </category>
      <category>
        <![CDATA[Folk]]>
      </category>
      <category>
        <![CDATA[Folk Music]]>
      </category>
      <category>
        <![CDATA[Folkways]]>
      </category>
      <category>
        <![CDATA[Guzheng]]>
      </category>
      <category>
        <![CDATA[Smithsonian Folkways]]>
      </category>
      <category>
        <![CDATA[Smithsonian Folkways Recordings]]>
      </category>
      <category>
        <![CDATA[The Roving Cowboy]]>
      </category>
      <category>
        <![CDATA[Wu Fei]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When Abigail Washburn and Wu Fei first jammed together, “it was magic.” Fei was shocked to meet an American banjo player so curious about China’s culture; and Abigail Washburn met a classically trained composer whose talents on the guzheng, a 2500 year old 21-string Chinese harp, perfectly complimented her banjo pickin’. Today, they collaborate to make a new brand of folk music: one that combines the tones of Appalachia with the melodies of China.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="34959354" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ea0e4016-e3ca-49ca-85c4-4d514bce33c8/SidedoorS5_Ep15_Seg1_China_Appalachia.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_78134210-9e4d-4d1b-ad01-4cf170dca0fd</guid>
      <title>The People's Insect</title>
      <pubDate>Wed, 02 Sep 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_78134210-9e4d-4d1b-ad01-4cf170dca0fd&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom, soaring more than a mile high to gather on a few mountaintops in Mexico they’ve never seen before, yet somehow they all know where to find. We unlock the secret lives of monarchs, and learn how to support them on their journey.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/78134210-9e4d-4d1b-ad01-4cf170dca0fd/SidedoorS5_Ep14_Seg1_Monarchs_Rerun.mp3" type="audio/mpeg" length="40126358"/>
      <itunes:subtitle>To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:duration>27:51</itunes:duration>
      <category>
        <![CDATA[Butterflies]]>
      </category>
      <category>
        <![CDATA[Canada]]>
      </category>
      <category>
        <![CDATA[Conservation]]>
      </category>
      <category>
        <![CDATA[Insects]]>
      </category>
      <category>
        <![CDATA[Mexico]]>
      </category>
      <category>
        <![CDATA[Migration]]>
      </category>
      <category>
        <![CDATA[Monarch Butterflies]]>
      </category>
      <category>
        <![CDATA[Monarch Butterfly]]>
      </category>
      <category>
        <![CDATA[Monarchs]]>
      </category>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[SCBI]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Zoological Park]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom, soaring more than a mile high to gather on a few mountaintops in Mexico they’ve never seen before, yet somehow they all know where to find. We unlock the secret lives of monarchs, and learn how to support them on their journey.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="40126358" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/78134210-9e4d-4d1b-ad01-4cf170dca0fd/SidedoorS5_Ep14_Seg1_Monarchs_Rerun.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_ef755888-b295-4f52-b7ac-324dc19df4c4</guid>
      <title>Bonus Ep: Cult of True Womanhood </title>
      <pubDate>Wed, 26 Aug 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ef755888-b295-4f52-b7ac-324dc19df4c4&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p><strong>Bonus Episode | This week, we wanted to share “And Nothing Less,” the new short series from our colleagues at the National Park Service and PRX. It gives a much-needed closer look at the twisty history of the 19th Amendment - and its lesser-known heroes. It’s hosted by two fabulous women: Rosario Dawson and Retta. We’ll play the first episode right here, and you can find the rest of the series by searching (enunciate) “And Nothing Less” wherever you get your podcasts!</strong> </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ef755888-b295-4f52-b7ac-324dc19df4c4/SidedoorS5_Ep14_Seg1_And_Nothing_Less.mp3" type="audio/mpeg" length="53082054"/>
      <itunes:subtitle>To understand what the suffragists were up against, we have to look at why men -- and even some other women -- didn’t want women to vote.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>36:51</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Bonus Episode | This week, we wanted to share “And Nothing Less,” the new short series from our colleagues at the National Park Service and PRX. It gives a much-needed closer look at the twisty history of the 19th Amendment - and its lesser-known heroes. It’s hosted by two fabulous women: Rosario Dawson and Retta. We’ll play the first episode right here, and you can find the rest of the series by searching (enunciate) “And Nothing Less” wherever you get your podcasts! ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="53082054" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ef755888-b295-4f52-b7ac-324dc19df4c4/SidedoorS5_Ep14_Seg1_And_Nothing_Less.mp3"/>
      <content:encoded>
        <![CDATA[<p><strong>Bonus Episode | This week, we wanted to share “And Nothing Less,” the new short series from our colleagues at the National Park Service and PRX. It gives a much-needed closer look at the twisty history of the 19th Amendment - and its lesser-known heroes. It’s hosted by two fabulous women: Rosario Dawson and Retta. We’ll play the first episode right here, and you can find the rest of the series by searching (enunciate) “And Nothing Less” wherever you get your podcasts!</strong> </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6e883f18-206a-4372-ac26-3e11df1dca70</guid>
      <title>The Riverkeeper</title>
      <pubDate>Wed, 19 Aug 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6e883f18-206a-4372-ac26-3e11df1dca70&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Fred Tutman is the voice of the river. Specifically, Maryland’s Patuxent River.  As the Riverkeeper, his job is to protect and preserve all 110 miles of that waterway – a role that takes him both to the courtroom and to the riverbank. But Fred is also the only African American Riverkeeper in the United States, a fact he sees as an indicator of an environmental movement that is incomplete. And it’s the planet that will pay the price.  </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6e883f18-206a-4372-ac26-3e11df1dca70/Riverkeeper_Seg1_final.mp3" type="audio/mpeg" length="35887086"/>
      <itunes:subtitle>Fred Tutman is the voice of the river. Specifically, Maryland’s Patuxent River.  As the Riverkeeper, his job is to protect and preserve all 110 miles of that waterway – a role that takes him both to the courtroom and to the riverbank.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:duration>24:55</itunes:duration>
      <category>
        <![CDATA[African American]]>
      </category>
      <category>
        <![CDATA[Black]]>
      </category>
      <category>
        <![CDATA[Black Voices]]>
      </category>
      <category>
        <![CDATA[Brandywine, MD]]>
      </category>
      <category>
        <![CDATA[Environmental Justice]]>
      </category>
      <category>
        <![CDATA[Environmental Science]]>
      </category>
      <category>
        <![CDATA[Fred Tutman]]>
      </category>
      <category>
        <![CDATA[Patuxent]]>
      </category>
      <category>
        <![CDATA[Riverkeeper]]>
      </category>
      <category>
        <![CDATA[SERC]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Environmental Research Center]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Fred Tutman is the voice of the river. Specifically, Maryland’s Patuxent River.  As the Riverkeeper, his job is to protect and preserve all 110 miles of that waterway – a role that takes him both to the courtroom and to the riverbank. But Fred is also the only African American Riverkeeper in the United States, a fact he sees as an indicator of an environmental movement that is incomplete. And it’s the planet that will pay the price.  ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35887086" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6e883f18-206a-4372-ac26-3e11df1dca70/Riverkeeper_Seg1_final.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_065e2479-d78a-4142-8286-e44cfae36368</guid>
      <title>Votes for Hawaiians</title>
      <pubDate>Wed, 05 Aug 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_065e2479-d78a-4142-8286-e44cfae36368&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>100 years ago this month, the 19th Amendment was ratified into the American Constitution. It’s widely remembered as the moment American women gained the right to vote, but history tells a more complex story. For millions of Indigenous Americans living in far-flung territories, the 19th Amendment afforded some rights – but fell well short of what was promised. So this time: how women’s suffrage came to Hawaiʻi – and what was taken from Hawaiians to get there.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/065e2479-d78a-4142-8286-e44cfae36368/SidedoorS5_Ep12_Seg1_Hawaiian_Suffrage.mp3" type="audio/mpeg" length="45842364"/>
      <itunes:subtitle>100 years ago this month, the 19th Amendment was ratified into the American Constitution. It’s widely remembered as the moment American women gained the right to vote, but history tells a more complex story.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:duration>31:50</itunes:duration>
      <category>
        <![CDATA[19th Amendment]]>
      </category>
      <category>
        <![CDATA[Centennial Suffrage Anniversary]]>
      </category>
      <category>
        <![CDATA[Hawaii]]>
      </category>
      <category>
        <![CDATA[Hawaiians]]>
      </category>
      <category>
        <![CDATA[Indigenous Americans]]>
      </category>
      <category>
        <![CDATA[Monarchy]]>
      </category>
      <category>
        <![CDATA[Oligarchy]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian APAC]]>
      </category>
      <category>
        <![CDATA[Suffrage]]>
      </category>
      <category>
        <![CDATA[Votes]]>
      </category>
      <category>
        <![CDATA[Votes for Women]]>
      </category>
      <category>
        <![CDATA[Voting]]>
      </category>
      <category>
        <![CDATA[Voting Rights]]>
      </category>
      <category>
        <![CDATA[Women's Equality Day]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[100 years ago this month, the 19th Amendment was ratified into the American Constitution. It’s widely remembered as the moment American women gained the right to vote, but history tells a more complex story. For millions of Indigenous Americans living in far-flung territories, the 19th Amendment afforded some rights – but fell well short of what was promised. So this time: how women’s suffrage came to Hawaiʻi – and what was taken from Hawaiians to get there.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="45842364" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/065e2479-d78a-4142-8286-e44cfae36368/SidedoorS5_Ep12_Seg1_Hawaiian_Suffrage.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_774e71b0-269e-447c-80e4-a587c7f0900b</guid>
      <title>Apollo 12's Really Close Call</title>
      <pubDate>Wed, 22 Jul 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_774e71b0-269e-447c-80e4-a587c7f0900b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>On November 14, 1969, just four months after Apollo 11’s “giant leap for mankind,” the Apollo 12 Saturn V rocket took off for the moon. Seconds later, a burst of static plunged the three-man crew into complete darkness while speeding toward space in a nearly dead spacecraft. For the 50th anniversary, we tell the often-overlooked story of Apollo 12, one full of danger, discovery, and the power of friendship.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/774e71b0-269e-447c-80e4-a587c7f0900b/SidedoorS5_Ep11_Seg1_Apollo_12.mp3" type="audio/mpeg" length="40945792"/>
      <itunes:subtitle>On November 14, 1969, just four months after Apollo 11’s “giant leap for mankind,” the Apollo 12 Saturn V rocket took off for the moon. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:duration>28:26</itunes:duration>
      <category>
        <![CDATA[Al Bean]]>
      </category>
      <category>
        <![CDATA[Alan Bean]]>
      </category>
      <category>
        <![CDATA[Apollo 12]]>
      </category>
      <category>
        <![CDATA[Apollo 50]]>
      </category>
      <category>
        <![CDATA[Astronomy]]>
      </category>
      <category>
        <![CDATA[Dick Gordon]]>
      </category>
      <category>
        <![CDATA[Gemini 11]]>
      </category>
      <category>
        <![CDATA[John Aaron]]>
      </category>
      <category>
        <![CDATA[Lunar Landing]]>
      </category>
      <category>
        <![CDATA[Moon]]>
      </category>
      <category>
        <![CDATA[Moon Landing]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[National Air and Space Museum]]>
      </category>
      <category>
        <![CDATA[Pete Conrad]]>
      </category>
      <category>
        <![CDATA[Richard Gordon]]>
      </category>
      <category>
        <![CDATA[Saturn V]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Space]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[On November 14, 1969, just four months after Apollo 11’s “giant leap for mankind,” the Apollo 12 Saturn V rocket took off for the moon. Seconds later, a burst of static plunged the three-man crew into complete darkness while speeding toward space in a nearly dead spacecraft. For the 50th anniversary, we tell the often-overlooked story of Apollo 12, one full of danger, discovery, and the power of friendship.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="40945792" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/774e71b0-269e-447c-80e4-a587c7f0900b/SidedoorS5_Ep11_Seg1_Apollo_12.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5bd238b0-31e6-4d7f-9943-ab3285764b32</guid>
      <title>Take Who Out to the Ball Game? </title>
      <pubDate>Wed, 08 Jul 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5bd238b0-31e6-4d7f-9943-ab3285764b32&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Baseball fan or not, you know this song…or at least, you think you do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to the “The Star Spangled Banner” and “Happy Birthday.” But long-forgotten lyrics reveal a feminist message buried amid the peanuts and cracker jack.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5bd238b0-31e6-4d7f-9943-ab3285764b32/Ballgame_Seg1.mp3" type="audio/mpeg" length="41866638"/>
      <itunes:subtitle>Baseball fan or not, you know this song…or at least, you think you do. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:duration>29:04</itunes:duration>
      <category>
        <![CDATA[America's Favorite Pastime]]>
      </category>
      <category>
        <![CDATA[Baseball]]>
      </category>
      <category>
        <![CDATA[Feminist]]>
      </category>
      <category>
        <![CDATA[Katie Casey]]>
      </category>
      <category>
        <![CDATA[Nickelodeons]]>
      </category>
      <category>
        <![CDATA[Postal Stamps]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Postal Museum]]>
      </category>
      <category>
        <![CDATA[The White House]]>
      </category>
      <category>
        <![CDATA[Vaudeville]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Baseball fan or not, you know this song…or at least, you think you do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to the “The Star Spangled Banner” and “Happy Birthday.” But long-forgotten lyrics reveal a feminist message buried amid the peanuts and cracker jack.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41866638" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5bd238b0-31e6-4d7f-9943-ab3285764b32/Ballgame_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_cdbfa056-e48f-4ec1-8a27-9df32c459c24</guid>
      <title>Shredding Skateboarding’s Glass Ceiling </title>
      <pubDate>Wed, 24 Jun 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_cdbfa056-e48f-4ec1-8a27-9df32c459c24&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When Mimi Knoop entered her first skateboarding competition at 24 years old, she never anticipated leaving her mark on the sport forever. But in the early 2000s, she formed an alliance with pioneering skateboarder Cara-Beth Burnside to make a simple request: that the X Games – and the rest of the skateboarding industry – treat female skateboarders the same way they treat their male peers.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cdbfa056-e48f-4ec1-8a27-9df32c459c24/SidedoorS5_Ep9_Seg1_Skateboarding_Equality.mp3" type="audio/mpeg" length="43761540"/>
      <itunes:subtitle>When Mimi Knoop entered her first skateboarding competition at 24 years old, she never anticipated leaving her mark on the sport forever.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:duration>30:23</itunes:duration>
      <category>
        <![CDATA[2003]]>
      </category>
      <category>
        <![CDATA[2008]]>
      </category>
      <category>
        <![CDATA[Boycotting]]>
      </category>
      <category>
        <![CDATA[CB Burnside]]>
      </category>
      <category>
        <![CDATA[Cara-Beth Burnside]]>
      </category>
      <category>
        <![CDATA[Drop In]]>
      </category>
      <category>
        <![CDATA[Dropping In]]>
      </category>
      <category>
        <![CDATA[ESPN]]>
      </category>
      <category>
        <![CDATA[Extreme Games]]>
      </category>
      <category>
        <![CDATA[Front-side Invert]]>
      </category>
      <category>
        <![CDATA[Los Angeles]]>
      </category>
      <category>
        <![CDATA[Mimi Knoop]]>
      </category>
      <category>
        <![CDATA[Skateboarding]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Soul Grind Skate Shop]]>
      </category>
      <category>
        <![CDATA[Tony Hawk]]>
      </category>
      <category>
        <![CDATA[U.S Women's Olympic Skateboarding]]>
      </category>
      <category>
        <![CDATA[Vans]]>
      </category>
      <category>
        <![CDATA[Vert]]>
      </category>
      <category>
        <![CDATA[Women in Sports]]>
      </category>
      <category>
        <![CDATA[X-Games]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When Mimi Knoop entered her first skateboarding competition at 24 years old, she never anticipated leaving her mark on the sport forever. But in the early 2000s, she formed an alliance with pioneering skateboarder Cara-Beth Burnside to make a simple request: that the X Games – and the rest of the skateboarding industry – treat female skateboarders the same way they treat their male peers.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="43761540" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/cdbfa056-e48f-4ec1-8a27-9df32c459c24/SidedoorS5_Ep9_Seg1_Skateboarding_Equality.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c7d8754b-8861-41ab-a169-dc0c7352c675</guid>
      <title>America’s Unknown Celebrity Chef </title>
      <pubDate>Wed, 10 Jun 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c7d8754b-8861-41ab-a169-dc0c7352c675&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans’s elite white families. She was an entrepreneur, educator, author, and an icon – and her legacy lives on in her recipes. Today: her improbable rise to prominence, and her famous gumbo.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c7d8754b-8861-41ab-a169-dc0c7352c675/Lena_Richard_Seg_1.mp3" type="audio/mpeg" length="46731284"/>
      <itunes:subtitle>When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:duration>32:27</itunes:duration>
      <category>
        <![CDATA[#SmithsonianFood]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Black History]]>
      </category>
      <category>
        <![CDATA[Creole Cuisine]]>
      </category>
      <category>
        <![CDATA[Cultural Cuisine]]>
      </category>
      <category>
        <![CDATA[Food History]]>
      </category>
      <category>
        <![CDATA[Gumbo]]>
      </category>
      <category>
        <![CDATA[Lena Richard]]>
      </category>
      <category>
        <![CDATA[Lynching]]>
      </category>
      <category>
        <![CDATA[New Orleans Cuisine]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Stereotypes]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans’s elite white families. She was an entrepreneur, educator, author, and an icon – and her legacy lives on in her recipes. Today: her improbable rise to prominence, and her famous gumbo.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="46731284" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c7d8754b-8861-41ab-a169-dc0c7352c675/Lena_Richard_Seg_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_ab62698c-2e85-4ba1-9df1-249154a47cc2</guid>
      <title>Young Harriet</title>
      <pubDate>Wed, 27 May 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ab62698c-2e85-4ba1-9df1-249154a47cc2&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 2017, a photograph of Harriet Tubman surfaced that had been lost to history for more than a century. In a feature of the National Portrait Gallery’s <em>Portraits</em> podcast, we hear the story behind this picture, and how its discovery changes the way we see Tubman – not just an icon of freedom and human dignity, but a courageous young woman. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ab62698c-2e85-4ba1-9df1-249154a47cc2/SidedoorS5_Ep7_Seg1_Tubman.mp3" type="audio/mpeg" length="38377940"/>
      <itunes:subtitle>In 2017, a photograph of Harriet Tubman surfaced that had been lost to history for more than a .</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:duration>26:39</itunes:duration>
      <category>
        <![CDATA[Carla Hayden]]>
      </category>
      <category>
        <![CDATA[Emancipation]]>
      </category>
      <category>
        <![CDATA[Freedom]]>
      </category>
      <category>
        <![CDATA[Harriet Tubman]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Kim Sajet]]>
      </category>
      <category>
        <![CDATA[Library of Congress]]>
      </category>
      <category>
        <![CDATA[National Portrait Gallery]]>
      </category>
      <category>
        <![CDATA[Portrait]]>
      </category>
      <category>
        <![CDATA[Portraiture]]>
      </category>
      <category>
        <![CDATA[Slavery]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Underground Railroad]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 2017, a photograph of Harriet Tubman surfaced that had been lost to history for more than a century. In a feature of the National Portrait Gallery’s Portraits podcast, we hear the story behind this picture, and how its discovery changes the way we see Tubman – not just an icon of freedom and human dignity, but a courageous young woman. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38377940" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ab62698c-2e85-4ba1-9df1-249154a47cc2/SidedoorS5_Ep7_Seg1_Tubman.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_fcf74b41-a15f-459c-b065-72bc06e21710</guid>
      <title>The People's Insect</title>
      <pubDate>Wed, 13 May 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_fcf74b41-a15f-459c-b065-72bc06e21710&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom, soaring more than a mile high to gather on a few mountaintops in Mexico they’ve never seen before, yet somehow they all know where to find. We unlock the secrets lives of monarchs, and learn how to support them on their journey.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fcf74b41-a15f-459c-b065-72bc06e21710/SidedoorS5_Ep6_Seg1_Monarchs.mp3" type="audio/mpeg" length="39400198"/>
      <itunes:subtitle>To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:duration>27:21</itunes:duration>
      <category>
        <![CDATA[Butterflies]]>
      </category>
      <category>
        <![CDATA[Canada]]>
      </category>
      <category>
        <![CDATA[Conservation]]>
      </category>
      <category>
        <![CDATA[Insects]]>
      </category>
      <category>
        <![CDATA[Mexico]]>
      </category>
      <category>
        <![CDATA[Migration]]>
      </category>
      <category>
        <![CDATA[Monarchs]]>
      </category>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[SCBI]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom, soaring more than a mile high to gather on a few mountaintops in Mexico they’ve never seen before, yet somehow they all know where to find. We unlock the secrets lives of monarchs, and learn how to support them on their journey.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39400198" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fcf74b41-a15f-459c-b065-72bc06e21710/SidedoorS5_Ep6_Seg1_Monarchs.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_7784d887-9156-45a0-9ad7-d55667ba850d</guid>
      <title>Best of the Rest II</title>
      <pubDate>Wed, 29 Apr 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_7784d887-9156-45a0-9ad7-d55667ba850d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>A perplexing tattoo. Ancient erotica. Killer bees on the loose. This episode is full of short stories we’ve been eager to tell, but couldn’t… until now. It’s Sidedoor’s second-ever “Best of the Rest!” </p><p> </p><p>Learn more about the Freer &amp; Sackler’s collection of shunga, the National Museum of American<br> History’s Great Historic Clock of America on si.edu.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7784d887-9156-45a0-9ad7-d55667ba850d/BOTR_Seg1.mp3" type="audio/mpeg" length="46159120"/>
      <itunes:subtitle>A perplexing tattoo. Ancient erotica. Killer bees on the loose. This episode is full of short stories we’ve been eager to tell, but couldn’t… until now.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:duration>32:03</itunes:duration>
      <category>
        <![CDATA[Africanized Bees]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Brannock]]>
      </category>
      <category>
        <![CDATA[Brannock Device]]>
      </category>
      <category>
        <![CDATA[Freer]]>
      </category>
      <category>
        <![CDATA[Great Historic Clock of America]]>
      </category>
      <category>
        <![CDATA[Killer Bees]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[S. Dillion Ripley]]>
      </category>
      <category>
        <![CDATA[Sackler]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Shunga]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Tattoos]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[A perplexing tattoo. Ancient erotica. Killer bees on the loose. This episode is full of short stories we’ve been eager to tell, but couldn’t… until now. It’s Sidedoor’s second-ever “Best of the Rest!”  Learn more about the Freer &amp; Sackler’s collection of shunga, the National Museum of American History’s Great Historic Clock of America on si.edu.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="46159120" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7784d887-9156-45a0-9ad7-d55667ba850d/BOTR_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1d04b7ec-6799-493b-a5ea-61bf094fbf2b</guid>
      <title>Birds, Birds, Birds!</title>
      <pubDate>Wed, 15 Apr 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1d04b7ec-6799-493b-a5ea-61bf094fbf2b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Three billion birds have gone missing since 1970. And conservation biologist Pete Marra considers it his life’s work to make sure more don’t slip away without a fight. In this episode, we go bird-spotting with Pete, and learn what each of us can do to bring birds back.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1d04b7ec-6799-493b-a5ea-61bf094fbf2b/SidedoorS5_Ep4_Seg1_Birds.mp3" type="audio/mpeg" length="37283692"/>
      <itunes:subtitle>Three billion birds have gone missing since 1970.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:duration>25:53</itunes:duration>
      <category>
        <![CDATA[Birds]]>
      </category>
      <category>
        <![CDATA[Bufflehead]]>
      </category>
      <category>
        <![CDATA[Carolina Wren]]>
      </category>
      <category>
        <![CDATA[Eastern Pheobe]]>
      </category>
      <category>
        <![CDATA[Kenilworth Aquatic Gardens]]>
      </category>
      <category>
        <![CDATA[Kirtland's Warbler]]>
      </category>
      <category>
        <![CDATA[Mallard Duck]]>
      </category>
      <category>
        <![CDATA[Migratory Bird Center]]>
      </category>
      <category>
        <![CDATA[Missing Birds]]>
      </category>
      <category>
        <![CDATA[National Zoological Park]]>
      </category>
      <category>
        <![CDATA[Reddish Egret]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Zoo]]>
      </category>
      <category>
        <![CDATA[Song Sparrow]]>
      </category>
      <category>
        <![CDATA[Three Billion]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Three billion birds have gone missing since 1970. And conservation biologist Pete Marra considers it his life’s work to make sure more don’t slip away without a fight. In this episode, we go bird-spotting with Pete, and learn what each of us can do to bring birds back.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37283692" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1d04b7ec-6799-493b-a5ea-61bf094fbf2b/SidedoorS5_Ep4_Seg1_Birds.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_d4286104-36ef-405a-ab37-2ed2820d31c8</guid>
      <title>The Milkmaid Spy</title>
      <pubDate>Wed, 01 Apr 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_d4286104-36ef-405a-ab37-2ed2820d31c8&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy. Joining the ranks of the U.S.’s first civilian spy network, she operated alone in occupied France, where she built French Resistance networks, delivered critical intelligence, and sold cheese to the enemy. All on one leg. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/d4286104-36ef-405a-ab37-2ed2820d31c8/V_Hall_Seg1.mp3" type="audio/mpeg" length="41203704"/>
      <itunes:subtitle>Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:duration>28:36</itunes:duration>
      <category>
        <![CDATA[CIA]]>
      </category>
      <category>
        <![CDATA[French Resistance]]>
      </category>
      <category>
        <![CDATA[Gestapo]]>
      </category>
      <category>
        <![CDATA[Intelligence Gathering]]>
      </category>
      <category>
        <![CDATA[Julia Childs]]>
      </category>
      <category>
        <![CDATA[Nazi]]>
      </category>
      <category>
        <![CDATA[OSS]]>
      </category>
      <category>
        <![CDATA[S. Dillon Ripley]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[Sonia Purnell]]>
      </category>
      <category>
        <![CDATA[Spy]]>
      </category>
      <category>
        <![CDATA[Virginia Hall]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Virginia Hall dreamed of being America’s first female ambassador. Instead, she became a spy. Joining the ranks of the U.S.’s first civilian spy network, she operated alone in occupied France, where she built French Resistance networks, delivered critical intelligence, and sold cheese to the enemy. All on one leg. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41203704" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/d4286104-36ef-405a-ab37-2ed2820d31c8/V_Hall_Seg1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_7da130ab-969e-43ba-891f-0017ea366c44</guid>
      <title>The Last Man To Know It All</title>
      <pubDate>Wed, 18 Mar 2020 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_7da130ab-969e-43ba-891f-0017ea366c44&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Alexander von Humboldt might not be a name you know, but you can bet you know his ideas. Back when the United States were a wee collection of colonies huddled on the eastern seaboard, colonists found the wilderness surrounding them *scary. *It took a zealous Prussian explorer with a thing for barometers to show the colonists what they couldn’t see: a global ecosystem, and their own place in nature. In this episode, we learn how Humboldt - through science and art - inspired a key part of America’s national identity.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7da130ab-969e-43ba-891f-0017ea366c44/SidedoorS5_Ep2_Seg1_Humboldt.mp3" type="audio/mpeg" length="40072522"/>
      <itunes:subtitle>Alexander von Humboldt might not be a name you know, but you can bet you know his ideas.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:duration>27:49</itunes:duration>
      <category>
        <![CDATA[Alexander von Humboldt]]>
      </category>
      <category>
        <![CDATA[American Art]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Brothers Grimm]]>
      </category>
      <category>
        <![CDATA[Chimborazo]]>
      </category>
      <category>
        <![CDATA[Cotopaxi]]>
      </category>
      <category>
        <![CDATA[Frederick Church]]>
      </category>
      <category>
        <![CDATA[Humboldt]]>
      </category>
      <category>
        <![CDATA[NMNH]]>
      </category>
      <category>
        <![CDATA[National Park System]]>
      </category>
      <category>
        <![CDATA[Naturgemalde]]>
      </category>
      <category>
        <![CDATA[SAAM]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Thomas Jefferson]]>
      </category>
      <category>
        <![CDATA[Unity of Art]]>
      </category>
      <category>
        <![CDATA[Venezuela]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Alexander von Humboldt might not be a name you know, but you can bet you know his ideas. Back when the United States were a wee collection of colonies huddled on the eastern seaboard, colonists found the wilderness surrounding them *scary. *It took a zealous Prussian explorer with a thing for barometers to show the colonists what they couldn’t see: a global ecosystem, and their own place in nature. In this episode, we learn how Humboldt - through science and art - inspired a key part of America’s national identity.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="40072522" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7da130ab-969e-43ba-891f-0017ea366c44/SidedoorS5_Ep2_Seg1_Humboldt.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_67cf1a70-ad77-4a8e-86dc-dc0066aecd7f</guid>
      <title>Outer Space &amp; Underwear</title>
      <pubDate>Wed, 04 Mar 2020 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_67cf1a70-ad77-4a8e-86dc-dc0066aecd7f&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the Venn diagram of life, it’s hard to imagine what spacecraft and women’s underwear might have in common. And that’s probably what NASA engineers thought back in 1962 when they asked a handful of companies to design a spacesuit that would keep a man alive and mobile on the moon. Nobody counted on the International Latex Corporation, whose commercial brand, Playtex, was known for its bras and girdles. But lingerie, and the expert seamstresses who sewed it, played a critical role in those first well-supported steps on the moon.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/67cf1a70-ad77-4a8e-86dc-dc0066aecd7f/SidedoorS5_Ep1_Seg1_Space_Suit_1.mp3" type="audio/mpeg" length="41197444"/>
      <itunes:subtitle>In the Venn diagram of life, it’s hard to imagine what spacecraft and women’s underwear might have in common. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:duration>28:36</itunes:duration>
      <category>
        <![CDATA[Apollo 11]]>
      </category>
      <category>
        <![CDATA[Astronaut]]>
      </category>
      <category>
        <![CDATA[Competition]]>
      </category>
      <category>
        <![CDATA[Fashioning Apollo]]>
      </category>
      <category>
        <![CDATA[ILC]]>
      </category>
      <category>
        <![CDATA[International Latex Corporation]]>
      </category>
      <category>
        <![CDATA[International Space Station]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[NASM]]>
      </category>
      <category>
        <![CDATA[National Air and Space Museum]]>
      </category>
      <category>
        <![CDATA[Playtex]]>
      </category>
      <category>
        <![CDATA[Seamstresses]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the Venn diagram of life, it’s hard to imagine what spacecraft and women’s underwear might have in common. And that’s probably what NASA engineers thought back in 1962 when they asked a handful of companies to design a spacesuit that would keep a man alive and mobile on the moon. Nobody counted on the International Latex Corporation, whose commercial brand, Playtex, was known for its bras and girdles. But lingerie, and the expert seamstresses who sewed it, played a critical role in those first well-supported steps on the moon.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41197444" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/67cf1a70-ad77-4a8e-86dc-dc0066aecd7f/SidedoorS5_Ep1_Seg1_Space_Suit_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6293183e-73fa-4aba-a7da-19e0f2675e75</guid>
      <title>We're Back!</title>
      <pubDate>Wed, 26 Feb 2020 05:00:04 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6293183e-73fa-4aba-a7da-19e0f2675e75&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Get ready for season five! Our new season begins on Wednesday, March 4th. Journey with Lizzie through our many side doors for a behind-the scenes view of the Smithsonian.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6293183e-73fa-4aba-a7da-19e0f2675e75/Season_5_Promo.mp3" type="audio/mpeg" length="3488456"/>
      <itunes:subtitle>Get ready for season five! </itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:duration>02:25</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[Curator]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Get ready for season five! Our new season begins on Wednesday, March 4th. Journey with Lizzie through our many side doors for a behind-the scenes view of the Smithsonian.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="3488456" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6293183e-73fa-4aba-a7da-19e0f2675e75/Season_5_Promo.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_b9514b44-c75c-4c88-8305-57b4d0cd646c</guid>
      <title>Cars, Stars, and Rock 'n' Roll</title>
      <pubDate>Wed, 22 Jan 2020 07:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_b9514b44-c75c-4c88-8305-57b4d0cd646c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Smithsonian Secretary Lonnie G. Bunch III is no administrative assistant. He’s the head of the largest museum, education, and research complex in the world. He’s also the first historian to lead the Smithsonian. In our season finale, we talk with Secretary Bunch about two stories of people overcoming tremendous obstacles to make a change and explore what the past can teach us about today…and tomorrow.  </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b9514b44-c75c-4c88-8305-57b4d0cd646c/SidedoorS4_Ep17_Seg1_Lonnie.mp3" type="audio/mpeg" length="42207182"/>
      <itunes:subtitle>Smithsonian Secretary Lonnie G. Bunch III is no administrative assistant. He’s the head of the largest museum, education, and research complex in the world.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>17</itunes:episode>
      <itunes:duration>29:18</itunes:duration>
      <category>
        <![CDATA["Pickering's Harem"]]>
      </category>
      <category>
        <![CDATA[Astrophysics]]>
      </category>
      <category>
        <![CDATA[Center for Astrophysics]]>
      </category>
      <category>
        <![CDATA[Chuck Berry]]>
      </category>
      <category>
        <![CDATA[Collection Items]]>
      </category>
      <category>
        <![CDATA[Glass Plates]]>
      </category>
      <category>
        <![CDATA[Harvard]]>
      </category>
      <category>
        <![CDATA[Jay-Z]]>
      </category>
      <category>
        <![CDATA[Lonnie G. Bunch III]]>
      </category>
      <category>
        <![CDATA[Museum Collections]]>
      </category>
      <category>
        <![CDATA[Music Industry]]>
      </category>
      <category>
        <![CDATA[NMAAHC]]>
      </category>
      <category>
        <![CDATA[Rock 'n' Roll]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Secretary Bunch]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[The Beach Boys]]>
      </category>
      <category>
        <![CDATA[Women in Science]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Smithsonian Secretary Lonnie G. Bunch III is no administrative assistant. He’s the head of the largest museum, education, and research complex in the world. He’s also the first historian to lead the Smithsonian. In our season finale, we talk with Secretary Bunch about two stories of people overcoming tremendous obstacles to make a change and explore what the past can teach us about today…and tomorrow.  ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42207182" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b9514b44-c75c-4c88-8305-57b4d0cd646c/SidedoorS4_Ep17_Seg1_Lonnie.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e275167d-a28b-45f7-8126-e3d2bf327bf3</guid>
      <title>Ponzi's Scheme</title>
      <pubDate>Wed, 08 Jan 2020 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e275167d-a28b-45f7-8126-e3d2bf327bf3&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Nearly 100 years ago, Charles Ponzi stumbled across a loophole in the international postal system and turned it into one of the most infamous scams of all time. This time on Sidedoor, we follow Ponzi from his early days until his epic downfall, and hear from a postal investigator trained to catch swindlers like Ponzi who continue to use the U.S. mail for nefarious purposes. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e275167d-a28b-45f7-8126-e3d2bf327bf3/SidedoorS4_Ep16_Seg1_Ponzi.mp3" type="audio/mpeg" length="41708886"/>
      <itunes:subtitle>Nearly 100 years ago, Charles Ponzi stumbled across a loophole in the international postal system and turned it into one of the most infamous scams of all time.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>16</itunes:episode>
      <itunes:duration>28:57</itunes:duration>
      <category>
        <![CDATA[Charles Ponzi]]>
      </category>
      <category>
        <![CDATA[Crime]]>
      </category>
      <category>
        <![CDATA[IRC]]>
      </category>
      <category>
        <![CDATA[International Reply Coupon]]>
      </category>
      <category>
        <![CDATA[Ponzi]]>
      </category>
      <category>
        <![CDATA[Ponzi Scheme]]>
      </category>
      <category>
        <![CDATA[Postal Examiner]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Postal Museum]]>
      </category>
      <category>
        <![CDATA[True Crime]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Nearly 100 years ago, Charles Ponzi stumbled across a loophole in the international postal system and turned it into one of the most infamous scams of all time. This time on Sidedoor, we follow Ponzi from his early days until his epic downfall, and hear from a postal investigator trained to catch swindlers like Ponzi who continue to use the U.S. mail for nefarious purposes. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41708886" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e275167d-a28b-45f7-8126-e3d2bf327bf3/SidedoorS4_Ep16_Seg1_Ponzi.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_762d1724-0263-436d-9289-87ce0c80f417</guid>
      <title>The Worst Video Game Ever?</title>
      <pubDate>Wed, 25 Dec 2019 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_762d1724-0263-436d-9289-87ce0c80f417&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Deep within the National Museum of American History’s vaults is a battered Atari case containing what’s known as “the worst video game of all time.” The game is E.T. the Extra-Terrestrial, and it was so bad that not even the might of Steven Spielberg could save it. It was so loathsome that all remaining copies were buried deep in the desert. And it was so horrible that it’s blamed for the collapse of the American home video game industry in the early 1980s. This time on Sidedoor, we tell the story of just what went SO wrong with E.T. Episode originally aired June 26, 2019.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/762d1724-0263-436d-9289-87ce0c80f417/SidedoorS4_Ep16_Seg1_ET_the_Video_Game_Rerun.mp3" type="audio/mpeg" length="38292178"/>
      <itunes:subtitle>The game so horrible that it’s blamed for the collapse of the American home video game industry in the early 1980s.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:duration>26:35</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Platformer]]>
      </category>
      <category>
        <![CDATA[1980]]>
      </category>
      <category>
        <![CDATA[ATARI]]>
      </category>
      <category>
        <![CDATA[Aliens]]>
      </category>
      <category>
        <![CDATA[ET]]>
      </category>
      <category>
        <![CDATA[Retro]]>
      </category>
      <category>
        <![CDATA[Retro Video games]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of American History]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Deep within the National Museum of American History’s vaults is a battered Atari case containing what’s known as “the worst video game of all time.” The game is E.T. the Extra-Terrestrial, and it was so bad that not even the might of Steven Spielberg could save it. It was so loathsome that all remaining copies were buried deep in the desert. And it was so horrible that it’s blamed for the collapse of the American home video game industry in the early 1980s. This time on Sidedoor, we tell the story of just what went SO wrong with E.T. Episode originally aired June 26, 2019.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38292178" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/762d1724-0263-436d-9289-87ce0c80f417/SidedoorS4_Ep16_Seg1_ET_the_Video_Game_Rerun.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_60768c39-72cd-4a89-8092-12e68e805df6</guid>
      <title>Finding Cleopatra</title>
      <pubDate>Wed, 11 Dec 2019 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_60768c39-72cd-4a89-8092-12e68e805df6&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Edmonia Lewis was the first American woman of color to achieve international fame as a sculptor. Her 3,000-pound masterwork, “The Death of Cleopatra,” commemorated another powerful woman who broke with convention… and then the sculpture disappeared. On this episode of Sidedoor, we find them both.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/60768c39-72cd-4a89-8092-12e68e805df6/SidedoorS4_Ep14_Seg1_Edmonia_Lewis.mp3" type="audio/mpeg" length="38674664"/>
      <itunes:subtitle>Edmonia Lewis was the first American woman of color to achieve international fame as a sculptor.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:duration>26:51</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Edmonia Lewis was the first American woman of color to achieve international fame as a sculptor. Her 3,000-pound masterwork, “The Death of Cleopatra,” commemorated another powerful woman who broke with convention… and then the sculpture disappeared. On this episode of Sidedoor, we find them both.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38674664" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/60768c39-72cd-4a89-8092-12e68e805df6/SidedoorS4_Ep14_Seg1_Edmonia_Lewis.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_98877265-cc5b-4bf0-bfc7-788df70a2354</guid>
      <title>Adam Rippon's Olympic Mesh-capades</title>
      <pubDate>Wed, 27 Nov 2019 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_98877265-cc5b-4bf0-bfc7-788df70a2354&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When professional athletes face the end of their career, many look ahead with uncertainty and wonder:<br> “What’s next?” But when Adam Rippon stood on the Olympic podium in 2018, making history as the first openly gay American to medal at the winter Olympics, he was sure about his next steps. Rippon was a darling of the American Olympic media, entering all of his interviews ready with a joke and a willingness to<br> speak candidly about his personal journey. In this episode, Rippon brings that same attitude to Sidedoor, talking about his Olympic costume, fame, and the male private part that we didn’t realize was private.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/98877265-cc5b-4bf0-bfc7-788df70a2354/SidedoorS4_Ep13_Seg1_Adam_Rippon.mp3" type="audio/mpeg" length="31302262"/>
      <itunes:subtitle>When professional athletes face the end of their career, many look ahead with uncertainty and wonder: “What’s next?” But when Adam Rippon stood on the Olympic podium in 2018, making history as the first openly gay American to medal at the winter Olympics, he was sure about his next steps.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:duration>21:44</itunes:duration>
      <category>
        <![CDATA[2018 Winter Olympics]]>
      </category>
      <category>
        <![CDATA[Adam Rippon]]>
      </category>
      <category>
        <![CDATA[American Olympians]]>
      </category>
      <category>
        <![CDATA[Bronze Medal]]>
      </category>
      <category>
        <![CDATA[Bronze Medalist]]>
      </category>
      <category>
        <![CDATA[Costumes]]>
      </category>
      <category>
        <![CDATA[Figure Skating]]>
      </category>
      <category>
        <![CDATA[Gangneung Ice Arena]]>
      </category>
      <category>
        <![CDATA[Ice Skating]]>
      </category>
      <category>
        <![CDATA[LGBTQ]]>
      </category>
      <category>
        <![CDATA[NMAH]]>
      </category>
      <category>
        <![CDATA[Olympics]]>
      </category>
      <category>
        <![CDATA[Openly Gay Athletes]]>
      </category>
      <category>
        <![CDATA[Pyeongchang]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Museum of American History]]>
      </category>
      <category>
        <![CDATA[South Korea]]>
      </category>
      <category>
        <![CDATA[Team Figure Skating]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When professional athletes face the end of their career, many look ahead with uncertainty and wonder: “What’s next?” But when Adam Rippon stood on the Olympic podium in 2018, making history as the first openly gay American to medal at the winter Olympics, he was sure about his next steps. Rippon was a darling of the American Olympic media, entering all of his interviews ready with a joke and a willingness to speak candidly about his personal journey. In this episode, Rippon brings that same attitude to Sidedoor, talking about his Olympic costume, fame, and the male private part that we didn’t realize was private.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="31302262" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/98877265-cc5b-4bf0-bfc7-788df70a2354/SidedoorS4_Ep13_Seg1_Adam_Rippon.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e9907a47-ca17-4971-817a-a0d2bf88211c</guid>
      <title>Apollo 12's Really Close Call</title>
      <pubDate>Wed, 13 Nov 2019 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e9907a47-ca17-4971-817a-a0d2bf88211c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>On November 14, 1969, just four months after Apollo 11’s “giant leap for mankind,” the Apollo 12 Saturn V rocket took off for the moon. Seconds later, a burst of static plunged the three-man crew into complete darkness while speeding toward space in a nearly dead spacecraft. For the 50th anniversary, we tell the often-overlooked story of Apollo 12, one full of danger, discovery, and the power of friendship.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e9907a47-ca17-4971-817a-a0d2bf88211c/SidedoorS4_Ep12_Seg1_Apollo_12.mp3" type="audio/mpeg" length="40215250"/>
      <itunes:subtitle>On November 14, 1969, just four months after Apollo 11’s “giant leap for mankind,” the Apollo 12 Saturn V rocket took off for the moon.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:duration>27:55</itunes:duration>
      <category>
        <![CDATA[Al Bean]]>
      </category>
      <category>
        <![CDATA[Alan Bean]]>
      </category>
      <category>
        <![CDATA[Apollo 12]]>
      </category>
      <category>
        <![CDATA[Apollo 50]]>
      </category>
      <category>
        <![CDATA[Astronomy]]>
      </category>
      <category>
        <![CDATA[Dick Gordon]]>
      </category>
      <category>
        <![CDATA[Gemini 11]]>
      </category>
      <category>
        <![CDATA[John Aaron]]>
      </category>
      <category>
        <![CDATA[Lunar Landing]]>
      </category>
      <category>
        <![CDATA[Moon]]>
      </category>
      <category>
        <![CDATA[Moon Landing]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[National Air and Space Museum]]>
      </category>
      <category>
        <![CDATA[Pete Conrad]]>
      </category>
      <category>
        <![CDATA[Richard Gordon]]>
      </category>
      <category>
        <![CDATA[Saturn V]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Space]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[On November 14, 1969, just four months after Apollo 11’s “giant leap for mankind,” the Apollo 12 Saturn V rocket took off for the moon. Seconds later, a burst of static plunged the three-man crew into complete darkness while speeding toward space in a nearly dead spacecraft. For the 50th anniversary, we tell the often-overlooked story of Apollo 12, one full of danger, discovery, and the power of friendship.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="40215250" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e9907a47-ca17-4971-817a-a0d2bf88211c/SidedoorS4_Ep12_Seg1_Apollo_12.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e6964554-6839-4196-bfd0-7b7971118b95</guid>
      <title>Dynamite!</title>
      <pubDate>Wed, 30 Oct 2019 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e6964554-6839-4196-bfd0-7b7971118b95&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In its heyday, dynamite was a transformative tool; it could blast rock quarries, excavate tunnels, and demolish buildings with power and reliability never before seen. But it also proved to be useful in some surprising ways. In this special episode of <em>Sidedoor</em>, we team up with the history podcast <em>Backstory</em><br> to explore two less-typical applications of the explosive: the artistic blasting at Mount Rushmore, and how anarchists used dynamite to advance their political agenda in 1886.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e6964554-6839-4196-bfd0-7b7971118b95/SidedoorS4_Ep11_Seg1_Dynamite.mp3" type="audio/mpeg" length="48481580"/>
      <itunes:subtitle>In its heyday, dynamite was a transformative tool; it could blast rock quarries, excavate tunnels, and demolish buildings with power and reliability never before seen. But it also proved to be useful in some surprising ways.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:duration>33:40</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Anarchy]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Backstory Radio]]>
      </category>
      <category>
        <![CDATA[Chemistry]]>
      </category>
      <category>
        <![CDATA[Dynamite]]>
      </category>
      <category>
        <![CDATA[Howard University]]>
      </category>
      <category>
        <![CDATA[Louis Ling]]>
      </category>
      <category>
        <![CDATA[Mount Rushmore]]>
      </category>
      <category>
        <![CDATA[Mt. Rushmore]]>
      </category>
      <category>
        <![CDATA[National Museum of American History]]>
      </category>
      <category>
        <![CDATA[National Park Service]]>
      </category>
      <category>
        <![CDATA[Nobel]]>
      </category>
      <category>
        <![CDATA[Rushmore]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In its heyday, dynamite was a transformative tool; it could blast rock quarries, excavate tunnels, and demolish buildings with power and reliability never before seen. But it also proved to be useful in some surprising ways. In this special episode of Sidedoor, we team up with the history podcast Backstory to explore two less-typical applications of the explosive: the artistic blasting at Mount Rushmore, and how anarchists used dynamite to advance their political agenda in 1886.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="48481580" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e6964554-6839-4196-bfd0-7b7971118b95/SidedoorS4_Ep11_Seg1_Dynamite.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_93aa5bf1-062d-4073-a179-c28bdcf07379</guid>
      <title>This Episode Smells</title>
      <pubDate>Wed, 16 Oct 2019 04:01:02 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_93aa5bf1-062d-4073-a179-c28bdcf07379&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Smell connects us to memories of the people and the places of our lives. But what if it could connect us to a past we’ve never experienced? That's the goal for one team of artists and scientists who used DNA to try to revive the scent of a flower extinct for more than a century.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/93aa5bf1-062d-4073-a179-c28bdcf07379/SidedoorS4_Ep10_Seg1_This_Episode_Smells.mp3" type="audio/mpeg" length="38252740"/>
      <itunes:subtitle>Smell connects us to memories of the people and the places of our lives. But what if it could connect us to a past we’ve never experienced? </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:duration>26:33</itunes:duration>
      <category>
        <![CDATA[Flowers]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Biology]]>
      </category>
      <category>
        <![CDATA[Botany]]>
      </category>
      <category>
        <![CDATA[CooperHewitt]]>
      </category>
      <category>
        <![CDATA[DNA]]>
      </category>
      <category>
        <![CDATA[Extinct]]>
      </category>
      <category>
        <![CDATA[Plants]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Smell connects us to memories of the people and the places of our lives. But what if it could connect us to a past we’ve never experienced? That's the goal for one team of artists and scientists who used DNA to try to revive the scent of a flower extinct for more than a century.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38252740" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/93aa5bf1-062d-4073-a179-c28bdcf07379/SidedoorS4_Ep10_Seg1_This_Episode_Smells.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_897f29e9-f700-44b8-81ce-7488adf79418</guid>
      <title>The Dinosaur War</title>
      <pubDate>Wed, 02 Oct 2019 04:01:55 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_897f29e9-f700-44b8-81ce-7488adf79418&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Behind the fossilized teeth, bones, and claws displayed in the National Museum of Natural History’s new Fossil Hall is the story of two men and a nasty feud. During the paleontology boom of the late 1800s, scientists O.C. Marsh and Edward Cope went from good friends who named species after each other, to the bitterest of enemies who eventually ruined each other's lives and careers. Come for the dinos, stay for the grudges. Episode originally aired June 12, 2019. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/897f29e9-f700-44b8-81ce-7488adf79418/SidedoorS4_Ep9_Seg_1_Dino_Wars_Rerun.mp3" type="audio/mpeg" length="43238204"/>
      <itunes:subtitle>Behind the fossilized teeth, bones, and claws displayed in the National Museum of Natural History’s new Fossil Hall is the story of two men and a nasty feud. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:duration>30:01</itunes:duration>
      <category>
        <![CDATA[Archeology]]>
      </category>
      <category>
        <![CDATA[Dinosaurs]]>
      </category>
      <category>
        <![CDATA[Feud]]>
      </category>
      <category>
        <![CDATA[Fossil]]>
      </category>
      <category>
        <![CDATA[National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Paleontology]]>
      </category>
      <category>
        <![CDATA[Rerun]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Behind the fossilized teeth, bones, and claws displayed in the National Museum of Natural History’s new Fossil Hall is the story of two men and a nasty feud. During the paleontology boom of the late 1800s, scientists O.C. Marsh and Edward Cope went from good friends who named species after each other, to the bitterest of enemies who eventually ruined each other's lives and careers. Come for the dinos, stay for the grudges. Episode originally aired June 12, 2019. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="43238204" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/897f29e9-f700-44b8-81ce-7488adf79418/SidedoorS4_Ep9_Seg_1_Dino_Wars_Rerun.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_150e0c9f-ec09-4115-a456-a021e0540d13</guid>
      <title>The Woman in the Frame </title>
      <pubDate>Wed, 18 Sep 2019 04:01:49 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_150e0c9f-ec09-4115-a456-a021e0540d13&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Did you know that Martha Washington was essential to America’s Revolutionary War effort? Or that Eleanor Roosevelt was the driving force behind the United Nations’ Universal Declaration of Human Rights? According to journalist, writer, and commentator Cokie Roberts, many of America's First Ladies were dynamic, politically engaged trailblazers who are often overlooked. We sit down with the Smithsonian's National Portrait Gallery director, Kim Sajet, to talk about a recent episode of the museum’s new podcast, <em>Portraits. </em>In it, she and Cokie discuss<em> </em>four First Ladies who are remembered for their influence on American history. </p><p>Note: As many of you have probably heard, Cokie Roberts passed away in the days since we originally recorded this episode. Our heart goes out to all of Cokie’s family, friends, and people like us who have enjoyed her work for decades. </p><p><em>Portraits</em> podcast website: <a href="https://npg.si.edu/podcasts"><strong>https://npg.si.edu/podcasts</strong></a></p><p>Portraits of First Ladies featured in the episode:</p><ol>
<li>Martha Washington <a href="https://npg.si.edu/object/npg_NPG.70.3"><strong>portrait</strong></a>
</li>
<li>Dolley Madison <a href="https://npg.si.edu/object/npg_NPG.74.6"><strong>portrait</strong></a>
</li>
<li>Eleanor Roosevelt <a href="https://npg.si.edu/blog/eleanor-roosevelt-global-citizen"><strong>portrait</strong></a>
</li>
<li>Nancy Reagan <a href="https://npg.si.edu/object/npg_NPG.88.TC160"><strong>portrait</strong></a>
</li>
</ol>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/150e0c9f-ec09-4115-a456-a021e0540d13/SidedoorS4_Ep8_Seg_1_Portraits.mp3" type="audio/mpeg" length="41794648"/>
      <itunes:subtitle>According to journalist, writer, and commentator Cokie Roberts, many of America's First Ladies were dynamic, politically engaged trailblazers who are often overlooked.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:duration>29:01</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[American Women]]>
      </category>
      <category>
        <![CDATA[Art History]]>
      </category>
      <category>
        <![CDATA[Cokie Roberts]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[National Portrait Gallery]]>
      </category>
      <category>
        <![CDATA[Portraiture]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Did you know that Martha Washington was essential to America’s Revolutionary War effort? Or that Eleanor Roosevelt was the driving force behind the United Nations’ Universal Declaration of Human Rights? According to journalist, writer, and commentator Cokie Roberts, many of America's First Ladies were dynamic, politically engaged trailblazers who are often overlooked. We sit down with the Smithsonian's National Portrait Gallery director, Kim Sajet, to talk about a recent episode of the museum’s new podcast, Portraits. In it, she and Cokie discuss four First Ladies who are remembered for their influence on American history. Note: As many of you have probably heard, Cokie Roberts passed away in the days since we originally recorded this episode. Our heart goes out to all of Cokie’s family, friends, and people like us who have enjoyed her work for decades. Portraits podcast website: <a href="https://npg.si.edu/podcasts">https://npg.si.edu/podcasts</a>Portraits of First Ladies featured in the episode:
Martha Washington <a href="https://npg.si.edu/object/npg_NPG.70.3">portrait</a>

Dolley Madison <a href="https://npg.si.edu/object/npg_NPG.74.6">portrait</a>

Eleanor Roosevelt <a href="https://npg.si.edu/blog/eleanor-roosevelt-global-citizen">portrait</a>

Nancy Reagan <a href="https://npg.si.edu/object/npg_NPG.88.TC160">portrait</a>

]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="41794648" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/150e0c9f-ec09-4115-a456-a021e0540d13/SidedoorS4_Ep8_Seg_1_Portraits.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5f314452-8541-443e-8e80-7c4cfe4ddc9a</guid>
      <title>Field Trip! </title>
      <pubDate>Wed, 04 Sep 2019 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5f314452-8541-443e-8e80-7c4cfe4ddc9a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor hits the road, sneaking behind the scenes for the ultimate Smithsonian field trip we never took as kids. Lizzie and producer Justin O'Neill journey by bike, train, and even horse (okay, plastic horse) in a romp from museum to museum, encountering a hungry predator, a group of Broadway monsters, the last work of an iconic painter, and lots more. Join us!</p><p>Links from the episode: </p><p><a href="https://www.freersackler.si.edu/hokusai-making-waves/"><strong>Hokusai's </strong><strong><em>Under the Wave off Kanagawa</em></strong><strong> (aka "The Great Wave") at the Freer Gallery</strong></a>  </p><p><a href="https://naturalhistory.si.edu/exhibits/o-orkin-insect-zoo"><strong>Tarantula Feedings at the National Museum of Natural History</strong></a></p><p><a href="https://americanart.si.edu/exhibitions/david-bests-temple"><strong>David Best's </strong><strong><em>Temple</em></strong><strong> at the Renwick Gallery</strong></a></p><p><a href="https://americanindian.si.edu/visit/washington/mitsitam-cafe"><strong>Mitsitam Café at the National Museum of the American Indian</strong></a></p><p><a href="https://siarchives.si.edu/blog/favorite-smithsonian-carousel"><strong>The Smithsonian Carousel</strong></a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5f314452-8541-443e-8e80-7c4cfe4ddc9a/SidedoorS4_Ep7_Seg_1_Field_Trip.mp3" type="audio/mpeg" length="40826226"/>
      <itunes:subtitle>Join us for the ultimate Smithsonian field trip we never took as kids. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:duration>28:21</itunes:duration>
      <category>
        <![CDATA[Avenue Q]]>
      </category>
      <category>
        <![CDATA[Back to School]]>
      </category>
      <category>
        <![CDATA[Freer and Sackler Galleries]]>
      </category>
      <category>
        <![CDATA[National Museum of American History]]>
      </category>
      <category>
        <![CDATA[National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[National Museum of the American Indian]]>
      </category>
      <category>
        <![CDATA[Sesame Street]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Washington, DC]]>
      </category>
      <category>
        <![CDATA[tarantula]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor hits the road, sneaking behind the scenes for the ultimate Smithsonian field trip we never took as kids. Lizzie and producer Justin O'Neill journey by bike, train, and even horse (okay, plastic horse) in a romp from museum to museum, encountering a hungry predator, a group of Broadway monsters, the last work of an iconic painter, and lots more. Join us!Links from the episode: <a href="https://www.freersackler.si.edu/hokusai-making-waves/">Hokusai's Under the Wave off Kanagawa (aka "The Great Wave") at the Freer Gallery</a>  <a href="https://naturalhistory.si.edu/exhibits/o-orkin-insect-zoo">Tarantula Feedings at the National Museum of Natural History</a><a href="https://americanart.si.edu/exhibitions/david-bests-temple">David Best's Temple at the Renwick Gallery</a><a href="https://americanindian.si.edu/visit/washington/mitsitam-cafe">Mitsitam Café at the National Museum of the American Indian</a><a href="https://siarchives.si.edu/blog/favorite-smithsonian-carousel">The Smithsonian Carousel</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="40826226" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5f314452-8541-443e-8e80-7c4cfe4ddc9a/SidedoorS4_Ep7_Seg_1_Field_Trip.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5f89fb55-ea04-416c-a916-12b5f62678ba</guid>
      <title>Memory, Myth &amp; Miniatures</title>
      <pubDate>Wed, 21 Aug 2019 11:36:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5f89fb55-ea04-416c-a916-12b5f62678ba&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>David Levinthal is a New York-based artist whose photography depicts “the America that never was but always will be.” He uses toys to recreate iconic moments in American history and pop culture, encouraging his audience to question America’s collective memory. Sidedoor visits Levinthal in his studio, and an exhibition of his work at the Smithsonian American Art Museum titled “American Myth &amp; Memory: David Levinthal Photographs” to explore the distinction between fact and fable.<br> <br> <a href="https://www.si.edu/sidedoor/ep-6-memory-myth-and-miniatures"><strong>Click here</strong></a> to see the images we discuss in the episode.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5f89fb55-ea04-416c-a916-12b5f62678ba/SidedoorS4_Ep6_Seg_1_Levinthal_Toys.mp3" type="audio/mpeg" length="33547098"/>
      <itunes:subtitle>One artist photographs popular American myths using toys to hint at the facts behind the fiction</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:duration>23:17</itunes:duration>
      <category>
        <![CDATA[American history]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[art]]>
      </category>
      <category>
        <![CDATA[artist]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[photography]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[David Levinthal is a New York-based artist whose photography depicts “the America that never was but always will be.” He uses toys to recreate iconic moments in American history and pop culture, encouraging his audience to question America’s collective memory. Sidedoor visits Levinthal in his studio, and an exhibition of his work at the Smithsonian American Art Museum titled “American Myth &amp; Memory: David Levinthal Photographs” to explore the distinction between fact and fable.  <a href="https://www.si.edu/sidedoor/ep-6-memory-myth-and-miniatures">Click here</a> to see the images we discuss in the episode.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="33547098" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5f89fb55-ea04-416c-a916-12b5f62678ba/SidedoorS4_Ep6_Seg_1_Levinthal_Toys.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_3fd4adc4-ac23-4895-a121-e81048a62978</guid>
      <title>The Wild Orchid Mystery </title>
      <pubDate>Wed, 07 Aug 2019 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_3fd4adc4-ac23-4895-a121-e81048a62978&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>You probably know orchids as the big, colorful flowers found in grocery stores and given as housewarming gifts. But those tropical beauties represent only a fraction of the estimated 25,000 orchid species worldwide. While their showy relatives fly off the shelves, North America’s more understated native orchids are disappearing in the wild. Scientists at the Smithsonian Environmental Research Center are working to protect these orchids and their habitats, but first they need to solve a surprisingly difficult problem: how to grow one.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3fd4adc4-ac23-4895-a121-e81048a62978/SidedoorS4_Ep5_Seg1_Orchid_Fungus.mp3" type="audio/mpeg" length="33013746"/>
      <itunes:subtitle>While their showy relatives fly off the shelves, North America’s more understated native orchids are disappearing in the wild. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:duration>22:55</itunes:duration>
      <category>
        <![CDATA[Environment]]>
      </category>
      <category>
        <![CDATA[Orchids]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[conservation]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[You probably know orchids as the big, colorful flowers found in grocery stores and given as housewarming gifts. But those tropical beauties represent only a fraction of the estimated 25,000 orchid species worldwide. While their showy relatives fly off the shelves, North America’s more understated native orchids are disappearing in the wild. Scientists at the Smithsonian Environmental Research Center are working to protect these orchids and their habitats, but first they need to solve a surprisingly difficult problem: how to grow one.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="33013746" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3fd4adc4-ac23-4895-a121-e81048a62978/SidedoorS4_Ep5_Seg1_Orchid_Fungus.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_8196b109-56fc-4f6f-8850-46722d5689df</guid>
      <title>Things You'd Never Tell Your Parents</title>
      <pubDate>Wed, 24 Jul 2019 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_8196b109-56fc-4f6f-8850-46722d5689df&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Regie Cabico has been called the "Lady Gaga of Spoken Word poetry"—he's outspoken, provocative and iconoclastic. The son of Filipino immigrants living in rural Maryland, Regie says he’ll never be “entirely American or entirely Filipino,” and on stage he uses his poetry to explore identity, social issues, and (of course) love. Regie joins Sidedoor *in studio* for an exclusive live performance, and even offers some poetic cooking tips from the annals of American history.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8196b109-56fc-4f6f-8850-46722d5689df/SidedoorS4_Ep4_Seg1_Regie_Cabico_Slam_Poetry.mp3" type="audio/mpeg" length="28888406"/>
      <itunes:subtitle>Regie Cabico has been called the "Lady Gaga of Spoken Word poetry"—he's outspoken, provocative and iconoclastic. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:duration>20:03</itunes:duration>
      <category>
        <![CDATA[asian pacific american]]>
      </category>
      <category>
        <![CDATA[poetry]]>
      </category>
      <category>
        <![CDATA[regie cabico]]>
      </category>
      <category>
        <![CDATA[slam poetry]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Regie Cabico has been called the "Lady Gaga of Spoken Word poetry"—he's outspoken, provocative and iconoclastic. The son of Filipino immigrants living in rural Maryland, Regie says he’ll never be “entirely American or entirely Filipino,” and on stage he uses his poetry to explore identity, social issues, and (of course) love. Regie joins Sidedoor *in studio* for an exclusive live performance, and even offers some poetic cooking tips from the annals of American history.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="28888406" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8196b109-56fc-4f6f-8850-46722d5689df/SidedoorS4_Ep4_Seg1_Regie_Cabico_Slam_Poetry.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f2a97d7b-7457-4161-992c-6d4e58b75ede</guid>
      <title>Space Jocks &amp; Moon Rocks</title>
      <pubDate>Wed, 10 Jul 2019 04:02:16 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f2a97d7b-7457-4161-992c-6d4e58b75ede&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>When NASA’s Apollo 11 mission sent the first astronauts to the moon 50 years ago, there were many things we didn’t know. Like whether the moon’s surface would turn out to be a field of quicksand, if space germs would infect the astronauts, or what exactly the moon was made of. To commemorate the 50th anniversary of the Apollo 11 moon landing, we join forces with the National Air and Space Museum’s podcast, AirSpace, to explore the mysteries of lunar science: what we didn't know then, and what we still don't know today.</p><p>Listen to AirSpace, stories that defy gravity: <a href="https://airandspace.si.edu/learn/airspace-podcast"><strong>airandspace.si.edu/learn/airspace-podcast</strong></a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f2a97d7b-7457-4161-992c-6d4e58b75ede/SidedoorS4_Ep3_Seg1_Apollo_50th_Anniversary.mp3" type="audio/mpeg" length="38012356"/>
      <itunes:subtitle>When NASA’s Apollo 11 mission sent the first astronauts to the moon 50 years ago, there were many things we didn’t know.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:duration>26:23</itunes:duration>
      <category>
        <![CDATA[50th Anniversary]]>
      </category>
      <category>
        <![CDATA[Apollo]]>
      </category>
      <category>
        <![CDATA[Apollo 11]]>
      </category>
      <category>
        <![CDATA[Astronauts]]>
      </category>
      <category>
        <![CDATA[Moon]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[National Air and Space Museum]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Space]]>
      </category>
      <category>
        <![CDATA[Space Race]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[When NASA’s Apollo 11 mission sent the first astronauts to the moon 50 years ago, there were many things we didn’t know. Like whether the moon’s surface would turn out to be a field of quicksand, if space germs would infect the astronauts, or what exactly the moon was made of. To commemorate the 50th anniversary of the Apollo 11 moon landing, we join forces with the National Air and Space Museum’s podcast, AirSpace, to explore the mysteries of lunar science: what we didn't know then, and what we still don't know today.Listen to AirSpace, stories that defy gravity: <a href="https://airandspace.si.edu/learn/airspace-podcast">airandspace.si.edu/learn/airspace-podcast</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38012356" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f2a97d7b-7457-4161-992c-6d4e58b75ede/SidedoorS4_Ep3_Seg1_Apollo_50th_Anniversary.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_bcd8d2df-3ea6-4a51-a566-748913860312</guid>
      <title>The Worst Video Game Ever?</title>
      <pubDate>Wed, 26 Jun 2019 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_bcd8d2df-3ea6-4a51-a566-748913860312&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Deep within the National Museum of American History’s vaults is a battered Atari case containing what’s known as “the worst video game of all time.” The game is E.T. the Extra-Terrestrial, and it was so bad that not even the might of Steven Spielberg could save it. It was so loathsome that all remaining copies were buried deep in the desert. And it was so horrible that it’s blamed for the collapse of the American home video game industry in the early 1980s. This time on Sidedoor, we tell the story of just what went SO wrong with E.T.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/bcd8d2df-3ea6-4a51-a566-748913860312/SidedoorS4_Ep2_Seg1_ET_the_Video_Game.mp3" type="audio/mpeg" length="37166630"/>
      <itunes:subtitle>The game so horrible that it’s blamed for the collapse of the American home video game industry in the early 1980s.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:duration>25:48</itunes:duration>
      <category>
        <![CDATA[1980]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Atari]]>
      </category>
      <category>
        <![CDATA[ET]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[aliens]]>
      </category>
      <category>
        <![CDATA[platformer]]>
      </category>
      <category>
        <![CDATA[retro]]>
      </category>
      <category>
        <![CDATA[video game]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Deep within the National Museum of American History’s vaults is a battered Atari case containing what’s known as “the worst video game of all time.” The game is E.T. the Extra-Terrestrial, and it was so bad that not even the might of Steven Spielberg could save it. It was so loathsome that all remaining copies were buried deep in the desert. And it was so horrible that it’s blamed for the collapse of the American home video game industry in the early 1980s. This time on Sidedoor, we tell the story of just what went SO wrong with E.T.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37166630" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/bcd8d2df-3ea6-4a51-a566-748913860312/SidedoorS4_Ep2_Seg1_ET_the_Video_Game.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_4240dc1c-ad3d-4fae-846d-3713f075a6b0</guid>
      <title>The Dinosaur War</title>
      <pubDate>Wed, 12 Jun 2019 04:00:01 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_4240dc1c-ad3d-4fae-846d-3713f075a6b0&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Behind the fossilized teeth, bones, and claws displayed in the National Museum of Natural History’s new Fossil Hall is the story of two men and a nasty feud. During the paleontology boom of the late 1800s, scientists O.C. Marsh and Edward Cope went from good friends who named species after each other, to the bitterest of enemies who eventually ruined each other's lives and careers. Come for the dinos, stay for the grudges.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4240dc1c-ad3d-4fae-846d-3713f075a6b0/SidedoorS4_Ep1_Seg1_Dino_Wars.mp3" type="audio/mpeg" length="42545848"/>
      <itunes:subtitle>Come for the dinos, stay for the grudges. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:duration>29:32</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Behind the fossilized teeth, bones, and claws displayed in the National Museum of Natural History’s new Fossil Hall is the story of two men and a nasty feud. During the paleontology boom of the late 1800s, scientists O.C. Marsh and Edward Cope went from good friends who named species after each other, to the bitterest of enemies who eventually ruined each other's lives and careers. Come for the dinos, stay for the grudges.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42545848" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4240dc1c-ad3d-4fae-846d-3713f075a6b0/SidedoorS4_Ep1_Seg1_Dino_Wars.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_8040e3cf-c9bb-4f5d-b974-a1fafe3dac1a</guid>
      <title>Update: Meet the New Voice of Season Four!</title>
      <pubDate>Wed, 05 Jun 2019 04:01:59 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_8040e3cf-c9bb-4f5d-b974-a1fafe3dac1a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>With our fourth season’s launch quickly approaching, take a moment to meet the new voice of Sidedoor!</p><p>Season Four of the Smithsonian's Sidedoor podcast launches on June 12, 2019. Subscribe now!</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8040e3cf-c9bb-4f5d-b974-a1fafe3dac1a/Host_Hand_Off_4.mp3" type="audio/mpeg" length="3169822"/>
      <itunes:subtitle>Let us introduce you to someone! </itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:duration>02:12</itunes:duration>
      <category>
        <![CDATA[adfree]]>
      </category>
      <category>
        <![CDATA[debut]]>
      </category>
      <category>
        <![CDATA[host]]>
      </category>
      <category>
        <![CDATA[new season]]>
      </category>
      <category>
        <![CDATA[premiere]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[With our fourth season’s launch quickly approaching, take a moment to meet the new voice of Sidedoor!Season Four of the Smithsonian's Sidedoor podcast launches on June 12, 2019. Subscribe now!]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="3169822" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8040e3cf-c9bb-4f5d-b974-a1fafe3dac1a/Host_Hand_Off_4.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f8d21c2b-9073-49fc-b5b9-c77bacaa1ad7</guid>
      <title>Aloha, Y’all</title>
      <pubDate>Wed, 24 Apr 2019 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f8d21c2b-9073-49fc-b5b9-c77bacaa1ad7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Close your eyes and think of Hawaii. That sound you undoubtedly hear? Well, that’s the ocean. But that <em>other</em> sound floating on the breeze—that’s the steel guitar, an indigenous Hawaiian invention that has influenced country, blues, and rock music since the turn of the 20th century. This time on Sidedoor, we follow a familiar sound with an unexpected origin and learn how the steel guitar helped Hawaiians preserve their culture and change American popular music.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f8d21c2b-9073-49fc-b5b9-c77bacaa1ad7/SidedoorS3_Ep19_Seg_1_Hawaiian_Steel_Guitar.mp3" type="audio/mpeg" length="42309846"/>
      <itunes:subtitle>How a Hawaiian guitar changed music. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:22</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Close your eyes and think of Hawaii. That sound you undoubtedly hear? Well, that’s the ocean. But that other sound floating on the breeze—that’s the steel guitar, an indigenous Hawaiian invention that has influenced country, blues, and rock music since the turn of the 20th century. This time on Sidedoor, we follow a familiar sound with an unexpected origin and learn how the steel guitar helped Hawaiians preserve their culture and change American popular music.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42309846" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f8d21c2b-9073-49fc-b5b9-c77bacaa1ad7/SidedoorS3_Ep19_Seg_1_Hawaiian_Steel_Guitar.mp3"/>
      <content:encoded>
        <![CDATA[<p>Close your eyes and think of Hawaii. That sound you undoubtedly hear? Well, that’s the ocean. But that <em>other</em> sound floating on the breeze—that’s the steel guitar, an indigenous Hawaiian invention that has influenced country, blues, and rock music since the turn of the 20th century. This time on Sidedoor, we follow a familiar sound with an unexpected origin and learn how the steel guitar helped Hawaiians preserve their culture and change American popular music.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_83be6c24-69e8-4921-8bde-7925cdb82469</guid>
      <title>Good as Gold </title>
      <pubDate>Wed, 10 Apr 2019 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_83be6c24-69e8-4921-8bde-7925cdb82469&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Glittering treasures, gleaming coins, and eye-catching jewelry…gold can be all of these things, but in some parts of the world it's also an enduring link to the past. Gus Casely-Hayford, director of the Smithsonian’s National Museum of African Art, takes us on a journey through West Africa to learn how gold was the foundation for massive empires—and his own family—and how it continues shining brightly in West African culture today. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/83be6c24-69e8-4921-8bde-7925cdb82469/SidedoorS3_Ep18_Seg_1_Good_as_Gold.mp3" type="audio/mpeg" length="30442138"/>
      <itunes:subtitle>Glittering treasures, gleaming coins, and eye-catching jewelry…gold can be all of these things, but in some parts of the world it's also an enduring link to the past. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:08</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Glittering treasures, gleaming coins, and eye-catching jewelry…gold can be all of these things, but in some parts of the world it's also an enduring link to the past. Gus Casely-Hayford, director of the Smithsonian’s National Museum of African Art, takes us on a journey through West Africa to learn how gold was the foundation for massive empires—and his own family—and how it continues shining brightly in West African culture today. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="30442138" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/83be6c24-69e8-4921-8bde-7925cdb82469/SidedoorS3_Ep18_Seg_1_Good_as_Gold.mp3"/>
      <content:encoded>
        <![CDATA[<p>Glittering treasures, gleaming coins, and eye-catching jewelry…gold can be all of these things, but in some parts of the world it's also an enduring link to the past. Gus Casely-Hayford, director of the Smithsonian’s National Museum of African Art, takes us on a journey through West Africa to learn how gold was the foundation for massive empires—and his own family—and how it continues shining brightly in West African culture today. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_367ce84a-f217-44ce-a40f-fd13854c23f5</guid>
      <title>Abraham Lincoln: Prankster-in-Chief</title>
      <pubDate>Mon, 01 Apr 2019 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_367ce84a-f217-44ce-a40f-fd13854c23f5&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>We all know Abraham Lincoln, right? Well, we know one side of him—the grave-faced leader of a troubled country—but behind the face on the penny lies an unlikely jokester. This week, Sidedoor reveals the rascally side of our 16th president, and does it with a brand-new sound.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/367ce84a-f217-44ce-a40f-fd13854c23f5/SidedoorS3_Ep17_Seg_1_April_Fools_Abe.mp3" type="audio/mpeg" length="46909694"/>
      <itunes:subtitle>We all know Abraham Lincoln, right? Well, we know one side of him but behind the face on the penny lies an unlikely jokester. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>32:34</itunes:duration>
      <category>
        <![CDATA[adfree]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[We all know Abraham Lincoln, right? Well, we know one side of him—the grave-faced leader of a troubled country—but behind the face on the penny lies an unlikely jokester. This week, Sidedoor reveals the rascally side of our 16th president, and does it with a brand-new sound.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="46909694" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/367ce84a-f217-44ce-a40f-fd13854c23f5/SidedoorS3_Ep17_Seg_1_April_Fools_Abe.mp3"/>
      <content:encoded>
        <![CDATA[<p>We all know Abraham Lincoln, right? Well, we know one side of him—the grave-faced leader of a troubled country—but behind the face on the penny lies an unlikely jokester. This week, Sidedoor reveals the rascally side of our 16th president, and does it with a brand-new sound.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1efe193e-2098-4bd6-adbc-931e018c0d93</guid>
      <title>The Feather Detective </title>
      <pubDate>Wed, 27 Mar 2019 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1efe193e-2098-4bd6-adbc-931e018c0d93&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1960, investigators found dark bits of feather stuck inside a crashed airplane's engines. They needed someone to figure out what bird they belonged to—and how that bird took down a 110,000-pound plane. Enter Roxie Laybourne, a Smithsonian bird expert who not only answered that question, but also invented the science of using feathers to solve bird-related mysteries. This time on Sidedoor, we revisit some of Roxie's greatest cases and learn how she and her team helped keep the friendly skies friendly for both birds and people.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1efe193e-2098-4bd6-adbc-931e018c0d93/SidedoorS3_Ep16_Seg_1_Roxie_Laybourne.mp3" type="audio/mpeg" length="39124758"/>
      <itunes:subtitle>In 1960, investigators found dark bits of feather stuck inside a crashed airplane's engines. They needed someone to figure out what bird they belonged to—and how that bird took down a 110,000-pound plane. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:10</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1960, investigators found dark bits of feather stuck inside a crashed airplane's engines. They needed someone to figure out what bird they belonged to—and how that bird took down a 110,000-pound plane. Enter Roxie Laybourne, a Smithsonian bird expert who not only answered that question, but also invented the science of using feathers to solve bird-related mysteries. This time on Sidedoor, we revisit some of Roxie's greatest cases and learn how she and her team helped keep the friendly skies friendly for both birds and people.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39124758" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1efe193e-2098-4bd6-adbc-931e018c0d93/SidedoorS3_Ep16_Seg_1_Roxie_Laybourne.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1960, investigators found dark bits of feather stuck inside a crashed airplane's engines. They needed someone to figure out what bird they belonged to—and how that bird took down a 110,000-pound plane. Enter Roxie Laybourne, a Smithsonian bird expert who not only answered that question, but also invented the science of using feathers to solve bird-related mysteries. This time on Sidedoor, we revisit some of Roxie's greatest cases and learn how she and her team helped keep the friendly skies friendly for both birds and people.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a22fd6b6-12d5-446a-be7d-6f4cb97fedf4</guid>
      <title>Singing the Gender-Bending Blues</title>
      <pubDate>Wed, 13 Mar 2019 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a22fd6b6-12d5-446a-be7d-6f4cb97fedf4&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Gladys Bentley loved women, wore men's clothing, and sang bawdy songs that would make sailors blush...and did it openly in the 1920s and 1930s. This was long before the gay rights or the civil rights movements, yet Bentley became a darling of the Harlem Renaissance alongside icons like Langston Hughes and Josephine Baker. While her provocative performances kept her from becoming as well-known as her peers, they are exactly why she is being rediscovered—and admired—today. In celebration of Women's History Month, we follow the life of a trailblazer who was unapologetically herself at a time when she would’ve been acutely aware of the risks. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a22fd6b6-12d5-446a-be7d-6f4cb97fedf4/SidedoorS3_Ep15_Seg_1_Gladys_Bentley.mp3" type="audio/mpeg" length="38853074"/>
      <itunes:subtitle>Gladys Bentley loved women, wore men's clothing, and sang bawdy songs that would make sailors blush...and did it openly in the 1920s and 1930s.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:58</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Gladys Bentley loved women, wore men's clothing, and sang bawdy songs that would make sailors blush...and did it openly in the 1920s and 1930s. This was long before the gay rights or the civil rights movements, yet Bentley became a darling of the Harlem Renaissance alongside icons like Langston Hughes and Josephine Baker. While her provocative performances kept her from becoming as well-known as her peers, they are exactly why she is being rediscovered—and admired—today. In celebration of Women's History Month, we follow the life of a trailblazer who was unapologetically herself at a time when she would’ve been acutely aware of the risks. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38853074" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a22fd6b6-12d5-446a-be7d-6f4cb97fedf4/SidedoorS3_Ep15_Seg_1_Gladys_Bentley.mp3"/>
      <content:encoded>
        <![CDATA[<p>Gladys Bentley loved women, wore men's clothing, and sang bawdy songs that would make sailors blush...and did it openly in the 1920s and 1930s. This was long before the gay rights or the civil rights movements, yet Bentley became a darling of the Harlem Renaissance alongside icons like Langston Hughes and Josephine Baker. While her provocative performances kept her from becoming as well-known as her peers, they are exactly why she is being rediscovered—and admired—today. In celebration of Women's History Month, we follow the life of a trailblazer who was unapologetically herself at a time when she would’ve been acutely aware of the risks. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_fcfdfe6a-9b1c-40b5-abce-7be1ab072a25</guid>
      <title>The Silence of the Frogs</title>
      <pubDate>Wed, 27 Feb 2019 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_fcfdfe6a-9b1c-40b5-abce-7be1ab072a25&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the mid-1990s, investigators identified a mysterious and seemingly unstoppable killer. Its name? Chytrid. Its prey? Frogs. Since then, the disease has ravaged frog populations worldwide, and despite decades of research there’s <em>still</em> no cure. So, like modern-day Noahs, a group of Smithsonian researchers have resorted to a time-honored plan: building an ark…for amphibians. This time on Sidedoor, we travel to the Panamanian jungle to see how it's helping some endangered frogs avoid extinction.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fcfdfe6a-9b1c-40b5-abce-7be1ab072a25/SidedoorS3_Ep14_Seg_1_Panama_Frogs.mp3" type="audio/mpeg" length="37604830"/>
      <itunes:subtitle>In the mid-1990s, investigators identified a mysterious and seemingly unstoppable killer. Its name? Chytrid. Its prey? Frogs. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:06</itunes:duration>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[Panama]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[amphibians]]>
      </category>
      <category>
        <![CDATA[frogs]]>
      </category>
      <category>
        <![CDATA[research]]>
      </category>
      <category>
        <![CDATA[tropics]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the mid-1990s, investigators identified a mysterious and seemingly unstoppable killer. Its name? Chytrid. Its prey? Frogs. Since then, the disease has ravaged frog populations worldwide, and despite decades of research there’s still no cure. So, like modern-day Noahs, a group of Smithsonian researchers have resorted to a time-honored plan: building an ark…for amphibians. This time on Sidedoor, we travel to the Panamanian jungle to see how it's helping some endangered frogs avoid extinction.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37604830" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/fcfdfe6a-9b1c-40b5-abce-7be1ab072a25/SidedoorS3_Ep14_Seg_1_Panama_Frogs.mp3"/>
      <content:encoded>
        <![CDATA[<p>In the mid-1990s, investigators identified a mysterious and seemingly unstoppable killer. Its name? Chytrid. Its prey? Frogs. Since then, the disease has ravaged frog populations worldwide, and despite decades of research there’s <em>still</em> no cure. So, like modern-day Noahs, a group of Smithsonian researchers have resorted to a time-honored plan: building an ark…for amphibians. This time on Sidedoor, we travel to the Panamanian jungle to see how it's helping some endangered frogs avoid extinction.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_5ef23ead-5bdc-4937-9491-54dfe0bae377</guid>
      <title>Cheech Marin Gets Artsy</title>
      <pubDate>Wed, 13 Feb 2019 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_5ef23ead-5bdc-4937-9491-54dfe0bae377&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the 1970s and ’80s, Cheech Marin was famous for being half of the stoner comedy duo "Cheech and Chong." Today, he’s a passionate advocate for Chicano art and is raising awareness around a uniquely Mexican American aesthetic: rasquachismo. In this episode of Sidedoor, Cheech Marin is our guide to the wildly creative and ingenious world of rasquachismo—the Chicano art of working with what you've got.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5ef23ead-5bdc-4937-9491-54dfe0bae377/SidedoorS3_Ep13_Seg_1_Cheech_Chicano_Art.mp3" type="audio/mpeg" length="44361119"/>
      <itunes:subtitle>Cheech Marin is our guide to the wildly creative and ingenious world of rasquachismo—the Chicano art of working with what you've got.</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:24</itunes:duration>
      <category>
        <![CDATA[America]]>
      </category>
      <category>
        <![CDATA[American]]>
      </category>
      <category>
        <![CDATA[Cheech Marin]]>
      </category>
      <category>
        <![CDATA[Chicano]]>
      </category>
      <category>
        <![CDATA[Comedy]]>
      </category>
      <category>
        <![CDATA[Mexican American]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[art]]>
      </category>
      <category>
        <![CDATA[culture]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the 1970s and ’80s, Cheech Marin was famous for being half of the stoner comedy duo "Cheech and Chong." Today, he’s a passionate advocate for Chicano art and is raising awareness around a uniquely Mexican American aesthetic: rasquachismo. In this episode of Sidedoor, Cheech Marin is our guide to the wildly creative and ingenious world of rasquachismo—the Chicano art of working with what you've got.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="44361119" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/5ef23ead-5bdc-4937-9491-54dfe0bae377/SidedoorS3_Ep13_Seg_1_Cheech_Chicano_Art.mp3"/>
      <content:encoded>
        <![CDATA[<p>In the 1970s and ’80s, Cheech Marin was famous for being half of the stoner comedy duo "Cheech and Chong." Today, he’s a passionate advocate for Chicano art and is raising awareness around a uniquely Mexican American aesthetic: rasquachismo. In this episode of Sidedoor, Cheech Marin is our guide to the wildly creative and ingenious world of rasquachismo—the Chicano art of working with what you've got.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_41f02f05-ea59-43f3-b5a0-9196ef63bc5b</guid>
      <title>50 Shades of Gray Whales</title>
      <pubDate>Wed, 30 Jan 2019 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_41f02f05-ea59-43f3-b5a0-9196ef63bc5b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Happy New Year! We’re busy working on a new batch of Sidedoor episodes and while you wait, we wanted to re-share a story we like from the fall, just in case you missed it the first time around. From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination. And it makes sense—they're among the largest and most intelligent creatures to ever live on our planet. This time on Sidedoor, we’ll explore our surprising relationship with whales through the lens of one species: the gray whale. Once aggressively hunted and thought to be nearly extinct, they've rebounded to become one of the North Pacific’s most abundant whale species. So, what changed?</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/41f02f05-ea59-43f3-b5a0-9196ef63bc5b/SidedoorS3_Ep12_Seg_1_Grey_Whales_Rerun.mp3" type="audio/mpeg" length="36663952"/>
      <itunes:subtitle>From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:27</itunes:duration>
      <category>
        <![CDATA[Marine Biology]]>
      </category>
      <category>
        <![CDATA[National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[Paleobiology]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Whales]]>
      </category>
      <category>
        <![CDATA[climate change]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Happy New Year! We’re busy working on a new batch of Sidedoor episodes and while you wait, we wanted to re-share a story we like from the fall, just in case you missed it the first time around. From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination. And it makes sense—they're among the largest and most intelligent creatures to ever live on our planet. This time on Sidedoor, we’ll explore our surprising relationship with whales through the lens of one species: the gray whale. Once aggressively hunted and thought to be nearly extinct, they've rebounded to become one of the North Pacific’s most abundant whale species. So, what changed?]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="36663952" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/41f02f05-ea59-43f3-b5a0-9196ef63bc5b/SidedoorS3_Ep12_Seg_1_Grey_Whales_Rerun.mp3"/>
      <content:encoded>
        <![CDATA[<p>Happy New Year! We’re busy working on a new batch of Sidedoor episodes and while you wait, we wanted to re-share a story we like from the fall, just in case you missed it the first time around. From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination. And it makes sense—they're among the largest and most intelligent creatures to ever live on our planet. This time on Sidedoor, we’ll explore our surprising relationship with whales through the lens of one species: the gray whale. Once aggressively hunted and thought to be nearly extinct, they've rebounded to become one of the North Pacific’s most abundant whale species. So, what changed?</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c88aef2f-c9e7-4bdf-a7da-cce81e959f86</guid>
      <title>Amelia Earhart's Revolutionary Flight Club</title>
      <pubDate>Wed, 26 Dec 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c88aef2f-c9e7-4bdf-a7da-cce81e959f86&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>You know Amelia Earhart, but did you know she was just one of a daring group of women aviators who defied both expectations and gravity in the 1920s? They called themselves the Ninety-Nines, and they’re still flying today as an organization dedicated to the advancement of women pilots. This time on Sidedoor, we time-travel to the Roaring ‘20s to experience America's first official all-female air race, and then meet a modern-day Ninety-Nine who is ensuring that the legacy of Earhart and her fellow pilots continues to thrive.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c88aef2f-c9e7-4bdf-a7da-cce81e959f86/SidedoorS3_Ep11_Seg_1_The_99s.mp3" type="audio/mpeg" length="38365420"/>
      <itunes:subtitle>You know Amelia Earhart, but did you know she was just one of a daring group of women aviators who defied both expectations and gravity in the 1920s?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:38</itunes:duration>
      <category>
        <![CDATA[1920s]]>
      </category>
      <category>
        <![CDATA[Amelia Earhart]]>
      </category>
      <category>
        <![CDATA[Aviation]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[The Ninety Nines]]>
      </category>
      <category>
        <![CDATA[american history]]>
      </category>
      <category>
        <![CDATA[female]]>
      </category>
      <category>
        <![CDATA[flight]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[planes]]>
      </category>
      <category>
        <![CDATA[women]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[You know Amelia Earhart, but did you know she was just one of a daring group of women aviators who defied both expectations and gravity in the 1920s? They called themselves the Ninety-Nines, and they’re still flying today as an organization dedicated to the advancement of women pilots. This time on Sidedoor, we time-travel to the Roaring ‘20s to experience America's first official all-female air race, and then meet a modern-day Ninety-Nine who is ensuring that the legacy of Earhart and her fellow pilots continues to thrive.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38365420" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c88aef2f-c9e7-4bdf-a7da-cce81e959f86/SidedoorS3_Ep11_Seg_1_The_99s.mp3"/>
      <content:encoded>
        <![CDATA[<p>You know Amelia Earhart, but did you know she was just one of a daring group of women aviators who defied both expectations and gravity in the 1920s? They called themselves the Ninety-Nines, and they’re still flying today as an organization dedicated to the advancement of women pilots. This time on Sidedoor, we time-travel to the Roaring ‘20s to experience America's first official all-female air race, and then meet a modern-day Ninety-Nine who is ensuring that the legacy of Earhart and her fellow pilots continues to thrive.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_3cbd90df-3833-46dc-8125-cff8022a7a5c</guid>
      <title>Inventor, Photographer...Murderer</title>
      <pubDate>Wed, 12 Dec 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_3cbd90df-3833-46dc-8125-cff8022a7a5c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Meet Eadweard Muybridge, a pioneering and eccentric photographer from the 1800s whose work changed how people understood movement, and paved the way for the invention of motion pictures. But this inventor, artist, and showman also made a name for himself for something much less savory: murder. This time on Sidedoor, come for the ingenuity and stay for the scandal as we find out how a near-death experience, a handsome horse, and a rumored $25,000 bet helped Eadweard Muybridge change the course of photographic history.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3cbd90df-3833-46dc-8125-cff8022a7a5c/SidedoorS3_Ep10_Seg_1_Eadweard_Muybridge.mp3" type="audio/mpeg" length="39647468"/>
      <itunes:subtitle>This inventor, artist, and showman also made a name for himself for something much less savory: murder. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:31</itunes:duration>
      <category>
        <![CDATA[1800s]]>
      </category>
      <category>
        <![CDATA[Animation]]>
      </category>
      <category>
        <![CDATA[Archives]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Cameras]]>
      </category>
      <category>
        <![CDATA[Cinema]]>
      </category>
      <category>
        <![CDATA[Crime]]>
      </category>
      <category>
        <![CDATA[Film]]>
      </category>
      <category>
        <![CDATA[Gif]]>
      </category>
      <category>
        <![CDATA[Invention]]>
      </category>
      <category>
        <![CDATA[Inventor]]>
      </category>
      <category>
        <![CDATA[Photography]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Stop motion]]>
      </category>
      <category>
        <![CDATA[Technology]]>
      </category>
      <category>
        <![CDATA[Vintage]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Meet Eadweard Muybridge, a pioneering and eccentric photographer from the 1800s whose work changed how people understood movement, and paved the way for the invention of motion pictures. But this inventor, artist, and showman also made a name for himself for something much less savory: murder. This time on Sidedoor, come for the ingenuity and stay for the scandal as we find out how a near-death experience, a handsome horse, and a rumored $25,000 bet helped Eadweard Muybridge change the course of photographic history.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39647468" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3cbd90df-3833-46dc-8125-cff8022a7a5c/SidedoorS3_Ep10_Seg_1_Eadweard_Muybridge.mp3"/>
      <content:encoded>
        <![CDATA[<p>Meet Eadweard Muybridge, a pioneering and eccentric photographer from the 1800s whose work changed how people understood movement, and paved the way for the invention of motion pictures. But this inventor, artist, and showman also made a name for himself for something much less savory: murder. This time on Sidedoor, come for the ingenuity and stay for the scandal as we find out how a near-death experience, a handsome horse, and a rumored $25,000 bet helped Eadweard Muybridge change the course of photographic history.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_3765c74b-c630-455e-ab8e-dca6e75bcf86</guid>
      <title>This Color Is Who I Am  </title>
      <pubDate>Wed, 28 Nov 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_3765c74b-c630-455e-ab8e-dca6e75bcf86&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Artist Frank Holliday's social circle in the 1980s was a who's who of New York City cool: Andy Warhol, Cyndi Lauper, RuPaul, Keith Haring, and even Madonna. But Frank's odyssey through the art world also placed him at the center of an epidemic that would shake the entire country. In honor of World AIDS Day, Sidedoor takes a look at America's early HIV/AIDS Crisis through the eyes of an artist whose life and work were changed by it forever. </p>

<p>This episode features recordings from the <a href="https://www.aaa.si.edu/inside-the-archives/visual-arts-and-the-aids-epidemic-oral-history-project" rel="nofollow" target="_blank">"Visual Arts and the AIDS Epidemic" Oral History Project</a> produced by the Smithsonian’s Archives of American Art.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3765c74b-c630-455e-ab8e-dca6e75bcf86/SidedoorS3_Ep9_Seg_1_Frank_Holliday_new.mp3" type="audio/mpeg" length="39623054"/>
      <itunes:subtitle>Artist Frank Holliday's odyssey through the art world placed him at the center of an epidemic that would shake the entire country. </itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:30</itunes:duration>
      <category>
        <![CDATA[80s]]>
      </category>
      <category>
        <![CDATA[AIDS]]>
      </category>
      <category>
        <![CDATA[Frank Holliday]]>
      </category>
      <category>
        <![CDATA[HIV]]>
      </category>
      <category>
        <![CDATA[NYC]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[american history]]>
      </category>
      <category>
        <![CDATA[archives]]>
      </category>
      <category>
        <![CDATA[art]]>
      </category>
      <category>
        <![CDATA[art history]]>
      </category>
      <category>
        <![CDATA[epidemic]]>
      </category>
      <category>
        <![CDATA[oral history]]>
      </category>
      <category>
        <![CDATA[painting]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Artist Frank Holliday's social circle in the 1980s was a who's who of New York City cool: Andy Warhol, Cyndi Lauper, RuPaul, Keith Haring, and even Madonna. But Frank's odyssey through the art world also placed him at the center of an epidemic that would shake the entire country. In honor of World AIDS Day, Sidedoor takes a look at America's early HIV/AIDS Crisis through the eyes of an artist whose life and work were changed by it forever. 

This episode features recordings from the <a href="https://www.aaa.si.edu/inside-the-archives/visual-arts-and-the-aids-epidemic-oral-history-project" target="_blank">"Visual Arts and the AIDS Epidemic" Oral History Project</a> produced by the Smithsonian’s Archives of American Art.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39623054" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3765c74b-c630-455e-ab8e-dca6e75bcf86/SidedoorS3_Ep9_Seg_1_Frank_Holliday_new.mp3"/>
      <content:encoded>
        <![CDATA[<p>Artist Frank Holliday's social circle in the 1980s was a who's who of New York City cool: Andy Warhol, Cyndi Lauper, RuPaul, Keith Haring, and even Madonna. But Frank's odyssey through the art world also placed him at the center of an epidemic that would shake the entire country. In honor of World AIDS Day, Sidedoor takes a look at America's early HIV/AIDS Crisis through the eyes of an artist whose life and work were changed by it forever. </p>

<p>This episode features recordings from the <a href="https://www.aaa.si.edu/inside-the-archives/visual-arts-and-the-aids-epidemic-oral-history-project" rel="nofollow" target="_blank">"Visual Arts and the AIDS Epidemic" Oral History Project</a> produced by the Smithsonian’s Archives of American Art.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_dafa9de3-fd44-474b-8c05-7d700b2548b2</guid>
      <title>That Brunch in the Forest</title>
      <pubDate>Wed, 14 Nov 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_dafa9de3-fd44-474b-8c05-7d700b2548b2&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1621, a group of Pilgrims and Native Americans came together for a meal that many Americans call "The First Thanksgiving." But get this—it wasn't the first, and the meal itself wasn't so special either. The event was actually all but forgotten for hundreds of years…until it was dusted off to bolster the significance of a national holiday. This time on Sidedoor, we talk to Paul Chaat Smith, a curator at the Smithsonian's National Museum of the American Indian, to explore how much of what you think you know about Native Americans may be more fiction than fact.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dafa9de3-fd44-474b-8c05-7d700b2548b2/SidedoorS3_Ep8_Seg_1_Thanksgiving_1_.mp3" type="audio/mpeg" length="36466762"/>
      <itunes:subtitle>In 1621, a group of Pilgrims and Native Americans came together for a meal that many Americans call "The First Thanksgiving." But get this—it wasn't the first, and the meal itself wasn't so special either. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:19</itunes:duration>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Holidays]]>
      </category>
      <category>
        <![CDATA[Native Americans]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Thanksgiving]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1621, a group of Pilgrims and Native Americans came together for a meal that many Americans call "The First Thanksgiving." But get this—it wasn't the first, and the meal itself wasn't so special either. The event was actually all but forgotten for hundreds of years…until it was dusted off to bolster the significance of a national holiday. This time on Sidedoor, we talk to Paul Chaat Smith, a curator at the Smithsonian's National Museum of the American Indian, to explore how much of what you think you know about Native Americans may be more fiction than fact.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="36466762" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dafa9de3-fd44-474b-8c05-7d700b2548b2/SidedoorS3_Ep8_Seg_1_Thanksgiving_1_.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1621, a group of Pilgrims and Native Americans came together for a meal that many Americans call "The First Thanksgiving." But get this—it wasn't the first, and the meal itself wasn't so special either. The event was actually all but forgotten for hundreds of years…until it was dusted off to bolster the significance of a national holiday. This time on Sidedoor, we talk to Paul Chaat Smith, a curator at the Smithsonian's National Museum of the American Indian, to explore how much of what you think you know about Native Americans may be more fiction than fact.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c3bcea20-3d41-455d-8609-9b0421887ccb</guid>
      <title>Seriously Seeking Sasquatch</title>
      <pubDate>Wed, 31 Oct 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c3bcea20-3d41-455d-8609-9b0421887ccb&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Inside the Smithsonian’s National Museum of Natural history is the skeleton of Grover Krantz—an accomplished anthropologist, tenured professor…and diehard Bigfoot believer? As the first serious scientist to study the legendary creature, Krantz risked his career and reputation on a subject that many consider a joke. And while the museum remembers him as a man who loved science so much that he donated his body to it, another community remembers Krantz as a pioneer in the study of Sasquatch.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c3bcea20-3d41-455d-8609-9b0421887ccb/SidedoorS3_Ep7_Seg1_Bigfoot.mp3" type="audio/mpeg" length="37657414"/>
      <itunes:subtitle>As the first serious scientist to study Bigfoot, Grover Krantz risked his career and reputation on a subject that many consider a joke... </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:09</itunes:duration>
      <category>
        <![CDATA[Bigfoot]]>
      </category>
      <category>
        <![CDATA[Folklore]]>
      </category>
      <category>
        <![CDATA[Halloween]]>
      </category>
      <category>
        <![CDATA[Myth]]>
      </category>
      <category>
        <![CDATA[National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[Non-fiction]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Inside the Smithsonian’s National Museum of Natural history is the skeleton of Grover Krantz—an accomplished anthropologist, tenured professor…and diehard Bigfoot believer? As the first serious scientist to study the legendary creature, Krantz risked his career and reputation on a subject that many consider a joke. And while the museum remembers him as a man who loved science so much that he donated his body to it, another community remembers Krantz as a pioneer in the study of Sasquatch.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37657414" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c3bcea20-3d41-455d-8609-9b0421887ccb/SidedoorS3_Ep7_Seg1_Bigfoot.mp3"/>
      <content:encoded>
        <![CDATA[<p>Inside the Smithsonian’s National Museum of Natural history is the skeleton of Grover Krantz—an accomplished anthropologist, tenured professor…and diehard Bigfoot believer? As the first serious scientist to study the legendary creature, Krantz risked his career and reputation on a subject that many consider a joke. And while the museum remembers him as a man who loved science so much that he donated his body to it, another community remembers Krantz as a pioneer in the study of Sasquatch.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_b1121ac4-40df-40ac-a2bc-395655fb6daa</guid>
      <title>Slavery, Freedom &amp; Grandma’s House</title>
      <pubDate>Wed, 17 Oct 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_b1121ac4-40df-40ac-a2bc-395655fb6daa&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>What if you found out that your grandmother’s house was going on display at a museum? The. Whole. House. That’s what happened to the Meggett sisters, who grew up visiting, eating, and playing at their grandma’s tiny cabin in South Carolina, unaware that it was originally built to house enslaved people. This time on Sidedoor, we explore the house's unique journey from slave cabin to family home to its latest incarnation as a centerpiece at the National Museum of African American History and Culture.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b1121ac4-40df-40ac-a2bc-395655fb6daa/SidedoorS3_Ep6_Seg1_Slave_Cabin.mp3" type="audio/mpeg" length="31392406"/>
      <itunes:subtitle>What if you found out that your grandmother’s house was going on display at a museum? </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:48</itunes:duration>
      <category>
        <![CDATA[American]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[National Museum of African American History and Cultural]]>
      </category>
      <category>
        <![CDATA[Slavery]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[What if you found out that your grandmother’s house was going on display at a museum? The. Whole. House. That’s what happened to the Meggett sisters, who grew up visiting, eating, and playing at their grandma’s tiny cabin in South Carolina, unaware that it was originally built to house enslaved people. This time on Sidedoor, we explore the house's unique journey from slave cabin to family home to its latest incarnation as a centerpiece at the National Museum of African American History and Culture.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="31392406" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b1121ac4-40df-40ac-a2bc-395655fb6daa/SidedoorS3_Ep6_Seg1_Slave_Cabin.mp3"/>
      <content:encoded>
        <![CDATA[<p>What if you found out that your grandmother’s house was going on display at a museum? The. Whole. House. That’s what happened to the Meggett sisters, who grew up visiting, eating, and playing at their grandma’s tiny cabin in South Carolina, unaware that it was originally built to house enslaved people. This time on Sidedoor, we explore the house's unique journey from slave cabin to family home to its latest incarnation as a centerpiece at the National Museum of African American History and Culture.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a6045eda-7d4a-4f7b-b603-d601b95de601</guid>
      <title>50 Shades of Gray Whales</title>
      <pubDate>Wed, 03 Oct 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a6045eda-7d4a-4f7b-b603-d601b95de601&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination. And it makes sense—they're among the largest and most intelligent creatures to ever live on our planet. This time on Sidedoor, we’ll explore our surprising relationship with whales through the lens of one species: the gray whale. Once aggressively hunted and thought to be nearly extinct, they've rebounded to become one of the North Pacific’s most abundant whale species. So, what changed?</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a6045eda-7d4a-4f7b-b603-d601b95de601/SidedoorS3_Ep5_Seg1_Grey_Whales.mp3" type="audio/mpeg" length="35872688"/>
      <itunes:subtitle>From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:54</itunes:duration>
      <category>
        <![CDATA[Marine Biology]]>
      </category>
      <category>
        <![CDATA[National Museum of Natural History]]>
      </category>
      <category>
        <![CDATA[Paleobiology]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Whales]]>
      </category>
      <category>
        <![CDATA[climate change]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination. And it makes sense—they're among the largest and most intelligent creatures to ever live on our planet. This time on Sidedoor, we’ll explore our surprising relationship with whales through the lens of one species: the gray whale. Once aggressively hunted and thought to be nearly extinct, they've rebounded to become one of the North Pacific’s most abundant whale species. So, what changed?]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35872688" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a6045eda-7d4a-4f7b-b603-d601b95de601/SidedoorS3_Ep5_Seg1_Grey_Whales.mp3"/>
      <content:encoded>
        <![CDATA[<p>From 6,000-year-old cave paintings to silver screen stars in movies like Free Willy, whales have long captured the human imagination. And it makes sense—they're among the largest and most intelligent creatures to ever live on our planet. This time on Sidedoor, we’ll explore our surprising relationship with whales through the lens of one species: the gray whale. Once aggressively hunted and thought to be nearly extinct, they've rebounded to become one of the North Pacific’s most abundant whale species. So, what changed?</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_6f93ef3c-aac7-4238-9081-9205b4a5e582</guid>
      <title>Update: Passing the Mic!  </title>
      <pubDate>Mon, 01 Oct 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_6f93ef3c-aac7-4238-9081-9205b4a5e582&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Our dear host Tony Cohn is leaving *Sidedoor *to travel the world, so we want to take a minute to introduce you to the new voice of the show, Haleema Shah.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6f93ef3c-aac7-4238-9081-9205b4a5e582/Pass_the_Mic_Mini_Ep.mp3" type="audio/mpeg" length="3188602"/>
      <itunes:subtitle>We want to take a minute to introduce you to someone. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>02:12</itunes:duration>
      <category>
        <![CDATA[adfree]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Our dear host Tony Cohn is leaving *Sidedoor *to travel the world, so we want to take a minute to introduce you to the new voice of the show, Haleema Shah.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="3188602" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6f93ef3c-aac7-4238-9081-9205b4a5e582/Pass_the_Mic_Mini_Ep.mp3"/>
      <content:encoded>
        <![CDATA[<p>Our dear host Tony Cohn is leaving *Sidedoor *to travel the world, so we want to take a minute to introduce you to the new voice of the show, Haleema Shah.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1abaa896-fd78-4166-8fda-edd0813dadd7</guid>
      <title>A Right to the City </title>
      <pubDate>Wed, 19 Sep 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1abaa896-fd78-4166-8fda-edd0813dadd7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In Washington, D.C., the neighborhood of Anacostia was once dismissed as the wrong side of the river. Now, it is turning into a housing hotspot as the city sees an influx of newer, wealthier residents. It’s called gentrification, and the process has become a flashpoint from Houston to Harlem and beyond. We’ll explore this longtime fight for housing through an innovative community museum that empowers local residents—kids and adults—to tell the stories of these changing neighborhoods.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1abaa896-fd78-4166-8fda-edd0813dadd7/SidedoorS3_Ep4_Seg1_Anacostia_Museum.mp3" type="audio/mpeg" length="35641068"/>
      <itunes:subtitle>It’s called gentrification, and the process has become a flashpoint from Houston to Harlem and beyond.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:45</itunes:duration>
      <category>
        <![CDATA[African American]]>
      </category>
      <category>
        <![CDATA[Anacostia]]>
      </category>
      <category>
        <![CDATA[Black]]>
      </category>
      <category>
        <![CDATA[City]]>
      </category>
      <category>
        <![CDATA[City dweller]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <category>
        <![CDATA[Empower]]>
      </category>
      <category>
        <![CDATA[Gentrification]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Urban]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In Washington, D.C., the neighborhood of Anacostia was once dismissed as the wrong side of the river. Now, it is turning into a housing hotspot as the city sees an influx of newer, wealthier residents. It’s called gentrification, and the process has become a flashpoint from Houston to Harlem and beyond. We’ll explore this longtime fight for housing through an innovative community museum that empowers local residents—kids and adults—to tell the stories of these changing neighborhoods.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35641068" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1abaa896-fd78-4166-8fda-edd0813dadd7/SidedoorS3_Ep4_Seg1_Anacostia_Museum.mp3"/>
      <content:encoded>
        <![CDATA[<p>In Washington, D.C., the neighborhood of Anacostia was once dismissed as the wrong side of the river. Now, it is turning into a housing hotspot as the city sees an influx of newer, wealthier residents. It’s called gentrification, and the process has become a flashpoint from Houston to Harlem and beyond. We’ll explore this longtime fight for housing through an innovative community museum that empowers local residents—kids and adults—to tell the stories of these changing neighborhoods.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f135cf88-625c-47bc-a7c5-e43d82ef83ae</guid>
      <title>The World's Deadliest Animal</title>
      <pubDate>Wed, 05 Sep 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f135cf88-625c-47bc-a7c5-e43d82ef83ae&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The world’s deadliest animal isn’t the tiger, the snake, or even the alligator—it’s the mosquito. These tiny insects spread diseases that kill over 700,000 people each year. But what can we do to stop them? In search of solutions, host Tony Cohn travels around Panama with some well-equipped Smithsonian experts on the trail of this bloodthirsty, buzzing beast.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f135cf88-625c-47bc-a7c5-e43d82ef83ae/SidedoorS3_Ep3_Seg1_Panama_Mosquitoes.mp3" type="audio/mpeg" length="36284596"/>
      <itunes:subtitle>The world’s deadliest animal isn’t the tiger, the snake, or even the alligator—it’s the mosquito. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:11</itunes:duration>
      <category>
        <![CDATA[Panama]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Tropical Research Institute]]>
      </category>
      <category>
        <![CDATA[disease]]>
      </category>
      <category>
        <![CDATA[invasive species]]>
      </category>
      <category>
        <![CDATA[mosquitos]]>
      </category>
      <category>
        <![CDATA[science]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The world’s deadliest animal isn’t the tiger, the snake, or even the alligator—it’s the mosquito. These tiny insects spread diseases that kill over 700,000 people each year. But what can we do to stop them? In search of solutions, host Tony Cohn travels around Panama with some well-equipped Smithsonian experts on the trail of this bloodthirsty, buzzing beast.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="36284596" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f135cf88-625c-47bc-a7c5-e43d82ef83ae/SidedoorS3_Ep3_Seg1_Panama_Mosquitoes.mp3"/>
      <content:encoded>
        <![CDATA[<p>The world’s deadliest animal isn’t the tiger, the snake, or even the alligator—it’s the mosquito. These tiny insects spread diseases that kill over 700,000 people each year. But what can we do to stop them? In search of solutions, host Tony Cohn travels around Panama with some well-equipped Smithsonian experts on the trail of this bloodthirsty, buzzing beast.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_095921ec-7899-4edd-ad80-ff44aabfe76c</guid>
      <title>The Mystery Bones of Witch Hill</title>
      <pubDate>Wed, 22 Aug 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_095921ec-7899-4edd-ad80-ff44aabfe76c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>It begins a bit like a *Scooby Doo *episode: archaeologists digging at a place called “Witch Hill” discover mysterious human remains in an ancient trash heap. Who was this person? How’d they get there? Astonishingly, it would take 40 years to find out, and the story is way more surprising — and groundbreaking — than anyone could’ve ever imagined. So, grab your Scooby Snacks and join Sidedoor as we journey to the Smithsonian Tropical Research Institute in Panama to see these unusual bones firsthand and meet the “meddling kids” trying to solve a mystery 700 years in the making.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/095921ec-7899-4edd-ad80-ff44aabfe76c/SidedoorS3_Ep2_Seg1_Panama_Bone_Cancer.mp3" type="audio/mpeg" length="32007764"/>
      <itunes:subtitle>Smithsonian archaeologists make a remarkable discovery from a dig in Western Panama.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>22:13</itunes:duration>
      <category>
        <![CDATA[archeology]]>
      </category>
      <category>
        <![CDATA[bones]]>
      </category>
      <category>
        <![CDATA[panama]]>
      </category>
      <category>
        <![CDATA[research]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <category>
        <![CDATA[tropical]]>
      </category>
      <category>
        <![CDATA[witch]]>
      </category>
      <category>
        <![CDATA[witch hill]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[It begins a bit like a *Scooby Doo *episode: archaeologists digging at a place called “Witch Hill” discover mysterious human remains in an ancient trash heap. Who was this person? How’d they get there? Astonishingly, it would take 40 years to find out, and the story is way more surprising — and groundbreaking — than anyone could’ve ever imagined. So, grab your Scooby Snacks and join Sidedoor as we journey to the Smithsonian Tropical Research Institute in Panama to see these unusual bones firsthand and meet the “meddling kids” trying to solve a mystery 700 years in the making.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="32007764" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/095921ec-7899-4edd-ad80-ff44aabfe76c/SidedoorS3_Ep2_Seg1_Panama_Bone_Cancer.mp3"/>
      <content:encoded>
        <![CDATA[<p>It begins a bit like a *Scooby Doo *episode: archaeologists digging at a place called “Witch Hill” discover mysterious human remains in an ancient trash heap. Who was this person? How’d they get there? Astonishingly, it would take 40 years to find out, and the story is way more surprising — and groundbreaking — than anyone could’ve ever imagined. So, grab your Scooby Snacks and join Sidedoor as we journey to the Smithsonian Tropical Research Institute in Panama to see these unusual bones firsthand and meet the “meddling kids” trying to solve a mystery 700 years in the making.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_b49d16a4-f639-4847-8ecd-bb488ab9681c</guid>
      <title>The Curse of the Hope Diamond</title>
      <pubDate>Wed, 08 Aug 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_b49d16a4-f639-4847-8ecd-bb488ab9681c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The Hope Diamond is one of the most iconic items in the Smithsonian's collections, but this glittering gem is rumored to have a dark side. French monarchs, an heiress, and at least one unlucky postman have met misfortune after possessing it—though does that really constitute a curse? This time on Sidedoor, we track the lore of this notorious gem through the centuries, from southern India, through the French Revolution, and across the Atlantic Ocean to its current home at the National Museum of Natural History, to find out for ourselves.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b49d16a4-f639-4847-8ecd-bb488ab9681c/SidedoorS3_Ep1_Seg1_Hope_Diamond.mp3" type="audio/mpeg" length="39328208"/>
      <itunes:subtitle>The Hope Diamond is one of the most iconic items in the Smithsonian's collections, but this glittering gem is rumored to have a dark side. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:18</itunes:duration>
      <category>
        <![CDATA[Curse]]>
      </category>
      <category>
        <![CDATA[Gems]]>
      </category>
      <category>
        <![CDATA[Geology]]>
      </category>
      <category>
        <![CDATA[Jewelry]]>
      </category>
      <category>
        <![CDATA[Minerals]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Winston]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The Hope Diamond is one of the most iconic items in the Smithsonian's collections, but this glittering gem is rumored to have a dark side. French monarchs, an heiress, and at least one unlucky postman have met misfortune after possessing it—though does that really constitute a curse? This time on Sidedoor, we track the lore of this notorious gem through the centuries, from southern India, through the French Revolution, and across the Atlantic Ocean to its current home at the National Museum of Natural History, to find out for ourselves.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39328208" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b49d16a4-f639-4847-8ecd-bb488ab9681c/SidedoorS3_Ep1_Seg1_Hope_Diamond.mp3"/>
      <content:encoded>
        <![CDATA[<p>The Hope Diamond is one of the most iconic items in the Smithsonian's collections, but this glittering gem is rumored to have a dark side. French monarchs, an heiress, and at least one unlucky postman have met misfortune after possessing it—though does that really constitute a curse? This time on Sidedoor, we track the lore of this notorious gem through the centuries, from southern India, through the French Revolution, and across the Atlantic Ocean to its current home at the National Museum of Natural History, to find out for ourselves.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_b7da5d43-ff34-4ef6-bdb3-f08ddda84438</guid>
      <title>Season Three Update!</title>
      <pubDate>Thu, 02 Aug 2018 17:34:43 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_b7da5d43-ff34-4ef6-bdb3-f08ddda84438&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Tony sneaks away from the mosquitoes and frogs of Panama to make a special announcement: Sidedoor<br> season three launches on Wednesday, August 8! Get ready for even more amazing<br> stories from every corner of the Smithsonian. Pro tip: subscribe today to receive new episodes before anyone<br> else, including our upcoming season premiere, "The Curse of the Hope Diamond."  </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b7da5d43-ff34-4ef6-bdb3-f08ddda84438/S3_Promo_Final.mp3" type="audio/mpeg" length="1892782"/>
      <itunes:subtitle>Tony sneaks away from the mosquitoes and frogs of Panama to make a special announcement. </itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:duration>01:18</itunes:duration>
      <category>
        <![CDATA[Smithsonian; Sidedoor]]>
      </category>
      <category>
        <![CDATA[Teaser]]>
      </category>
      <category>
        <![CDATA[Update]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Tony sneaks away from the mosquitoes and frogs of Panama to make a special announcement: Sidedoor season three launches on Wednesday, August 8! Get ready for even more amazing stories from every corner of the Smithsonian. Pro tip: subscribe today to receive new episodes before anyone else, including our upcoming season premiere, "The Curse of the Hope Diamond."  ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="1892782" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b7da5d43-ff34-4ef6-bdb3-f08ddda84438/S3_Promo_Final.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_3f70dfb3-6d5a-4959-a331-cdd7850eb652</guid>
      <title>Red, White and Brew</title>
      <pubDate>Wed, 04 Jul 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_3f70dfb3-6d5a-4959-a331-cdd7850eb652&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>How much do you know about the history of American home brewing? In this episode of Sidedoor you'll meet the Smithsonian's first brewing historian, Theresa McCulla, and learn about the role of women, enslaved people, and immigrants in the country's complex—and often surprising—relationship with beer. You'll also meet a new wave of brewers who are working to craft some flavorful history of their own. (Originally broadcast date: July 4th, 2017)</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3f70dfb3-6d5a-4959-a331-cdd7850eb652/Sidedoor29_Seg1_Red_White_Brew_Rerun.mp3" type="audio/mpeg" length="36760982"/>
      <itunes:subtitle>Hop into America’s brewing pot, past and present.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:31</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Beer]]>
      </category>
      <category>
        <![CDATA[Beer Historian]]>
      </category>
      <category>
        <![CDATA[Brew]]>
      </category>
      <category>
        <![CDATA[Brewing]]>
      </category>
      <category>
        <![CDATA[Diversity]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Homebrew]]>
      </category>
      <category>
        <![CDATA[Hops]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian American History Museum]]>
      </category>
      <category>
        <![CDATA[Women]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[How much do you know about the history of American home brewing? In this episode of Sidedoor you'll meet the Smithsonian's first brewing historian, Theresa McCulla, and learn about the role of women, enslaved people, and immigrants in the country's complex—and often surprising—relationship with beer. You'll also meet a new wave of brewers who are working to craft some flavorful history of their own. (Originally broadcast date: July 4th, 2017)]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="36760982" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/3f70dfb3-6d5a-4959-a331-cdd7850eb652/Sidedoor29_Seg1_Red_White_Brew_Rerun.mp3"/>
      <content:encoded>
        <![CDATA[<p>How much do you know about the history of American home brewing? In this episode of Sidedoor you'll meet the Smithsonian's first brewing historian, Theresa McCulla, and learn about the role of women, enslaved people, and immigrants in the country's complex—and often surprising—relationship with beer. You'll also meet a new wave of brewers who are working to craft some flavorful history of their own. (Originally broadcast date: July 4th, 2017)</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_068dbbdb-2b0a-482c-862a-7fa3953e7b00</guid>
      <title>Discovering the World’s Oldest Winery</title>
      <pubDate>Wed, 27 Jun 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_068dbbdb-2b0a-482c-862a-7fa3953e7b00&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor host Tony Cohn gets the opportunity of a lifetime: fly to Armenia and crawl into a deep, dark cave in search of long-lost wine. But we’re not talking just any ol’ cabernet or sauvignon blanc: these 6,000-year-old wine remnants are evidence of the world's oldest winery. In this episode we ask, what can this ancient winery tell us about the earliest days of civilization, and could a thirst for wine be the reason why some ancient humans left behind their nomadic ways and settled down? (Original broadcast date: March 2018)  </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/068dbbdb-2b0a-482c-862a-7fa3953e7b00/Sidedoor28_Seg1_Armenia_Wine_Cave_Rerun.mp3" type="audio/mpeg" length="37602952"/>
      <itunes:subtitle>What can an ancient Armenian winery tell us about the earliest days of civilization?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:06</itunes:duration>
      <category>
        <![CDATA[Archeology]]>
      </category>
      <category>
        <![CDATA[Armenia]]>
      </category>
      <category>
        <![CDATA[Beverage]]>
      </category>
      <category>
        <![CDATA[Caves]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <category>
        <![CDATA[Folklife Festival]]>
      </category>
      <category>
        <![CDATA[Food]]>
      </category>
      <category>
        <![CDATA[Food History]]>
      </category>
      <category>
        <![CDATA[International]]>
      </category>
      <category>
        <![CDATA[Middle East]]>
      </category>
      <category>
        <![CDATA[Prehistoric]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Vineyard]]>
      </category>
      <category>
        <![CDATA[Wine]]>
      </category>
      <category>
        <![CDATA[Wine Making]]>
      </category>
      <category>
        <![CDATA[Winery]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor host Tony Cohn gets the opportunity of a lifetime: fly to Armenia and crawl into a deep, dark cave in search of long-lost wine. But we’re not talking just any ol’ cabernet or sauvignon blanc: these 6,000-year-old wine remnants are evidence of the world's oldest winery. In this episode we ask, what can this ancient winery tell us about the earliest days of civilization, and could a thirst for wine be the reason why some ancient humans left behind their nomadic ways and settled down? (Original broadcast date: March 2018)  ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37602952" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/068dbbdb-2b0a-482c-862a-7fa3953e7b00/Sidedoor28_Seg1_Armenia_Wine_Cave_Rerun.mp3"/>
      <content:encoded>
        <![CDATA[<p>Sidedoor host Tony Cohn gets the opportunity of a lifetime: fly to Armenia and crawl into a deep, dark cave in search of long-lost wine. But we’re not talking just any ol’ cabernet or sauvignon blanc: these 6,000-year-old wine remnants are evidence of the world's oldest winery. In this episode we ask, what can this ancient winery tell us about the earliest days of civilization, and could a thirst for wine be the reason why some ancient humans left behind their nomadic ways and settled down? (Original broadcast date: March 2018)  </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_38687731-98f8-4b57-8a3e-f23dceb3c167</guid>
      <title>Best of the Rest </title>
      <pubDate>Wed, 06 Jun 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_38687731-98f8-4b57-8a3e-f23dceb3c167&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Big Bird in space. Saving a multi-million-dollar painting. Smokey the *<strong>real</strong>* Bear. These are some of the stories we've been itching toshare, but didn’t have room for… until now. To close out Season 2, we’re serving up a few of our favorite Smithsonian “shorties,”plus we’ll check in with our most talked about characters from this past year. We’ll be back forSeason 3in August 2018! </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/38687731-98f8-4b57-8a3e-f23dceb3c167/Sidedoor27_Seg1_Best_of_the_Rest.mp3" type="audio/mpeg" length="44113352"/>
      <itunes:subtitle>To close out Season 2, we’re serving up a few of our favorite Smithsonian “shorties,”plus we’ll check in with our most talked about characters from this past year. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:38</itunes:duration>
      <category>
        <![CDATA[Air and Space]]>
      </category>
      <category>
        <![CDATA[Fiona the Hippo]]>
      </category>
      <category>
        <![CDATA[Kennicott]]>
      </category>
      <category>
        <![CDATA[NASA]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smokey the Bear]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Big Bird in space. Saving a multi-million-dollar painting. Smokey the *real* Bear. These are some of the stories we've been itching toshare, but didn’t have room for… until now. To close out Season 2, we’re serving up a few of our favorite Smithsonian “shorties,”plus we’ll check in with our most talked about characters from this past year. We’ll be back forSeason 3in August 2018! ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="44113352" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/38687731-98f8-4b57-8a3e-f23dceb3c167/Sidedoor27_Seg1_Best_of_the_Rest.mp3"/>
      <content:encoded>
        <![CDATA[<p>Big Bird in space. Saving a multi-million-dollar painting. Smokey the *<strong>real</strong>* Bear. These are some of the stories we've been itching toshare, but didn’t have room for… until now. To close out Season 2, we’re serving up a few of our favorite Smithsonian “shorties,”plus we’ll check in with our most talked about characters from this past year. We’ll be back forSeason 3in August 2018! </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_9d696bfd-0d0a-4844-b84d-ccd424abecf6</guid>
      <title>Don't Call Me Extinct </title>
      <pubDate>Wed, 23 May 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_9d696bfd-0d0a-4844-b84d-ccd424abecf6&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Extinct species don’t usually get a do-over…but don’t tell that to the scimitar-horned oryx. Erased from the wild for three decades, these desert antelope are back in the Central African country of Chad with a thriving herd of over a hundred individuals. But how did this happen? We visit the Smithsonian's National Zoo and Conservation Biology Institute and a remote animal reserve in the United Arab Emirates to reveal the twists and turns of this amazing comeback story.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9d696bfd-0d0a-4844-b84d-ccd424abecf6/Sidedoor26_Seg1_Oryx_Reintroduction.mp3" type="audio/mpeg" length="37322504"/>
      <itunes:subtitle>Extinct species don’t usually get a do-over…but don’t tell that to the scimitar-horned oryx. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:55</itunes:duration>
      <category>
        <![CDATA[Abu Dhabi]]>
      </category>
      <category>
        <![CDATA[Biology]]>
      </category>
      <category>
        <![CDATA[Chad]]>
      </category>
      <category>
        <![CDATA[Conservation]]>
      </category>
      <category>
        <![CDATA[Conservation Biology Institute]]>
      </category>
      <category>
        <![CDATA[Endangered]]>
      </category>
      <category>
        <![CDATA[Extinction]]>
      </category>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[Oryx]]>
      </category>
      <category>
        <![CDATA[Sahara]]>
      </category>
      <category>
        <![CDATA[Scimitar-horned oryx]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Species]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Extinct species don’t usually get a do-over…but don’t tell that to the scimitar-horned oryx. Erased from the wild for three decades, these desert antelope are back in the Central African country of Chad with a thriving herd of over a hundred individuals. But how did this happen? We visit the Smithsonian's National Zoo and Conservation Biology Institute and a remote animal reserve in the United Arab Emirates to reveal the twists and turns of this amazing comeback story.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="37322504" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/9d696bfd-0d0a-4844-b84d-ccd424abecf6/Sidedoor26_Seg1_Oryx_Reintroduction.mp3"/>
      <content:encoded>
        <![CDATA[<p>Extinct species don’t usually get a do-over…but don’t tell that to the scimitar-horned oryx. Erased from the wild for three decades, these desert antelope are back in the Central African country of Chad with a thriving herd of over a hundred individuals. But how did this happen? We visit the Smithsonian's National Zoo and Conservation Biology Institute and a remote animal reserve in the United Arab Emirates to reveal the twists and turns of this amazing comeback story.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_4b28cb95-46f5-4bbc-816a-e7355fc0d424</guid>
      <title>Cherokee Story Slam</title>
      <pubDate>Wed, 09 May 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_4b28cb95-46f5-4bbc-816a-e7355fc0d424&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Talking animals? A bag of fire ants? Secret dancing superpowers? In this episode, Robert Lewis, an acclaimed Cherokee storyteller, spins stories about a legendary troublemaker: Jistu the Rabbit. Along the way, we visit the Smithsonian's National Museum of the American Indian, exploring the power stories hold to keep people connected to their culture across time and geographic distance. Experience the transformative power of<br>
a good tale.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4b28cb95-46f5-4bbc-816a-e7355fc0d424/Sidedoor25_seg1_Cherokee_Storytelling.mp3" type="audio/mpeg" length="34559340"/>
      <itunes:subtitle>Explore the art of storytelling and the transformative power of a good tale with acclaimed Cherokee storyteller Robert Lewis. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>23:59</itunes:duration>
      <category>
        <![CDATA[National Museum of the American Indian]]>
      </category>
      <category>
        <![CDATA[Native]]>
      </category>
      <category>
        <![CDATA[Native American]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Stories]]>
      </category>
      <category>
        <![CDATA[Storytelling]]>
      </category>
      <category>
        <![CDATA[culture]]>
      </category>
      <category>
        <![CDATA[heritage]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[tale]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Talking animals? A bag of fire ants? Secret dancing superpowers? In this episode, Robert Lewis, an acclaimed Cherokee storyteller, spins stories about a legendary troublemaker: Jistu the Rabbit. Along the way, we visit the Smithsonian's National Museum of the American Indian, exploring the power stories hold to keep people connected to their culture across time and geographic distance. Experience the transformative power of
a good tale.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="34559340" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/4b28cb95-46f5-4bbc-816a-e7355fc0d424/Sidedoor25_seg1_Cherokee_Storytelling.mp3"/>
      <content:encoded>
        <![CDATA[<p>Talking animals? A bag of fire ants? Secret dancing superpowers? In this episode, Robert Lewis, an acclaimed Cherokee storyteller, spins stories about a legendary troublemaker: Jistu the Rabbit. Along the way, we visit the Smithsonian's National Museum of the American Indian, exploring the power stories hold to keep people connected to their culture across time and geographic distance. Experience the transformative power of<br>
a good tale.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_ed322bac-19db-465d-8347-2205e2ac31bb</guid>
      <title>Painting Michelle Obama</title>
      <pubDate>Wed, 25 Apr 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ed322bac-19db-465d-8347-2205e2ac31bb&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The day that Amy Sherald heard that she had been chosen to paint the official portrait of First Lady Michelle Obama, she called her mom to tell her the news, and then she told her dog. But soon after, the nerves set in. How was she going to create a portrait of one of the most iconic women in the world? In this episode of Sidedoor, we journey to Amy's studio to hear exactly how she captured the spirit of Michelle Obama in paint on canvas, and what she thinks of the reactions to her work.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ed322bac-19db-465d-8347-2205e2ac31bb/Sidedoor24_Seg1_Obama_Portrait.mp3" type="audio/mpeg" length="35994132"/>
      <itunes:subtitle>Journey to artist Amy Sherald's studio to hear exactly how she captured the spirit of Michelle Obama in paint on canvas.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:59</itunes:duration>
      <category>
        <![CDATA[American]]>
      </category>
      <category>
        <![CDATA[Amy Sherald]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Baltimore]]>
      </category>
      <category>
        <![CDATA[Contemporary]]>
      </category>
      <category>
        <![CDATA[First Lady]]>
      </category>
      <category>
        <![CDATA[Michelle Obama]]>
      </category>
      <category>
        <![CDATA[Modern Art]]>
      </category>
      <category>
        <![CDATA[National Portrait Gallery]]>
      </category>
      <category>
        <![CDATA[Obama]]>
      </category>
      <category>
        <![CDATA[Painting]]>
      </category>
      <category>
        <![CDATA[Portraiture]]>
      </category>
      <category>
        <![CDATA[Realism]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The day that Amy Sherald heard that she had been chosen to paint the official portrait of First Lady Michelle Obama, she called her mom to tell her the news, and then she told her dog. But soon after, the nerves set in. How was she going to create a portrait of one of the most iconic women in the world? In this episode of Sidedoor, we journey to Amy's studio to hear exactly how she captured the spirit of Michelle Obama in paint on canvas, and what she thinks of the reactions to her work.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35994132" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ed322bac-19db-465d-8347-2205e2ac31bb/Sidedoor24_Seg1_Obama_Portrait.mp3"/>
      <content:encoded>
        <![CDATA[<p>The day that Amy Sherald heard that she had been chosen to paint the official portrait of First Lady Michelle Obama, she called her mom to tell her the news, and then she told her dog. But soon after, the nerves set in. How was she going to create a portrait of one of the most iconic women in the world? In this episode of Sidedoor, we journey to Amy's studio to hear exactly how she captured the spirit of Michelle Obama in paint on canvas, and what she thinks of the reactions to her work.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_dafc48c1-248a-46d1-8d62-126d8510a663</guid>
      <title>Murder Is Her Hobby</title>
      <pubDate>Wed, 11 Apr 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_dafc48c1-248a-46d1-8d62-126d8510a663&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Over the past few weeks, we’ve been hard at work on a batch of stories you’re going to love. So this week, we're sharing one of our favorite eps from the fall. Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman. Using the skills that high-society ladies were expected to have -- like sewing, crafting, and knitting -- Frances revolutionized the male-dominated world of crime scene investigation. Her most celebrated contribution: 19 intricate dioramas depicting violent murder scenes. In this episode of Sidedoor, we'll explore Frances's morbid obsession, and discover why the Smithsonian's Renwick Gallery chose to put them on display.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dafc48c1-248a-46d1-8d62-126d8510a663/Sidedoor23_seg1_Nutshells_Rerun_new.mp3" type="audio/mpeg" length="36890564"/>
      <itunes:subtitle>Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:37</itunes:duration>
      <category>
        <![CDATA[20th century]]>
      </category>
      <category>
        <![CDATA[Baltimore]]>
      </category>
      <category>
        <![CDATA[Chicago]]>
      </category>
      <category>
        <![CDATA[Frances Lee Glessner]]>
      </category>
      <category>
        <![CDATA[Harvard]]>
      </category>
      <category>
        <![CDATA[Renwick]]>
      </category>
      <category>
        <![CDATA[Smithsonian American Art Museum]]>
      </category>
      <category>
        <![CDATA[Women's History]]>
      </category>
      <category>
        <![CDATA[crime]]>
      </category>
      <category>
        <![CDATA[forensics]]>
      </category>
      <category>
        <![CDATA[murder box]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Over the past few weeks, we’ve been hard at work on a batch of stories you’re going to love. So this week, we're sharing one of our favorite eps from the fall. Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman. Using the skills that high-society ladies were expected to have -- like sewing, crafting, and knitting -- Frances revolutionized the male-dominated world of crime scene investigation. Her most celebrated contribution: 19 intricate dioramas depicting violent murder scenes. In this episode of Sidedoor, we'll explore Frances's morbid obsession, and discover why the Smithsonian's Renwick Gallery chose to put them on display.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="36890564" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dafc48c1-248a-46d1-8d62-126d8510a663/Sidedoor23_seg1_Nutshells_Rerun_new.mp3"/>
      <content:encoded>
        <![CDATA[<p>Over the past few weeks, we’ve been hard at work on a batch of stories you’re going to love. So this week, we're sharing one of our favorite eps from the fall. Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman. Using the skills that high-society ladies were expected to have -- like sewing, crafting, and knitting -- Frances revolutionized the male-dominated world of crime scene investigation. Her most celebrated contribution: 19 intricate dioramas depicting violent murder scenes. In this episode of Sidedoor, we'll explore Frances's morbid obsession, and discover why the Smithsonian's Renwick Gallery chose to put them on display.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_17a6cf8a-3906-4a93-b4d1-e903fa0f4f48</guid>
      <title>A Crane with a Crush</title>
      <pubDate>Wed, 28 Mar 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_17a6cf8a-3906-4a93-b4d1-e903fa0f4f48&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Chris Crowe, an animal keeper for the Smithsonian, has an unlikely bond with Walnut, a female white-naped crane. Despite their obvious differences, she chose him as her mate. For Crowe, their relationship has high stakes: it impacts the future of an entire species. Venture with Sidedoor to the Smithsonian Conservation Biology Institute to meet this unconventional couple, and find out how their connection could be key to white-naped crane survival.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/17a6cf8a-3906-4a93-b4d1-e903fa0f4f48/Sidedoor21_Seg1_Crowe_the_Crane_Keeper.mp3" type="audio/mpeg" length="31677862"/>
      <itunes:subtitle>Chris Crowe, an animal keeper for the Smithsonian, has an unlikely bond with Walnut, a female white-naped crane. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:59</itunes:duration>
      <category>
        <![CDATA[Conservation]]>
      </category>
      <category>
        <![CDATA[Endangered]]>
      </category>
      <category>
        <![CDATA[Habitat]]>
      </category>
      <category>
        <![CDATA[National Zoo]]>
      </category>
      <category>
        <![CDATA[Ornithology]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Conservation Biology Institute]]>
      </category>
      <category>
        <![CDATA[Species]]>
      </category>
      <category>
        <![CDATA[biology]]>
      </category>
      <category>
        <![CDATA[bird]]>
      </category>
      <category>
        <![CDATA[crane]]>
      </category>
      <category>
        <![CDATA[science]]>
      </category>
      <category>
        <![CDATA[white-naped crane]]>
      </category>
      <category>
        <![CDATA[zoo keeper]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Chris Crowe, an animal keeper for the Smithsonian, has an unlikely bond with Walnut, a female white-naped crane. Despite their obvious differences, she chose him as her mate. For Crowe, their relationship has high stakes: it impacts the future of an entire species. Venture with Sidedoor to the Smithsonian Conservation Biology Institute to meet this unconventional couple, and find out how their connection could be key to white-naped crane survival.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="31677862" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/17a6cf8a-3906-4a93-b4d1-e903fa0f4f48/Sidedoor21_Seg1_Crowe_the_Crane_Keeper.mp3"/>
      <content:encoded>
        <![CDATA[<p>Chris Crowe, an animal keeper for the Smithsonian, has an unlikely bond with Walnut, a female white-naped crane. Despite their obvious differences, she chose him as her mate. For Crowe, their relationship has high stakes: it impacts the future of an entire species. Venture with Sidedoor to the Smithsonian Conservation Biology Institute to meet this unconventional couple, and find out how their connection could be key to white-naped crane survival.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_1d19e68b-5949-48ae-9466-eb13083a33a3</guid>
      <title>Discovering the World’s Oldest Winery</title>
      <pubDate>Wed, 14 Mar 2018 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_1d19e68b-5949-48ae-9466-eb13083a33a3&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor host Tony Cohn gets the opportunity of a lifetime: fly to Armenia and crawl into a deep, dark cave in search of lost wine. But we’re not talking just any ol’ cabernet or sauvignon blanc, these 6000-year-old remains are evidence of the world's oldest winery. In this episode, we ask: What can this ancient winery tell us about the earliest days of civilization, and could a thirst for wine be the reason why some ancient humans decided to settle down and stop being nomadic?</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1d19e68b-5949-48ae-9466-eb13083a33a3/Sidedoor20_Seg1_Armenia_Wine_Cave.mp3" type="audio/mpeg" length="36695252"/>
      <itunes:subtitle>What can an ancient Armenian winery tell us about the earliest days of civilization?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:28</itunes:duration>
      <category>
        <![CDATA[Archeology]]>
      </category>
      <category>
        <![CDATA[Armenia]]>
      </category>
      <category>
        <![CDATA[Beverage]]>
      </category>
      <category>
        <![CDATA[Caves]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <category>
        <![CDATA[Folklife Festival]]>
      </category>
      <category>
        <![CDATA[Food]]>
      </category>
      <category>
        <![CDATA[Food History]]>
      </category>
      <category>
        <![CDATA[International]]>
      </category>
      <category>
        <![CDATA[Middle East]]>
      </category>
      <category>
        <![CDATA[Prehistoric]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Vineyard]]>
      </category>
      <category>
        <![CDATA[Wine]]>
      </category>
      <category>
        <![CDATA[Wine Making]]>
      </category>
      <category>
        <![CDATA[Winery]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor host Tony Cohn gets the opportunity of a lifetime: fly to Armenia and crawl into a deep, dark cave in search of lost wine. But we’re not talking just any ol’ cabernet or sauvignon blanc, these 6000-year-old remains are evidence of the world's oldest winery. In this episode, we ask: What can this ancient winery tell us about the earliest days of civilization, and could a thirst for wine be the reason why some ancient humans decided to settle down and stop being nomadic?]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="36695252" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/1d19e68b-5949-48ae-9466-eb13083a33a3/Sidedoor20_Seg1_Armenia_Wine_Cave.mp3"/>
      <content:encoded>
        <![CDATA[<p>Sidedoor host Tony Cohn gets the opportunity of a lifetime: fly to Armenia and crawl into a deep, dark cave in search of lost wine. But we’re not talking just any ol’ cabernet or sauvignon blanc, these 6000-year-old remains are evidence of the world's oldest winery. In this episode, we ask: What can this ancient winery tell us about the earliest days of civilization, and could a thirst for wine be the reason why some ancient humans decided to settle down and stop being nomadic?</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f165c59c-d1db-4ad4-aee4-5ac9061b1d9a</guid>
      <title>America's First Food Spy</title>
      <pubDate>Wed, 28 Feb 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f165c59c-d1db-4ad4-aee4-5ac9061b1d9a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the 1800s, the American diet was mostly made up of meats, potatoes, cheese, and perhaps the occasional green bean. Fruits and other veggies? Not so much. But that all changed thanks to a group of 19th century food spies – globe-trotting scientists and explorers who sought exotic crops to enhance America’s diet and help grow the economy. A pioneer among them was David Fairchild, who nabbed avocados from Chile, kale from Croatia, mangoes from India, and much more. In this episode, we learn about Fairchild's remarkable adventures and take a surprise trip to the Smithsonian archives to uncover a rare piece of food spy history.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f165c59c-d1db-4ad4-aee4-5ac9061b1d9a/Sidedoor19_Seg1_Food_Spy.mp3" type="audio/mpeg" length="31532316"/>
      <itunes:subtitle>An adventure with America's first food spy, David Fairchild.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:16</itunes:duration>
      <category>
        <![CDATA[Bananas]]>
      </category>
      <category>
        <![CDATA[Dan Stone]]>
      </category>
      <category>
        <![CDATA[David Fairchild]]>
      </category>
      <category>
        <![CDATA[Food]]>
      </category>
      <category>
        <![CDATA[Food Spy]]>
      </category>
      <category>
        <![CDATA[Food Stories]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Lemon]]>
      </category>
      <category>
        <![CDATA[Local Food]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Archives]]>
      </category>
      <category>
        <![CDATA[early exploration]]>
      </category>
      <category>
        <![CDATA[economy]]>
      </category>
      <category>
        <![CDATA[exotic crops]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the 1800s, the American diet was mostly made up of meats, potatoes, cheese, and perhaps the occasional green bean. Fruits and other veggies? Not so much. But that all changed thanks to a group of 19th century food spies – globe-trotting scientists and explorers who sought exotic crops to enhance America’s diet and help grow the economy. A pioneer among them was David Fairchild, who nabbed avocados from Chile, kale from Croatia, mangoes from India, and much more. In this episode, we learn about Fairchild's remarkable adventures and take a surprise trip to the Smithsonian archives to uncover a rare piece of food spy history.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="31532316" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f165c59c-d1db-4ad4-aee4-5ac9061b1d9a/Sidedoor19_Seg1_Food_Spy.mp3"/>
      <content:encoded>
        <![CDATA[<p>In the 1800s, the American diet was mostly made up of meats, potatoes, cheese, and perhaps the occasional green bean. Fruits and other veggies? Not so much. But that all changed thanks to a group of 19th century food spies – globe-trotting scientists and explorers who sought exotic crops to enhance America’s diet and help grow the economy. A pioneer among them was David Fairchild, who nabbed avocados from Chile, kale from Croatia, mangoes from India, and much more. In this episode, we learn about Fairchild's remarkable adventures and take a surprise trip to the Smithsonian archives to uncover a rare piece of food spy history.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f8f9cb85-deb8-4fa7-8fb9-547f25f2acf4</guid>
      <title>Killer Viruses and One Man's Mission to Stop Them</title>
      <pubDate>Wed, 14 Feb 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f8f9cb85-deb8-4fa7-8fb9-547f25f2acf4&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. This week on Sidedoor, we go back to a time when the viruses were winning, and we remember one man, Dr. Maurice Hilleman, whose vaccine virtuosity helped turn the tide in the war against infectious diseases.</p>

<p>Special thanks to our sponsor, Empty Frames.  Search and subscribe to Empty Frames today on Apple Podcasts or your favorite listening destination.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f8f9cb85-deb8-4fa7-8fb9-547f25f2acf4/Sidedoor18_Seg1_Hilleman_Vaccines.mp3" type="audio/mpeg" length="31028700"/>
      <itunes:subtitle>At a time when viruses were winning, Dr. Maurice Hilleman's vaccines helped turn the tide in the war against infectious diseases.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:32</itunes:duration>
      <category>
        <![CDATA[1918]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Dr. Maurice Hilleman]]>
      </category>
      <category>
        <![CDATA[Flu]]>
      </category>
      <category>
        <![CDATA[Flu Shot]]>
      </category>
      <category>
        <![CDATA[Influenza]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Pandemic]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Shots]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian American History Museum]]>
      </category>
      <category>
        <![CDATA[Vaccination]]>
      </category>
      <category>
        <![CDATA[Viruses]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. This week on Sidedoor, we go back to a time when the viruses were winning, and we remember one man, Dr. Maurice Hilleman, whose vaccine virtuosity helped turn the tide in the war against infectious diseases.

Special thanks to our sponsor, Empty Frames.  Search and subscribe to Empty Frames today on Apple Podcasts or your favorite listening destination.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="31028700" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f8f9cb85-deb8-4fa7-8fb9-547f25f2acf4/Sidedoor18_Seg1_Hilleman_Vaccines.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. This week on Sidedoor, we go back to a time when the viruses were winning, and we remember one man, Dr. Maurice Hilleman, whose vaccine virtuosity helped turn the tide in the war against infectious diseases.</p>

<p>Special thanks to our sponsor, Empty Frames.  Search and subscribe to Empty Frames today on Apple Podcasts or your favorite listening destination.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_dc8dd15d-a991-4687-9dee-f113d114a625</guid>
      <title>Enslaved and Muslim in Early America </title>
      <pubDate>Wed, 31 Jan 2018 15:49:57 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_dc8dd15d-a991-4687-9dee-f113d114a625&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Today, the US population is about 1% Muslim, but in the late 1700s that number was likely closer to 5%. Who were these early Muslim-Americans, where did they go, and why didn’t we all learn about them in school? In this episode, we search for American history's missing Muslims, and explore their experience though the words of Omar ibn Said, an enslaved Muslim man in North Carolina whose one-of-a-kind autobiography still resonates today.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dc8dd15d-a991-4687-9dee-f113d114a625/Sidedoor17_Seg1_OmarIbnSaid.mp3" type="audio/mpeg" length="35742246"/>
      <itunes:subtitle>Today, the US is about 1% Muslim, but in the late 1700s, that number was likely closer to 5%. Who were these early American Muslims and where did they go?</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:47</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Arabic]]>
      </category>
      <category>
        <![CDATA[Autobiography]]>
      </category>
      <category>
        <![CDATA[Enslaved]]>
      </category>
      <category>
        <![CDATA[Fayetteville]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Mosque]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Muslim]]>
      </category>
      <category>
        <![CDATA[North Carolina]]>
      </category>
      <category>
        <![CDATA[Omar ibn Said]]>
      </category>
      <category>
        <![CDATA[Religion]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian American History Museum]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Today, the US population is about 1% Muslim, but in the late 1700s that number was likely closer to 5%. Who were these early Muslim-Americans, where did they go, and why didn’t we all learn about them in school? In this episode, we search for American history's missing Muslims, and explore their experience though the words of Omar ibn Said, an enslaved Muslim man in North Carolina whose one-of-a-kind autobiography still resonates today.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35742246" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dc8dd15d-a991-4687-9dee-f113d114a625/Sidedoor17_Seg1_OmarIbnSaid.mp3"/>
      <content:encoded>
        <![CDATA[<p>Today, the US population is about 1% Muslim, but in the late 1700s that number was likely closer to 5%. Who were these early Muslim-Americans, where did they go, and why didn’t we all learn about them in school? In this episode, we search for American history's missing Muslims, and explore their experience though the words of Omar ibn Said, an enslaved Muslim man in North Carolina whose one-of-a-kind autobiography still resonates today.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c781353a-f56b-4701-8ba2-8ecf3a5a446a</guid>
      <title>Sidedoor Presents: AirSpace</title>
      <pubDate>Wed, 17 Jan 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c781353a-f56b-4701-8ba2-8ecf3a5a446a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Join <em>Sidedoor</em> in welcoming <em>AirSpace,</em> a new gravity-defying podcast from the Smithsonian’s National Air and Space Museum. Hosts Emily Martin and Matt Schindell join Tony to share a few upcoming stories, including what’s on the menu in space, how Earth’s oceans teach us about exploring the cosmos, and what it takes to be an astronaut. We’ll also give you a peek into <em>AirSpace’s</em> maiden voyage, where the team looks at what happens when a bunch of scientists attempt to live like Martians. If you’ve ever thought changing time zones was hard, try living on “Mars Time.” </p>

<p>A special thank you to our sponsor, Hanover Press.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c781353a-f56b-4701-8ba2-8ecf3a5a446a/Sidedoor16_Seg1_Airspace_Blank.mp3" type="audio/mpeg" length="21569424"/>
      <itunes:subtitle>Tony chats with the hosts of new Smithsonian podcast, Airspace </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>17:58</itunes:duration>
      <category>
        <![CDATA[Air and Space]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Mars]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Outer Space]]>
      </category>
      <category>
        <![CDATA[Planet]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Air and Space Museum]]>
      </category>
      <category>
        <![CDATA[Solar System]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Join Sidedoor in welcoming AirSpace, a new gravity-defying podcast from the Smithsonian’s National Air and Space Museum. Hosts Emily Martin and Matt Schindell join Tony to share a few upcoming stories, including what’s on the menu in space, how Earth’s oceans teach us about exploring the cosmos, and what it takes to be an astronaut. We’ll also give you a peek into AirSpace’s maiden voyage, where the team looks at what happens when a bunch of scientists attempt to live like Martians. If you’ve ever thought changing time zones was hard, try living on “Mars Time.” 

A special thank you to our sponsor, Hanover Press.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="21569424" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c781353a-f56b-4701-8ba2-8ecf3a5a446a/Sidedoor16_Seg1_Airspace_Blank.mp3"/>
      <content:encoded>
        <![CDATA[<p>Join <em>Sidedoor</em> in welcoming <em>AirSpace,</em> a new gravity-defying podcast from the Smithsonian’s National Air and Space Museum. Hosts Emily Martin and Matt Schindell join Tony to share a few upcoming stories, including what’s on the menu in space, how Earth’s oceans teach us about exploring the cosmos, and what it takes to be an astronaut. We’ll also give you a peek into <em>AirSpace’s</em> maiden voyage, where the team looks at what happens when a bunch of scientists attempt to live like Martians. If you’ve ever thought changing time zones was hard, try living on “Mars Time.” </p>

<p>A special thank you to our sponsor, Hanover Press.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_38cac8bd-4723-4cce-9a64-a805acfc6e26</guid>
      <title>If These Bones Could Talk</title>
      <pubDate>Wed, 03 Jan 2018 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_38cac8bd-4723-4cce-9a64-a805acfc6e26&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>While we’re hard at work on some exciting new things, we wanted to start the new year off with one of our favorites from 2017:  If These Bones Could Talk.  Explorer, scholar and 19th Century Smithsonian darling Robert Kennicott seemed destined to lead a full and adventurous life. Then, at the age of 30, on an expedition to Russian Alaska in 1866, Kennicott was mysteriously discovered dead by a riverside. Rumors of all colors circulated about the cause of his death, although, it wasn’t until 135 years later, in 2001, that two Smithsonian forensic scientists cracked the case.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/38cac8bd-4723-4cce-9a64-a805acfc6e26/Sidedoor15_Seg1_Kennicott_Jan_Rerun.mp3" type="audio/mpeg" length="38961242"/>
      <itunes:subtitle>A forensic mystery, 135 years in the making.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>26:55</itunes:duration>
      <category>
        <![CDATA[Death]]>
      </category>
      <category>
        <![CDATA[Forensic]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Mystery]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Scientist]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Natural History Museum]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[While we’re hard at work on some exciting new things, we wanted to start the new year off with one of our favorites from 2017:  If These Bones Could Talk.  Explorer, scholar and 19th Century Smithsonian darling Robert Kennicott seemed destined to lead a full and adventurous life. Then, at the age of 30, on an expedition to Russian Alaska in 1866, Kennicott was mysteriously discovered dead by a riverside. Rumors of all colors circulated about the cause of his death, although, it wasn’t until 135 years later, in 2001, that two Smithsonian forensic scientists cracked the case.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="38961242" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/38cac8bd-4723-4cce-9a64-a805acfc6e26/Sidedoor15_Seg1_Kennicott_Jan_Rerun.mp3"/>
      <content:encoded>
        <![CDATA[<p>While we’re hard at work on some exciting new things, we wanted to start the new year off with one of our favorites from 2017:  If These Bones Could Talk.  Explorer, scholar and 19th Century Smithsonian darling Robert Kennicott seemed destined to lead a full and adventurous life. Then, at the age of 30, on an expedition to Russian Alaska in 1866, Kennicott was mysteriously discovered dead by a riverside. Rumors of all colors circulated about the cause of his death, although, it wasn’t until 135 years later, in 2001, that two Smithsonian forensic scientists cracked the case.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_b1e71be6-b4cf-4698-894a-22b245919ab7</guid>
      <title>The Many Lives of Owney the Dog</title>
      <pubDate>Wed, 20 Dec 2017 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_b1e71be6-b4cf-4698-894a-22b245919ab7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>120 years ago, Owney was a global celebrity. He was also a dog. And no, he didn’t juggle plates or dance on two legs, Owney was famous for simply riding trains with the US mail. So, climb aboard the Sidedoor Express and join us as we revisit different chapters of Owney’s story – his rise to fame, his disastrous fall, and his remarkable return to the spotlight at the Smithsonian’s National Postal Museum. It’ll be a doggone good time.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b1e71be6-b4cf-4698-894a-22b245919ab7/Sidedoor14_Seg1_Owney_the_Postal_Dog.mp3" type="audio/mpeg" length="29340960"/>
      <itunes:subtitle>All aboard Owney's USPS Express</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:27</itunes:duration>
      <category>
        <![CDATA[Delivery]]>
      </category>
      <category>
        <![CDATA[Dogs]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Mail]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[National Postal Museum]]>
      </category>
      <category>
        <![CDATA[Owney]]>
      </category>
      <category>
        <![CDATA[Owney the dog]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Taxidermy]]>
      </category>
      <category>
        <![CDATA[Train Mail]]>
      </category>
      <category>
        <![CDATA[USPA]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[120 years ago, Owney was a global celebrity. He was also a dog. And no, he didn’t juggle plates or dance on two legs, Owney was famous for simply riding trains with the US mail. So, climb aboard the Sidedoor Express and join us as we revisit different chapters of Owney’s story – his rise to fame, his disastrous fall, and his remarkable return to the spotlight at the Smithsonian’s National Postal Museum. It’ll be a doggone good time.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="29340960" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b1e71be6-b4cf-4698-894a-22b245919ab7/Sidedoor14_Seg1_Owney_the_Postal_Dog.mp3"/>
      <content:encoded>
        <![CDATA[<p>120 years ago, Owney was a global celebrity. He was also a dog. And no, he didn’t juggle plates or dance on two legs, Owney was famous for simply riding trains with the US mail. So, climb aboard the Sidedoor Express and join us as we revisit different chapters of Owney’s story – his rise to fame, his disastrous fall, and his remarkable return to the spotlight at the Smithsonian’s National Postal Museum. It’ll be a doggone good time.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c602e2c5-72e4-4ef7-b42d-831c796b596b</guid>
      <title>This One's for Dilla</title>
      <pubDate>Wed, 06 Dec 2017 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c602e2c5-72e4-4ef7-b42d-831c796b596b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Even if you’ve never heard his name, you’ve probably heard his sound. J Dilla was a prolific hip-hop artist who collaborated with many hip-hop greats – from Questlove to Erykah Badu to Eminem. In this episode, we’re telling the story of J Dilla’s life and legacy through those that knew him best – his mother (aka Ma Dukes), James Poyser, and Frank Nitt – and some surprising objects on display at the Smithsonian’s National Museum of African American History and Culture.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c602e2c5-72e4-4ef7-b42d-831c796b596b/Sidedoor13_Seg1_J_Dilla.mp3" type="audio/mpeg" length="40317288"/>
      <itunes:subtitle>J Dilla:  the man behind the beats</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:59</itunes:duration>
      <category>
        <![CDATA[90s Hip-Hop]]>
      </category>
      <category>
        <![CDATA[African American History and Culture]]>
      </category>
      <category>
        <![CDATA[African American History and Culture Museum]]>
      </category>
      <category>
        <![CDATA[DJ]]>
      </category>
      <category>
        <![CDATA[Dilla]]>
      </category>
      <category>
        <![CDATA[Hip-Hop]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[J Dilla]]>
      </category>
      <category>
        <![CDATA[Ma Dukes]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[NMAAHC]]>
      </category>
      <category>
        <![CDATA[Rap]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian African American History and Culture Museum]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Even if you’ve never heard his name, you’ve probably heard his sound. J Dilla was a prolific hip-hop artist who collaborated with many hip-hop greats – from Questlove to Erykah Badu to Eminem. In this episode, we’re telling the story of J Dilla’s life and legacy through those that knew him best – his mother (aka Ma Dukes), James Poyser, and Frank Nitt – and some surprising objects on display at the Smithsonian’s National Museum of African American History and Culture.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="40317288" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c602e2c5-72e4-4ef7-b42d-831c796b596b/Sidedoor13_Seg1_J_Dilla.mp3"/>
      <content:encoded>
        <![CDATA[<p>Even if you’ve never heard his name, you’ve probably heard his sound. J Dilla was a prolific hip-hop artist who collaborated with many hip-hop greats – from Questlove to Erykah Badu to Eminem. In this episode, we’re telling the story of J Dilla’s life and legacy through those that knew him best – his mother (aka Ma Dukes), James Poyser, and Frank Nitt – and some surprising objects on display at the Smithsonian’s National Museum of African American History and Culture.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_0a83264c-71a7-4771-ac8a-ed3c35bbad05</guid>
      <title>LIVE!  Cookin' Up Stories </title>
      <pubDate>Wed, 22 Nov 2017 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_0a83264c-71a7-4771-ac8a-ed3c35bbad05&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Does your ham sandwich have something to say? Quite possibly. Food can be a powerful storytelling tool. Many chefs, like authors, carefully craft meals or menus to transform a dining experience into a cultural, historical, or educational adventure. This week on <em>Sidedoor</em>, chef Jerome Grant from the Smithsonian's National Museum of African American History and Culture, and Maricel Presilla, who was the first female Latin American guest chef at the White House, discuss the story-rich menus that put them in the spotlight. Recorded live at the National Museum of American History’s Food History Weekend.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/0a83264c-71a7-4771-ac8a-ed3c35bbad05/Sidedoor12_seg1_Food_Live_Show.mp3" type="audio/mpeg" length="39268738"/>
      <itunes:subtitle>Two famous chefs explain how food does more than keep us alive  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>27:16</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Does your ham sandwich have something to say? Quite possibly. Food can be a powerful storytelling tool. Many chefs, like authors, carefully craft meals or menus to transform a dining experience into a cultural, historical, or educational adventure. This week on Sidedoor, chef Jerome Grant from the Smithsonian's National Museum of African American History and Culture, and Maricel Presilla, who was the first female Latin American guest chef at the White House, discuss the story-rich menus that put them in the spotlight. Recorded live at the National Museum of American History’s Food History Weekend.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="39268738" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/0a83264c-71a7-4771-ac8a-ed3c35bbad05/Sidedoor12_seg1_Food_Live_Show.mp3"/>
      <content:encoded>
        <![CDATA[<p>Does your ham sandwich have something to say? Quite possibly. Food can be a powerful storytelling tool. Many chefs, like authors, carefully craft meals or menus to transform a dining experience into a cultural, historical, or educational adventure. This week on <em>Sidedoor</em>, chef Jerome Grant from the Smithsonian's National Museum of African American History and Culture, and Maricel Presilla, who was the first female Latin American guest chef at the White House, discuss the story-rich menus that put them in the spotlight. Recorded live at the National Museum of American History’s Food History Weekend.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_f1721390-3ff2-4bfb-8d8d-00b5d9b5bb5b</guid>
      <title>The Hungry Hungry Hippo Baby</title>
      <pubDate>Wed, 08 Nov 2017 05:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_f1721390-3ff2-4bfb-8d8d-00b5d9b5bb5b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>A hippo, an orangutan, and a scientist walk into a milk bar... or so our story goes. In January 2017, a baby hippo was born at the Cincinnati Zoo six weeks premature and some 30 pounds underweight. Her name was Fiona, and getting her to put on pounds was a life or death matter. Unfortunately, nursing wasn't an option and the only hippo formula recipe on file was old and out of date. To devise a new one, team Fiona turned to the scientists at the world's largest exotic milk repository at the Smithsonian's National Zoo. But could they do it in time…and would Fiona drink it?</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f1721390-3ff2-4bfb-8d8d-00b5d9b5bb5b/Sidedoor11_Seg1_Milk_Bank.mp3" type="audio/mpeg" length="30287516"/>
      <itunes:subtitle>A hippo, an orangutan, and a scientist walk into a milk bar...</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:01</itunes:duration>
      <category>
        <![CDATA[Animals]]>
      </category>
      <category>
        <![CDATA[Baby Hippo]]>
      </category>
      <category>
        <![CDATA[Death]]>
      </category>
      <category>
        <![CDATA[Hippo]]>
      </category>
      <category>
        <![CDATA[Milk]]>
      </category>
      <category>
        <![CDATA[Milk bank]]>
      </category>
      <category>
        <![CDATA[Milk bar]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Scientist]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Zoo]]>
      </category>
      <category>
        <![CDATA[Zoo]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[A hippo, an orangutan, and a scientist walk into a milk bar... or so our story goes. In January 2017, a baby hippo was born at the Cincinnati Zoo six weeks premature and some 30 pounds underweight. Her name was Fiona, and getting her to put on pounds was a life or death matter. Unfortunately, nursing wasn't an option and the only hippo formula recipe on file was old and out of date. To devise a new one, team Fiona turned to the scientists at the world's largest exotic milk repository at the Smithsonian's National Zoo. But could they do it in time…and would Fiona drink it?]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="30287516" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/f1721390-3ff2-4bfb-8d8d-00b5d9b5bb5b/Sidedoor11_Seg1_Milk_Bank.mp3"/>
      <content:encoded>
        <![CDATA[<p>A hippo, an orangutan, and a scientist walk into a milk bar... or so our story goes. In January 2017, a baby hippo was born at the Cincinnati Zoo six weeks premature and some 30 pounds underweight. Her name was Fiona, and getting her to put on pounds was a life or death matter. Unfortunately, nursing wasn't an option and the only hippo formula recipe on file was old and out of date. To devise a new one, team Fiona turned to the scientists at the world's largest exotic milk repository at the Smithsonian's National Zoo. But could they do it in time…and would Fiona drink it?</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_18f24a02-8aef-4d38-b46e-26a3de22c71d</guid>
      <title>Murder Is Her Hobby</title>
      <pubDate>Wed, 25 Oct 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_18f24a02-8aef-4d38-b46e-26a3de22c71d&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman. Using the skills that high-society ladies were expected to have -- like sewing, crafting, and knitting -- Frances revolutionized the male-dominated world of crime scene investigation. Her most celebrated contribution: 19 intricate dioramas depicting violent murder scenes. In this episode of Sidedoor, we'll explore Frances's morbid obsession, and discover why the Smithsonian's Renwick Gallery has chosen to put them on display.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/18f24a02-8aef-4d38-b46e-26a3de22c71d/Sidedoor10_Seg1_Nutshells_Unexplained_Death.mp3" type="audio/mpeg" length="36109316"/>
      <itunes:subtitle>Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:04</itunes:duration>
      <category>
        <![CDATA[20th century]]>
      </category>
      <category>
        <![CDATA[Baltimore]]>
      </category>
      <category>
        <![CDATA[Chicago]]>
      </category>
      <category>
        <![CDATA[Frances Lee Glessner]]>
      </category>
      <category>
        <![CDATA[Harvard]]>
      </category>
      <category>
        <![CDATA[Renwick]]>
      </category>
      <category>
        <![CDATA[Smithsonian American Art Museum]]>
      </category>
      <category>
        <![CDATA[Women's History]]>
      </category>
      <category>
        <![CDATA[crime]]>
      </category>
      <category>
        <![CDATA[forensics]]>
      </category>
      <category>
        <![CDATA[murder box]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman. Using the skills that high-society ladies were expected to have -- like sewing, crafting, and knitting -- Frances revolutionized the male-dominated world of crime scene investigation. Her most celebrated contribution: 19 intricate dioramas depicting violent murder scenes. In this episode of Sidedoor, we'll explore Frances's morbid obsession, and discover why the Smithsonian's Renwick Gallery has chosen to put them on display.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="36109316" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/18f24a02-8aef-4d38-b46e-26a3de22c71d/Sidedoor10_Seg1_Nutshells_Unexplained_Death.mp3"/>
      <content:encoded>
        <![CDATA[<p>Heiress, divorcée … mother of forensic science? Frances Glessner Lee was not your average 19th century woman. Using the skills that high-society ladies were expected to have -- like sewing, crafting, and knitting -- Frances revolutionized the male-dominated world of crime scene investigation. Her most celebrated contribution: 19 intricate dioramas depicting violent murder scenes. In this episode of Sidedoor, we'll explore Frances's morbid obsession, and discover why the Smithsonian's Renwick Gallery has chosen to put them on display.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_c4804f0d-68d8-4233-af4a-71418bf49612</guid>
      <title>Confronting the Past </title>
      <pubDate>Wed, 11 Oct 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_c4804f0d-68d8-4233-af4a-71418bf49612&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In 1921, a riot destroyed almost 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows exactly how many people died, no one was ever convicted, and no one really talked about it until nearly a century later. In this episode, Sidedoor explores the story of the Tulsa Race Massacre and why it's important that you know it. Episode originally released Nov. 9, 2016.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c4804f0d-68d8-4233-af4a-71418bf49612/Sidedoor9_Seg1_Tulsa_Massacre_Rerun.mp3" type="audio/mpeg" length="35830746"/>
      <itunes:subtitle>This is the story of the Tulsa Race Massacre and why it's important that you know it.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:52</itunes:duration>
      <category>
        <![CDATA[1920]]>
      </category>
      <category>
        <![CDATA[20th century]]>
      </category>
      <category>
        <![CDATA[African American]]>
      </category>
      <category>
        <![CDATA[African American History and Culture]]>
      </category>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Black History]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[Diversity]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Midwest]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[National Museum of American History]]>
      </category>
      <category>
        <![CDATA[Oklahoma]]>
      </category>
      <category>
        <![CDATA[Race]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Tulsa]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In 1921, a riot destroyed almost 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows exactly how many people died, no one was ever convicted, and no one really talked about it until nearly a century later. In this episode, Sidedoor explores the story of the Tulsa Race Massacre and why it's important that you know it. Episode originally released Nov. 9, 2016.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35830746" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/c4804f0d-68d8-4233-af4a-71418bf49612/Sidedoor9_Seg1_Tulsa_Massacre_Rerun.mp3"/>
      <content:encoded>
        <![CDATA[<p>In 1921, a riot destroyed almost 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows exactly how many people died, no one was ever convicted, and no one really talked about it until nearly a century later. In this episode, Sidedoor explores the story of the Tulsa Race Massacre and why it's important that you know it. Episode originally released Nov. 9, 2016.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_aabd588f-8ed8-4da0-b941-35e5e61b9e3f</guid>
      <title>Grandma Turned Me into a Ghost</title>
      <pubDate>Wed, 27 Sep 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_aabd588f-8ed8-4da0-b941-35e5e61b9e3f&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Haunted by her not-so-nice grandmother, a young woman finds herself turning into a ghost. Writer Anelise Chen reads her essay “Who Haunts,” and discusses the ways in which our families shape our personal and cultural identities, for better or worse. Chen was recently featured at the Smithsonian's first-ever Asian American Literature Festival in Washington, D.C. Original score by Nico Porcaro.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/aabd588f-8ed8-4da0-b941-35e5e61b9e3f/Sidedoor8_Seg1_Grandmother_Ghost.mp3" type="audio/mpeg" length="30531656"/>
      <itunes:subtitle>Anelise Chen tells her story of how she became a ghost</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>21:12</itunes:duration>
      <category>
        <![CDATA[Anelise Chen]]>
      </category>
      <category>
        <![CDATA[Asian Pacific American Center]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[Family]]>
      </category>
      <category>
        <![CDATA[Ghosts]]>
      </category>
      <category>
        <![CDATA[Grandma]]>
      </category>
      <category>
        <![CDATA[Identity]]>
      </category>
      <category>
        <![CDATA[LIterature Festival]]>
      </category>
      <category>
        <![CDATA[Literature]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Storytelling]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Haunted by her not-so-nice grandmother, a young woman finds herself turning into a ghost. Writer Anelise Chen reads her essay “Who Haunts,” and discusses the ways in which our families shape our personal and cultural identities, for better or worse. Chen was recently featured at the Smithsonian's first-ever Asian American Literature Festival in Washington, D.C. Original score by Nico Porcaro.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="30531656" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/aabd588f-8ed8-4da0-b941-35e5e61b9e3f/Sidedoor8_Seg1_Grandmother_Ghost.mp3"/>
      <content:encoded>
        <![CDATA[<p>Haunted by her not-so-nice grandmother, a young woman finds herself turning into a ghost. Writer Anelise Chen reads her essay “Who Haunts,” and discusses the ways in which our families shape our personal and cultural identities, for better or worse. Chen was recently featured at the Smithsonian's first-ever Asian American Literature Festival in Washington, D.C. Original score by Nico Porcaro.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a31ec09f-07c8-4b5b-a2ea-7115074048c5</guid>
      <title>The Man Who Defied Gravity </title>
      <pubDate>Wed, 13 Sep 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a31ec09f-07c8-4b5b-a2ea-7115074048c5&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the late 1800s, Paul Cinquevalli was one of the most famous and thrilling entertainers in the world. Tales of his juggling and balancing exploits spanned continents. But by the mid 20th century, his name was all but forgotten. In this episode, <em>Sidedoor</em> explores Cinquevalli’s epic rise and fall, and brings you inside the Smithsonian Folklife Festival’s circus tents for a one-of-a-kind Cinquevalli-inspired juggling revival. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a31ec09f-07c8-4b5b-a2ea-7115074048c5/Sidedoor7_Seg1_Juggling.mp3" type="audio/mpeg" length="35418212"/>
      <itunes:subtitle>Meet one of the most famous entertainers you've never heard of. </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:35</itunes:duration>
      <category>
        <![CDATA[20th Century]]>
      </category>
      <category>
        <![CDATA[Circus]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[Entertainment]]>
      </category>
      <category>
        <![CDATA[Fame]]>
      </category>
      <category>
        <![CDATA[Folklife]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Juggling]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Paul Cinquevalli]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Folklife Festival]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the late 1800s, Paul Cinquevalli was one of the most famous and thrilling entertainers in the world. Tales of his juggling and balancing exploits spanned continents. But by the mid 20th century, his name was all but forgotten. In this episode, Sidedoor explores Cinquevalli’s epic rise and fall, and brings you inside the Smithsonian Folklife Festival’s circus tents for a one-of-a-kind Cinquevalli-inspired juggling revival. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="35418212" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a31ec09f-07c8-4b5b-a2ea-7115074048c5/Sidedoor7_Seg1_Juggling.mp3"/>
      <content:encoded>
        <![CDATA[<p>In the late 1800s, Paul Cinquevalli was one of the most famous and thrilling entertainers in the world. Tales of his juggling and balancing exploits spanned continents. But by the mid 20th century, his name was all but forgotten. In this episode, <em>Sidedoor</em> explores Cinquevalli’s epic rise and fall, and brings you inside the Smithsonian Folklife Festival’s circus tents for a one-of-a-kind Cinquevalli-inspired juggling revival. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_8c69e471-96b1-4e35-84f0-0bf62f2a9193</guid>
      <title>Artist in Dissidence </title>
      <pubDate>Wed, 30 Aug 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_8c69e471-96b1-4e35-84f0-0bf62f2a9193&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>An artist steps in front of a camera and drops a priceless 2000-year-old vase onto the floor, smashing it into a million pieces. This is Ai Weiwei, and the resulting photographs are one of his most well-known works of art. Many were inspired; others were enraged. And around the world it got people talking. In this episode, we explore Ai Weiwei’s controversial career, and how he uses art to rally against political and social injustice. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8c69e471-96b1-4e35-84f0-0bf62f2a9193/Sidedoor6_Seg1_AiWeiwei.mp3" type="audio/mpeg" length="25332100"/>
      <itunes:subtitle>An insight into the life of artist Ai Weiwei</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>17:35</itunes:duration>
      <category>
        <![CDATA[Activist]]>
      </category>
      <category>
        <![CDATA[Ai Weiwei]]>
      </category>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Hirshhorn]]>
      </category>
      <category>
        <![CDATA[Legos]]>
      </category>
      <category>
        <![CDATA[Modern Art]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Hirshhorn Museum]]>
      </category>
      <category>
        <![CDATA[Trace]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[An artist steps in front of a camera and drops a priceless 2000-year-old vase onto the floor, smashing it into a million pieces. This is Ai Weiwei, and the resulting photographs are one of his most well-known works of art. Many were inspired; others were enraged. And around the world it got people talking. In this episode, we explore Ai Weiwei’s controversial career, and how he uses art to rally against political and social injustice. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="25332100" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/8c69e471-96b1-4e35-84f0-0bf62f2a9193/Sidedoor6_Seg1_AiWeiwei.mp3"/>
      <content:encoded>
        <![CDATA[<p>An artist steps in front of a camera and drops a priceless 2000-year-old vase onto the floor, smashing it into a million pieces. This is Ai Weiwei, and the resulting photographs are one of his most well-known works of art. Many were inspired; others were enraged. And around the world it got people talking. In this episode, we explore Ai Weiwei’s controversial career, and how he uses art to rally against political and social injustice. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_7a626aa6-41dc-4de4-b537-601902b4a05c</guid>
      <title>LIVE! Unintended Consequences</title>
      <pubDate>Wed, 16 Aug 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_7a626aa6-41dc-4de4-b537-601902b4a05c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Catty gossip that led to a presidential scandal, the earliest mavericks of American cinema, and the risque Roman origins of a favorite Disney character. This week, we bring you tales of small things that snowballed and had outsized impacts on history, art and culture. Presented live at the 2017 NYC Podfest. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7a626aa6-41dc-4de4-b537-601902b4a05c/Sidedoor6_Seg1_Live_From_NYC_2.mp3" type="audio/mpeg" length="42197166"/>
      <itunes:subtitle>Moments with one intention become another.  </itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:18</itunes:duration>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Catty gossip that led to a presidential scandal, the earliest mavericks of American cinema, and the risque Roman origins of a favorite Disney character. This week, we bring you tales of small things that snowballed and had outsized impacts on history, art and culture. Presented live at the 2017 NYC Podfest. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="42197166" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/7a626aa6-41dc-4de4-b537-601902b4a05c/Sidedoor6_Seg1_Live_From_NYC_2.mp3"/>
      <content:encoded>
        <![CDATA[<p>Catty gossip that led to a presidential scandal, the earliest mavericks of American cinema, and the risque Roman origins of a favorite Disney character. This week, we bring you tales of small things that snowballed and had outsized impacts on history, art and culture. Presented live at the 2017 NYC Podfest. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_81361f20-9f1e-4dcb-9fd3-7c1a36d0b83a</guid>
      <title>The Mean, Green, Water-Cleaning Machine</title>
      <pubDate>Wed, 02 Aug 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_81361f20-9f1e-4dcb-9fd3-7c1a36d0b83a&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In the early 1980s, a scientist invented a machine that could naturally filter out pollution from rivers, lakes, and other bodies of water. So, why isn't it everywhere today? In this episode, we explore the secret behind this powerful green technology (spoiler alert: it's algae!) and track its journey from a coral reef in the Caribbean to the basement of the National Museum of Natural History in Washington, D.C., and finally a port in Baltimore, where it is now being used to clean up one of the region's most polluted waterways.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/81361f20-9f1e-4dcb-9fd3-7c1a36d0b83a/Sidedoor5_Seg1_Algae.mp3" type="audio/mpeg" length="45016456"/>
      <itunes:subtitle>One man's journey to fight pollution with his algal solution.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>23:11</itunes:duration>
      <category>
        <![CDATA[ATS]]>
      </category>
      <category>
        <![CDATA[Algae]]>
      </category>
      <category>
        <![CDATA[Dr. Walter Adey]]>
      </category>
      <category>
        <![CDATA[Environment]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Pollution]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Scientist]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Natural History Museum]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In the early 1980s, a scientist invented a machine that could naturally filter out pollution from rivers, lakes, and other bodies of water. So, why isn't it everywhere today? In this episode, we explore the secret behind this powerful green technology (spoiler alert: it's algae!) and track its journey from a coral reef in the Caribbean to the basement of the National Museum of Natural History in Washington, D.C., and finally a port in Baltimore, where it is now being used to clean up one of the region's most polluted waterways.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="45016456" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/81361f20-9f1e-4dcb-9fd3-7c1a36d0b83a/Sidedoor5_Seg1_Algae.mp3"/>
      <content:encoded>
        <![CDATA[<p>In the early 1980s, a scientist invented a machine that could naturally filter out pollution from rivers, lakes, and other bodies of water. So, why isn't it everywhere today? In this episode, we explore the secret behind this powerful green technology (spoiler alert: it's algae!) and track its journey from a coral reef in the Caribbean to the basement of the National Museum of Natural History in Washington, D.C., and finally a port in Baltimore, where it is now being used to clean up one of the region's most polluted waterways.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_a0fa067b-26c8-4696-86a3-c505f11201ca</guid>
      <title>The Art of War</title>
      <pubDate>Wed, 19 Jul 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_a0fa067b-26c8-4696-86a3-c505f11201ca&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In this episode, we look at artists whose work has helped reveal the human side of war. You’ll hear about a famous artist who got his start sketching Civil War soldiers and landscapes, and how he was never the same again. Also featured are two contemporary artists: a painter whose work depicts war's psychological impact on his best friend, and a female combat photographer who repeatedly risked her own life to document her fellow soldiers’ experiences on the battlefield.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a0fa067b-26c8-4696-86a3-c505f11201ca/Sidedoor4_Seg1_ArtofWar.mp3" type="audio/mpeg" length="19240075"/>
      <itunes:subtitle>A lens into the human side of war.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>23:11</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Death]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[PTSD]]>
      </category>
      <category>
        <![CDATA[Photography]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian National Portrait Gallery]]>
      </category>
      <category>
        <![CDATA[Soldiers]]>
      </category>
      <category>
        <![CDATA[War]]>
      </category>
      <category>
        <![CDATA[War Photos]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In this episode, we look at artists whose work has helped reveal the human side of war. You’ll hear about a famous artist who got his start sketching Civil War soldiers and landscapes, and how he was never the same again. Also featured are two contemporary artists: a painter whose work depicts war's psychological impact on his best friend, and a female combat photographer who repeatedly risked her own life to document her fellow soldiers’ experiences on the battlefield.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="19240075" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/a0fa067b-26c8-4696-86a3-c505f11201ca/Sidedoor4_Seg1_ArtofWar.mp3"/>
      <content:encoded>
        <![CDATA[<p>In this episode, we look at artists whose work has helped reveal the human side of war. You’ll hear about a famous artist who got his start sketching Civil War soldiers and landscapes, and how he was never the same again. Also featured are two contemporary artists: a painter whose work depicts war's psychological impact on his best friend, and a female combat photographer who repeatedly risked her own life to document her fellow soldiers’ experiences on the battlefield.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_dd533642-80fd-4d67-88a5-e47545a86c6c</guid>
      <title>Bonus: Ale to the Chief </title>
      <pubDate>Wed, 12 Jul 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_dd533642-80fd-4d67-88a5-e47545a86c6c&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>In this mini-episode, Sidedoor host Tony Cohn interviews Sam Kass, former Obama White House chef and one of the people responsible for the first beer ever known to be brewed at the White House. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dd533642-80fd-4d67-88a5-e47545a86c6c/Dummy_Segment_fixed.mp3" type="audio/mpeg" length="12433581"/>
      <itunes:subtitle>Tony catches up with former White House chef and brewer, Sam Kass.</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>12:48</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Beer]]>
      </category>
      <category>
        <![CDATA[Brew]]>
      </category>
      <category>
        <![CDATA[Brewing]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Homebrew]]>
      </category>
      <category>
        <![CDATA[Hops]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Obama]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Sam Kass]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[White House]]>
      </category>
      <category>
        <![CDATA[White House Brewing]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[In this mini-episode, Sidedoor host Tony Cohn interviews Sam Kass, former Obama White House chef and one of the people responsible for the first beer ever known to be brewed at the White House. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="12433581" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/dd533642-80fd-4d67-88a5-e47545a86c6c/Dummy_Segment_fixed.mp3"/>
      <content:encoded>
        <![CDATA[<p>In this mini-episode, Sidedoor host Tony Cohn interviews Sam Kass, former Obama White House chef and one of the people responsible for the first beer ever known to be brewed at the White House. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_35bfdaf7-618d-4976-b29f-4f53909dd857</guid>
      <title>Red, White and Brew</title>
      <pubDate>Wed, 05 Jul 2017 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_35bfdaf7-618d-4976-b29f-4f53909dd857&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>How much do you know about the history of American home-brewing? In this episode of Sidedoor you'll meet the Smithsonian's first brewing historian, Theresa McCulla, and learn about the role of women, enslaved people, and immigrants in the country's complex — and often surprising — relationship with beer. You'll also meet a new wave of brewers who are working to craft some flavorful history of their own. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/35bfdaf7-618d-4976-b29f-4f53909dd857/Sidedoor2_Seg1_Beer.mp3" type="audio/mpeg" length="30199272"/>
      <itunes:subtitle>Hop into America’s brewing pot, past and present.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:duration>25:09</itunes:duration>
      <category>
        <![CDATA[American History]]>
      </category>
      <category>
        <![CDATA[Beer]]>
      </category>
      <category>
        <![CDATA[Beer Historian]]>
      </category>
      <category>
        <![CDATA[Brew]]>
      </category>
      <category>
        <![CDATA[Brewing]]>
      </category>
      <category>
        <![CDATA[Diversity]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Homebrew]]>
      </category>
      <category>
        <![CDATA[Hops]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian American History Museum]]>
      </category>
      <category>
        <![CDATA[Women]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[How much do you know about the history of American home-brewing? In this episode of Sidedoor you'll meet the Smithsonian's first brewing historian, Theresa McCulla, and learn about the role of women, enslaved people, and immigrants in the country's complex — and often surprising — relationship with beer. You'll also meet a new wave of brewers who are working to craft some flavorful history of their own. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="30199272" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/35bfdaf7-618d-4976-b29f-4f53909dd857/Sidedoor2_Seg1_Beer.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_ff1bb0c1-f5c0-478e-81bc-f1969e2ba80b</guid>
      <title>If These Bones Could Talk </title>
      <pubDate>Wed, 21 Jun 2017 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_ff1bb0c1-f5c0-478e-81bc-f1969e2ba80b&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Explorer, scholar and 19th Century Smithsonian darling Robert Kennicott seemed destined to lead a full and adventurous life. Then, at the age of 30, on an expedition to Russian Alaska in 1866, Kennicott was mysteriously discovered dead by a riverside. Rumors of all colors circulated about the cause of his death, although, it wasn’t until 135 years later, in 2001, that two Smithsonian forensic scientists cracked the case. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ff1bb0c1-f5c0-478e-81bc-f1969e2ba80b/Sidedoor1_Seg1_Kennicott.mp3" type="audio/mpeg" length="15891471"/>
      <itunes:subtitle>A forensic mystery, 135 years in the making.  </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:duration>26:28</itunes:duration>
      <category>
        <![CDATA[Death]]>
      </category>
      <category>
        <![CDATA[Forensic]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museums]]>
      </category>
      <category>
        <![CDATA[Mystery]]>
      </category>
      <category>
        <![CDATA[Natural History]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Scientist]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Smithsonian Natural History Museum]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Explorer, scholar and 19th Century Smithsonian darling Robert Kennicott seemed destined to lead a full and adventurous life. Then, at the age of 30, on an expedition to Russian Alaska in 1866, Kennicott was mysteriously discovered dead by a riverside. Rumors of all colors circulated about the cause of his death, although, it wasn’t until 135 years later, in 2001, that two Smithsonian forensic scientists cracked the case. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="15891471" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/ff1bb0c1-f5c0-478e-81bc-f1969e2ba80b/Sidedoor1_Seg1_Kennicott.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">prx_69_e40ee052-602c-442e-98e0-61c03b580fc7</guid>
      <title>Guess Who's Back</title>
      <pubDate>Wed, 07 Jun 2017 04:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_69_e40ee052-602c-442e-98e0-61c03b580fc7&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor is back-- tell a friend! New season begins on Wednesday, June 21st. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e40ee052-602c-442e-98e0-61c03b580fc7/Sidedoor_S2Tease_06.07.17.mp3" type="audio/mpeg" length="1047808"/>
      <itunes:subtitle>Sidedoor is back! </itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:duration>01:44</itunes:duration>
      <category>
        <![CDATA[Art]]>
      </category>
      <category>
        <![CDATA[Culture]]>
      </category>
      <category>
        <![CDATA[Curator]]>
      </category>
      <category>
        <![CDATA[Government]]>
      </category>
      <category>
        <![CDATA[History]]>
      </category>
      <category>
        <![CDATA[Museum]]>
      </category>
      <category>
        <![CDATA[Organizations]]>
      </category>
      <category>
        <![CDATA[Research]]>
      </category>
      <category>
        <![CDATA[Science]]>
      </category>
      <category>
        <![CDATA[Sidedoor]]>
      </category>
      <category>
        <![CDATA[Smithsonian]]>
      </category>
      <category>
        <![CDATA[Tony Cohn]]>
      </category>
      <category>
        <![CDATA[adfree]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor is back-- tell a friend! New season begins on Wednesday, June 21st. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="1047808" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e40ee052-602c-442e-98e0-61c03b580fc7/Sidedoor_S2Tease_06.07.17.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">gid://art19-episode-locator/V0/QncRRhvpay7BSq7n0rDmGTR-WYqZpB1v8deorKlOHQY</guid>
      <title>Leave a Message at the Beep</title>
      <pubDate>Wed, 01 Feb 2017 16:59:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2FQncRRhvpay7BSq7n0rDmGTR-WYqZpB1v8deorKlOHQY&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Tony shares a special thanks and an exciting update for our upcoming season. Share your thoughts by emailing <a href="mailto:sidedoor@si.edu"><strong>sidedoor@si.edu</strong></a> or leave a message at 202-633-4120.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e8b3d561-5281-4b3a-af40-88a93a992ecd/Sidedoor_LeaveaMessageattheBeep_1.mp3" type="audio/mpeg" length="3190037"/>
      <itunes:subtitle>Leave a Message at the Beep</itunes:subtitle>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:duration>02:12</itunes:duration>
      <category>
        <![CDATA[adfree]]>
      </category>
      <category>
        <![CDATA[the smithsonian]]>
      </category>
      <category>
        <![CDATA[zoo]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <category>
        <![CDATA[museum]]>
      </category>
      <category>
        <![CDATA[american history]]>
      </category>
      <category>
        <![CDATA[national zoo]]>
      </category>
      <category>
        <![CDATA[washington]]>
      </category>
      <category>
        <![CDATA[dc]]>
      </category>
      <category>
        <![CDATA[sidedoor]]>
      </category>
      <category>
        <![CDATA[air and space]]>
      </category>
      <category>
        <![CDATA[national museum]]>
      </category>
      <category>
        <![CDATA[postal museum]]>
      </category>
      <category>
        <![CDATA[exhibit]]>
      </category>
      <category>
        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
      </category>
      <category>
        <![CDATA[african american history and culture]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
      </category>
      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
      </category>
      <category>
        <![CDATA[science]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[art19]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Tony shares a special thanks and an exciting update for our upcoming season. Share your thoughts by emailing <a href="mailto:sidedoor@si.edu">sidedoor@si.edu</a> or leave a message at 202-633-4120.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="3190037" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/e8b3d561-5281-4b3a-af40-88a93a992ecd/Sidedoor_LeaveaMessageattheBeep_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">gid://art19-episode-locator/V0/rfgQ_JR4ZeAEcJWipag16dwhwyy0JLEGNJrts-gN1UE</guid>
      <title>Shake It Up</title>
      <pubDate>Wed, 18 Jan 2017 05:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2FrfgQ_JR4ZeAEcJWipag16dwhwyy0JLEGNJrts-gN1UE&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Transforming things we take for granted: An astronomer who has turned the night sky into a symphony; an architecture firm that has radically rethought police stations; and an audiophile who built a successful record company on underappreciated sounds.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/04c81c07-988e-472d-92af-45b304f9ec3c/Sidedoor_ShakeItUp_Ep_8_1.mp3" type="audio/mpeg" length="14350481"/>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:duration>23:54</itunes:duration>
      <category>
        <![CDATA[space]]>
      </category>
      <category>
        <![CDATA[astrophysics]]>
      </category>
      <category>
        <![CDATA[the smithsonian]]>
      </category>
      <category>
        <![CDATA[stars]]>
      </category>
      <category>
        <![CDATA[sound]]>
      </category>
      <category>
        <![CDATA[zoo]]>
      </category>
      <category>
        <![CDATA[astronomer]]>
      </category>
      <category>
        <![CDATA[smithsonian design museum]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <category>
        <![CDATA[museum]]>
      </category>
      <category>
        <![CDATA[cooper hewitt]]>
      </category>
      <category>
        <![CDATA[washington]]>
      </category>
      <category>
        <![CDATA[dc]]>
      </category>
      <category>
        <![CDATA[sidedoor]]>
      </category>
      <category>
        <![CDATA[national museum]]>
      </category>
      <category>
        <![CDATA[postal museum]]>
      </category>
      <category>
        <![CDATA[exhibit]]>
      </category>
      <category>
        <![CDATA[sao]]>
      </category>
      <category>
        <![CDATA[police stations]]>
      </category>
      <category>
        <![CDATA[record company]]>
      </category>
      <category>
        <![CDATA[audio]]>
      </category>
      <category>
        <![CDATA[chicago]]>
      </category>
      <category>
        <![CDATA[apps]]>
      </category>
      <category>
        <![CDATA[architecture]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
      </category>
      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[symphony]]>
      </category>
      <category>
        <![CDATA[design]]>
      </category>
      <category>
        <![CDATA[smithsonian astrophysical observatory]]>
      </category>
      <category>
        <![CDATA[smithsonian folkways]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[science]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[art19]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Transforming things we take for granted: An astronomer who has turned the night sky into a symphony; an architecture firm that has radically rethought police stations; and an audiophile who built a successful record company on underappreciated sounds.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="14350481" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/04c81c07-988e-472d-92af-45b304f9ec3c/Sidedoor_ShakeItUp_Ep_8_1.mp3"/>
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    <item>
      <guid isPermaLink="false">gid://art19-episode-locator/V0/9rf3mx4Xu9GAX19kdAVgXbKIe-OqwfG8Wzc0zL4zjPo</guid>
      <title>You Do You</title>
      <pubDate>Wed, 04 Jan 2017 05:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2F9rf3mx4Xu9GAX19kdAVgXbKIe-OqwfG8Wzc0zL4zjPo&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Identity in a complex world: A look at the many roles each person plays in daily life; a group of lesbian feminists create an entirely new culture, religion and society in the 1970s; and Iraqi archaeologists work to preserve their cultural heritage after years of war.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/27950734-a653-4c58-a661-3441c69d3d29/Sidedoor_YouDoYou_Ep_7_1.mp3" type="audio/mpeg" length="11719689"/>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:duration>19:31</itunes:duration>
      <category>
        <![CDATA[the smithsonian]]>
      </category>
      <category>
        <![CDATA[lesbian]]>
      </category>
      <category>
        <![CDATA[iraq]]>
      </category>
      <category>
        <![CDATA[identity]]>
      </category>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[archaeologists]]>
      </category>
      <category>
        <![CDATA[feminist movement]]>
      </category>
      <category>
        <![CDATA[smithsonian global]]>
      </category>
      <category>
        <![CDATA[african art]]>
      </category>
      <category>
        <![CDATA[nmafa]]>
      </category>
      <category>
        <![CDATA[cultural heritage]]>
      </category>
      <category>
        <![CDATA[gay]]>
      </category>
      <category>
        <![CDATA[johnnetta cole]]>
      </category>
      <category>
        <![CDATA[african art museum]]>
      </category>
      <category>
        <![CDATA[smithsonian african art]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <category>
        <![CDATA[museum]]>
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        <![CDATA[american history]]>
      </category>
      <category>
        <![CDATA[washington]]>
      </category>
      <category>
        <![CDATA[dc]]>
      </category>
      <category>
        <![CDATA[sidedoor]]>
      </category>
      <category>
        <![CDATA[national museum]]>
      </category>
      <category>
        <![CDATA[exhibit]]>
      </category>
      <category>
        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
      </category>
      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[religion]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
      </category>
      <category>
        <![CDATA[feminism]]>
      </category>
      <category>
        <![CDATA[science]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[art19]]>
      </category>
      <category>
        <![CDATA[culture]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Identity in a complex world: A look at the many roles each person plays in daily life; a group of lesbian feminists create an entirely new culture, religion and society in the 1970s; and Iraqi archaeologists work to preserve their cultural heritage after years of war.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="11719689" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/27950734-a653-4c58-a661-3441c69d3d29/Sidedoor_YouDoYou_Ep_7_1.mp3"/>
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    <item>
      <guid isPermaLink="false">gid://art19-episode-locator/V0/TxP3fWyENEf3Q33cL6UUDlzYpHtYO0lQ0XNjrcRWevU</guid>
      <title>Gaming the System</title>
      <pubDate>Wed, 21 Dec 2016 05:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2FTxP3fWyENEf3Q33cL6UUDlzYpHtYO0lQ0XNjrcRWevU&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Bending the rules: People sending their children through the U.S. Postal Service; a Sikh man in the early 1900s tries to use the Supreme Court's racist rulings to his benefit; and the little-known story behind the iconic folk song "Rock Island Line."</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6989a2fb-5e13-4a2f-a1cd-a3139e02ecaf/Sidedoor_GamingtheSystem_Ep_6_1.mp3" type="audio/mpeg" length="13025550"/>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:duration>21:41</itunes:duration>
      <category>
        <![CDATA[the smithsonian]]>
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      <category>
        <![CDATA[mail]]>
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      <category>
        <![CDATA[supreme court]]>
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        <![CDATA[smithsonian]]>
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        <![CDATA[washington]]>
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        <![CDATA[dc]]>
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        <![CDATA[sidedoor]]>
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      <category>
        <![CDATA[national museum]]>
      </category>
      <category>
        <![CDATA[postal museum]]>
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        <![CDATA[exhibit]]>
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        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[race]]>
      </category>
      <category>
        <![CDATA[folklife]]>
      </category>
      <category>
        <![CDATA[early 1900s]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
      </category>
      <category>
        <![CDATA[folkways]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
      </category>
      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[side door]]>
      </category>
      <category>
        <![CDATA[asian pacific american center]]>
      </category>
      <category>
        <![CDATA[usps]]>
      </category>
      <category>
        <![CDATA[apac]]>
      </category>
      <category>
        <![CDATA[loopholes]]>
      </category>
      <category>
        <![CDATA[us postal service]]>
      </category>
      <category>
        <![CDATA[rock island line]]>
      </category>
      <category>
        <![CDATA[smithsonian asian pacific american center]]>
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      <category>
        <![CDATA[pop culture]]>
      </category>
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        <![CDATA[science]]>
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      <category>
        <![CDATA[history]]>
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        <![CDATA[art19]]>
      </category>
      <category>
        <![CDATA[identity]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Bending the rules: People sending their children through the U.S. Postal Service; a Sikh man in the early 1900s tries to use the Supreme Court's racist rulings to his benefit; and the little-known story behind the iconic folk song "Rock Island Line."]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="13025550" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/6989a2fb-5e13-4a2f-a1cd-a3139e02ecaf/Sidedoor_GamingtheSystem_Ep_6_1.mp3"/>
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      <title>Butting Heads</title>
      <pubDate>Wed, 07 Dec 2016 05:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2FOqPO8abHJMW186lrDoj8nDZhM899xVT5TdasWdOUJs4&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Squabbles big and small: A dining room turns two besties into lifelong enemies; a researcher embraces the panda craze; and why some dinosaur skulls were built to take a beating.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b173fe4d-728d-41d0-9a6d-9525f6539dda/Sidedoor_ButtingHeads_Ep_5_1.mp3" type="audio/mpeg" length="11124881"/>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:duration>18:31</itunes:duration>
      <category>
        <![CDATA[tedx]]>
      </category>
      <category>
        <![CDATA[the smithsonian]]>
      </category>
      <category>
        <![CDATA[panda]]>
      </category>
      <category>
        <![CDATA[zoo]]>
      </category>
      <category>
        <![CDATA[pandas]]>
      </category>
      <category>
        <![CDATA[freer sackler]]>
      </category>
      <category>
        <![CDATA[fueds]]>
      </category>
      <category>
        <![CDATA[whistler]]>
      </category>
      <category>
        <![CDATA[dinosaurs]]>
      </category>
      <category>
        <![CDATA[dining rooms]]>
      </category>
      <category>
        <![CDATA[peacock room]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <category>
        <![CDATA[museum]]>
      </category>
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        <![CDATA[national zoo]]>
      </category>
      <category>
        <![CDATA[washington]]>
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      <category>
        <![CDATA[dc]]>
      </category>
      <category>
        <![CDATA[sidedoor]]>
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      <category>
        <![CDATA[national museum]]>
      </category>
      <category>
        <![CDATA[exhibit]]>
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      <category>
        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[panda conversation]]>
      </category>
      <category>
        <![CDATA[national museum of natural history]]>
      </category>
      <category>
        <![CDATA[asian art]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
      </category>
      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
      </category>
      <category>
        <![CDATA[science]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[art19]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Squabbles big and small: A dining room turns two besties into lifelong enemies; a researcher embraces the panda craze; and why some dinosaur skulls were built to take a beating.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="11124881" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/b173fe4d-728d-41d0-9a6d-9525f6539dda/Sidedoor_ButtingHeads_Ep_5_1.mp3"/>
    </item>
    <item>
      <guid isPermaLink="false">gid://art19-episode-locator/V0/_CCcVM1NvtKWnAHLO7yI0LGtw7ftbO6DnILuzK0MZg8</guid>
      <title>Mid Season Update</title>
      <pubDate>Wed, 30 Nov 2016 05:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2F_CCcVM1NvtKWnAHLO7yI0LGtw7ftbO6DnILuzK0MZg8&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>A quick update from Tony about the show.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/d56f0dff-c0a0-4679-9da9-c8ad5361ebe2/Sidedoor_Mid_Season_Update_1.mp3" type="audio/mpeg" length="918842"/>
      <itunes:subtitle>Mid Season Update</itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:duration>0:37</itunes:duration>
      <category>
        <![CDATA[adfree]]>
      </category>
      <category>
        <![CDATA[the smithsonian]]>
      </category>
      <category>
        <![CDATA[zoo]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
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      <category>
        <![CDATA[museum]]>
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        <![CDATA[american history]]>
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        <![CDATA[washington]]>
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        <![CDATA[dc]]>
      </category>
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        <![CDATA[sidedoor]]>
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        <![CDATA[air and space]]>
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      <category>
        <![CDATA[national museum]]>
      </category>
      <category>
        <![CDATA[postal museum]]>
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        <![CDATA[exhibit]]>
      </category>
      <category>
        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[national zoo]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
      </category>
      <category>
        <![CDATA[african american history and culture]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
      </category>
      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
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      <category>
        <![CDATA[science]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[art19]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[A quick update from Tony about the show.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
      <media:content fileSize="918842" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/d56f0dff-c0a0-4679-9da9-c8ad5361ebe2/Sidedoor_Mid_Season_Update_1.mp3"/>
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    <item>
      <guid isPermaLink="false">gid://art19-episode-locator/V0/6-GiOU0SG0Hhj0ohIgIgL1f2RQxgiFd0UWGiw9HZ-Ac</guid>
      <title>Masters of Disguise</title>
      <pubDate>Wed, 23 Nov 2016 05:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2F6-GiOU0SG0Hhj0ohIgIgL1f2RQxgiFd0UWGiw9HZ-Ac&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Tales of deception and trickery: A sneaky orchid seeks sexually frustrated pollinator; a battle fought by decoys; and a gender-bending zombie invasion of the Chesapeake Bay.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/335191cd-7485-4d15-9c74-534a051f63a1/Sidedoor_MastersofDisguise_Ep_4_1.mp3" type="audio/mpeg" length="10817942"/>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:duration>18:01</itunes:duration>
      <category>
        <![CDATA[the smithsonian]]>
      </category>
      <category>
        <![CDATA[zoo]]>
      </category>
      <category>
        <![CDATA[smithsonian]]>
      </category>
      <category>
        <![CDATA[museum]]>
      </category>
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        <![CDATA[american history]]>
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        <![CDATA[washington]]>
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        <![CDATA[dc]]>
      </category>
      <category>
        <![CDATA[gardens]]>
      </category>
      <category>
        <![CDATA[sidedoor]]>
      </category>
      <category>
        <![CDATA[crabs]]>
      </category>
      <category>
        <![CDATA[air and space]]>
      </category>
      <category>
        <![CDATA[national museum]]>
      </category>
      <category>
        <![CDATA[postal museum]]>
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        <![CDATA[exhibit]]>
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      <category>
        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[enviornment]]>
      </category>
      <category>
        <![CDATA[national air and space museum]]>
      </category>
      <category>
        <![CDATA[disguise]]>
      </category>
      <category>
        <![CDATA[deception]]>
      </category>
      <category>
        <![CDATA[trickery]]>
      </category>
      <category>
        <![CDATA[research center]]>
      </category>
      <category>
        <![CDATA[pollinator]]>
      </category>
      <category>
        <![CDATA[enviornmental research]]>
      </category>
      <category>
        <![CDATA[smithsonian gardens]]>
      </category>
      <category>
        <![CDATA[decoy]]>
      </category>
      <category>
        <![CDATA[chesapeake bay]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
      </category>
      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
      </category>
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        <![CDATA[science]]>
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      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[art19]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Tales of deception and trickery: A sneaky orchid seeks sexually frustrated pollinator; a battle fought by decoys; and a gender-bending zombie invasion of the Chesapeake Bay.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
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    <item>
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      <title>Confronting the Past</title>
      <pubDate>Wed, 09 Nov 2016 05:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2FouvjQsTeehlm57_GPMfBfi_YBQaWvBxD9WZk5um3pG8&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>A 1921 riot destroyed almost 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows how many people died, no one was ever convicted and no one really talked about it until a decade ago. This is the story of the Tulsa Race Massacre and why it's important that you know it.</p>]]>
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      <itunes:subtitle>Confronting the Past</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:duration>22:25</itunes:duration>
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        <![CDATA[the smithsonian]]>
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        <![CDATA[oklahoma]]>
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        <![CDATA[tulsa]]>
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        <![CDATA[smithsonian]]>
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        <![CDATA[dc]]>
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        <![CDATA[black wallstreet]]>
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        <![CDATA[sidedoor]]>
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        <![CDATA[national museum]]>
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        <![CDATA[exhibit]]>
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        <![CDATA[1920s]]>
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      <category>
        <![CDATA[black history]]>
      </category>
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        <![CDATA[oklahoma race riot]]>
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        <![CDATA[exhibits]]>
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        <![CDATA[african american history and culture]]>
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        <![CDATA[megan detrie]]>
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        <![CDATA[tony cohn]]>
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      <category>
        <![CDATA[tulsa race riots]]>
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        <![CDATA[nmaahc]]>
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        <![CDATA[pop culture]]>
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        <![CDATA[history]]>
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        <![CDATA[art19]]>
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      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[A 1921 riot destroyed almost 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows how many people died, no one was ever convicted and no one really talked about it until a decade ago. This is the story of the Tulsa Race Massacre and why it's important that you know it.]]>
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      <title>Special Delivery</title>
      <pubDate>Wed, 26 Oct 2016 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2F-hVePducD03NgYQZdWzE3GKtYTCX5uFWUm2gAYO4nfk&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>The payoff is all in the delivery: Sending mail via cruise missile; preparing a strong-willed orangutan for primate parenthood; and failing to land a joke from the "gag file" of Phyllis Diller.</p>]]>
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      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/21dfc5cb-c6cf-4215-a411-afd07a177260/Sidedoor_TechYourself_Ep_2_1.mp3" type="audio/mpeg" length="13306106"/>
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      <itunes:duration>22:09</itunes:duration>
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        <![CDATA[the smithsonian]]>
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        <![CDATA[phyllis diller]]>
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        <![CDATA[email]]>
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        <![CDATA[zoo]]>
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        <![CDATA[smithsonian]]>
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        <![CDATA[museum]]>
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        <![CDATA[orangutan]]>
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        <![CDATA[post office]]>
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        <![CDATA[missle]]>
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        <![CDATA[national zoo]]>
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        <![CDATA[washington]]>
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      <category>
        <![CDATA[dc]]>
      </category>
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        <![CDATA[sidedoor]]>
      </category>
      <category>
        <![CDATA[air and space]]>
      </category>
      <category>
        <![CDATA[national museum]]>
      </category>
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        <![CDATA[postal museum]]>
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        <![CDATA[exhibit]]>
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        <![CDATA[natural history]]>
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        <![CDATA[research]]>
      </category>
      <category>
        <![CDATA[jokes]]>
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        <![CDATA[exhibits]]>
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        <![CDATA[tony cohn]]>
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        <![CDATA[history of the world]]>
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        <![CDATA[pop culture]]>
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        <![CDATA[science]]>
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        <![CDATA[comedian]]>
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        <![CDATA[art19]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[The payoff is all in the delivery: Sending mail via cruise missile; preparing a strong-willed orangutan for primate parenthood; and failing to land a joke from the "gag file" of Phyllis Diller.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
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      <title>Tech Yourself</title>
      <pubDate>Wed, 26 Oct 2016 04:01:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2Fx7_y3NpVURKmfqdXve8a0gn9aY3cBKGQ-vtHOLSRCKw&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Technology's grip on us: The 4-1-1 on what's behind your selfie; an artist's computer simulation shows humans aren't as unique as we think; and how the invention of standardized time made America tick.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/chrt.fm/track/281982/dovetail.prxu.org/_/69/39f1526f-d673-4cc1-a6e4-e336939d3623/Sidedoor_SpecialDelivery_Ep_1_1.mp3" type="audio/mpeg" length="12567101"/>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:duration>20:56</itunes:duration>
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        <![CDATA[selfie]]>
      </category>
      <category>
        <![CDATA[the smithsonian]]>
      </category>
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        <![CDATA[hirshhorn]]>
      </category>
      <category>
        <![CDATA[cellphone]]>
      </category>
      <category>
        <![CDATA[modern art]]>
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        <![CDATA[smithsonian]]>
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        <![CDATA[railroad]]>
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        <![CDATA[anthropology]]>
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        <![CDATA[cultural]]>
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        <![CDATA[simulation]]>
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        <![CDATA[american history]]>
      </category>
      <category>
        <![CDATA[national zoo]]>
      </category>
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        <![CDATA[washington]]>
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        <![CDATA[dc]]>
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        <![CDATA[sidedoor]]>
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        <![CDATA[national museum]]>
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        <![CDATA[exhibit]]>
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        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[time]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
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        <![CDATA[tony cohn]]>
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        <![CDATA[history of the world]]>
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        <![CDATA[pop culture]]>
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        <![CDATA[video]]>
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        <![CDATA[science]]>
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        <![CDATA[history]]>
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        <![CDATA[art19]]>
      </category>
      <category>
        <![CDATA[technology]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Technology's grip on us: The 4-1-1 on what's behind your selfie; an artist's computer simulation shows humans aren't as unique as we think; and how the invention of standardized time made America tick.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
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      <title>Season 1 Tease</title>
      <pubDate>Tue, 25 Oct 2016 13:30:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=gid%3A%2F%2Fart19-episode-locator%2FV0%2FmgMlBM76J824PII74TF_65fGPVq91mFBlCyvZMFOivg&amp;uf=http%3A%2F%2Ffeeds.si.edu%2FSmithsonianSidedoor</link>
      <description>
        <![CDATA[<p>Sidedoor, a new podcast from the Smithsonian, is launching October 26th, 2016. Start subscribing now on iTunes!</p>]]>
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      <itunes:subtitle>Season 1 Tease</itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:duration>0:45</itunes:duration>
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        <![CDATA[adfree]]>
      </category>
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        <![CDATA[the smithsonian]]>
      </category>
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        <![CDATA[zoo]]>
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        <![CDATA[smithsonian]]>
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        <![CDATA[museum]]>
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        <![CDATA[washington]]>
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        <![CDATA[dc]]>
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        <![CDATA[sidedoor]]>
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        <![CDATA[air and space]]>
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        <![CDATA[national museum]]>
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        <![CDATA[postal museum]]>
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      <category>
        <![CDATA[exhibit]]>
      </category>
      <category>
        <![CDATA[natural history]]>
      </category>
      <category>
        <![CDATA[exhibits]]>
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        <![CDATA[african american history and culture]]>
      </category>
      <category>
        <![CDATA[megan detrie]]>
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      <category>
        <![CDATA[tony cohn]]>
      </category>
      <category>
        <![CDATA[history of the world]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
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      <category>
        <![CDATA[science]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
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        <![CDATA[art19]]>
      </category>
      <itunes:author>Smithsonian Institution </itunes:author>
      <itunes:summary>
        <![CDATA[Sidedoor, a new podcast from the Smithsonian, is launching October 26th, 2016. Start subscribing now on iTunes!]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/sidedoor/images/1684e3f4-5611-4205-ae31-dcebf6119b3a/SIDEDOOR_COVER_ART_PRX_1400x1400.png"/>
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